Spy Seal: The Corten-Steal Phoenix #3 (2026 Comic Book & Graphic Novel Reading Challenge)

If Herge's Tintin and Carl Barks' Disney Ducks had a baby together, the end product would be Rich Tommaso's Spy Seal. 

Anthropomorphic seal Malcolm Warner has just been recruited by MI-6 to become a spy. To help him with his training is the veteran secret agent, Kes, a stunning kestrel that acts as a potential love interest for Malcolm. Set in the middle of the Cold War 1960s, Spy Seal's first mission involves finding a Soviet double agent while trying to get behind the secret of a mysterious work of art called the Corten-Steel Phoenix. 

You might be wondering why I started with issue #3. The answer is simple. I don't have issue #1 or 2 of this 4-issue mini from 2008. In fact, this might not even be something that I keep. I found the issue in a comic book grab bag, enthralled by the stunning cover of a speeding train engulfed in what looks like a snowy Alpine scene. Plus Tommaso's name is on the cover and I have had wonderful experiences with his work on many Barks' Library collections and international Disney books.

There's a big difference between the animals in this book and the mice and ducks of Disney. Whereas Donald Duck and Mickey Mouse look like animals, they're treated more as a animal representation of human beings, the animal characters in this story actually are animals. That means that Kes can fly and Malcolm has amazing underwater abilities. It's a good thing the characters still retain their amazing abilities. I just wish Rich Tommaso had told me! There was one scene that left me stunned until Kes flew to the rescue. The female spy kept saying at the first of this issue that maybe Malcolm and her should fly to their next destination. I didn't know that she meant that literally.

I enjoyed what I read. It got action. It's got heart. It's even got a avian female spy that shouldn't be that attractive wearing a negligee... I wouldn't mind getting my hands on the other 3 issues in the miniseries from Image Comics. It's got a kitsch appeal to it and no, I'm not talking about Kes the Kestrel.

Completing this review completes Task #33 (An Image Comic) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 9 out of 10 stars.

The Terminator #1 (2026 Comic Book & Graphic Novel Reading Challenge)

The first publisher to produce a comic book based on the popular 1984 sci-fi picture, The Terminator was NOW Comics. NOW had quickly obtained licensing rights for several very popular franchises and began 1987 as a force to be reckoned with by the big two comic book publishers. However, things quickly fell apart. Fans hated the color process of books. NOW experienced tremendous delays in getting their books out on time. Eventually the creative staff and the franchise owners began to complain about not being paid; either on a timely basis or even at all.

In 1990, NOW Comics filed for bankruptcy and the license for the Terminator was quickly snatched up by Dark Horse Comics. NOW produced it's final miniseries series based on the James Cameron hit, Terminator: All My Futures Past right as Dark Horse made it's Terminator debut with a 4-issue minute that would eventually become known as Terminator: Tempest, when the story would be collected in trade paperback the following year.

The story takes place 6 months after the futuristic events of the 1984 Terminator movie. In 2029, Skynet's main CPU has been destroyed by John Connor. Kyle Reese was successful in preventing Sarah Connor from being assassination by the time- traveling T-100. However, based on these successes, the human resistance should have total victory over the machines by now. But it appears that the machines were less dependent on a central processing unit than originally thought.

As the resistance conducts cleanup sweeps on machine outposts, it's discovered that Skynet had a second TDE (Time Displacement Equipment) in working use. It's the mission of the team led Colonel to infiltrate the base where the TDE resides. Before destroying the machine in order to prevent another Terminator from making a play on Sarah Connor, Col. Randall's team will step through the time machine. Once back in Los Angeles, 1990, Randall's crew will attack Cyberdyne Systems, hopefully preventing the tech company from developing Skynet. But first, the soldiers must find food, shelter, money and weapons because there's no way back to 2029. Oh, and clothes because everyone that uses the TDE winds up in the past naked as the day they were born.

Unfortunately for Colonel Randall, the TDE in 2029 wasn't destroyed. A trio of T-800 Androids were activated with the mission to find Randall's squad. These terminators emerged in 1990 naked and vulnerable. But unlike the humans, these time travelers have several advantages as they don't need food, money or shelter. Oh, and they managed to sneak weapons through the time vortex in the body of the soldier Randall had trusted with the destruction of the TDE.

