Bobby Benson's B-Bar-B Riders #5 (2024 Comic Book & Graphic Novel Reading Challenge)

12 year old Bobby Benson debuted on the radio airwaves in 1932. After the death of his parents, Bobby inherited the B-Bar-B Ranch, becoming the boss to a rag tag bunch of cow hands. In between dramatic stories of cattle rustlers, thieving bandits and angry Native American Indians, the tension was eased with campfire sing-alongs and tall tales told by the ranch's handyman, Windy. 

Though the stories were set in Texas and the fact that Bobby and his crew faced more than their fair share of desperadoes, there was a modern element to the adventures. In this issue, ranchers chase after a band of aspiring train robbers by commandeering a tour bus to catch the criminals. Then foreman Tex Mason in disguise as the vigilante, the Lemonade Kid, goes after a gang of bank robbers that use a helicopter to make their getaways.  Both stories are rather creative mixing Old Western action with mid-twentieth century technology. Though can anyone explain how those helicoptering baddies managed to get a hideout atop an inaccessible mesa?

Later, Windy regales some of the B-Bar-B's juvenile visitors to a story of the time the ranch was invaded by giant ants. Then there's a prose tale about a Texas Ranger outfoxing a wanted killer before Bobby Benson is kidnapped by horse rustlers in the closing story.

The 20 issue series produced by Magazine Enterprises under its Parkway Publishing Company banner. was the first all-new comic appearance by Bobby Benson. In the 1930s, ME released a pair of comics that collected stories from the short-lived newspaper strips based on the adventures at the B-Bar-B Ranch. Both books were radio giveaways issued by cereal producer, the Hecker-H-O Company, who sponsored the radio show for a time.

The first Bobby Benson program ran from 1932-1936 on CBS. A revival on the Mutual Broadcasting System debuted in 1949. A year later, Bobby made the jump to television in a  live action series. In response to the show, ME published a comic book series. Bobby Benson actually makes a reference to filming the TV show in the last story of this issue. The comic outlived the television show by about a year before being cancelled in 1953. Bobby Benson and His B-Bar-B Riders aired its last radio program in 1955. A number of child actors played the role of Bobby over the show's cumulative 10 year run including future Dead End Kid, Billy Halop. Other stars of note to work regularly on the radio series included Don Knotts, Tex Ritter and Billy's sister Florence Halop who was most well known for her brief role as Flo the Baliff on NBC's Night Court.

Bob Powell is credited with having penciled the cover and at least one of the 4 stories in this issue. Raymond C. Krank edited and is believed to have written the prose 2-pager, 'Job For A Ranger.'

Completing this review completes Task #1 (Comic from the Golden Age (1938-1955)) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 8 out of 10 stars.

Two-Fisted Tales #9 (Banned Comics Week)

 

Not everything EC published was considered subversive. William Gaines, who would eventually go on to publish Mad Magazine, published comics based on the Bible, classic works of fiction, and reprints of comic strips from highly circulated newspapers. But perhaps the most well regarded series published by EC was Two-Fisted Tales.

   These were macho stories that starred fighting men and dastardly villains. Many stories were to some degree historically accurate, if only in means of dress, armament and procedures of the soldiers depicted in this books. Two-Fisted Tales not only flew under the radar of the Senate hearings on Juvenile Delinquency but was also revived, albeit very briefly, after the establishment of the Comics Code Authority.

  Two-Fisted Tales has appeared in many movies and TV shows, often as a prop used by servicemen or 50s youths. The book is discussed as a favorite of Corey Feldman’s character in the film Stand By Me. The series was used as reading material by servicemen in various episodes of MASH.

   It’s interesting that I mention MASH because this issue which reprints Two-Fisted Tales #26, like the long-running classic sitcom, is set during the Korean War. This issue is devoted to an account of the Marine retreat at the Changjin Reservoir after over a million Chinese soldiers poured into North Korean to assist those armies that were looking at sure defeat by UN forces. (This event is also the focus of at least 2 episodes of MASH, when the camp has to bug-out and is mentioned again as a news flash over the intercom during a surgery scene.)

The retreat is broken down into 4 chapters drawn by such greats as Jack Davis, Harvey Kurtzman and of course, the master of EC war comics, John Severin. Chapter one explores how the Marines were literally ‘this close’ to victory in North Korea before the Chi-Com forces entered the war. Chapter 2 looks at both the American retreat as well as the advancement of the Chinese by focusing on both an American pilot and a Communist ensign who are trying to gain as much ground as possible.

Chapter 3 has the Americans almost ready to regroup before being attacked by ‘Banzai forces.” This forces which would attack after a series of vicious mortar barrages and then scare their American opponents by striking in complete darkness while banging cymbals and blaring trumpets. The attack causes one soldier to undergo ‘shell shock’ and again this experience was the plot of several episodes of MASH.

Lastly, we see the mass evacuation of the last remaining free port in UN control in North Korea. As troops manage to remove the citizens by boat and plane, American soldiers were destroying tons of food, ammo, and gasoline to prevent it from getting in the hands of the advancing enemy. This tragic tale of wanton destruction and pure waste is witnessed through the eyes of a tiny dog. It’s perhaps the saddest part of the entire story both making feel terrible sympathy for the puppy, that I know isn’t real and how this scene was played our 25 years later during the surrender of Saigon.

Hardly a gory comic, yes the spoils of war are real and they’re not downplayed. But EC didn’t hype the trauma for dramatic effect like in their other war comic Front-line Combat. If anything, the tone of this book was very patriotic and also a prayer for servicemen and women that were still over in Korea when this issue was first published in 1951.

To me, this was like reading an issue of MASH (if that ever existed but wouldn’t it have been awesome if it did?) The only things missing were a laugh track and a serviceman in drag.

Worth Consuming

Rating: 8 out of 10 stars