Spider-Man: Brand New Day

I took my god son to see Spider-Man: Brand New Day and I have got to say that it was really good.

The world may have forgotten Peter Parker. But it hasn't forgotten about Spider-Man. This includes best bud Ned Leeds and girlfriend MJ who have fractured memories of being rescued by the superhero. Crime in New York is at an all-time low. That is except for at the Department of Damage Control. That federal office has been attacked by an unknown assailant 4 times in the last month and now with attack #5, Spider-Man is involved. Whomever is behind the attack is possessing people in order to free Mac Gargan, the Scorpion, in hopes of discovering the secret of V-Max. 

When the entity attempts to enter Spider-Man, his Spidey senses push the intruder out of his mind. But in doing so, Spider-Man triggers his latent abilities, organic web shooters for one thing, that is causing Peter Parker to go insane. After almost killing both the Scorpion and a cop, Parker seeks out help in the form of Dr. Bruce Banner, who has developed a device that keeps his mean, green side in check. 

As Spidey develops an inhibitor to his new powers, the unknown entity has learned the webcrawler's secret identity. To keep Spider-Man from interfering with their quest to discover what Damage Control is hiding with V-Max, the entity has taken control of someone very near and dear to Peter's heart and he must turn to the one guy he'd never trust in a million years to protect them; one Frank Castle, the Punisher.

My god son wanted to see it in 3-D. I was wary because I wear glasses and the last time we went to a 3-D flick, I got the biggest headache. Not this time, however. There must have been some improvements since the last time I did 3-D, which I think was Venom...

Marvel Studios has gotten some flak for poor CGI and special effects in recent films. But I think they must have made some improvements as well. The scenes of Spidey swinging through the New York skyline was stunning. I felt like a kid again, living a childhood dream to be like Spider-Man in the parts where the movie was shot from the heroes point of view. With the classic blue, red and black costume, this is how I wish Spider-Man '77 could have been like.

Once again, Tom Holland is the definitive Peter Parker. Jon Bernthal as the Punisher was perfect. This is what I expect Frank Castle to be like if he was a real person. The guy playing the Scorpion, Michael Mando, has that kind of face that I swear that I have seen before. I got the actor who played Damage Control's head honcho, Bill Metzger wrong. He's played by Tramell Tillman, not Jason Derulo. And I really bombed on my guess as to the mystery character Sadie Sink was playing. I didn't even hit the target, much less a bullseye.

Spider-Man: Brand New Day was the first film since last year's Superman where I would have paid movie to see it again, right then and there. Though I don't think my ever falling apart body could have stayed seated for another almost 150 minutes of run time. But this was a great movie that really sets some things up for Avengers: Doomsday this Christmas. Just don't expect too much from the extra scene at the very end of the credits. Seeing the various webheads of the Spider-verse is not happening just yet. 

Worth Consuming!

Rating: 9 out of 10 stars.

The Unbeatable Squirrel Girl, Vol. 1: Squirrel Power

There's not many superheroes out there that can claim that they defeated Thanos, Deadpool and Doctor Doom. Oddly enough, Squirrel Girl can. And she's about to add a few more villains to her list, including the biggie of them all: Galactus! But first, she's got to move into her dorm, meet her roommate and her roomie's cat, attend freshman orientation and catch the eye of the freshman hunk that she ran into during her first day of college. Armed with her best friend, Tippy Toe the squirrel, some borrowed Tony Stark tech and a nauseating amount of optimism, Squirrel Girl just might be able to save the world.

Written by Ryan North and illustrated by Erica Henderson. Although, it really seems to me that Erica Henderson should receive co-plotter credits based on the amount of work she's credited for by Ryan North in the letters column of each issue. When's the last time you could say that a trade paperback included the letters columns? Tongue is very much in cheek all around. However, there's a certain degree of reverence to the lead character, which you have to admit is one of Marvel's odder creations. 

Almost every page has a secret message around the bottom margin. You'll need a microscope to read the ones in issue #1. It gets a little bigger on issue #2 but it doesn't help much that the font color appears to be this dijon mustard beige hue. The messages are mostly funny. A couple are interesting factoids. But they also gave me a bit of a headache, and that's with reading glasses.

I don't think that I am going to keep this book. I wouldn't be opposed to reading volume 2 if I found it for cheap or at my local library. As a bonus feature, Squirrel Girl's first appearance from 1990's Marvel Super-Heroes Winter Special is included. Those early 90s seasonal specials are on my wish list and I have quite a few in my collection. Considering how expensive a copy is, I wouldn't mind owning a reprint or facsimile edition of that issue. But only her story is included in this book. It's just not enough to get me to want to hold onto it.

Be mad at me if you want, but Tippy Toe is the best character and excellently drawn. I just hope she doesn't meet the same grisly fate of her predecessor Monkey Joe.

Worth Consuming!

Rating: 7 out of 10 stars.

Sgt. Fury and His Howling Commandos #36

Eric Koenig begins his commando training as a member of the Howlers. While Stan Lee leaves the readers wondering if Eric has defected as a double agent for the Nazis, the Howlers seem to welcome the German with open arms. Captain Sawyer and Fury are ready to have Eric posing as a German officer in their upcoming mission with full confidence in Koenig's abilities.

The Howlers continue to worry over their recently fallen comrade. I won't reveal who the injured Howler is yet for spoilers sake. However, the early prognosis is not good. The commando took a massive beating in the last issue and opened up a slot for Koenig to join the squad.

The major excitement takes place aboard a speeding train along a snowy Alpine mountain range. If it brings back memories of that scene in Captain America: The First Avenger, you are not alone. I'm wondering if this issue was the inspiration for that very dramatic and important scene in the movie. 

As for the mission itself, it has the Howlers boarding the train which is secretly transporting a German officer to Italy to help Mussolini who's losing his battle with anti-fascist forces and the Allies. The train is disguised as being a hospital transport allowing the Nazis to pass through neutral Switzerland. Fury's men are supposed to  prevent this and hopefully capture the officer while posing as neutral safety inspectors.

