Avengers #366 (2026 Comic Book & Graphic Novel Reading Challenge)

The cover for this 1993 issue touts that this is a '30th Anniversary Issue'. But for a very large majority of it, this book didn't feel like it led up to the hype. There's 2 stories in what feels like a slightly oversized issue. I didn't count the number of pages but with the prestige format cover, it felt thicker than a standard early modern age Marvel publication. 

The first story sees Captain America, Hank Pym, Natasha Romanoff and a really super powered lady named Sersi, who are attempting a rescue mission of the Black Knight, Hercules and the Inhuman Crystal. Occurring sometime after the destruction of the Kree home world at the hands of the Supreme Intelligence, a rogue Kree General is holding the Avengers responsible for the obliteration of his planet. To exact his vengeance, the Kree warrior has activated a Nega-Bomb, which will destroy planet Earth in about 30 minutes. Just enough time for the Avengers to save the day with a moment of reflection on the part of Hank Pym to marvel at the original lineup of Earth's Mightiest Heroes and to give his seal of approval to the current incarnation.

Story #2 really has nothing to do with the anniversary of formation of the Avengers. Instead, we get a guest appearance by Deadpool!  A couple of B-list villains rob a Manhattan bank in hopes of obtaining the contents of a former weapons master that will lead to the discovery of the world's most deadliest weapon. Throw in Bloodwraith, the demon possessed former squire of the Black Knight, along with the Black Knight himself and you've got a 3-man free-for-all that seems really out of place here.

If you read the editor's note on the letters page at the back of this book, you will learn that this issue was very, very delayed in coming out. That could explain why there's a backup story. Perhaps the creative team was running out of time and thus had the main story come in short. A second tale gets included by a totally different crew to keep with the promise of several super-sized anniversary issues. Toss in one of those breath-taking embossed covers, paint it entirely in gold lamé ink and you hopefully have produced something that will make the Marvel faithful satisfied despite being way behind schedule.

I enjoyed seeing an early Deadpool appearance. He's not as insane and off-the-wall irreverent as the Merc With a Mouth has become in the 21st century. That story was written by Glenn Herdling. Illustrated by Mike Gustovich. 

As for the opener, the script was crafted by Bob Harras with art by Steve Epting. Epting also pencilled the cover..

Definitely a product of the 1990s post-bubble industry. It's full of overly muscular heroes. Scantily clad vixens. Plus a level of violence that looks tame to 2026 standards but was rather shocking 4 decades ago.

Completing this review completes Task #10 (An Avengers Comic from the 1990s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 7 out of 10 stars.

Avengers #239 (2026 Comic Book & Graphic Novel Reading Challenge)

This comic book came out with a cover date of January, 1984. I was 5 years of age. To say that by the time I was 5 that this comic book was my introduction to David Letterman would be a good guess. But you would be wrong.

My parents were on the young side when they had my in 1977. By 1983, neither were the age of 30 yet

 My mom, a nurse, worked nights. My dad was in college. They were night owls. They were hip-ish. To say that the exploits of David Letterman, his musical sidekick Paul Shaffer and the rest of the Late Night crew was already a nearly nightly session at my home would be an accurate description. The infamous interview between Jerry Lawler and Andy Kaufman in a cervical collar, was an early childhood memory for me. A traumatizing one. But one that I remember fondly. That's for sure.

This is one of those issues that I owned in my original childhood collection. The one that I foolishly allowed to be stolen when I was in middle school. I don't remember where I bought it. Heck, my dad might have bought it and then it ended up in my collection. But I could guess 3 possible locations that it was bought at: the Grocery Boy Jr., 7/11 or Tales Resold. All from the Raleigh Brentwood area. 

The story is a classic. Wonder Man's movie career has stalled. To help jump start it, Simon's agent gets him booked to Late Night With David Letterman. Unfortunately, since Wonder Man is currently on reserve status with Earth's Mightiest Heroes, the show's producers are wanting some more well known Avengers to tag along as well. With heavy hitters Captain America and Thor away on personal missions, Hawkeye and the Vision call in as many favors as they can to support Simon's big break. 

Along with Hawkeye, the Beast, Black Widow and Black Panther are all able to make. (I just realized that it appears that Clint Barton and Vision only made it to the letter B of the Avengers roll call!) Also in attendance is Fabian Stankowicz, a recent lottery winner who's been creating ways to attack the Avengers in order to make a name for himself. Using his knowledge of mechanics, Stankowicz turns Letterman's studio into an arena of death! 

This story also features the SHIELD super heroine Mockingbird. Fresh from their honeymoon, Hawkeye introduced her to his teammates and it's a good thing too because Stankowicz hadn't planned on Mockingbird being in attendance and she pretty much is the catalyst that saves the day! Though Letterman and Paul Shaffer and the World's Most Dangerous Band lend hands as well. 

This issue was part of Marvel's notorious 1984 Assistant Editor's Month event.  In 1983, Shooter and his editors went to the West Coast for Comic-Con and left the junior editors to take over the reigns for a month. As a result, some of the most off-the-wall stories and ideas were brandied about, such as the canon story where Aunt May temporarily becomes a herald of Galactus! I've got a few of these issues. I'd love for Marvel to reprint all of those issues as an omnibus. Though with GI Joe, Conan the Barbarian and other titles not being licensed by Marvel anymore, such a collection might be impossible. Perhaps I will add them to my already rather large wish list...

A fantastic issue that I am more than excited to have back in my collection!

