In 1964, British horror studio, Amicus Productions decided to dip their toe into the science fiction genre. Hoping for an immediate hit, they contacted BBC Studios to license a series of films based on the smash television hit Doctor Who.
They went with the Doctor's most famous foes, the Daleks. After penning a 3 movie deal with the creator of the Daleks, Terry Nation, Amicus went about adapting their origin story, aptly titled 'The Daleks.' Amicus then hired esteemed actor Peter Cushing as the title role.
Not wanting viewers confused about there being another Doctor, the BBC demanded some changes be made. Instead of being an alien known only as the Doctor, Cushing's Dr. Who would be an eccentric elderly human who creates a time machine called TARDIS, which can also transverse the universe. Thus the Doctor can change the location of where his time machine emerges from a journey forward or backwards in time. He would also have 2 grandchildren, older teenager Barbara and precious 11-year old Susan. Along for the journey would be Barbara's klutzy boyfriend Ian.
Adjustments would also be made to the Daleks. Their frames were bulked up and height was added to make the cybernetic aliens look more intimidating. As the film would mark the Daleks' first appearance in color, two new models were produced with a fiery red and black shell. Some of the suction cups were replaced with pincer claws. Other Daleks were to be armed with flame throwers. The BBC put the kibosh on that upgrade, fearing that it would frighten young viewers.
Dr. Who and the Daleks 1965 debut in the United Kingdom was a massive hit. While the TV series had universal appeal with audiences of all ages, the film was clearly aimed at children. Across the pond in the United States, the film bombed. 1966 audiences had yet to become familiar with the Doctor as it was still several years away from Doctor Who debuting on public broadcasting airwaves.
Since the British sci-fi series was an unknown entity to American audiences, a comic book adaptation was produced. Dell Comics accepted the challenge for garnering interest in the movie. Joe Gill adapted the Milton Subotsky and Terry Nation screenplay. Gill must have been given an early version of the script because those forbidden flame-throwing Daleks menace Dr. Who and his family on more than one occasion in this book. Dick Giordano and Sal Trapani penciled and inked with photos of the cast adorning the interior and exterior covers.
The story of Dr. Who and the Daleks is an origin story. While showing his granddaughters and Ian his newly invented time machine, Ian accidentally activates TARDIS sending the quartet to a desolate planet. A thermonuclear war has caused survivors to mutate into two warring factions: the humanoid Thals, who developed a cure for the effects of radiation sickness and the underground dwelling Daleks, who look like giant brains with tentacles. The Daleks also happen to control the planet's limited food supply.
The Thals make frequent raids on the Daleks stronghold for food while the Daleks seek the radiation cure. Finding killing abhorrent, the Thals would be willing to make a peace with their foes, trading food for medicine. The Daleks seek to annihilate their foes once the cure is in their grasp. As Dr. Who attempts to escape from his Daleks captors, a planet killing bomb is activated. Now the Thals must disarm the weapon in hopes of their survival, even if it means wiping out the Daleks forever.
The Dell adaptation of Dr. Who and the Daleks was never officially released in the UK. It was an American only release. One of the few times that the States possessed a classic Doctor Who licensed product and Britain didn't. A few copies are said to have appeared on American bases throughout the UK at the PX, eventually making it's way into the populace.
British Who fans wouldn't get an official chance to see the collective work of Gill, Giordano and Trapani until the Summer of 1993. The 9th issue of Classic Doctor Who Comics, released by Marvel Comics UK, featured a complete reprinting of the 1966 adaptation. Colin Howard crafted the cover image of Cushing as Dr. Who, facing one of those terrifying new Red Daleks. The Neutron Knights by Steve Parkhouse and Dave Gibbons is this issue's backup comic. It sees the Fourth Doctor played by Tom Baker summoned to Earth by Merlin the Magician. Photographed posters of a reject from the Planet of the Apes called an Orgon and Mary Tamm as the first incarnation of the Time Lord Romana are centerfold inserts and producer/director John Ainsworth examines the comics of the Slyvester McCoy era of Doctor Who.
In 1966, Amicus produced its follow-up to Dr. Who and The Daleks. Daleks' Invasion Earth 2150 A.D. was a box office bust. Production problems and Cushing's diminished role due to a serious illness were blamed for the film's problems. As a result, the sequel never made it to the States and Amicus scraped its option for a third film. Both movies have garnered cult status, though neither are officially canon. To explain the existence of the Peter Cushing films, they have been retconned over the years, explained to have been films officially requested by the Doctor in hopes of educating the populace to the threat of the Daleks.
Completing this review completes Task #28 (A Doctor Who Comic or Graphic Novel) of the 2025 Comic Book and Graphic Novel Reading Challenge.
Worth Consuming!
Rating: 8 out of 10 stars.