It's here where the reader is supposed to be skeptical of where Eric Koenig's loyalties lie because the target is someone who Koenig has known for a very long time and loves like a brother. 

Not the best issue. It's really slow in getting started as the first 10 pages are more filler and mission prep. In other words, it's like a soap opera set during WW2 with the Howlers worrying about the injured commando, Eric reminiscing over his relationship with the mission's target and Nick Fury exposing his soft side for his Howlers. It's all done internally and really bogs the story way down.

Rating: 5 out of 10 stars.

Sgt. Fury and His Howling Commandos #35

After having Happy Sam Sawyer recount how Nick Fury and Dum Dum Dugan formed the Howlers, the attack on Pearl Harbor sees the death of a friend that was closer than a brother to Nick. In my review of the issue before, I stated that I hoped for the next issue (this issue) to provide the origins of how Izzy Cohen, Gab Jones and the rest joined the team. But I guess seeing several random Joes get draft notices from their local postman isn't very exciting storytelling. Surely one of them signed up voluntarily. Could there be an interesting story about that? 

Instead of going backwards, Stan Lee and Dick Ayers both move forward with the current events of 1942-43. With exception of Fury, the rest of the squad were captured by Nazi forces during a pre-D-Day invasion mission that took place in Greece. Transferred to Berlin, the Howlers undergo torture and questioning by the Gestapo. 

In order to rescue his men, Nick has to team up with his arch rival, Sgt. Bull McGiveney. Normally the Howlers are busting heads with Bull's bunch of soldiers in a macabre sort of friendly rivalry. If you can call fists, chains and 2x4s friendly rivalry.

When the action is over, a Howler will be seriously injured, a Nazi will defect and McGiveney and his men will earn a little bit of the respect of the Howling Commandos.

A really exciting issue that opens up some interesting possibilities with a German defector on the Howlers. For one, can Eric Koenig be trusted? And while I hate to see the injured Howler go, I appreciate the level of realism that the creative team put in this series. Sure, there's a level of comic book grandiosity to the villains. But with at least 2 former Howlers dead, countless injuries, and now another facing a medical discharge, Lee and Ayers really don't hold back on the fortunes of war.

Worth Consuming!

Rating: 9 out of 10 stars.

X-Men #1 (2026 Comic Book & Graphic Novel Reading Challenge)

1991's X-Men #1 by Chris Claremont and Jim Lee holds the Guinness World Record for the best selling single issue of all-time. The total number of copies sold is around the 8 million mark. However, I don't think it's a fair attribute. 8 million people didn't buy this book. There were 4 different variant covers that revealed a massive battle scene between the X-Men and Magneto. Add the fervor of speculators who gobbled up first issues by the long box full, and in reality, X-Men #1 was probably only purchased by 2-3 million individuals. 

The new series was a restructuring of the X-Men franchise. Seeing that there were just too many mutants to keep track of,  first, Marvel killed off a few fan favorite characters with a massacre in Genosha. Then they split the roster in half and blue some of the all-time greats together in a sister series. Then, Magneto, who had become an ally of the Xavier's School for Gifted Children, renounced his membership and fled to the ruins of his asteroid compound to create a refuge for mutants. In return, Charles Xavier returned to lead the X-Men after years away. 

Cyclops, Wolverine, Jean Grey, Beast, Storm, Gambit, and Rogue. Plus support from the mechanic genius Forge. If this sounds like the lineup for Fox's classic X-Men: The Animated Series, you're almost right. Only Jubilee is missing. But over time, she'll be recruited by Cyclops to join what will soon be dubbed 'the blue team.'

As Claremont was winding down his lengthy run as the X-Men's scribe, co-plotter and artist Jim Lee's star was rising. In just a couple of issues, Lee would also become the new writer of the series. But his tenure would be short. Feeling undervalued by Marvel, Lee and about a half dozen other writers and artists from the bullpen broke free from the publisher and founded Image Comics. 

A rotating lineup of talent would write on the new X-Men title, including Scott Lobdell, Fabian Nicieza, and Grant Morrison. After a brief 2-issue fill-in by Art Thibert, before eventually setting on Andy Kubert as the regular penciler from issue #14-59. As for the series itself, beginning with the Morrison run, issue #114, it was retitled New X-Men. Issue #157 lost the 'New' moniker before another change at issue #208. Becoming X-Men: Legacy, the title went back to just X-Men in 2012 for the milestone 300th issue. Never cancelled due to dwindling sales, X-Men #300 concluded many storylines and paved the way to seasonal relaunches in hopes of streamlined numbering of titles.

 However, if you have ever read any of my reviews of the more recent Deadpool series with a nearly annual reset back to issue #1, you'll know that I hate this new way Marvel numbers it's books. It's a leading reason that I have stayed away from most Marvel series of the past decade. But I don't seem to be the only one who hates this new method of doing business. However, despite how much we hate it, it doesn't seem like Marvel will be ceasing this way of conducting business any time soon.

Completing this review completes Task #36 ( Work by Jim Lee, Fiona Staples or Alex Ross) of the 2026 Comic Book and Graphic Novel Reading Challenge.

And with this review, my 2026 Reading Challenge is COMPLETE!

Rating: 6 out of 10 stars.

Fantastic Four #9 (2026 Comic Book & Graphic Novel Reading Challenge)

In 2003, Marvel established an imprint for all ages. Unlike Star Comics in the 1980s, this imprint would star the heroes of the 616-Universe. First titled 'Marvel Age', the plots were taken directly from the earliest issues to bear the Marvel Comics brand name. Written by Stan Lee and featuring the art of Jack Kirby, Steve Ditko and others. Marvel Age Spider-Man and Marvel Age: Fantastic Four. The retellings would be written by the best and brightest of the Marvel Bullpen with Manga inspired artwork by up-and-coming artists from the Japanese inspired medium. 

In this issue which reimagines Fantastic Four #9 from 1962, the Fantastic Four's most deadliest foes, Doctor Doom and the Sub-Mariner have joined forces. Doom has invented a device that can control the gravity of any object. The plan is for Prince Namor to visit the Baxter Building under the rise of a proposed truce. While there he will hide Doom's device inside the recesses of the skyscraper. 