Script by Roger Stern. Art and cover by Al Milgrom and Joe Sinnott. Michael Carlin is the editor to blame for this story!

Completing this review completes Task #9 (An Avengers Comic from the 1980s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 10 out of 10 stars.

Dick Tracy Book 3: Official Movie Adaptation

Len Wein takes over the scripting role for the third and final issue of Disney Comic's Dick Tracy miniseries. Issue #3 is the official adaptation of the live action film starring Warren Beatty, Al Pacino and Madonna. 

I felt like this was a fairly good adaptation of the movie. It's been decades since I saw it. Maybe the 2 prequel issues helped me to enjoy it more. Though I think to consider the 1990 noir film based on the popular Dick Tracy comic strip a children's movie, was perhaps a bad idea. There's a lot of murders and violence. Mostly from Tommy guns and explosions. But at least one character is killed by being buried in a cement coffin called 'The Bath.' Don't even get me started on the abuse the Kid suffers at the hands of Steve the Tramp!

One thing that I didn't realize was how much sex was in this movie. There isn't anything blatant. But the costumes worn by Madonna's character Breathless Mahoney are pretty risque. And the innuendo she pours over Dick Tracy, trying to lure him away from his sweetheart Tess Trueheart was quite silacious. At the time, I was only 12. What did I know???

Kyle Baker was the artist for the entire series. It's interesting work to say the least. The background sets and the NPCs of the story have that traditional early Kyle Baker style that's raw, fierce and sometimes uninhibited. But when it comes to the characters created by Chester Gould, they look like they were penciled and inked by the Dick Tracy creator himself. With one exception: the title character! I'm wondering if there was a clause in Warren Beatty's contract that all promotional imagery, including comic adaptations, had to have his likeness. 

Al 'Big Boy' Caprice, who was played by Al Pacino, had the legendary actor's eyes. But Big Boy is drawn more like Pacino appeared under a good 10 pounds of foam rubber makeup. Madonna's character looks more like a sultry blonde illustrated by Patrick Nagel. It could be anybody in a blonde wig in a slinky dress that hangs onto the body in the right places. 

As for Tracy's squad of do-gooders, Dick Tracy Jr, Sam Catchem and such, they vary in style. The Kid has coal black button eyes whereas Sam looks like Flattop in a bowler with a permanent grin on his face. If you're familiar with the comic strip, based on the artwork, you should be able to figure out some surprise reveals ahead of time. Just keep a detecting eye out.

Lot of fun. I think being in my late 40s, I was able to enjoy this book more than I would have as a preteen. This trip down memory lane has got me wanting to see the live action picture again. That's really saying something because I remember when I first saw the film, I was really blasé about how it turned out. Dick Tracy 1990 has a reputation of being a terrible movie despite really killing it in theaters those first 2 weeks in theaters. It has become a sort of cult classic. Maybe it warrants another view. I'm definitely in the right frame of mind for it!

Worth Consuming!

Rating: 9 out of 10 stars.

Dick Tracy Book 2: Dick Tracy Vs. The Underworld

The debate will always be 'Who has the best Rogue's Gallery: Batman or the Flash?' Once you figure that out, #3 is undoubtedly that of always honest cop, Dick Tracy! The blood thirsty Flattop, with his horizontal cranium. The Brow, with his multiple folded forehead that rivals that of Duke great, Shane Battier. Names like Mumbles, Prune Face, Itchy and Breathless Mahoney either indicate a physical attribute or character trait that gives the reader a clue as to the type of villain Tracy and his men will be encountering. 

I was 12 when Dick Tracy hit theaters and I admit that I caught the fever. When it was announced that in the 1990 live action film all of Dick Tracy's main foes were assembled in what was built as an all-out gang war with Tracy and his squad in the middle to protect and serve the post-prohibition citizens of the metropolis, known simply as 'The City', I was thrilled! I grew up spending a lot of time on the farm owned by my grandmama and her family. The adventures of Dick Tracy were a weekend surprise as the major newspapers of Raleigh, NC didn't carry the strip. I feel in love with the unique criminals and their clever names. B.O. Plenty! You knew that guy stunk! Although they had been killed decades earlier, I grew up reading the classic Dick Tracy stories that were collected in comic book format. There probably was a paperback collection floating around the house. So imagine my disappointment when 90% of the promised characters get knocked off in the first 15 minutes of the Warren Beatty led movie!

If you are like me and you felt that a majority of the best Tracy villains were killed off way too early, then you will love the first 2 issues of the Dick Tracy comic miniseries produced by Disney during its all too brief experiment as a comic book publisher. Issues 1&2 act as a prequel to the movie. I've learned over the years that the live action film had underwent dozens of rewrites as the franchise rights changed hands several times in the 70s and 80s. So I wonder if perhaps there's was a lot of stuff that was not good enough for the silver screen but still warranted public notice. Hence the prequel treatment.

In book 2, Prohibition finally gets repealed. The illegal trade of alcohol is no longer a lucrative venture. As a result, Prune Face makes a play for the numbers racket run in The City solely by Lips Manlis. When some of Prune Face's gang wipe out a deli that is secretly a front for illegal sports betting of the Manlis gang, Lips' right hand man, Al 'Big Boy' Caprice is incensed! He wants revenge. But Lips is concerned about making waves what with Dick Tracy given carte blanch by the Chief of Police, on cleaning up the criminal element of The City! 

