Marvel Masterworks: Golden Age Marvel Comics, Vol. 1

In 1939, comic books were relatively still in their infancy. The previous year's debut success of National's Action Comics, thanks to a mysterious super man from planet Krypton, inspired countless publishers to test the waters of this new medium. New York City's Martin Goodman was one of those commissioners who took notice. 

Already having published several pulp magazine devoted to action and adventure, sci-fi and of course, sex, Goodman founded Timely Comics. Then taking the name for one of his publications, Marvel Science Stories, Goodman hired Funnies Inc. to produce a book's worth of new material for his first ever comic book called Marvel Comics.

The first and third stories are tales that I know by heart. They introduce a yin-yang pair of anti-heroes who will lay the foundation for the plethora of heroes that will define the Marvel Age of Comics and beyond. Carl Burgos kicked things off with an android that bursts into flames when exposed to oxygen. First deemed a menace to society, exposure to natural elements corrects the design flaw allowing the Human Torch to control his flammable powers. Then Bill Everett takes readers to the icy waters off the coast of Antarctica where a human-Atlantean hybrid is the underwater kingdom's newest weapon in a proposed attack against the land breathers. 

Compared to Carl Burgos work, Bill Everett's Sub-Mariner was year 3000 stuff. Compared to the adventures of Superman over at National, the first 3 stories starring Prince Namor was year 3001 material. Why Bill Everett isn't given the level of love and respect of Jack Kirby or Wil Eisner is beyond me. Dying in 1973 at a young age of 55, I think Everett's lesser body of work compared to other super stars of the golden age of comics is to blame for this. 

The rest of the material in issue #1 along with the other 3 issues contained in this collection are the stuff of the pulps. The overly powerful un-super powered Angel is much like the Shadow, taking on the dregs of the criminal underworld; only he's decked out in a blue leotard. Ka-Zar, who one day will become lord of the dinosaur filled Savage Land, got his start as a pulp hero. Much like Tarzan, Ka-Zar is able to communicate with the animals and acts as their protector from the greedy white men and fierce natives that seek African wildlife for game and sport. Rounding things out was a Western starring the Masked Rider, a clone of the Lone Ranger, who wore a full black mask in the desert heat as his took on cattle rustlers and claim jumpers. 

A name change comes in issue #2. Marvel Comics became Marvel Mystery Comics, perhaps to further differentiate the comic book from the pulp title. A new character debuts in the second issue. 'Perry Webb, American Ace' is a young lad who is traveling throughout Central Europe in his small propeller plane. The fictitious leader of a small European nation has amassed a small but formidable war chest and is about to begin a massive campaign to rule the world. Poor Perry Webb arrives in the first nation to come under attack and soon finds himself injured and with a wrecked air ship. As Perry recovers, the American Ace talks of needing to fulfill a special mission. Sadly readers will never discover just what that mission was as Issue #3 was Perry Webb's last appearance in Marvel Mystery Comics.

Younger readers will hate these books. The artwork is considered by many, including foreword author Roy Thomas, to be quite primitive. Because of the newness of comic books, that detriment can be overlooked. What many readers might not be able to excuse is the level of violence towards women, stereotypes of Asians and Africans, and other outdated portrayals that were overtly glorified in the pulps. Yet, with Martin Goodman's Marvel Mystery Comics, there's a level of respect towards minorities and females as well as aptitude to point out the sinful faults of white men that foreshadows a lot of groundbreaking stuff that Stan Lee will be championed for doing differently than the Distinguished Competition in the 1960s and 70s. 

If you wish to see what was the essential blueprint of 'Stan's Soap Box', these golden age collections are the things to read. Without them, there would be no Fantastic Four, no Black Panther, and definitely no Marvel Age of Comics. As for getting my hands on the other 6 volumes of this collection, I would love to read the rest. I don't think I'd want to add them to my collection as these books aren't really items I have on my wish list. I got this book in a grab bag years ago and Marvel Masterworks books are not cheap- hardcover or trades. Especially, since you only get 4 issues in each volume! But if I found further books for a good price, I would acquire and read them before trading for something else that I really needed to have on my bookshelf.

Worth Consuming!

Rating: 7 out of 10 stars.

The Official Jungle Jim by Alex Raymond Collection (Vol. 1)

Before creating his most popular character, the swashbuckling spaceman Flash Gordon, cartoonist Alex Raymond took readers to the deepest, darkest jungles of the Malay Peninsula. It is there that Jungle Jim Bradley took on poachers, pirates and deadly dames with the help of his trusty servant, Kolu. Jungle Jim wasn't just stuck to the rain forests of Asia. At least one story in this book is set in a British controlled Afghanistan. 