John Arcudi was the scribe responsible for this 4-issue miniseries. There's an article at the end of this issue, written by Arcudi, that states he was tasked with writing the script both super fast and under total confidentiality. During Christmas 1989, word had yet broke that Dark Horse Comics was to become the new home for the Terminator franchise. Arcudi was given this project with a very long leash about what ideas he had about the plot. His only real directive was that his script needed to be completed fast as Dark Horse wanted a new Terminator book on shelves as soon as NOW's licensing agreement expired.

To achieve this quick pace, Arcudi along with artist Chris Warner and inker Paul Guinan had to create the book using the Marvel Method in which Arcudi would plot the story, Warner would lay everything out, then Arcudi fills in the dialogue with Guinan finalizing the inks. Not every comic book creator can work this way. In fact, Arcudi didn't even get to see the finished product for this issue until he had already completed his plotting for issue #3! But, despite a lot of flesh and a Robert Kirkman amount of red ink uses for the blood, this was a great opener. 

It really pains me that I was only able to purchase the first half of this miniseries. I've got a decision to make: do I read issue #2 and then wait to one day find the other 2 books for a decent price or do I go ahead and spend some dough to get the rest of this mini PDQ. I could also find a cheap, used trade of Terminator: Tempest and get some trade on my 2 floppies. I definitely want to find out what happens next. I just don't want to spend too much in able to find out.

Completing this review completes Task #32 (A Dark Horse Comic) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 8 out of 10 stars.

Fantastic Four #9 (2026 Comic Book & Graphic Novel Reading Challenge)

In 2003, Marvel established an imprint for all ages. Unlike Star Comics in the 1980s, this imprint would star the heroes of the 616-Universe. First titled 'Marvel Age', the plots were taken directly from the earliest issues to bear the Marvel Comics brand name. Written by Stan Lee and featuring the art of Jack Kirby, Steve Ditko and others. Marvel Age Spider-Man and Marvel Age: Fantastic Four. The retellings would be written by the best and brightest of the Marvel Bullpen with Manga inspired artwork by up-and-coming artists from the Japanese inspired medium. 

In this issue which reimagines Fantastic Four #9 from 1962, the Fantastic Four's most deadliest foes, Doctor Doom and the Sub-Mariner have joined forces. Doom has invented a device that can control the gravity of any object. The plan is for Prince Namor to visit the Baxter Building under the rise of a proposed truce. While there he will hide Doom's device inside the recesses of the skyscraper. 

It's actually not very hard for the Sub-Mariner to hide the device. While Sue Storm is Mister Fantastic's girlfriend, she's been developing feelings for Namor during their recent skirmishes with the ruler of Atlantis. Ben Grimm and Little brother Johnny Storm want to mop up the floor with Namor. Sue wants to finally have a chance to sort through her feelings. Meanwhile, Reed Richards smells a rat and right he is! Because Doctor Doom has activated his gravity device, sending the Baxter Building into outer space with the Sub-Mariner aboard! Heading directly towards the sun, with the oxygen running thin, I guess only so much can be said about honestly and loyalty when you make a deal with Doctor Doom!

The writing by Marc Sumerak was quite good. I've read this issue a number of times. The original, I mean. So it is a bit weird to experience this plot with references to more modern pop culture icons like Jerry Seinfeld. Though, did kids from 2005, when this Marvel Age issue was published, know who of the comedian and star of a TV series that went off the air 7 years prior? So the references are a bit awkward- too  awkward. But this is something that the big two publishers have been guilty of for decades. But it's also forgivable. Trying to relate to kids is hard. Not everyone can do it.

What, in my opinion, isn't quite so forgivable is the art. I should be a crime to think that you can't make a comic book for children without dipping into the Manga ink well. Sure, Manga is what has inspired a large number of artists who hit the scene in the past 30 years. But it should not be the only style of artwork that young comic book readers are exposed to. Especially for such an iconic family the Fantastic Four. That ever-changing look of characters based on their emotions which is a Manga staple just doesn't work with The Thing or the Human Torch. Heck, it doesn't even work with the plastic fluidity of Mister Fantastic. You'd think that it would considering that he's stretchy. But here, it just looks weird. Blame artist Alitha Martinez for that. However, I'm really confused as I've experienced some of her work before and it did not look like this. Maybe early in her career she tried the Manga route. If so, I am glad it was a phase or the comic collecting world would have been deprived of one of the most talented female artists of the past 2 decades.

If this  wasn't a FF comic book, I probably wouldn't keep it. But just like when I listen to Queen, a bad Fantastic Four comic is better than no Fantastic Four comic book at all!