Seeing Manlis refusing retribution as a sign of weakness, Big Boy begins a play to take over. Meanwhile, a group of unknown thugs have knocked over an armored truck. Tracy and his men manage to apprehend all but 1 of the robbers, who flees to the sewers for help from a mysterious figure known only as The Mole! As Tracy investigates a robbery, the FBI send an agent to search for a criminal who might have taken up residence in The City. His investigation and how it ties into the armor car heist will amaze even the most staunchest of crime noir/mystery lovers with a plot that rivals Mickey Spillane, Agatha Christie and James Bond's papa, Ian Fleming.

Showing the origins of the two-way wrist watch radio, along with introducing about another dozen novelty villains of the Dick Tracy Rogues Gallery, book 3 is the official adaptation of the 1990 live action film.

Worth Consuming!

Rating: 10 out of 10 stars.

Dick Tracy Book One: Big City Blues (2026 Comic Book & Graphic Novel Reading Challenge)

1990 saw a longtime dream of actor/director Warren Beatty come true when a feature length live-action version of the crime comic strip Dick Tracy debuted in theaters. Beatty had developed a treatment for such a film in the early 70s. Film rights switched hands many times and yet Warren Beatty was constantly attached to the project, chomping at the bit to play one of his long time heroes. 

Dick Tracy was created by Chester Gould. The police detective with unwavering scruples debuted in newspapers beginning in 1931. 3 years later, Dick Tracy would hit radio airwaves before a string of movie serials would thrill kids and adults alike in 1937 with a 15-parter starring Ralph Byrd. Add in a Dick Tracy cartoon that aired on television during the early 60s, that was the limit to the character's non-print appearances in the media until the 1990s. 

Disney Studios through Touchstone Pictures and Buena Vista Pictures finally got involved in the Dick Tracy project in the 80s. With Warren Beatty leading the project not just as the lead actor but now behind the lenses as director, superstars came out of the woodwork to appear in the film. Al Pacino, Dick Van Dyke, Dustin Hoffman and Madonna, arguably the biggest female pop singer of the time, all signed onto the picture which finally debuted on June 15, 1990.

There was a ton of licensing for the film. Toys, bubble gum cards, clothing, even a video game were released as tie-ins. Disney released a 3-issue comic book miniseries. During this time, Disney self-published their own comics for a very brief 3 year period. They were high quality works featuring art by media juggernauts. Unfortunately, Disney Comics was one of the many smaller publishing houses that couldn't survive when the comic book bubble burst in the early 90s.

John Moore wrote the script for this series. Art was from Kyle Baker. If you were expecting this issue to be an adaptation of the movie, you'll have to wait. Issues #1 and 2 are actually the prequel build-up. The story begins in 1938. Prohibition is about to be repealed. The gangs of 'The City' are in chaos as the lucrative cash flow from illegal bootlegging runs dry. Prune Face is attempting to encroach into the numbers racket controlled by rival Lips Manlis. Numerous small time thugs hide in the shadows in hopes of picking through the debris and casualties left in the war of the growing mob war. 

Most of the City's police force are on the payroll of either Manlis or Prune Face... Or BOTH! That is except for one police detective that wears a bright yellow overcoat and matching fedora everywhere he goes: Dick Tracy. Having recently arrested the son of an important socialite for public intoxication, Tracy finds himself stuck at a desk job. But when his girlfriend, Tess Trueheart's father is murdered while transporting 'kitchen supplies' for Lips Manlis, Tracy disobeys orders. With Tess distraught and the police claiming that Mr. Trueheart was really a smuggler, Dick investigates on the sly to find Mr. Trueheart's killer.

This was a totally unexpected treat. But probably not how you think. I wasn't expecting this to be the comic book adaptation of the film. Based on the cover title proclaiming 'Big City Blues', and how I have learned over the years that Warren Beatty longed a trilogy of Dick Tracy films, I came into this selection of my reading challenge as being a continuation of the 'first film.' I didn't know that I was going to get the inside track on how things lead up to the events of the film. 

A must for fans of Dick Tracy. It took me forever to find all 3 issues. I like to have an entire story run before I read the title. However you won't have to worry about a cliffhanger here. The story ends with a satisfying ending that you could use as the entryway into the film. Or you could wait until you find issue #2. But if you decide to skip ahead as it turns out that issue #3 actually is the adaptation of the movie, you'll be just fine, I think.

Worth Consuming!

Rating: 10 out of 10 stars.

Completing this review completes Task #38 (A Crime Comic) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Fright Favorites: Horror Classics to Haunt Your Movie Night by David J. Skal

It might not be referred to officially as American Movie Classics anymore, but I love the AMC Channel. It's where I feel in love with Walter Huston's Treasure of the Sierra Madre. It's also where I saw Marilyn Monroe get her toe stuck in that faucet in The Seven Year Itch. And every October, I can count on each night's programming being loaded with creepy classic horror and sci-fi thrillers in lead up (or countdown, depending on how you look at it) to Halloween. 

While it seems that the 24th-31st of each October is devoted solely to the exploits of Michael Myers night of mischief; except for that one time Silver Shamrock Novelties tried to ruin All Hallows, you can count on an amazing array of horror flicks from the past 100 or so odd years of cinema.