For some reason, I really thought Jungle Jim took place in Africa. With Kolu being black and some of the pirates in the very first story also being black, I would have lost money if you bet me that this series took place in South East Asia. Adding to the confusion is that the series of live-action films that starred Johnny Weissmuller (Tarzan) as Jungle Jim were all set in Africa. Heck, I would be willing to bet money that I've seen at least 1 Jungle Jim flick and mistakenly thought it was a Tarzan feature.

Alex Raymond's artwork is so distinctive. There's a Roman influence on the way the male characters appear. Strong noses. Thin eyes and even thinner hairlines. And chiseled physiques. As for the women, I get the strong sense that Dorothy Lamour was the inspiration to at least one of the female characters in this book.

The Official Jungle Jim by Alex Raymond Collection was Pioneer's only graphic novel sized collection of strips. The action stops in the middle of a story with nothing like a 'To be Continued' or any other claim to finding out more in the pages of another volume. This also happened with the Official Prince Valiant Collection Pioneer published at around the same time as this. Pioneer did release 17 comic book sized issues of strips, along with 1 annual. From what I can tell, this trade paperback collects at least the first 3 issues of the floppies series that ran from 1988-89. But as to whether that multi-year series managed to collect the entire story is another unknown to me.

That all being said, if I was to run across a nice collection of Alex Raymond Jungle Jim strips (for a nice price, mind you), I would definitely add it to my collection. The artwork was amazing. The stories were pretty good, despite being a tad dated and bearing norms and action that by 2020's standards are archaic. On at least 2 occasions, Jim slaps a female for getting too emotional. I see these books as historic documents of the 1930s time period full of artistic genius and flawed ideals of masculinity and Anglo-American Imperialism. But above all, I enjoy these books as they take me to corners of the world I've never visited; let alone knew existed.

Worth Consuming!

Rating: 8 out of 10 stars.

The Official Prince Valiant Collection (Vol. 1)

A young prince rises through the ranks of King Arthur's Court. Thus begins the saga of Hal Foster's Prince Valiant. 

I'm not sure where I scored this over-sized collection of early newspaper comics. I think it might have come from a grab bag which is a pretty nice find if that's the case. Nearly 100 pages of story. 

That had to be how I came across this book. As a child, I loved the dynamic artwork of Prince Valiant. But the writing and lack of word bubbles bored me to tears. Prince Valiant was always the lead feature in my area's Sunday Funnies. Yet, there never was anything funny about it. Plus, with the story being continued week after week, if you missed anything, you were totally lost.

That's why I appreciate this collection. At least 3 stories are collected in their entirety here and there's a beginning of a fourth. Though the cover doesn't say it, this is supposed to be volume 1 of a continuing series. However, I don't think publisher Pioneer was in business long enough to produce other volumes. There is a small shining light of hope to all this as Pioneer did manage to release 18 issues and an annual of further Prince Valiant material. So I could continue the story if I ever felt like searching for the other 15 issues not covered by this edition.

This book does manage to collect the very first stories of Prince Valiant. Getting to read the character's origin story was really cool. It's set at a time where dinosaurs are dying off but there's just enough for folks to think they're dragons and monsters. The aspect of Prince Valiant not just being around in the days of King Arthur's Court but also as a full-fledged member of Camelot was new to me. The original full title of Hal Foster's series was Prince Valiant in the Days of King Arthur. However, by the 1980s when I first encountered the strip it was simply shortened to Prince Valiant.

A lot must be said of Hal Foster's work. Yet, I don't think it all could be put into words. There's an air of realism mixed with bravado in Foster's art. Every character looks modeled after a movie matinee idol. The scenery is given just as much loving eye to detail as the characters. And Foster's prose is a mix of Old English bard and 1930s pulp.

I enjoyed this read. I think I was finally old enough to enjoy it. Having a bunch of the strips in order helped too. Though the editing of them was a bit hap-hazard. Whomever was in charge of formatting this book did happen to number the panels, often of different shapes and sizes, from time to time. But I shouldn't have to find panel #3 right next to panel #8 of the next page over!

Swashbuckling action in the vein of Errol Flynn or in this case: Robert Wagner. Google it!

Worth Consuming!

Rating: 8 out of 10 stars.

Siegel and Shuster: Dateline 1930's #1

Sometime around 1937, right before National Periodicals picked up Superman to star in Action Comics, the duo of Siegel and Shuster created a tabloid comic for a Cleveland newspaper. It contained dozens of new comic strips, but never saw the light of day. That is until the early 80s, when Eclipse Comics printed it for the first time ever.

This book was intended to be the first of many weekly comics. So, expect lots of cliffhangers with unresolved plots. However, for it’s historical significance, it’s a treasured piece of comic history. Imagine if this had become a weekly piece of a small potatoes Cleveland rag. There might have never been a Superman. The Superhero may have never become the “flavor or the month” for publishers. The comics industry might look very different or have never existed at all. The possibilities are endless and frightening.

Worth Consuming!

Rating: 8 out of 10 stars.