Completing this review completes Task #8 (Fantastic Four Comic from the 2000s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Rating: 5 out of 10 stars

Fantastic Four Unplugged #1 (2026 Comic Book & Graphic Novel Reading Challenge)

It's 1995. The economy of the comic book industry is not promising. The speculator bubble has burst after showing signs of weakness as non-collectors are sweeping in buying massive amounts of first issues while an more established titles all but gathers dust on display shelves. With some readers it will be years before they return to collecting new comics. For Marvel, the situation couldn't be more dire. Bankruptcy is looming around the corner. The standard price of a Marvel comic is now $1.50 an issue. Premium titles are asking for $2.00 or more. Loyal fans are claiming that because of the higher prices, they can no longer buy as many weekly or monthly issues that they could in years prior.

In response, Marvel decides to use an idea that brought huge success to DC Comics in the 70s when they faced a similar economic crisis during the Implosion of 1977-78. The House of Ideas will offer a slightly larger page count (36 full color) slew of monthly titles at a discount price. The main difference is that these books will be comprised of 100% all new material. NO reprints!

The first such title in this line would be based on Marvel's First Family: The Fantastic Four. Titled Fantastic Four Unplugged, each issue would be a stand alone story starring a member of the FF family in a solo adventure. Every issue could act as an entry point to the regular Fantastic Four series. Potentially, it might also inspire fans to investigate a character's solo regular series as was the plan for the forthcoming Avenger Unplugged series.

Issue #1 stars the blue-eyed ever loving Ben Grimm, AKA The Thing. If you're wondering why the debut issue doesn't start the Fantastic Four's leader Reed Richard's, it is because at this point in time Mister Fantastic and his arch enemy Doctor Doom have been declared dead from a recent conflict. 

On a dreary rainy night, everything seems to be going wrong for poor Ben. All of a sudden, a fiery #4 appears overhead in the night sky. Johnny Storm is summoning the team for the next Earth saving emergency! Or so it seems. 

Having commandeered a taxi cab occupied by a really crabby concert musician already late for her next recital, the Thing makes it to a crowded bridge where the Human Torch's summons seemingly appeared from. The police report that a fiery monster is running amok at the center of the causeway. That doesn't sound like Johnny Storm. And it isn't. Instead it's one of the Mad Thinker's Super-Adaptoids and it's attacking everyone and everything in sight. But how is this android functioning with the Thinker supposedly away in a maximum security cell? The Thing will have to figure that out later. Right now he's got lives to save, including that 'screwy blonde musician ' who appears to be next on the Super-Adaptoid's list of victims!

Illustrated by Heltor Oliveira, the art work is definitely a product of the times. Those with powers have a muscular structure that seems impossible even amongst the most built of bodybuilders. The women are impressively stacked and rather ridiculous looking. I've been to my fair share of recitals. Never have I encountered a member of the orchestra wearing a low cut scarlet dress with super high slit!

As for the writing and plotting, it's pretty darn good. Ben Grimm's dialogue and vernacular are perfect. A little wordy but hey, Stan the Man was known to make the Thing a blabbermouth. Excellent level of Ben Grimm crankiness. Plus writer Mark Lackey along with Oliveira really got me with one scene where the Super-Adaptoid confronts a citizen and seemingly decapitates him off screen. We later find out that the guy was just really badly maimed, but survived. Yet the creative team behind this issue had me visioning the worse . It's a textbook example of how much worse things are envisioned by the reader when it's done off-panel. 

A decent issue that also comes with a sort of family tree of the Fantastic Four, along with a file card look at Ben Grimm. Both were really cool. But I must do a bit of investigation. There's a mysterious broken line connecting Doctor Doom with Reed Richard's father. Are they related? Is Victor Von Doom the half brother of Mister Fantastic? Dude, that would be such a freaking awesome plot twist! And I really gotta check this out.

A fair book that is saved by the writing, plotting and its extras. Plus, I must give serious kudos to Jim Calafiore's cover. It really fooled me as I thought it was embossed and 3-dimensional!

Completing this review completes Task #7 (Fantastic Four Comic from the 1990s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 7 out of 10 stars.

Fantastic Four #268 (2026 Comic Book & Graphic Novel Reading Challenge)

This 1984 issue of Fantastic Four has heartbreak, mystery and tons of action. Not to mention a bunch of guest stars!

The story takes place after the Secret Wars. The Thing has temporarily stepped away from the team in order to find himself on the Battleworld. Taking his place is She-Hulk. Jennifer Walters has been on the team for a couple of weeks now and seen action as the FF's heavy. But she's yet to seen the interior of the Baxter Building. Sue Richards has just previously experienced a miscarriage. So in order to give Sue and husband Reed a chance to mourn, Johnny Storm thinks now is as good a time as any to give She-Hulk the deluxe tour of the team's headquarters. 