I found my copy at a Five Below of all places. Just as some have said that they felt like Salinger's The Catcher in the Rye was just speaking to readers to pick it up, I felt like this book was screaming at me for attention. Maybe I should have stopped at the introduction. The author clearly states that this book is anticipated for Halloween viewing sessions. I'm all for seasonal reading. But nothing on either sides of the cover indicated a need for autumn weather and falling leaves. So I just went for it. Besides, if you are creating this book for Halloween watch parties, you should focus on 31 films and not just 27! Maybe I have the wrong calendar but October is supposed to have 31 days of which #31 is Halloween. 

(Note: upon editing my review and searching for an image of the book to put on my blog, I have learned that there once was an edition of this book sponsored by Turner Classic Movies. In that volume, Skal featured 31 different books. From what I can glean, the 4 missing books are not titles that  ACM has the rights to. Regardless, I am staying with my original assumptions of the book post-review.)

The author starts off with some of the earliest horror films that thankfully still exist. As he works his way through the Silent Era, into early exploration of color and then through the Hayes Code of Hollywood through the renegade 1960s that gave birth to the R-rated or worst slasher pics, Skal gives an amazing history of the history of horror in film. 

Technically, Skal examines 54 total movies. For every THEM! the author explores in depth, he also devoted the last page of each chapter to another similar film. It's a lot like when I worked at Suncoast Motion Picture Company and I would give customers recommendations on the VHS movies they selected. "If you like A then you'll like B!" (Man, did I love working there. I still marvel at the time during the busy Christmas rush, this lady came up to me and said, and I quote "I'm looking for this movie. It stars that guy and he's always with that girl and they fall in love.", as much as I remember with pride correctly guessing the film in 1 try, for the life of me, I can't remember which movie it was I said!!!)

Anyways, despite 54 films being looked at, there are some noticeable absences. If you're looking for Hitchcock, it's only The Birds. The only 'Alien' in this book is John Carpenter's The Thing. Halloween obviously gets an entire chapter while Friday The 13th only a recommend. As for the 2 films that scarred me for life, Roddy McDowell in The Legend of Hell House and The Amityville Horror II, they are not to be found. As for comedy, there's quite a few looked at. Alas, John Carradine's visit to The Monster Club, co-starring Vincent Price, is not one of them. 

That's how these types of books go. They can only go so far without turning into an encyclopedia. Some great films are going to be left out. Some others that are real head scratchers like 1993's Hocus Pocus, get added. But there is 1 film that I will never watch, even if you paid me. It's so evil, I hated reading the chapter about it!

I would love a sequel. In fact, I'd love even more a spin-off. A look at Christmas movies! But make it 25 films. No!! Make it 26. Throw in a Thanksgiving romp for good measure. Oh, who am I kidding. Cover Hanukkah, Kwanzaa and New Years with 31 days worth of holiday flicks. It would be an Advent I'd never forget from my film recommending friends at AMC!

Worth Consuming! 

9 out of 10 stars. 

The Batman Adventures #21 (2026 Comic Book & Graphic Novel Reading Challenge)

Famed biological researcher, Dr. Emile Dorian had escaped from Arkham Asylum. Placed there by Batman and Selina Kyle, Dorian first plans tortuous revenge and then to biologically alter the DNA of the Dark Knight and Catwoman. To capture the pair, Dorian visits Dr. Kirk Langstrom, where the evil scientist injects Langstrom with a new version of the Man-Bat serum. 

Now under Dorian's control, Man-Bat succeeds in capturing Batman first. In the meantime, a mysterious figure has traveled to Dorian's island compound where he meets Tygrus, a mutated cat creature that fell in love with Selena. The stranger turns out to be a werewolf and he's hoping Dorian can do something to reverse the man's lupine curse. Tygrus agrees to help the desperate man and they travel to Gotham to find Dorian.

Tygrus and his new friend first go to Selena Kyle's apartment. There, they witness Man-Bat kidnapping the woman and they follow them to Dorian's new lair. When they approach Dorian, the biologist agrees to help both the reluctant werewolf as well as Tygrus. Seeing that Tygrus desperately wants to be with Kyle, Dorian decides to help his creation become human. Seeing the ultimate revenge, the scientist will conduct a brain swap between Tygrus and the Batman!

A sequel to the season 1 episode of Batman: The Animated Series 'Tyger, Tyger', this issue brings back all the major players along with the addition of the werewolf. Though it is not disclosed in this issue, the wolf man is Anthony Romulus, who first appeared in the season one episode 'Moon of the Wolf.'

Kelley Puckett was the writer. Artwork by Mike Parobek.

Completing this review completes Task #14 (Batman Comic from the 1990s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 8 out of 10 stars.

Batman #361 (2026 Comic Book & Graphic Novel Reading Challenge)

Dr. Kirk Langstrom's tenure as a superhero was a brief one. By the early 80s, Langstrom's feral side won over, with the bat expert succumbing to the addictive properties of his bat-gland serum.

In this 1983 issue, Langstrom is suffering a psychotic break. An encounter as the Man-Bat against the Batman in the previous issue, led Langstrom to hallucinate that the Dark Knight killed his daughter Rebecca. In revenge, Man-Bat infiltrates the Batcave and kidnaps young Jason Todd, still sporting a full head of blonde hair. In a demented episode of eye-for-an-eye, thinking he has kidnapped Batman's progeny, Man-Bat plans on transforming Jason into a hybrid bat and raising Todd as his son!

Written by Doug Moench, this issue is notable for the first modern appearance of Detective Harvey Bullock. Introduced as a bit player in Detective Comics #441 (July, 1974), Bullock languished in comic book purgatory for almost another 9 years before reappearing here in his traditional slovenly appearance; bedecked in a loud painted tie and obviously buying off the rack.