It's actually not very hard for the Sub-Mariner to hide the device. While Sue Storm is Mister Fantastic's girlfriend, she's been developing feelings for Namor during their recent skirmishes with the ruler of Atlantis. Ben Grimm and Little brother Johnny Storm want to mop up the floor with Namor. Sue wants to finally have a chance to sort through her feelings. Meanwhile, Reed Richards smells a rat and right he is! Because Doctor Doom has activated his gravity device, sending the Baxter Building into outer space with the Sub-Mariner aboard! Heading directly towards the sun, with the oxygen running thin, I guess only so much can be said about honestly and loyalty when you make a deal with Doctor Doom!

The writing by Marc Sumerak was quite good. I've read this issue a number of times. The original, I mean. So it is a bit weird to experience this plot with references to more modern pop culture icons like Jerry Seinfeld. Though, did kids from 2005, when this Marvel Age issue was published, know who of the comedian and star of a TV series that went off the air 7 years prior? So the references are a bit awkward- too  awkward. But this is something that the big two publishers have been guilty of for decades. But it's also forgivable. Trying to relate to kids is hard. Not everyone can do it.

What, in my opinion, isn't quite so forgivable is the art. I should be a crime to think that you can't make a comic book for children without dipping into the Manga ink well. Sure, Manga is what has inspired a large number of artists who hit the scene in the past 30 years. But it should not be the only style of artwork that young comic book readers are exposed to. Especially for such an iconic family the Fantastic Four. That ever-changing look of characters based on their emotions which is a Manga staple just doesn't work with The Thing or the Human Torch. Heck, it doesn't even work with the plastic fluidity of Mister Fantastic. You'd think that it would considering that he's stretchy. But here, it just looks weird. Blame artist Alitha Martinez for that. However, I'm really confused as I've experienced some of her work before and it did not look like this. Maybe early in her career she tried the Manga route. If so, I am glad it was a phase or the comic collecting world would have been deprived of one of the most talented female artists of the past 2 decades.

If this  wasn't a FF comic book, I probably wouldn't keep it. But just like when I listen to Queen, a bad Fantastic Four comic is better than no Fantastic Four comic book at all!

Completing this review completes Task #8 (Fantastic Four Comic from the 2000s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Rating: 5 out of 10 stars

Fantastic Four Unplugged #1 (2026 Comic Book & Graphic Novel Reading Challenge)

It's 1995. The economy of the comic book industry is not promising. The speculator bubble has burst after showing signs of weakness as non-collectors are sweeping in buying massive amounts of first issues while an more established titles all but gathers dust on display shelves. With some readers it will be years before they return to collecting new comics. For Marvel, the situation couldn't be more dire. Bankruptcy is looming around the corner. The standard price of a Marvel comic is now $1.50 an issue. Premium titles are asking for $2.00 or more. Loyal fans are claiming that because of the higher prices, they can no longer buy as many weekly or monthly issues that they could in years prior.

In response, Marvel decides to use an idea that brought huge success to DC Comics in the 70s when they faced a similar economic crisis during the Implosion of 1977-78. The House of Ideas will offer a slightly larger page count (36 full color) slew of monthly titles at a discount price. The main difference is that these books will be comprised of 100% all new material. NO reprints!

The first such title in this line would be based on Marvel's First Family: The Fantastic Four. Titled Fantastic Four Unplugged, each issue would be a stand alone story starring a member of the FF family in a solo adventure. Every issue could act as an entry point to the regular Fantastic Four series. Potentially, it might also inspire fans to investigate a character's solo regular series as was the plan for the forthcoming Avenger Unplugged series.

Issue #1 stars the blue-eyed ever loving Ben Grimm, AKA The Thing. If you're wondering why the debut issue doesn't start the Fantastic Four's leader Reed Richard's, it is because at this point in time Mister Fantastic and his arch enemy Doctor Doom have been declared dead from a recent conflict. 

On a dreary rainy night, everything seems to be going wrong for poor Ben. All of a sudden, a fiery #4 appears overhead in the night sky. Johnny Storm is summoning the team for the next Earth saving emergency! Or so it seems. 

Having commandeered a taxi cab occupied by a really crabby concert musician already late for her next recital, the Thing makes it to a crowded bridge where the Human Torch's summons seemingly appeared from. The police report that a fiery monster is running amok at the center of the causeway. That doesn't sound like Johnny Storm. And it isn't. Instead it's one of the Mad Thinker's Super-Adaptoids and it's attacking everyone and everything in sight. But how is this android functioning with the Thinker supposedly away in a maximum security cell? The Thing will have to figure that out later. Right now he's got lives to save, including that 'screwy blonde musician ' who appears to be next on the Super-Adaptoid's list of victims!

Illustrated by Heltor Oliveira, the art work is definitely a product of the times. Those with powers have a muscular structure that seems impossible even amongst the most built of bodybuilders. The women are impressively stacked and rather ridiculous looking. I've been to my fair share of recitals. Never have I encountered a member of the orchestra wearing a low cut scarlet dress with super high slit!

As for the writing and plotting, it's pretty darn good. Ben Grimm's dialogue and vernacular are perfect. A little wordy but hey, Stan the Man was known to make the Thing a blabbermouth. Excellent level of Ben Grimm crankiness. Plus writer Mark Lackey along with Oliveira really got me with one scene where the Super-Adaptoid confronts a citizen and seemingly decapitates him off screen. We later find out that the guy was just really badly maimed, but survived. Yet the creative team behind this issue had me visioning the worse . It's a textbook example of how much worse things are envisioned by the reader when it's done off-panel. 

A decent issue that also comes with a sort of family tree of the Fantastic Four, along with a file card look at Ben Grimm. Both were really cool. But I must do a bit of investigation. There's a mysterious broken line connecting Doctor Doom with Reed Richard's father. Are they related? Is Victor Von Doom the half brother of Mister Fantastic? Dude, that would be such a freaking awesome plot twist! And I really gotta check this out.

