Crime Patrol #11 (2024 Comic Book & Graphic Novel Reading Challenge)

(Issue read was Crime Patrol #5, the Gemstone Publishing August, 2000 Reprint Edition)

Though 1950-55 was the heyday of EC Comics, William Gaines and company were perfecting their brand in the late 1940s. Starting out as International Comics before a name change to International Crime Patrol, what would become just Crime Patrol with issue #7, focused on gritty violent crime stories. The police might not get their man. But justice was always done by the end of each story.

In 1949, when this issue was originally published, publisher Gaines and editor and artist Al Feldstein had begun to experiment with horror. That's why the middle story, 'The Werewolf's Curse'!, was included in a book devoted to criminal activity. As readers of Crime Patrol began to write letters praising these tales of terror, Gaines and Feldstein saw the merits in releasing an all horror comic. Crime Patrol #15 introduced readers to the Crypt Keeper who hosted the Feldstein tale 'Return From the Grave' Two issues later, Crime Patrol morphed into The Crypt of Terror, hosted by the ghoulish Crypt Keeper. Another two issues later, the publication would make more final name change to Tales From The Crypt and the short-lived Age of EC Comics was born. As a cost-cutting measure with US Postal Service permits, the numbering was never altered throughout the publication's lengthy evolution.

Crime Patrol #11's first story claims to be a true life tale taken from the files of the FBI. Proclaiming that the names were changed to protect the innocence, the true crime moniker was more than likely a story gimmick to sensationalize the kidnapping of a wealthy socialite for ransom by a couple of small time crooks. 

The third story is an account of a female pickpocket forced into working as a card sharp for a seedy carnival owner. There is no mention of this tragic tale being based on reality or not.

As for the middle feature, 'The Werewolf's Curse!', it's based on a classic horror trope. A pair of siblings have inherited a castle. Legend has it that the fortress is cursed by a werewolf which both heirs laugh off as pure legend. That is until their faithful dog and the caretaker of the manner are both mauled by an unseen assailant. This story lacks the signature twist ending that would become the staple of the EC line. Instead, the reader is left to wonder if there really was a curse of a lycanthrope or if the countryside was terrorized by some other unknown beast that could walk on two legs.

With this issue, featuring art and story Al Feldstein with contributions by Richard Krause, Howard Larsen, H.C. Kiefer and a dramatic cover by Johnny Craig, this isn't a perfect EC Comic, but you can see that things are slowly falling into place for William Gaines and company.

Worth Consuming!

Rating: 7 out of 10 stars.

Completing this review completes Task #18 (An EC Comic (Reprints are allowed) of the 2024 Comic Book and Graphic Novel Reading Challenge.

The Vault of Horror #14

• A pair of con men use a medium to swindle an old lady out of her inheritance. But the spirits have other plans. 
• In a play on an old urban legend, an African butler misinterprets the desires of his master and puts the man's fiance out for display.
• An animal loving wife is pushed beyond her limits when her cantankerous husband takes up a new hobby- taxidermy!
• A rising star in the boxing circuit must throw the match of his life or else never see his baby son ever again.

This issue of the Vault of Horror offers a score of terrifying treats. Everyone's favorite EC horror host is the Crypt-Keeper. But mine is the Vault-Keeper. I don't know why. His stories just seemed more interesting to me while CK's stuff, while good, just didn't seem so believable. 

No, that's not right. Something's missing with what I am trying to say, just like some of the details of Crypt-Keepers report of the boxer with the kidnapped child. The story jumps six months at one point but it's never revealed if the kid returned home safely or not. 

I usually am not big on the Old Witch's stuff at all. I'm just not a Ghastly (Graham Ingels) fan. But the story about the wife and her taxidermist hubby was a creepy story that actually begged for Ghastly's distressed touch. Plus, as an animal lover myself, I would be destroyed if I came home to find that my spouse did to- Oh, NO! You're not getting a spoiler out of me. I don't care if the stories reprinted are over 60 years old!

A fantastic addition to my EC Comics collection. I'm still a long ways off from completing it, but I get closer all the time.  

Featuring the art of the legendary Johnny Craig, this issue is a gem!

Worth Consuming!

Rating: 9 out of 10 stars.

The EC Archives: Crime SuspenStories, Volume 3

   Dangerous dames, cunning con men, scorned lovers, and murderous psychos fill panel and page of Crime SuspenStories, Volume 3. Reprinting issues 13-18 of EC Comics’ classic crime thriller comic, this book is lovingly reprinted by Dark Horse Comics.

    I consider myself someone of an expert on EC books. I’ve been reading and collecting them since I was about 10. So, I have seen a variety publisher’s efforts to reprint this stories in so many different styles. In my opinion, I can officially declare that Dark Horse’s efforts are clearly best.

    Up until Dark Horse took over the license, I would have rated the Russ Cochran editions the best. These hardcover collections from 1986-1988, are considered by many to be the standard for EC Comics reprints. They were printed on prestige acid-free paper with beautifully bright covers. Unfortunately, the Cochran interiors were printed only in black and white. The decision  was in an effort to cut costs down, but ultimately it was disappointment to readers. That’s not the case with the Dark Horse volumes. Every dismembered victim is brought to gruesome life in vibrant 4-colors on shiny, hi-stock paper.

    Dark Horse’s collections are little paper time capsules. This era of EC Comics lore is just as the publisher was beginning to overtake DC Comics as the industry leader. With EC’s popularity, new titles were being developed. Initial advertisements for MAD, originally published as a comic book, are highlighted throughout the run of these books. There’s also a number of stories written by Ray Bradbury. Just  prior to issue #13’s release, Bradbury signed an exclusive contract with EC to publish comic adaptations of his works. Also highlighted are masters such as Johnny Craig and Jack Kamen who spin original yarns of revenge gone wrong. Volume 3 also collects the first ever EC works by Al Williamson.

    Another thing that I appreciate with this collection is that the original letters pages are restored. These pages contained Bill Gaines insightful editorial commentary. The Russ Cochran volumes reprinted the original pages as well. Yet when Gladstone took over the licence, they were replaced with a letters page composed of modern readers opinions. That’s all well and good for Gladstone. But the new letters don’t reflect the irreverent tone that would inspire Stan Lee with his letter pages at Marvel.

    The book retails for $49.99. For many, this collection isn’t cheap. But it’s a superior omnibus of reprints that rival anything currently on the market. Collectors of 1950s shock comics will love this book.

    Book will arrive in stores on June 27th, 2017.

    Worth Consuming!

    Rating: 9 out of 10 Stars.