The Jekyll and Hyde dichotomy of Dr. Kirk Langstrom and the Man-Bat would see the character switching sides a number of times over the course of the next 5 decades. The more Langstrom's savage persona takes control, the more of a villain Man-Bat becomes. In the past decade, the character has been portrayed more as a tragic anti-hero, that keeps becoming Man-Bat out of addiction to the rush of the transformation Langstrom feels when in bat form. Some recent appearances in the new millennium have involved Man-Bat as an unwilling member of the Suicide Squad, leading the Man-Bat Commandos, a branch of the League of Assassins that used a stolen version of the Lanstrom Serum, and assisting the Bat Family during the Dark Nights: Metal storyline.

Issue was illustrated by Don Newton.

Completing this review completes Task #13 (Batman Comic from the 1980s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 8 out of 10 stars.

Sherlock Holmes and the Masquerade Murders by Frank Thomas

I figured 'what the heck...' I had been riding high from my enjoyment in reading a non-canonical Sherlock Holmes novel that co-starred the Prince of Darkness. Having another similar book on hand, I did the rare thing and went right into another Holmes mystery. 

1986's Sherlock Holmes and the Masquerade Murders was written by Frank Thomas. No, not the former infielder for the Chicago White Sox who now sees testosterone supplements on TV. But this Frank Thomas is famous too; as he was an early teen star in television, starring as the lead in Tom Corbett, Space Cadet. Though the title of this book might lead one to believe that it's another Holmes crossover, it is not! I thought being the 'Masquerade Murders', that maybe Holmes and Watson were summoned to Paris where they were to confront the dreaded Phantom of the Opera! Alas, that's just not the case.

The case begins at an investment firm where an auditor is found dead. Known to have a bad heart, Scotland Yard wants to rule it an accidental death. However, something smells fishy to Holmes and he decides to take the case despite objections from the Commissioner of Police and the influential owner of the firm. Using his arsenal of reformed confidence men, safe crackers and the cherubic lads who make up the Baker Street Irregulars, Holmes and Watson seek to uncover a murder that is masquerading as death by natural causes.

This was a book that needed to build up steam. I think that the artist did a pretty good job writing in Dr. Watson's voice. However, I think Thomas overdid things quite a bit trying to remind us of the previous adventures of Sherlock Holmes. The Sherlock Dracula only requires you to have a prior knowledge of 'The Adventure of the Essex Vampire', along with Bram Stoker's Dracula, understandably. Thomas not only alludes to many of Holmes' original cases, there's plenty of references to the previous 5 Holmes works written by Thomas. 

The book was exactly 250 pages. I think by page 185, maybe 190, it really hits its stride. I haven't read every Holmes novel by Doyle. What I have read is mostly the earliest stuff. I'm not used to Holmes utilizing so many reformed criminals to solve his cases. A member from the Irregulars, absolutely. But that's about it. I really liked the crew Holmes had assembled. The break in of the investing house was on par with Mission Impossible. Plus, there were some funny moments like when Holmes' crew accidentally followed the wrong carriage after telling the World's Greatest Detective that they would 'cover the bad guy like a tent!'

I'm not going to hunt for further Holmes stories by Frank Thomas. But if I stumbled across another, I would have no issues buying it as long as the resale price was decent. Apparently, 2 of the works involve Holmes and the complex card game of bridge. I've got to admit, they've got me intrigued. But since I don't have a clue how to play that game, it's up in the air as to whether I'll appreciate it or not.

Another reason I might not be able to find another Frank Thomas penned mystery is that they might have all disintegrated! The cover to my copy was coming apart in flakes. By the time I finished it, the wrap-around looked like an old pirate's map. There wasn't a smooth edge to be found. It's probably going to hit a free shelf or get donated to a thrift store because in its current state, I doubt a used book shop would buy it. It's funny, but the Holmes book from a decade earlier held together much better than the later copy did!!!

Rating: 6 out of 10 stars.

The Holmes-Dracula File by Fred Saberhagen

I'm not sure when and where I got this 1978 novel by Fred Saberhagen. I've been holding onto it for a very long time. I can tell you that much.

This is actually the second book in a series. Thankfully, this book can act as a stand alone read. You pretty much just need to have some knowledge about Sherlock Holmes and Bram Stoker's Dracula. 

The concept behind Saberhagen's Dracula series is that Count Dracula survived his death at the end of Stoker's work. Deciding to chronicle his side of the story, in The Dracula Tape, the vampire then records his life up to the present day while interacting with notable figures of literature and history. 

In the Holmes-Dracula File, the Count is seeking Mina Harker, whom he considers his true love. The search takes him to London, just days before Queen Victoria's 60th Jubilee. With Saberhagen's version of Dracula, vampires don't have to feed on blood daily. Although a fast can cause them to become less powerful and to age rapidly. Upon stepping foot on the docks, Dracula in his wizened appearance is Shanghaied and taken to a makeshift research clinic where he is subjected to experiments. 

Meanwhile, the bodies of several derelict Londoners have been found floating in the Thames. Only they didn't die from drowning or any other sort of misfortune. No, these bodies tell a different story as they all show signs of the Plague!

Just as the author has taken liberties with the legend and established lore of Dracula, Saberhagen does the same with Sherlock Holmes; especially with the sleuth's possible true lineage. This is very much a non-canonical story, though it builds heavily upon the Holmes mystery The Adventure of the Essex Vampire. 