A fair book that is saved by the writing, plotting and its extras. Plus, I must give serious kudos to Jim Calafiore's cover. It really fooled me as I thought it was embossed and 3-dimensional!

Completing this review completes Task #7 (Fantastic Four Comic from the 1990s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 7 out of 10 stars.

Avengers #366 (2026 Comic Book & Graphic Novel Reading Challenge)

The cover for this 1993 issue touts that this is a '30th Anniversary Issue'. But for a very large majority of it, this book didn't feel like it led up to the hype. There's 2 stories in what feels like a slightly oversized issue. I didn't count the number of pages but with the prestige format cover, it felt thicker than a standard early modern age Marvel publication. 

The first story sees Captain America, Hank Pym, Natasha Romanoff and a really super powered lady named Sersi, who are attempting a rescue mission of the Black Knight, Hercules and the Inhuman Crystal. Occurring sometime after the destruction of the Kree home world at the hands of the Supreme Intelligence, a rogue Kree General is holding the Avengers responsible for the obliteration of his planet. To exact his vengeance, the Kree warrior has activated a Nega-Bomb, which will destroy planet Earth in about 30 minutes. Just enough time for the Avengers to save the day with a moment of reflection on the part of Hank Pym to marvel at the original lineup of Earth's Mightiest Heroes and to give his seal of approval to the current incarnation.

Story #2 really has nothing to do with the anniversary of formation of the Avengers. Instead, we get a guest appearance by Deadpool!  A couple of B-list villains rob a Manhattan bank in hopes of obtaining the contents of a former weapons master that will lead to the discovery of the world's most deadliest weapon. Throw in Bloodwraith, the demon possessed former squire of the Black Knight, along with the Black Knight himself and you've got a 3-man free-for-all that seems really out of place here.

If you read the editor's note on the letters page at the back of this book, you will learn that this issue was very, very delayed in coming out. That could explain why there's a backup story. Perhaps the creative team was running out of time and thus had the main story come in short. A second tale gets included by a totally different crew to keep with the promise of several super-sized anniversary issues. Toss in one of those breath-taking embossed covers, paint it entirely in gold lamé ink and you hopefully have produced something that will make the Marvel faithful satisfied despite being way behind schedule.

I enjoyed seeing an early Deadpool appearance. He's not as insane and off-the-wall irreverent as the Merc With a Mouth has become in the 21st century. That story was written by Glenn Herdling. Illustrated by Mike Gustovich. 

As for the opener, the script was crafted by Bob Harras with art by Steve Epting. Epting also pencilled the cover..

Definitely a product of the 1990s post-bubble industry. It's full of overly muscular heroes. Scantily clad vixens. Plus a level of violence that looks tame to 2026 standards but was rather shocking 4 decades ago.

Completing this review completes Task #10 (An Avengers Comic from the 1990s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 7 out of 10 stars.

Avengers #239 (2026 Comic Book & Graphic Novel Reading Challenge)

This comic book came out with a cover date of January, 1984. I was 5 years of age. To say that by the time I was 5 that this comic book was my introduction to David Letterman would be a good guess. But you would be wrong.

My parents were on the young side when they had my in 1977. By 1983, neither were the age of 30 yet

 My mom, a nurse, worked nights. My dad was in college. They were night owls. They were hip-ish. To say that the exploits of David Letterman, his musical sidekick Paul Shaffer and the rest of the Late Night crew was already a nearly nightly session at my home would be an accurate description. The infamous interview between Jerry Lawler and Andy Kaufman in a cervical collar, was an early childhood memory for me. A traumatizing one. But one that I remember fondly. That's for sure.

This is one of those issues that I owned in my original childhood collection. The one that I foolishly allowed to be stolen when I was in middle school. I don't remember where I bought it. Heck, my dad might have bought it and then it ended up in my collection. But I could guess 3 possible locations that it was bought at: the Grocery Boy Jr., 7/11 or Tales Resold. All from the Raleigh Brentwood area. 

The story is a classic. Wonder Man's movie career has stalled. To help jump start it, Simon's agent gets him booked to Late Night With David Letterman. Unfortunately, since Wonder Man is currently on reserve status with Earth's Mightiest Heroes, the show's producers are wanting some more well known Avengers to tag along as well. With heavy hitters Captain America and Thor away on personal missions, Hawkeye and the Vision call in as many favors as they can to support Simon's big break. 

Along with Hawkeye, the Beast, Black Widow and Black Panther are all able to make. (I just realized that it appears that Clint Barton and Vision only made it to the letter B of the Avengers roll call!) Also in attendance is Fabian Stankowicz, a recent lottery winner who's been creating ways to attack the Avengers in order to make a name for himself. Using his knowledge of mechanics, Stankowicz turns Letterman's studio into an arena of death! 

This story also features the SHIELD super heroine Mockingbird. Fresh from their honeymoon, Hawkeye introduced her to his teammates and it's a good thing too because Stankowicz hadn't planned on Mockingbird being in attendance and she pretty much is the catalyst that saves the day! Though Letterman and Paul Shaffer and the World's Most Dangerous Band lend hands as well. 

This issue was part of Marvel's notorious 1984 Assistant Editor's Month event.  In 1983, Shooter and his editors went to the West Coast for Comic-Con and left the junior editors to take over the reigns for a month. As a result, some of the most off-the-wall stories and ideas were brandied about, such as the canon story where Aunt May temporarily becomes a herald of Galactus! I've got a few of these issues. I'd love for Marvel to reprint all of those issues as an omnibus. Though with GI Joe, Conan the Barbarian and other titles not being licensed by Marvel anymore, such a collection might be impossible. Perhaps I will add them to my already rather large wish list...

A fantastic issue that I am more than excited to have back in my collection!

Script by Roger Stern. Art and cover by Al Milgrom and Joe Sinnott. Michael Carlin is the editor to blame for this story!

Completing this review completes Task #9 (An Avengers Comic from the 1980s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 10 out of 10 stars.