One of the areas where Johnny takes Jen is to a little seen 'trophy room' full of tech recovered from the Fantastic Four's numerous encounters with baddies. One of the newest additions to the room is the mask of the recently deceased Doctor Doom! And it gives both the Human Torch and She-Hulk the creeps . Rightfully so! Because all of a sudden the mask comes alive and starts destroying the entire building!!!

I had mentioned that this issue had a bunch of guest stars in it. Assisting with the complications of Sue Richards gamma infused pregnancy are some of the Marvel Universes leading experts in gamma radiation. Dr. Michael Morbius, Dr. Bruce Banner, Professor Walter Langkowski (Alpha Flight's Sasquatch) are consulted to tragic circumstances. Even the diabolical Otto Octavius is given a day pass from prison on the good and desperate word of Mister Fantastic. But alas it just wasn't meant to be.

As a parent of multiple multiple miscarriages, I can completely sympathize with Reed Richard's. Knowing my wife was suffering and that my children were at risk, I too would have moved Heaven and Earth to save them. God knows I tried.

Speaking of Bruce Banner- he actually makes 2 cameos! That's because during her tour of the Baxter Building, She-Hulk recounts her origin story to Johnny Storm. Thanks to a blood transfusion from cousin Bruce, Jen first became the Savage She-Hulk before gaining full control of her rage and emotions as the Sensational She-Hulk!

The characters all with beady little eyes. The blondes all with Farrah Fawcett style hairdos. The dark blue uniforms with the white collars. She-Hulk in all her Amazonian stature and allure. This is quintessential John Bryne Fantastic Four! The only thing missing is Wyatt Wingfoot. But don't worry; he's teased to be returning in the next issue.

Lastly, I have to marvel at the cover. It's a combination of an actual photograph of Doctor Doom's mask and John Byrne's version of ray beams shooting out of the mask's eyes! The creator of the real life Doom mask is Eliot R. Brown. Some of you might recognize his work of the famous live action cover of 1985's Amazing Spider-Man #262! Note: The image I have used is a hi-definition version found on Marvel.Com. Here you can see the full outline of the mask and the rivets. On the original cover, all that is really hard to make out. One of the few times that digital beats paper...

A great issue with action, adventure and sadness! But absolutely powerful. 

Completing this review completes Task #6 (Fantastic Four Comic from the 1980s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 10 out of 10 stars. 

New Avengers #1 (2026 Comic Book & Graphic Novel Reading Challenge)

 Avengers: Disassembled.

It was the darkest day for Earth's Mightiest Heroes. The Scarlet Witch realized that her twin boys, Billy and Tommy, weren't real. It just wasn't humanly possible for a mutant and an android to produce biological children. Going into severe psychosis, Wanda destroys the Avengers Mansion, murders her husband, the Vision, and kills a couple other Avengers, including one of the Ant-Mans. Public and government sentiment of the Avengers reached an all-time low seeing Tony Stark and Steve Rogers disband the team in return.

Now it's 6 months later. There's one less super group to save Manhattan. Freshly outted as Daredevil, Matt Murdock travels to the Raft, an ultra-top security containment facility for most of Earth's most dangerous villains underneath Ryker's Island. With Luke Cage in tow as a bodyguard, and perhaps to keep up the appearance that he's not really the Man Without Fear, Murdock is conducting legal business on behalf of Mister Fantastic with one of the inmates. 

Meanwhile, a mysterious person has hired Electro to take out the prison's electrical grid and free as many of its occupants as possible. The motive behind this action is just as unknown as Electro's new benefactor, but the member of the Sinister Six is ready to prove the he's got what it takes to bring Manhattan and the World to its knees all by his lonesome. All those he frees have to do is one day owe Electro a favor.

Though issue #1 of New Avengers has quite a bit of action, don't expect the team to be back in action just yet. This issue is to primarily get most of the players onto the game board. Along with Murdock and Power Man, this episode adds Spider-Man, Spider-Woman and Captain America to the fray. There's also Reed Richard's mystery client. But I am pretty sure that there's still a couple more heroes to add to the roster who are unaccounted for.