You might think why would Sherlock Holmes and Count Dracula meet? In this story, Dracula, once he returns to full strength is often confused as the World's Greatest Detective. Why? You can thank Hollywood for the idea. That is because both Dracula and Holmes are described as having the appearance of the late, great Christopher Lee who portrayed both characters many times in the 60s and 70s. It was this sort of brilliance that made me a fan of this Victorian horror mystery!

The book is told in alternating first person narratives. First Dracula is your narrator. Then Dr. Watson. Every other chapter is told by one or the other's perspective. While I am not familiar with Saberhagen's Dracula stories, I have read several of Sir Arthur Conan Doyle's original Holmes adventures. Saberhagen does a fantastic job capturing Watson's voice and manner of speech. Even more impressive is how distinct Dracula's narration is. This book really feels like 2 different people wrote it instead of one guy doing a terrible job of both. I'd have no problem reading another of the author's Dracula chronicles. But being a nearly 50 year old series, I doubt it would be so easy finding other volumes. 

Worth Consuming!

Rating: 9 out of 10 stars.

Batman Family Giant #13 (2026 Comic Book & Graphic Novel Reading Challenge)

In 1974, DC Comics unveiled a new anthology series called Superman Family. Though Superman was featured on the very first issue, the series centered on the adventures of friends and family of the Man of Steel. Superman Family served a financial purpose for DC as they cancelled the titles devoted to Jimmy Olsen, Lois Lane and Supergirl individually and merged them into a giant sized publication for the affordable cover price of 60 cents. Numbering of the series picked upon that  issue #164 of Superman's Pal, Jimmy Olsen.

A huge success, DC followed up with the anthology formula with Batman Family the following year. Unlike Superman Family, the numbering for the new series began with #1. A few issues later, it was rebranded as Batman Family Giant. The exploits of Vicki Vale, Alfred Pennyworth and the Huntress were regular subjects along with reprints. The first main feature was a monthly team-up of Batgirl and the Dick Grayson Robin. Their first pairing was supposed to be featured in an issue if 1st Issue Special. However, once it was decided to create the Batman sister anthology, editors decided that the Boy Wonder and Batgirl combo would be an excellent selling point with readers. 

Beginning at issue #11, Man-Bat was also made a main feature of the title. An attempt had been made to feature the Jekyll and Hyde type character into a superhero in his own title. However, the idea proved unpopular and the series was cancelled after issue #2. However, as there were still several Man-Bat stories on tap that had yet to be published, the idea was to burn those stories in the pages of Batman Family.

Eventually, Robin and Batgirl, billed as the Dynamite Duo were fated to team with Man-Bat. 

In this issue, both Dick Grayson and Barbara Gordon are gifted a new motorcycle. There's no note or indication who sent it. But it intrigues both sleuths, who don their costumes and decide to take their new choppers for a spin. This turns out to be a massive mistake as once they mount their new rides, their arms are essentially handcuffed to the handlebars. Then the motorcycles go into automatic pilot mode, and once in New York City, the two heroes meet, Travelling at speeds well exceeding the speed limit Robin and Batgirl about to play a most deadly game of chicken.

Meanwhile, Dr. Kirk Langstrom is trying to settle into his new role as superhero. Making a new start in the Big Apple, Langstrom has perfected his genetic serum, allowing his body to change into the Man-Bat while keeping his level headed Langstrom personality.

Staying sane as the Man-Bat hasn't been easy. In his most recent experience, a gang armed with a special type of flashlight was able to transform the Man-Bat into a savage jaguar creature. On his latest patrol of the city, Man-Bat runs afoul of the gang with the specialized light source. Knowing that he'll never be free until he can destroy that lantern, the new found hero goes in for the attack. Disarming the the gang, Man-Bat makes a leap for the device. Only another player has taken control of it: the Outsider! 

A classic foe from the 1960s, the Outsider was originally the resurrected Alfred Pennyworth, devoted butler to Bruce Wayne. The process that revived Alfred changed his psyche to wanting to kill Batman and anyone associated with him. It also changed his appearance with his skin becoming chalk white and covered in boils. Able to telekinetically control matter, it's very likely that the Outsider is behind the attack on Robin and Batgirl. Only it doesn't add up. Alfred Pennyworth hasn't reverted to the Outsider persona in years. Has Pennyworth gone mad again? Or has a new player found the key to becoming one of Batman's most deadliest of does?

Published roughly 8 times a year, Batman Family Giant survived until late 1978. Ultimately cancelled with issue #20, the series originally was to survive the infamous DC implosion. Batman Family Giant was actually outselling Detective Comics at the time. Execs actually planned to cancel Detective Comics. Artists and writers protested the loss of such an iconic title and thus Batman Family Giant got the axe. In a sort of compromise, Robin, Batgirl and Man-Bat's adventures were continued in Detective Comics, now given the 'Giant' moniker as the page count was upped to 68 with a $1.00 price tag. After 15 issues, the series lost the extra word and pages 'effectively cancelling Batman Family for good'.

'The Man Who Melted Manhattan' was written by the Answer Man, Bob Rozakis. Artwork was attributed to Don Newton, Marshall Rogers and Bob Wiacek. This issue is notable as being the first professionally published work by eventual Batman Norm Breyfogle, who submitted a redesigned Robin uniform in a portfolio display titled 'Robin's New Look?' in the back of the book. 

