Plop! #14

1973-76's Plop! was a sister anthology series of DC titles such as House of Mystery, House of Secrets and Secrets of Sinister House. Even though Plop! was hosted by horror hosts Cain & Abel as well as the lesser known Eve, this series was not a horror title. Instead, Plop! was a title devoted to the oddball and weird. There was definitely an element of humor running throughout this book as the majority of the stories and one-page gags revolved around the use of the word 'plop' to end the tale or for the punchline.

With Sergio Aragones, Basil Wolverton and Wally Wood all working on this book, Plop! felt like MAD Magazine lite. The trio had all at one point or another worked on the definitive humor mag of the 20th century. Aragones is a living legend, one of the last bastions of the William Gaines era of MAD. Wolverton was renowned for his grotesque creators such as the 'World's Ugliest Woman', Lena the Hyena and the cult-classic sci-fi storyline, 'The Brain Bats of Venus'! But it's Wally Wood that interests me the most!

Wallace Wood was one of the superstars of EC Comics. Known for work on such titles as Weird Science and Weird Fantasy and developing fan favorites in the Comics Code era such as THUNDER Agents, Wally Wood's artistic talent was set at 11. A tragic figure in comics, Wood battled a number of unexplained health issues and alcoholism, while maintaining a portfolio of work unparalleled to most.

The subject matter of the two main stories is rather varied. In the first yarn, a pair of spinster sisters are visited by their long-lost brother who returns home seeking his share of the family fortune. The ladies claim that they're flat broke. However, with the mystery of a forbidden, locked door, the brother is convinced that his share of wealth lies on the other side. Story 2 is a Marv Wolfman/Wally Wood collaboration. It has an aspiring knight looking for his place at King Arthur's Round Table. If he can rescue a damsel in distress, it will surely cement this squire's reputation. In a nearby castle, the young man finds a woman being terrorized by demons. Eager to save her life, the knight is faced with a dilemma that could make him a hero but it would damn the world in return.

Both stories were very good. The medieval story bears that signature MAD Magazine touch of adding funny signs and Easter eggs throughout the background scenery. The inheritance tale had just enough mix of kook factor and suspense to make the tale weird but not scary enough to warrant a place in DC's pantheon of horror titles.

The one-page gags were all weird. You can see a production number in the bottom corner of most. The numbers vary in range. I'm wondering if these were gags that were considered too unusual for MAD and not spooky enough for the House of Mystery. 

A good read that lacks the satirical edge of MAD Magazine as well as the adult edginess of EC Comics. I blame the age in which this work was produced. The 70s was a time of relaxing the rules of the Comics Code. If Marvel had produced this book, some of the material would have pushed the envelope. With DC, they were willing to tackle the ghouls, demons and other monsters finally allowed by the CCA. But when it came to counterculture and anti-establishmentism, DC just didn't do enough to be edgy. It would take a few more years before the publisher would be truly willing to stick it to the man. And when they finally do, Plop! would be a cancelled memory.

Worth Consuming! 

Rating: 8 out of 10 stars.