Yes, I read Westerns. Mostly in comic book form. But I have been known to enjoy them in paperback format. Louis L'Amour is my favorite. Probably because of my grandfather who probably owned a copy of every work the American author ever wrote.
It's been a very long time since I read one of L'Amour's works. At least 25 years, I'd say. The Iron Marshall, the first work of his I read is still my favorite. With me being on Summer break and a desiring some literary comfort foods, I ordered this book with the intention of reading it while at the beach. However, the novel I started right before I went on vacation took me a bit longer to read than I expected. So The Tall Stranger would have to wait a bit.
The book is about a drifter named Rock Bannon. A wagon train heading to the Oregon trail found Rock dying from a gunshot wound. Nursed back to health, he's caught the eye of the girl who cared for him. But for the other single fellas hoping to make their play with the girl, they despise Rock as an interloper.
During a rest stop right before the beginning of the Oregon split, a smooth talking gentleman named Mort Harper persuades the train to veer South through Utah territory with promises of the lushest valley ever seen this far West. Rock knows that this land has already been claimed by a cattle rancher named Hardy Bishop. But no matter what Rock says, the men of the wagon train will not listen to him.
Bannon also knows that their presence in Bishop's Canyon could start a land war. Deep down, Rock suspects that Mort is going to make a play for the valley as the legality of land ownership rights at this point in American history is more about who's settled on the land than who in fact owns the title deed.
Rock is torn. Should he help the wagon train settlers and hopefully win the heart of the girl once and for all? Or does Bannon respect the bond of blood, because Hardy Bishop is in reality Rock's father?
The Tall Stranger was written in 1957. L'amour's first novel, Hondo, was written 4 years earlier. So this is early in the author's career. There are still some rough spots in L'Amour's writings that will be polished up by the time he writes The Iron Marshall in 1979. Take the names for example Rock Bannon? Mort? Clearly, the author was basing some of dashing matinee idol Rock Hudson in the moniker and description of the protagonist. But never in the history of the world had a bad guy ever gone by the name Mort? (Although, morte is French for death and dying and everywhere Mort goes, the Geim Reaper surely follows. So maybe his name is a pun.)
Another issue is that Louis L'Amour rambles. Despite a page count of only 150 pages, this book could have been 15-20 pages less if the author wouldn't wander off topic to present to the reader interesting facts and mysteries about the old West which have nothing to do with the plot. When if comes to painting a picture of the scenery or interior of one of the settler's cabins, there's no equal to the author, even at this early stage of his career. But writer for the Western edition of Ripley's Believe It or Not, L'Armour is not
Lastly, I'm left to ponder the subject of this book's title. The Tall Stranger; who is it that the author is referring to? At first, you'd think it's Rock, having been involuntarily integrated into the wagon train by being saved from the nearly fatal gunshot wound? Or is it the Snidely Whiplash of the story, Mort, who joins the caravan after he makes his pitch for heading further south? I guess it's left up to the reader to decide? Personally, I think it refers to Mort, the fork-tongued con man who's planning on literally enslaving the settlers so that he can become the next cattle baron of Bishop's canyon.
I enjoyed the book. It was a short read that I wouldn't exactly call a quick read. But it's close. Flawed? Yes. But it's still quintessential Louis L'Amour. I might go for another of his works. Just not right at the moment as I have several mysteries and a food journal on my to-read pile at the moment.
Worth Consuming!
Rating; 7 out of 10 stars.

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