Uncanny X-Men: Poptopia

The X-Men are back in London. No, the mutant superteam Excalibur hasn't reformed. Though an original member of the group is one of the heroes visiting England. Cerebro, the X-Men's mutant locating super computer has registered a large population of mutants underneath the streets of London. Nightcrawler, Ice Man, Archangel and Wolverine are on a mission to offer membership to their brethren. However, they'll need to offer sanctuary as an enhanced madman is on the hunt for these 'genetic freaks.'

The X-Men also have a secondary agenda: retrieve the AWOL member of Generation-X, Chamber. After a catastrophic encounter that lead this new generation of X-Men fractured, Chamber fled to London, hoping to find himself. Instead, he finds himself as the British tabloids latest subject when he catches the eye of pop superstar Sugar Kane. 

This volume is book-ended with 2 solo stories. Jean Grey and Wolverine must address their complicated relationship when they are transported into the fracturing mind of a brand new mutant who is enamored with the militant ways of Magneto. Then Warren Worthington, III learns that his family run mega-corporation has invested in a place called the X-Ranch. It's pretty much what you think. The X-Ranch is a sordid bordello where wealthy homo sapiens spend a ton of cash to get their kinky licks in the arms of a harem of seductive homo superiors. 

Published in 2001, this era of the X-Men occurs after Grant Morrison's revamp of the Children of the Atom. Those really cool black with yellow trim uniforms are still in service. Only now everyone looks like they're a cross between a model for American Eagle and a goth frequent shopper at Hot Topic. 

For the most part, the art is really good. Only the costume and character design is too cyberpunk. And there's one issue where the guest artists tried to emulate the fantastic Bill Sienkiewicz and just failed miserably. Joe Casey's plots are good. But the dialogue needs work. Who used the phrase 'What's your major malfunction?' back in 2001. It's an example of how the dialogue was about 20 years too late to appear in a Marvel comic book. 

I found this book at a thrift shop where I don't think I paid more than $2 for it. The UK Sun stylized cover really caught my eye and the price was nice, of course. 'Poptopia' was like riding a roller-coaster. Only it wasn't because of the level of action. Instead, there were extreme moments of superior quality dipping into depths of really bad comic book creating. I'm one to talk. I'm sure that Sean Phillips and Ashley Wood, among others, are much better artists than I will ever be. However, I also felt like a very good portion of this collection of X-Men comics wouldn't have met the standards of former editors Stan Lee or Jim Shooter 

Rating: 5 out of 10 stars.