This is my first venture into the Philip Marlowe archetype stories written by Raymond Chandler. Well, almost. If you thought George Lucas was bad with his constant retooling of the original Star Wars trilogy, you have never encountered Raymond Chandler. The celebrated crime author was never happy with the end result of his work and he struggled for years with perfection. It is listed as one of the underlying causes of his chronic alcoholism.
The character began with the name Mallory. Ever the perfectionist, Chandler switched up his ultimate character ideal with another private investigator named Carmady, then Malvern before settling on John Dalmas, whom the author made the focus of a majority of his crime works from 1936-1939 when Philip Marlowe picked up the baton in the form of an ever smoking revolver to fight and solve crime in the Los Angeles area.
Once he was happy with Philip Marlowe, Chandler began to go back to his older pulp shorts and reworked the shamus into them. Stories that I have previously read such as 'Finger Man', 'Red Wind' and 'The Lady in the Lake' were written before Raymond Chandler was satisfied with his protagonist. Yet, the editions I read were the second final drafts. In this collection, I got to read the original published works. It was almost like coming across a DVD with the original 1977 theatrical cut of Star Wars- before it was retitled as Episode IV: A New Hope.
This anthology of Chandler short stories begins with the title essay 'The Simple Art of Murder'. Chandler wrote a lot of essays on crime and mystery writing. This one is considered the Gettysburg Address of brief dissertations on the medium. It gives insight into the thought process behind crafting a mystery story. It also lets me a little off the hook when I find myself feeling like something didn't gel right as Chandler argues that crime stories are full of inaccuracies, red herrings and are in a word, implausible.
Along with the piece that was first published in the Atlantic Monthly, there are 8 short stories. My favorite was 'I'll Be Seeing You'. It was the shortest story in the book and is considered the most perfectly set mystery story of all time. It certainly was memorable and I didn't want it to end. 'The King in Yellow', 'Pickup on Noon Street' and 'Spanish Blood' were really good as well. That last story sees the main character spending some time in the same mountain town where The Lady in the Lake took place and I enjoyed the sense of a shared universe because of the setting.
I was excited to see 'Guns at Cyrano's' in this volume. That story was originally published in Trouble is My Business. But the edition I read omitted it. It was story that was worth the wait.
I was on the fence about 'Nevada Gas'. I like that the protagonist was something other than a PI. Here, he's a mid-level hood who is simultaneously fighting off a romantic rival as well as gangsters trying to frame him for the aerosol murder of a businessman. But this story also has some gaps like in one scene when the main character walks in on his girl and the rival, who disappears but is never mentioned as ever having exited the scene.
The one story I could have done without was 'Smart-Aleck Kill'. It seems like an open and shut case of suicide. But the murder weapon is a hand gun that's been filed, which doesn't seem to fit the M.O. of a suicide. So the detective on the case goes to the widow of the gun's original owner and that's when things are supposed to get really good. But I was bored with this story. It just didn't resonate with me. It took me several days to finish and I couldn't wait for it to be over.
Though I wasn't a fan of every story, I love the crime noir world of Raymond Chandler. Even with some tales having flaws in them! I'm totally hooked right now and I want to read more. But as there's so many volumes of collected works that often have some of the same works. I think I am gonna need a list so I can keep straight what I have read and what's still out there to uncover.
Worth Consuming!
Rating: 7 out of 10 stars.

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