Get Fury #5

In the penultimate issue of this 2024-25 miniseries, Frank Castle initiates his rescue of Nick Fury from the confines of the Hanoi Hilton. Meanwhile dirty CIA operatives Steve and Dave convince General Mackie to send out a group of commandos to eliminate Castle and Fury, branding them Communist double agents. 

It's a really powerful chapter, especially when seen through the eyes of Lt. Castle. As much as he needs to free Nick Fury from the notorious North Vietnamese prison, it's killing Frank to have to overlook the hundreds of other American POWS being held under deplorable conditions. 

Man, I just brainstormed  what would be a freaking awesome What If... What if the Punisher existed during the Vietnam War? Have Castle's wife killed while he's in Nam. Have him lose all care and go all Rambo, armed to the teeth, staging a raid on Hóa Lò. Through in a few characters from 1990's The 'Nam series. Have Larry Hama and Garth Ennis pen it together. Give it the Marvel MAX treatment. I would be first in line, pre-ordered for that epic! Think it over CB Cebulski! 

An awesome issue that opens up a multiverse of opportunities.

Worth Consuming!

Rating: 9 out of 10 stars.

Get Fury #4

Col. Nick Fury has arrived at the notorious Hanoi Hilton. Lt. Frank Castle has established himself in the capitol city of North Vietnam, posing as a Soviet army advisor. But his Russian is limited and he's leaving a trail behind him everywhere he goes. Thankfully, Castle has found a pair of allies that have a way of getting inside the prison and they both have a history with Nick Fury. That's because one of them is Fury's former lover and the other is Nick's daughter.

Meanwhile, back at base, CIA agents Steve and Dave have uncovered further evidence that Castle and Fury are working together to end the agency's drug trade in Cambodia. Instead of following his orders to execute Nick Fury, it's becoming increasingly clear that Frank is going to rescue the Colonel. This is calling for a Plan B, which will mean the elimination of both Fury and Castle.

The scenes involving Frank Castle were perfect. I wouldn't change a thing; especially the whole added dimension of Nick's daughter being added to the mix. As for the scenes where Dave has figured out that Frank Castle was the last person to select for the Nick Fury mission, I understand the importance of those scenes. I just found that they went too freaking long. This is a 6 issue miniseries. But if Garth Ennis could have made the CIA scenes a little more streamlined, Get Fury could've ended in 4 issues. 5 tops.

I know that nothing that the CIA did in Southeast Asia was anything but concise or ethical. But I still felt like I could have done without a majority of it.

Worth Consuming!

Rating: 7 out of 10 stars.

Get Fury #3

So you might be wondering how in the heck is Frank Castle able to operate in downtown Saigon in the middle of daylight. He's over 6 feet tall and whiter than paper. Not exactly the most Asian looking bloke in the heart of Communist Vietnam. He sticks out like a sore thumb.

It turns out that just as the South Vietnamese had American advisors, the North had advisors from the Soviet Union. This was totally new information to me but it makes total sense. So using what little amount of Russian he knows and his amazing array of survival skills, Castle is making do. But he's also leaving a rather long trail of bodies in his wake 

Back at base camp, there's a third party at play that I haven't mentioned in my previous 2 reviews: a pair of dirty CIA operatives named Steve and Dave. They've been involved in the illegal drug trafficking scheme in Cambodia; which is where Fury was captured by North Vietnamese forces. They believe that Col. Fury discovered the illicit trade and was in route to spill the beans on the whole operation. Thus why the push to send Lt. Castle into enemy territory to neutralize the future Director of SHIELD.

However, when a different pair of CIA spooks wind up dead in a locale that neither man would have frequented in a million years, Steve and Dave smell a rat. It turns out that the one guy to send to eliminate Nick Fury was the wrong G.I. to send. Because Fury and Castle have history. It turns out Nick has been using Frank to wipe out the loose threads dangling from the Cambodian drug trade.

Things just got complicated. Why couldn't Garth Ennis have just made this a simple extraction caper? Maybe you can't have the Punisher going after Nick Fury, Agent of SHIELD without any sort of permanent repercussions. But did Ennis have to make the reason for Castle not eventually going through with his mission so freaking complex that I feel like I need one of those charts with the red strings going all cattywampus like an obsessed conspiracy theorist might have up in their bedroom??? 

The action parts are fantastic. The introduction of clandestine government programs was muddling at best. Yeah, I know that the CIA did some really unethical and illegal stuff in Southeast Asia during Nam. I have no doubt that they're still doing something in the name of American interests that would result in plausible deniability if the agents running the scams were ever found out in the open.  I just didn't need it's historical insertion into this story.

Rating: 6 out of 10 stars.

Get Fury #2

Along with examining Nick Fury's time in Southeast Asia during the Vietnam War, Get Fury acts as another chapter in the origin story of Frank Castle, AKA the Punisher. A Marine Lieutenant on his third tour of duty, Castle has seen a lot of horrors and atrocities that have numbed him to the point of doing some very sinister things for the American armed forces. Hence his unquestioning ability to accept a CIA backed mission to infiltrate Hanoi and assassinate Nick Fury before he can be tortured into spilling all of his country's covert secrets.

With his wife, Maria, still alive and waiting for him back home, Frank still has his moral compass. His hands might be dirty. In fact, they're down right bloody. But Castle has yet to have lost his soul.

This issue sees Castle being snuck across enemy lines and taking up a presence in Hanoi. The process of getting the Marine into North Vietnam involves a thrilling dogfight sequence by Jacen Burrows, between an American jet (I'm not an expert but I am assuming that it's a Grumman A-6 Intruder based on looks) and some Communist surface-to-air missiles. I mean I know that Frank wasn't going to die because he's got to survive in order to one day become the Punisher. Yet I was enthralled by that scene. Plus, there's still the fate of the fighter pilot...

Another decent introductory issue that's setting up all the pieces to the chess board. Definitely not a wasted issue. Still pretty heavy on hard swears but it wasn't a chapter devoid of action.

Worth Consuming!