Brian Michael Bendis penned this opener into a new chapter of the Avengers. I know he's got a lot of detractors out there. But I like him. He's a lot like Tom King in that he makes a lot of enemies by screwing around with fan's favorite characters by either killing them off, or making them gay or trans or making them into bad guys. But unlike with King, I am mostly okay with Bendis' changes because they're very well plotted and make sense. I think Tom King just has a singular plan to ruin my childhood...

David Finch is the artist for this issue. He did an amazing job. However, I think it must be said that it wouldn't have been so amazing if not for the masterful brush strokes of Danny Miki as the inker. It's got that George Perez/Frank Quitely quality to it of which I am such a fan!

The iconic, and oft recreated cover was crafted by colorist Frank D'Armata.

An amazing 2005 issue that kicks off one of my most favorite incarnations of the Avengers!

Completing this review completes Task #11 (An Avengers Comic from the 2000s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming! 

Rating: 10 out of 10 stars.

Farewell, My Lovely by Raymond Chandler

Keeping in mind that I've only read about half of the Philip Marlowe novels written by Raymond Chandler, Farewell, My Lovely is currently my least favorite of the bunch. First published in 1940, this is only Chandler's 2nd Marlowe novel. So it's early Chandler. Unpolished Chandler. 

I'm learning that Raymond Chandler is a fantastic writer. He paints pictures with words that are so vibrant, I feel like I am there. But when it comes to plotting, the writer isn't the most thorough or revealing. You know that conspiracy theory board where the paranoid guy has red strings going all over the place? Well I feel like Chandler uses two bulletin boards placed on opposite sides of the room, because some of the connections he makes with the clues behind the mystery are a bit of a stretch.

There's a trio of Russian cigarettes that contain a secret in them. How Chandler connects the murder of a client all the way to the organized crime racket of a seaside California town still has my scratching my head. If it didn't have anything to do with the plot, I would consider it a red herring. But Chandler does find a way to glue the puzzle pieces together. I just think he forgot to tell us how he did it. 

There's a famous anecdote about where Howard Hawks is trying to adapt The Big Sleep to a screenplay and he can't figure out how one of the characters died to which Raymond Chandler telegraphed back 'Damned of I Know.' The Big Sleep was Chandler's first Marlowe novel. So you can imagine how excited I am to read it in light of this Hollywood legend. 

Some of the Philip Marlowe novels were originally published in the pulps, only without Chandler's iconic hero in the starring role, and being around 50 pages or less, having slightly changed plots. And yes, some of the plots were altered quite a bit. The scene where Marlowe goes to a hotel and shares a pint of whiskey with the manager is a moment taken directly from 'Pickup on Noon Street'.

So what's the plot to Farewell, My Lovely? In a nutshell, Marlowe runs into a massive ex-con who needs help finding his sweetheart: a girl by the name of Velma. After Moose Malloy accidentally kills the man that owns the new establishment at the locale that used to be where Velma worked, the big guy flees. Several cops warn Marlowe away from the case. But you never can tell the detective to stay away from a mystery. That's practically invitation for the shamus to keep on looking for clues.

Marlowe's search for Velma will hopefully lead the cops to arrest Malloy. In the meantime, he takes a rather small assignment, helping a pretty boy playboy conduct a money drop for some stolen jewelry. Smelling a set up, Marlowe goes around to case the scene. But that's a bad idea, because it results in his client's death. With the help of a loaded cigarette case of reefers and a spunky news reporter, the P.I. will stumble in the path of a con man playing celebrity psychic, his odorific henchman and a disgraced doctor who holds the narrator captive with truth serum and dope before finds his way to freedom and the off shore gambling houses of one of the state's leading 'legitimate businessmen!'

Argue as much as you like that a lot of Marlowe's exploits seem to repeat throughout the books he stars in. But the 2 chapters where the dick languishes in a drugged fueled haze is completely new territory. Plus, I do not recall marijuana playing a role in any of the other novels written by Chandler.

Chandler takes Marlowe all over L.A. County it seems. If it was a travel guide, this would be one of the most amazing works of mental pictures about the underbelly of Southern Coastal California. But this is a crime noir. One that is written so well but needs a road map to get from Point A all the way to Point B. I think this would have worked better as 2 short stories. One about Marlowe's encounters with Moose Malloy and a second about the murdered client. I think if Chandler had done that I would be a fan of 2 amazing novellas instead of on the fence about a very confusing mystery novel. Though, some of the confusion could be based on my copy being a UK edition. 

Perhaps some of the late 1930s slang used by the characters in this book were changed for British audiences. It's possible. I just don't know how likely that could be.

Rating: 6 out of 10 stars.