The Spirit Archives, Vol. 25

A couple weeks ago, I was reading a collection of Mike Hammer comic strips from the early 80s when I made a wondrous discovery. Listed in the volume were a slew of other news strip collections available from the publisher. I was beyond thrilled to learn that there was not one but three volumes devoted to a 6-day per week collection of The Spirit comic strips. 

As any established Will Eisner aficionado knows, The Spirit got it's start as an 8-page color insert in the Sunday edition of many national newspapers. But did you know that for about 2 years, readers were treated to 7-days of adventures starring the Spirit, his assistant Ebony and the Central City police force? I sure as heck didn't!

The next day I went on Amazon to try and purchase those volumes. All 3 were available. But at really expensive prices that I just wasn't willing to pay. Then I got the idea that maybe, JUST MAYBE, DC released the dailies as part of the complete Will Eisner's The Spirit Archives. Lo and behold, a volume was produced. The penultimate book in the library has the whole scoop on the Spirit dailies along with a foreword by Tom Spurgeon and a brief introduction from one of those early 80s strip collections by the master himself on the art team behind this version of The Spirit. And I just happened to have this book in my 'to-read' pile and didn't even know that I was sitting on a gold mine!

Will Eisner only got to work on about the first 6 weeks of stories as both the writer, artist and inker before being drafted by the Army. Like a few others in the industry, Eisner attempted to moonlight as the strips artist and inker. But his military responsibilities grew to be too much and he had to go on an indefinite hiatus for the remainder of World War II.

Lou Fine and Jack Cole replaced Eisner in his absence in subsequent order. Both tried extremely hard to make the transition of creators as seamless as possible. While they managed to capture the artwork fairly well (I didn't notice a definite lacking in that quality until about the last third of the book), neither talent could match the genius of Will Eisner. For one thing, their story plotting seems to go in circles. There's a definite lack of creativity. Plus neither Fine nor Cole could portray Ebony White with any sort of dignity. His faces are exaggerated to the standards of the Jim Crow minstrel. His English is severely broken. And instead of being a reluctant hero, Ebony's portrayed more as a buffoon whose fate hinges on pure dumb luck.

The Spirit dailies were a victim of World War II. While popular with readers, a lack of talent willing to take on the assignment, spelled doom for the strip. Jack Cole's Plastic Man had become a hit and he was too busy to continue with the tight deadlines for a daily. So with paper at a premium due to rationing, and other titles more than willing to take Denny Colt's place, The Spirit was cancelled; reduced to merely appearing in newsprint every Sunday.

I think what I liked the best about this collection were the two lost Christmas stories, plus a handful of holiday themed strips. As an owner and reader of The Christmas Spirit, I thought I had read all of the character's holiday offerings. But thanks to this volume, I not only got those untold Christmas tales but at least 1 Thanksgiving and a Halloween haunt to read and enjoy as well!

If there is a lesson to be learned from all of this, it's that if you plan on making a very expensive purchase for an addition to a large comic book collection, be sure to do your research and make sure that you don't own the work in another format. I'm so glad that I didn't make an impulsive purchase without checking my books because I would have spent a lot of money on something that I already had and I would have been furious about it.

Worth Consuming!

Rating:8 out of 10 stars.

The Spirit Archives, Vol. 10

January through June, 1945. The second World War is drawing to a close. Will Eisner is still tinkering away as a warrant officer in Washington, using the medium of comics to teach preventative maintenance. In New York, Eisner's creation, the vigilante detective posing as a criminal warlord, the Spirit, is still being published by talents such as Jack Cole. And yet, Eisner's creation just isn't the same without him.

Under Will Eisner, the characters had emotion. The layouts were brilliant experiments in lettering and design. The plots were simultaneously action-packed and funny. The art evoked empathy, passion and horror. Above all, an air of whimsy filled the corner of every page until it oozed off the paper. 

Without Will Eisner, the Spirit has become a soulless crime book. Instead of being imitated by the rest of the industry, the series has become just another in an endless sea of crime comics that seek to push countless envelopes. 

There are essentially 2 sections of this book. About the first 9 or 10 stories are trash. The artwork is flat but acceptable. The plots are complicated to the point of being unintelligible. The dialogue is like someone took a bunch of Sam Spade and James Cagney scripts and threw them in a blender: cliche without substance.

Then some miraculous changes around that 11th or 12th story. The art begins to pop. The colors are brighter. The story lines are now creative and the dialogue is much more polished. It lacks the charm Will Eisner brought to the characters. None of the writers that contributed to the Spirit at this time seem to be able to get Commissioner Dolan's relationship with the hero right. But it's better than the drivel that filled the first 80 pages of this book. 

I want to own the whole 26-volume Spirit archive. (There's actually 27 books in the set. But I think I own all the material that fills that final book and might not need to possess it.) Anyways, I buy (and read) these out of order. I purchase that which is affordable, not chronological order, based on many of these being out of print. Knowing now that Eisner is absent from the books containing the war years, If I am faced with two volumes of about the same price range that is favorable to my wallet and one is set during World War II and the other is not, I'll take the latter... for now.

A fair read. I wish I knew who wrote those later stories in this volume so I could give proper kudos. The difference between the halves of this volume really are as different as night and day.

Rating: 6 out of 10 stars.