Rating: 9 out of 10 stars.

Edge of Spider-Verse

While it was DC Comics that introduced us to the multiverse, Marvel's Spider-Verse storyline from 2014-15 is what has powered superhero movies for the last decade. 

This prelude to the Spider-Verse epic event reintroduces a fan favorite while establishing several new versions of Spider-Man.

* First up is the 1920s gangster filled world of Spider-Man Noir. Most of the super-villains have been put to pasture thanks to the vigilante hero The Spider, that at this point in time, Peter Parker is thinking about retiring.

*In a world where the radioactive spider bit Gwen Stacy, the aspiring drummer becomes known as Spider-Woman. Blamed for the tragic death of Peter Parker, Gwen must run one step ahead of the New York Police Department which is lead by her father, Chief of Police George Stacy!

*A research scientist who specializes in arachnids discovers that his work might be behind a horde of sleep-walking zombies that are kidnapping citizens as soldiers in their ever growing army. 

*Visit a world where Peter Parker is abused by his uncle Ben and as a result, kidnapping and torturing neighborhood animals in a truly horrifying take on the Spider-Man.

*Lastly, on a technologically advanced earth, a 10-year old girl is bonded to a bio-engineered spider and placed inside an Iron Man level suit of armor!

All 5 stories were amazing. Ironically, the story that I liked the least, the Spider-Gwen introduction, is everyone else's favorite. Don't get me wrong. I prefer Gwen over Mary Jane. I have no qualms with there being a Gwen Stacy version of Spider-Man. It's just that the 3 stories that came after Spider-Gwen's debut were so freaking awesome!

After the 'zombie' story, I couldn't wait to read Spider-Verse and I had to find out what happened next. The demented Peter Parker story had an EC Comics horror quality. ( I just wish that the last panel had much better art.) And I think I've become a Peni Parker and SP//DR fan! That Manga inspired world was so cool! Their Daredevil was so wicked! Where can I find more of their adventures? Are there any?

If you want the first appearance of Spider-Gwen and you can't afford first print prices, this trade is the affordable way to do it. I didn't initially realize what I was getting with that. I was just trying to read the prelude to the Spider-Verse tale and not be lost without it. 

My local library has 'Spider-Verse' collected as an omnibus. I realize now that the collected edition probably has the contents of this trade inside it. But I bought this book way before I learned about the omnibus being at the library. So I'll just skip that part if it comes to that. Though I might re-read the horror stories and the Peni Parker introduction. Considering that I don't like to re-read stuff (as there's so much never before read stuff out there for consumption), that's high praise coming from me!

Worth Consuming!

Rating: 8 out of 10 stars.

Antman and the Wasp: Quantumania

Following the events of Marvel: Endgame, Scott Lang has been riding high on the success of a bestselling biography and popular lecture circuit. But things aren't so great on the home front. Girlfriend Hope Pym Van Dyne barely has time for him now that she runs her father's company. Daughter Cassie has been getting into trouble with the cops; mostly because her father refuses to let her become a superhero. Adding to problems, secretly, Hank Pym has been helping Cassie create a device that could communicate with the Quantum Realm. This really freaks out Janet Van Dyne and before she can turn off the device, she, Hank, Cassie, Hope and Scott are plunged into that microscopic universe.

It's learned that while Janet was stuck in the Quantum Realm, she meet a fellow castaway who promised to return Van Dyne to her world in exchange for repairing his damaged ship. On the day the vehicle is to be activated, Janet learns that whom she thought was an ally actually had plans to conquer the entire known multiverse. Despite a promise to leave her universe free from his plans for conquest, Janet destroys the machine, making a very powerful enemy. Thus, Kang the Conqueror promises revenge on Janet Van Dyne, with the guarantee that should he ever free himself from his exile in the Quantum Realm, her universe will be the first to be destroyed.

Stuck once more in the Quantum Realm, Scott and family must find a way back home without alerting Kang of their presence. But Janet Van Dyne made a lot of enemies during her time away from Hank and Hope; mostly because her betrayal of Kang led to the villain's conquest of the Quantum Realm and slaves of it's inhabitants. Throw in a forgotten foe from the first Antman film and it's essentially 5 against a universe that literally defies the established laws of quantum physics.

I recorded Antman and the Wasp: Quantumania sometime last November on my DVR. FXX was the channel showing it. I get a week off for Thanksgiving break and had every intention of seeing the film in it's entirety in one sitting. FXX was showing the movie in a sort of marathon viewing. As my DVR timer was set to begin recording 2 minutes early, the after credits scene was what started things off and it spoiled a huge chunk of the movie for me. Add in the terrible CGI, the excessive use of green screen and the knowledge that most of what occurs in this movie gets scrapped because of the cancelling of actor Jonathan Majors (due to an arrest for assault and battery), who plays Kang and I quickly lost interest in the movie.

I think I watched the first hour during Thanksgiving break. Another hour or so during Christmas and then today, I finally got up the nerve to finish the film and free up a couple hours on my DVR. Maybe it's because I am nearly 50 and I have seen more than my fair share of superhero movies. Maybe it's because Hollywood is operating on tired cliches and very little else. Maybe it's both, because I found very little in this 2023 film that surprised me. I was literally running through everything that happened in the last climatic battle scene out loud a good 3-4 seconds before it happened. I wasn't bored as much as I was unimpressed.

I feel like a major Marvel villain such as Kang the Conqueror shouldn't have been wasted on such a minor hero as Antman. Kang deserves better than Scott Lang. He needs the Avengers. Yeah, I know. Earth's Mightiest Heroes are defunct at the moment. Having Kang was going to be what brings the old team together in what, the MCU's 5th wave. Or is it 6th? 7th? I have no idea.