Completing this review completes Task #12 (Batman Comic from the 1970s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Captain Power and the Soldiers of the Future #1 (2026 Comic Book & Graphic Novel Reading Challenge)

One of the top toys for boys in 1987 was the Captain Power line from Mattel. The idea of being able to basically play laser tag with friends using fighter ships and menacing robots was a dream come true for those of use who would play a similar type game with our X-Wings and TIE Fighters. For those of us who lived in more remote locations, the opportunity to play against a weekly television show was a godsend. If you were really lucky, you could play all the time against the show if you owned one of the 3 VHS recordings of the series. 

Captain Power and the Soldiers of the Future was a live action/CGI series that aired for 22 episodes from 1987-88. The show was syndicated, meaning that some regions of the country might not have even aired the series. Some of those locations lucky enough to receive the dystopian sci-fi series, like WLFL-22 in Raleigh, NC, Captain Power aired on Sundays at the ungodly hour of 6:30am! 

For my 10th birthday, I received the XF-7 jet for my main present. Along with the toy which was essentially a light gun, came a - inch Captain Power pilot action figure and a training program video cassette. A month later, thousands of boys got their wish opening up similar flyer sets for Christmas. By that time, I had already figured out what a host of kids were about to find out- this toy sucked!

Each episode would have computer generated scenes in which Captain Jonathan Power and his band of human resistance fighters would fight against the evil robotic army lead by a thrift store version of Darth Vader called Lord Dread and the discount Skynet computer system he co-created and mentally fused with, OverMind. Both teams would have areas on their suits and ships that bared a shimmering red or golden light. The idea was during the battles on the TV, you played along shooting at the opposite team. If you accidentally shot an ally, you lost points. If your score went to zero, your figure would eject from the cockpit symbolizing your defeat.

Keep in mind, 1987-88 was a time where some homes still had black and white TVs. Not quite 50% of the population didn't have cable yet. There was no streaming. Satellite TV was for the very rich. If you didn't have crystal clear reception, many of your 'shots' wouldn't register. Or you would be accused of shooting an enemy, which during the training video, are nowhere to be found. I've heard reports that if you didn't have a color TV, your toy wouldn't even work with it. The ships went through batteries like worms through a goose. The only time that the toys worked decently was one-on-one play. At $33 a vehicle, you were lucky to find someone else that had another Captain Power vehicle to interact with. Being a household with both an XF-7 and Lord Dread's Phantom Striker was even scarce. So, for varying game play, you looked forward to the TV show. 

However, by Spring of 1988, most TV stations had stopped carrying the series. Parents found the concept of a robot apocalypse series geared at kids to be questionable subject matter. Human survivors were slaughtered with abandon by android hunters. The series faced criticism of being an allegory of Nazism and the Holocaust. And as holiday sale reports declared the toy line a failure, by March, Captain Power was a victim of cancellation and it's toys were clearance aisle fodder.

Unfortunately for Neal Adams, by the time his Continuity Comics had released it's first issue of a Captain Power and the Soldiers of the Future comic book, the franchise was dead and buried. As a result, only 2 issues were published. Based J. Michael Straczynski's 2-part script, ' A Summoning of Thunder' reveals the origins of Captain Power, Lord Dread and what caused the Metal Wars that led to the near destruction of humanity. The most shocking revelation is that OverMind was co-created by Power's father, who spends the rest of his life leading the few remaining humans, including his son,  in a battle of man vs machine. 

Written and illustrated by Neal Adams with script assists by Peter Stone. Cover was also by Adams.

Completing this review completes Task #23 (Live Action Comic Adaptation from the 1980s or 90s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

The Partridge Family #16 (2026 Comic Book & Graphic Novel Reading Challenge)

Inspired by the real life family singing group, the Cowsills, ABC's The Partridge Family rocked airwaves for 4 seasons, from 1970-1974. In fact, the child members of the Cowsills were originally considered for the sitcom. Officially, their lack of acting experience rules them out of contention. Unofficially, the prima donna antics of the Cowsills' manager, their father, William, might have doomed the children's chances at television stardom.

Once the Cowsills were ruled out of contention, singer and actress Shirley Jones was cast in the mom role. Oldest son Keith would be played by her stepson David Cassidy. There might have been even more of the Cassidy family, as David's father, Jack Cassidy was cast to play Mrs. Partridge's boyfriend who happened to be the Partridge Family's manager. The actor even co-starred in an un-aired pilot, but ABC executives decided to forgo the romance angle between the adults. Jack Cassidy's character was cut while David's role as eldest son Keith was beefed up to make him the romantic heavy as he tested extremely well with young viewers. 

David Cassidy's near Beatles level stardom made him the main focus of the series. By the time this issue hit newsstands, Cassidy was attempting to break out of the wholesome image of Keith Partridge. Maybe that explains why in the cover feature Keith puts his music career on hold and goes out for his high school basketball team. Unfortunately for the rest of the family, Keith is really good at basketball and that means everything else takes a backseat to his current passion- including the band!

Rounding out the rest of the family was Susan Dey as oldest daughter Laurie. Red headed Danny Bonaduce as the smart aleck Danny. Suzanne Crough as youngest daughter Tracy and on drums, Jeremy Gelbwaks as Chris. Not quite fitting in with the rest of the cast and reputedly the target of Danny Bonaduce's incessant bullying, Gelbwaks was replaced after season 1 with actor Brian Foster. 