Mr. Monster's True Crime #2

There's a pretty well known copy of the pre-code version of True Crime Comics. Illustrated by Jack Cole, the image has a young lady with a gun ducking behind a gangster who is shot by a policeman. The hail of bullets spells out the word 'RAT' on the criminal's chest. While this issue doesn't feature that iconic art work, the story that image is based on is in this book!

Mr. Monster's True Crime #2 completes Michael T. Gilbert's tribute to Jack Cole's work on the late 1940s crime comic originally published by Magazine Village. A part of the Mr. Monster Super-Duper series of tributes to comics published before 1955 and the establishment of the comics code, this is the last issue featuring to the more grown-up crime works of the Plastic Man creator. 

Though all 3 of the stories contained in this issue claim to be based on true stories of deceit and murder, there's more sensationalism that facts behind the scenes. The opening story is the one I mentioned earlier in this review. It tells of one Bennie Dickson and how he turned to a life of crime, wooing a 17-year old girl into his sordid world of bank robbery and murder. 

We then head to the Great White North where a member of the Royal Canadian Mounted Police is murdered by a bootlegger and in retaliation, his brethren prove that the Mounties always get their man!

Finally, readers are introduced to the man whose addled visage does grace the cover of this issue. James Kent is an escaped convict whom the publishers promised a reward of $100 for his apprehension. The story features narration that over exaggerates the criminal's paranoia at looking over his shoulder at every turn in a manner similar to what EC Comics will soon be issuing in its crime books. I understand why Gilbert used the cover image he did for this issue. I just don't understand why he didn't include the opening story in Mr. Monster's True Crime #1 since that issue used the RAT image!

If you're looking for Michael T. Gilbert's most popular character, Mr. Monster, you'll only see him on the opening page. Otherwise, this might be a Mr. Monster special, but it's really all about Jack Cole. 

Be sure not to miss the informative article by noted crime author Max Allan Collins who gives a fantastic account of Cole's limited run on the original True Crime series of which this two-part special is based on.

A lot of excitement and a must for fans of post World War II comics that are unable to afford the originals. But for me, I really wish that there was more Mr. Monster to be had!

Worth Consuming!

Rating: 7 out of 10 stars. 

Plastic Man 80-Page Giant (2024 Comic Book & Graphic Novel Reading Challenge)

When a heist goes wrong, safecracker Patrick 'Eel' O'Brian is shot by a nightwatchman, doused with chemicals and left for dead by his gang. O'Brian awakens in a monastery, shielded from the authorities by the parish monks. As he recovers, O'Brian learns that the chemicals he was showered with seeped into his wounds giving him super-stretching abilities. Seeing a chance at redemption, Eel dons a red rubber suit and dark sunglasses to become Plastic Man! His first mission- to bring his double-crossing former gang members to justice!

Plastic Man debuted in the first issue of Police Comics. The creation of Jack Cole, Plastic Man was one of Quality Comics most popular characters until the publisher folded in 1956. Plas along with properties such as the Polish flying ace, Blackhawk and the war anthology series G.I. Combat was soon absorbed by National Publications (D.C. Comics). While the war books were immediately added into National's print line-up, it would be another decade before Plastic Man would return to store shelves. However, it would be the funny man who got the last laugh. 

After two brief attempts to reintroduce Plastic Man to readers, the former Eel O'Brian made the transition to TV. From 1979-1981, Plas and his son Baby Plas made Saturday mornings fun for youngsters as part of ABC's The Plastic Man Comedy/Adventure Hour. Produced by Ruby-Spears, an impressive 112 episodes aired over 5 seasons. By the end of the 80s, both Blackhawk and G.I. Combat would be shelved while Plastic Man would enter the 90s as a full-fledged member of the JLA. In 2003, artist Kyle Baker revamped Plastic Man for a new generation in a cartoony series that produced 20-issues. Baker would win numerous Eisner awards as well as a Harvey for his innovative look at the hero.

As a promotional tie-in for the Kyle Baker's series, DC released a super-sized special starring Plas. Based on the 80-page specials of the 60s and 70s, this volume is presented as a lost collection of Plastic Man's greatest adventures. Along with his debut appearance, fans are introduced to faithful sidekick Woozy Winks, a small time crook who thanks to a swami who life Winks saved, is blessed with amazingly good luck. A Dial H for Hero adventure from the House of Mystery, has Robby Reed turning into Plastic Man as he battles a villain that uses bombs made of bright light. Arnold Drake and Gil Kane mark Plastic Man's official return to comics in his debut DC series which replaces Woozy Winks with a nebbish teen pet store owner. Woozy then returns in caper in which the rich and powerful have their minds switched with hamsters in the finale penned by Steve Skeates and art by Ramona Fradon.

After the Kyle Baker series ended in 2006, Plastic Man would return to TV as a recurring character on Cartoon Network's Batman: The Brave and the Bold. Plas would appear in a number of comic miniseries over the next 15 years including Flashpoint and a segment in the newsprint inspired Sunday Comics. Plastic Man's most recent appearances in the DC universe saw him in a new black and white costume as part of Mister Terrific's super team, the Terrifics.

Completing this review completes Task #20 (An 80-page or larger giant) of the 2023 Comic Book and Graphic Novel Reading Challenge.