The plan going forward for Marvel is to have Doctor Doom, played by Robert Downey Jr., as the main villain. But did we have to forgo Kang just because the actor who played him did something criminal? Actors and actresses have been fired and recast since the beginning of Hollywood. If you are going to explore the multiverse of the MCU and officially add the Fantastic Four and the X-Men to it, it really makes sense to keep Kang your villain. He's the time travelling, multiple Earth visiting antagonist that has given everyone fits at one time or another. It's almost like Kevin Fiege was unhappy with the plans made for the Kang Saga and was looking for any glitch to change things around. To me, this feels like the crimes committed by Majors was almost secretly welcomed by Marvel. If Disney was really sickened by those crimes, they would have kept their original plans and recast another actor to play Kang.

This is a movie that was not very well made in terms of creativity or special effects. It's also a film with a lot of baggage. I'm glad that I didn't spend about $80 going to the theaters to see it with my godson. It would have been a waste of time and money- hard earned. Antman and the Wasp Quantumania is almost, ALMOST NOT as bad as the worst MCU film ever made, Thor: The Dark World. But not by much. I hate to say it but it's Jonathan Majors who makes this film somewhat re-watchable.

Rating: 5 out of 10 stars.

Bullwinkle and Rocky #9 (2026 Comic Book & Graphic Novel Reading Challenge)

Though new episodes hadn't been produced in over 2 decades, Rocky and Bullwinkle saw a resurgence in the mid-1980s thanks to home video. Disney, of all companies, actually had distribution rights of the show through their sister company, Buena Vista Video. Suddenly, children born in the late 70s and early 80s could watch The Adventures of Rocky and Bullwinkle any time they wanted. 

With parents in full nostalgia mode, they began purchasing the VHS formatted home entertainment to share with their children. Local TV stations took note and began picking up various incarnations of the animated series in heavy syndication. In 1986-87, I remember it being a big deal that Rocky and Bullwinkle were coming to a UHF band TV station in Fayetteville, NC. One hour blocks filled with special messages from Bullwinkle and his friends were peppered throughout the broadcast, along with special trivia contests and drawings for you prizes during the debut week. 

Marvel Comics took note of Rocky and Bullwinkle's revival and signed a franchise deal with Jay War Productions to produce a comic book. Originally published under Marvel's all-ages imprint Star Comics, Rocky and Bullwinkle soon switched imprints to the Marvel line up with issue #3, when the publisher shuttered the majority of the family friendly run of titles. 

This 1989 edition of Rocky and Bullwinkle would mark the debut of all-new adventures of not just the main stars, it would also see the first original adventures of Dudley Do-Right, Sherman and Peabody and Fractured Fairy Tales since 1964. However, due to a page count of only 28 pages, only 1 regular sized extra feature was possible. In this issue, in a story that doesn't seem from a traditionally known fairy-tale, an inept, bumbling King is saved from his scheming chief of staff by his own dumb luck. Then Bullwinkle returns for a 2-page adventure as resident Frostbite Falls genius, Mr. Know-It-All, showing readers what it takes to train to become a famous actor. For those of you wondering, what it takes is the ability to wash dishes and wait tables. The cover story is a two-parter, book-ending the issue. As Hollywood announces the disappearance of superhero costumes across Tinsel Town, Bullwinkle gets his chance to play his hero, the Masked Avenger: because he is the only one left in the world with his fan made outfit!

Dave Manak was the main writer for this issue. He also contributed some of the art, along with Ernie Colon. While Manak and Colon present screen accurate representations of the main characters, the supporting characters do not look in the style of series creator Jay Ward. Characters such as the original actor who plays the Masked Avenger and the King and his court look more like they were drawn as characters in a Flintstones or a Jetsons comic book. A.A. Perry wrote the Mr. Know-It-All episode.

Delightful fun. But it wouldn't last. This was the last issue published by Marvel Comics.

Completing this review completes Task #19 (Cartoon Comic Adaptation from the 1980s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Spider-Man Holiday Spectacular #1

Marvel decided to make Spider-Man the headliner for their 2025 holiday special and I think that was a brilliant idea. Working with high schoolers and middle school students as well, I can attest that the wall crawler in all of his many forms is extremely popular. Actually, I think I referred to it as 'absurdly popular' because I am seeing girls of all ages and races wearing Spidey shirts, hats and bookbags! I've never seen an across the board popularity of a superhero like this before. 

So I think I have established that Spider-Man is having a moment.

In this one-shot, Peter Parker is planning on spending a nice, quiet Christmas with his Aunt May. However, she's unexpectedly booked herself on a cruise, leaving Parker with nobody to share the season with. Almost immediately, he finds himself being asked by any and everyone in the Marvel universe to spend Christmas with them. Parker thinks they're all feeling sorry for him. However, Wolverine lets it slip that the invites aren't out of pity. Instead, everyone is fighting for the privilege to give Peter Parker the best Christmas ever!

Spider-Man is the heart and soul of Marvel Comics. There's no doubt about that. Written by Rainbow Rowell, this was a brilliant way to showcase the rest of the Marvel Universe, that is probably grossly overlooked by all but the most discerning of comic book fans, while featuring Marvel's most popular character. Sadly, as today's youngster isn't buying comics, I question how much of an impact having Spidey as the star of this holiday showcase is going to make on readership among those 13-21. As the advisor for the comic book club at the high school that I teach at, I just don't think it's going to move the needle that much, if at all. 

But of all the 2025 season holiday releases, this one might have been the best. It was heartfelt. It was festive. It was classic Spider-Man, with a perfect ending, set in the modern era. I loved it!

Worth Consuming!

Rating: 10 out of 10 stars.

The 1975 Mighty Marvel Calendar: 2025 Reissue

I know that this might sound odd but I spent the better part of an hour last night reading a calendar. The 1975 Mighty Marvel Calendar to be exact. Well, it was also the 2025 calendar, facsimile mind you, in which the dates for last year just happened to coincide with the dates for 1975. Now that I think about it, the calendar was maybe 99 and ⅜ facsimile as there was no such thing as Martin Luther King Birthday yet and I highly doubt that the original edition of this calendar listed things like Diwali or Juneteenth. 

I had seen images of this fabled calendar for years, no decades. Along with an annual posting on various comic book groups on social media (typically with each coming new year), I remember seeing ads for this in the pages of Marvel back issues from 1974 and wishing I could have had one. December of 2024, I finally got my wish.

