In 2003, Marvel established an imprint for all ages. Unlike Star Comics in the 1980s, this imprint would star the heroes of the 616-Universe. First titled 'Marvel Age', the plots were taken directly from the earliest issues to bear the Marvel Comics brand name. Written by Stan Lee and featuring the art of Jack Kirby, Steve Ditko and others. Marvel Age Spider-Man and Marvel Age: Fantastic Four. The retellings would be written by the best and brightest of the Marvel Bullpen with Manga inspired artwork by up-and-coming artists from the Japanese inspired medium.
In this issue which reimagines Fantastic Four #9 from 1962, the Fantastic Four's most deadliest foes, Doctor Doom and the Sub-Mariner have joined forces. Doom has invented a device that can control the gravity of any object. The plan is for Prince Namor to visit the Baxter Building under the rise of a proposed truce. While there he will hide Doom's device inside the recesses of the skyscraper.
It's actually not very hard for the Sub-Mariner to hide the device. While Sue Storm is Mister Fantastic's girlfriend, she's been developing feelings for Namor during their recent skirmishes with the ruler of Atlantis. Ben Grimm and Little brother Johnny Storm want to mop up the floor with Namor. Sue wants to finally have a chance to sort through her feelings. Meanwhile, Reed Richards smells a rat and right he is! Because Doctor Doom has activated his gravity device, sending the Baxter Building into outer space with the Sub-Mariner aboard! Heading directly towards the sun, with the oxygen running thin, I guess only so much can be said about honestly and loyalty when you make a deal with Doctor Doom!
The writing by Marc Sumerak was quite good. I've read this issue a number of times. The original, I mean. So it is a bit weird to experience this plot with references to more modern pop culture icons like Jerry Seinfeld. Though, did kids from 2005, when this Marvel Age issue was published, know who of the comedian and star of a TV series that went off the air 7 years prior? So the references are a bit awkward- too awkward. But this is something that the big two publishers have been guilty of for decades. But it's also forgivable. Trying to relate to kids is hard. Not everyone can do it.
What, in my opinion, isn't quite so forgivable is the art. I should be a crime to think that you can't make a comic book for children without dipping into the Manga ink well. Sure, Manga is what has inspired a large number of artists who hit the scene in the past 30 years. But it should not be the only style of artwork that young comic book readers are exposed to. Especially for such an iconic family the Fantastic Four. That ever-changing look of characters based on their emotions which is a Manga staple just doesn't work with The Thing or the Human Torch. Heck, it doesn't even work with the plastic fluidity of Mister Fantastic. You'd think that it would considering that he's stretchy. But here, it just looks weird. Blame artist Alitha Martinez for that. However, I'm really confused as I've experienced some of her work before and it did not look like this. Maybe early in her career she tried the Manga route. If so, I am glad it was a phase or the comic collecting world would have been deprived of one of the most talented female artists of the past 2 decades.
If this wasn't a FF comic book, I probably wouldn't keep it. But just like when I listen to Queen, a bad Fantastic Four comic is better than no Fantastic Four comic book at all!
Completing this review completes Task #8 (Fantastic Four Comic from the 2000s) of the 2026 Comic Book and Graphic Novel Reading Challenge.
Rating: 5 out of 10 stars






