The Giant: Orson Welles, the Artist and the Shadow

Orson Welles was a contradiction. He was unwavering as a film director; to the point of being so pioneering that he could be considered avant garde. Yet in order to fund his passion projects which he created away from the constraint of an art film despising Hollywood, the genius actor would whore himself out for desperately needed funding by appearing in some of the worst films ever made. Don't get me started on his formulaic sponsorship of second rate wines and computers for cash because his directorial vision was considered damaged goods. 

Also, don't get me started on his narration of the 1981 documentary about Nostradamus, The Man Who Saw Tomorrow. I saw it at my grandparents when I was about 7. It scared the absolute hell out of me. And I'm kinda glad this graphic novel overlooked that small blip on the movie legend's nearly 50 year long acting career 

The Giant is a 2025 graphic novel by Youssef Daoudi about the trials and troubles of Orson Welles. Declared a wunderkind at an extremely early age, Welles shocked the world with his Halloween, 1938 radio presentation of The War of the Worlds. The panic caused by the radio program made Welles a household name. It also opened the floodgates to Hollywood. Right off the bat, Welles crafted a work of art: Citizen Kane. Though it would be decades before critics, audiences and Hollywood would appreciate its ground breaking use of flashbacks and never before seen camera angles.

By the way, I think it is a brilliant movie. Yet, it's a film not without it's flaws. If the title character of Charles Foster Kane died alone, how did anyone know that his last word before dying was 'Rosebud'?

Confused audiences and a controversy involving a smear campaign by Welles' inspiration for Citizen Kane put the newcomer on notice. Going over budget and refusing the studio's requests for re-shoots and to be dumbed down caused Orson Welles the director to flee to Europe where he was appreciated by artsy audiences. But Orson Welles, the actor, was considered the ultimate casting by any studio, director or actor. Yet, he could still be difficult to work with; never afraid to express his displeasure with a horrible script. 

But with several divorces, child support and an appetite for excess, Welles needed money for his art. And that meant taking on roles in films the actor felt was below his genius.

Along with his ego and sense of importance, the title of this book could refer to Orson Welles imposing physical presence. He battled with food and drink. At times, he weighed over 300lbs. Though based on some segments of this book, I would not be surprised if he came closer to 400. Standing at 6 feet tall, add the weight and the personality, and Orson Welles could be the tallest person in a room full of Harlem Globetrotters.

Just like Welles, creator Youssef Daoudi gets artistic. He loves to utilize the lobby cards of Welles' films as scene framing devices. He time jumps all over the place like Citizen Kane on caffeine pills. But to go deep into the troubled artist's psyche by having Welles' shadow point out the man's faults and shortcomings. I think I would have preferred a more straightforward look at the life and career of the actor and groundbreaking filmmaker.

Worth Consuming!

Rating: out of 10 stars.