Actor Dave Madden completed the cast as the band's manager, the long-suffering Reuben Kincaid. Instead of being Mrs. Partridge's love interest, young Danny Partridge would do everything in his power to set up his Reuben with a future Mrs. Kincaid. 

Reuben's role with the family has a lot to do with the plots of the 2 backup stories. First Keith falls head over heels for Reuben's visiting niece. So much that the lad wants to make her a part of the band. Only the girl cannot carry a tune! Then in the last story, it appears that Danny has finally succeeded at playing matchmaker, introducing Reuben to an old friend of Mrs. Partridge.

In the early 1970s, Charlton Comics was still relying on prose stories to help their comics maintain their affordable 2nd Class postage rates. In a clever spin on the requirement, this issue features a 2-page spread of lyrics to several songs that appear on the series. The spread doubled as advertising for a magazine called Song Hits, which reprinted the full lyrics of both crock classics and pop hits of the time. 

If you're a collector who enjoys reading the classic ads in back issues, you'll enjoy this one. But don't expect much of a variety. With the exception of the 3 pages devoted to Song Hits Magazine, all of the rest of the ads are about products pertaining to The Partridge Family and its cast. There's an ad for a beauty and lifestyle book written by Susan Dey, several ads for posters and photo books featuring David Cassidy and on the back cover, information about joining the official Partridge Family Fan Club. 

I was pretty lucky to find an issue that wasn't full of holes from a rabid fan clipping out dozens of requests for Partridge Family merchandise. When I inherited some of my mom's old horror and TV comics, I noticed that her issue of The Partridge Family was all cut up. I couldn't understand why she had left that book in such poor condition especially since she claimed to be a huge fan of the show. After reading through this issue, I now understand as almost every ad had a small order form included.

Featuring art stories by Don Sherwood, there's amazing likenesses of all of the Partridge Family. But I think Sherwood copied the images from publicity stills because many panels are of extreme close-ups and the poses are stilted. As for the stories themselves, they all start out very well in terms of plot and pace. But I think Sherwood was the type of comic book creator who just couldn't stop himself because all 3 stories end abruptly with no real sitcom style conclusion in which the dilemmas are adequately wrapped up. 

Add all these factors together and this issue reads less like an officially licensed comic book adaptation and more like the material for a fanzine.

Completing this review completes Task #22 (Live Action Comic Adaptation from the 1970s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Not Worth Consuming!

Rating: 4 out of 10 stars.

I Love Lucy Comics #34 (2026 Comic Book & Graphic Novel Reading Challenge)

During the last season of I Love Lucy, the Ricardos and the Mertz family moved to the suburbs of Connecticut. This helps to explain the setting of this issue's last story. A sudden snow storm makes it impossible for Ricky to get out of his driveway. Things get chaotic when the Ricardos' inventor neighbor turns their lawnmower into an ersatz snowplow.

One of the main plot points for I Love Lucy is Lucy's constant attempts at fame, often to disastrous effect. In the opener, Fred gets Ricky hired to perform at a dude ranch. In return for Lucy and Ethel tagging along, the girls have to work a few shifts at the check-in desk. When Lucy learns that a famous TV producer is visiting in hopes of researching a new Western series starring a woman cow hand, Lucy tries to show the exec that she's the only woman for the show! Spoiler- she really is not.

The middle story features the forgotten member of the Ricardo clan: Little Ricky! When Ricky and Lucy go on a ski trip, they take their son along. Being his first time skiing, Little Ricky is given a beginners level course on the bunny slopes. However when it's determined that the tyke is a natural skier, he runs laps around mom and dad!

I Love Lucy stopped producing new episodes in 1957, 4 years before this issue debuted on newsstands. A smattering of one-hour specials kept Lucille Ball and Desi Arnez on people's minds, but the reason I Love Lucy continued as a comic book published by Dell until 1962, 2 years AFTER Lucy and Desi divorced, was because I Love Lucy never left airwaves! 

Desi Arnez was a Hollywood executive genius. Being a Cuban entertainer, he had been screwed over by agents and movie execs before. So when he brokered the deal for I Love Lucy, Arnez made secure the rights to the series. This, along with the use of revolutionary high-quality 33-mm film helped ensure that I Love Lucy lived on in syndicated rerun history literally till the end of time. 

I Love Lucy Comics was not Lucy and Desi's first time in sequential art form. The show was tested out in 2 Dell Four Color issues (#535 and #559). Those two issues were retroactively numbered as the first two issues of the series. Before that, I Love Lucy was run as a daily newspaper comic strip from 1952-55 through King Features Syndicate. 

This would be the penultimate issue of the series. #35 (April, 1962) would be the final issue of I Love Lucy Comics. However, it would not be the end of Lucille Ball, nor the other cast members in comics. From 1963-64, Gold Key released 5 issues based on Ball's first post-divorce comedy, The Lucy Show, which costarred Vivian Vance who played Ethel on I Love Lucy. In 1990, Eternity Comics produced several Collector's Edition issues that reprinted stories from both the comic strip and Dell Comics catalog. 

Paul S. Newman is colloquially attributed as the series writer and artist. As it wasn't a common practice at that time for Dell Comics to give their creators any sort of by-line credit, it is possible that this issue was written and illustrated by someone else. 

Cover photo was provided by either CBS Studios or Desilu Productions.

Completing this review completes Task #21 (Live Action Comic Adaptation from the 1960s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 9 out of 10 stars.