Apparently, holding onto calendars to reuse later on down the road is a thing. A local radio morning show I listen to has talked for years about this as they have a colleague who will use an old calendar for a current year. This guy notes 'that the dates lineup.' He's got about a dozen calendars that he recycles and seems to haven't bought a new one since the mid-90s. One of the DJs thinks its rather brilliant. The other says that this guy is 'sticking it to big calendar.' I'm hoping the trend continues for at least one more year.

I received the 2026 calendar, which reprints the 1976 edition in all it's patriotic glory. Plus a day, actually. 2026 is a leap year while our nation's bicentennial was not. (The '76 calendar has an overall patriotic theme.) Anyways, I really hope this trend of reprinting all of the  Mighty Marvel Calendars continues because the next one would be a reprint of 1977 and that's the year I was born! Selfishly, I kinda hope DC jumps on the bandwagon, because I really want a copy of their 1977 edition, which was Super-Heroes' vs Villains themed.

So why did I spend a night that I could have been reading comic books reading a calendar that is essentially 50 years old? 51, now as of yesterday. It's because of all the snarky little things that are peppered throughout the whole thing. Along with important moments in Marvel Comics history like when the first issue of Amazing Spider-Man debuted, there's a celebration of writers and artists from the Marvel bullpen and their birthdays as well as 'humorous' reminders of what you might see written on a superhero or villain's day planner. All done in the Mighty Marvel Manner; which means they're self-deprecating and full of dad jokes. And I loved all of it.

There's also some fantastic artwork. John Buscema, Barry Windsor Smith, and John Romita, Sr contribute some masterpieces. Too bad that not all of the months give attribute to the artist. Man, does Barry Smith have a killer signature! 

I'm torn as to whether dismantle this in order to decorate my office or if I should hold onto this until 2031, the next year that this calendar can be reused accordingly.

Worth Consuming!

Rating: 10 out of 10 stars.

ALF #13

I found my first Scrooge of the season. This 1989 issue of ALF has a holiday cover with the furry alien covered in Christmas wrapping and that's just about it for holiday cheer. 

There are 2 stories inside. First, ALF soups up his space ship into a rad race car in order to challenge a drag racer and claim a large cash prize. Then ALF activates his old cleaning droid to repair some of the damage he made in the previous story. Only the robot goes a little crazy and places the entire house into lockdown until it can determine if the Tanner family are a threat to ALF's comfort and safety.

There is a special insert. It's a holiday card from ALF and his human family. This is the only Christmas themed material in the entire book. This also includes ads! I suspect that most copies of this issue is missing that centerpiece as this was a book geared towards children. 

This issue was published right around when Marvel was shuttering their all-ages imprint, Star Comics. Though this issue says Marvel on the top left corner, there are still subscription ads for the few remaining kids books being published by the House of Ideas as Star Comics. There's also a coming attractions page that bears the Star Comics moniker. 

In my opinion, Star Comics was one of Jim Shooter's best ideas. I loved these books and despite being in my very late 40s, I am trying to collect the entire imprint run without having to take on a major loan to do it. I would have been perfectly happy with this book if it had a cover that reflected one of the 2 non-holiday stories contained within. I've read that towards the end of the Star imprint, Marvel was trying to use up all of the artwork that they had paid artists for. That could explain why this issue had a Christmas cover despite not being a Christmas comic. Unfortunately, it got my hopes up for a festive read and for that, I must rate this book accordingly.

Rating: 6 out of 10 stars.

Marvel Super Special #39: Santa Claus: The Movie

1985's Santa Claus: The Movie is not only considered the worst Christmas film of all time; it holds a distinction of being placed on the lists of many from film critics worst films ever made. Still, that didn't keep me from having this magazine sized Marvel comic book adaptation on my wish list for many years.

I remember going with my mom to see this in theaters in '85. I had just turned 8 and I either saw it during Thanksgiving break or Christmas break. The sets of the North Pole and the costumes of the elves and Santa were stunningly beautiful. But I recall how weird that the movie looked on the screen. Something was off and finding out years later that this was an American/British production, that explains it.  But as a form of entertainment to a 2nd grader who loved the magic of Christmas, it wasn't a terrible movie.

Along with the use of video tape instead of celluloid, one element that has critics cringing is the blatant product placement. At the time, it didn't seem so weird to me. But having re watched the film years later, the film feels like a 90 minute commercial for a lot of international products. The 5 minute long scene where McDonald's diners are gleefully devouring burgers and fries in front of a starving homeless boy seems cruel. Even if it is just a movie, that scene doesn't convey an image of Mickey D's caring about the little guy. 

With McDonald's sponsorship, there was a lot of marketing for the movie. But instead of toys, they gave out book adaptations of segments of the movie. There were also some record read-a-longs, coloring books and I want to say a sweatshirt or t-shirt tie-in. But no toys or candy. Though considering how dangerous the candy is in this story, maybe that was a good thing.

I think Marvel either missed a great opportunity to not release this as a giant sized movie special. Or they dodged a gigantic bullet. With the film bombing domestically (it was a big hit in the UK) and only a magazine edition of the comic book adaptation, not a lot of Marvel Super Special #39 were produced. Marvel didn't lose too much on this book and today, this issue is a highly sought after addition to Christmas comic book collectors collections because of how rare it is. Not to mention, the heftier price tag. 

I've seen people asking anywhere from $60-100 for this book. Too rich for me. I consider myself very lucky (or on Santa's nice list), finding it in near mint condition for less than $20! This was a fine adaptation. I think it benefited well from not being tied up with so much licensing and that allowed writer Sid Jackson to really capture the intended magical feel of the story. The artwork by Frank Springer was very good with some great likenesses of most of the cast. Petra Scotese's color palette fully captured the bright and lively hues I remember so vividly being a part of the film.

A true diamond in the rough. Normally, adaptations don't do justice to a movie. But this one actually surpasses the original product!

Worth Consuming!

Rating: 8 out of 10 stars.