Weird Wonder Tales #18 (2024 Comic Book & Graphic Novel Reading Challenge)

Weird Wonder Tales was just one of the many horror titles that Marvel published in the early 1970s thanks to the lessening of restrictions on such titles by the Comics Code. There was only one problem with these type books in the eyes of 1970s readers: based on the reprinted material inside, the Marvel horror anthologies were tame compared to what DC and Charlton were putting out. These stories were also way past G-rated compared to the horror material Marvel was distributing in magazine format which had some mild nudity and swears in them. 

Starting with issue #19, Marvel made the one-time Avenger Doctor Druid the series host, hoping that continuity would earn readers. Unfortunately, the experiment was a failure and Weird Wonder Tales was cancelled 4 issues later with issue #22. The ultimate irony is that nearly 50 years later, many of Marvel's horror anthologies from the 70s are sought out by collectors as the reprints they contain are affordable alternatives to the original issues from the 50s and 60s. This was the last issue under the title's original format.

In this issue there are 2 stories. The cover story, (I Created) Krang!, is a double sized giant monster story by Stan Lee and brother Larry Lieber with art and inks by Jack Kirby and Dick Ayers. A scientist seeking to use enlarged insects as environmental replacements for fuel burning vehicles travels to Europe where a rare tree might hold the key to gigantism. The assistant steals some of the resulting formula and puts it atop a seemingly harmless ant. However too much is applied and the ant grows to the size of an elephant. Even worse, the ant has developed super intelligence, forcing the scientist to make more formula in order for Krang to create an army of oversized insects and thus conquer the world!

The backup feature combines horror and ancient myth. From the early 1950s, 'The Cartoonist's Calamity' was featured in the pages of Venus #17. The story stars the character of Aphrodite. Growing bored with life as a goddess, the daughter of Zeus comes to Earth where under the name of Venus, she becomes the editor of a struggling fashion magazine. In this tale, her head cartoonist Jimmy Rogers has been acting erratically. Venus goes on to discover that Jimmy has been moonlighting for a horror comic; only now Jimmy's terrifying visions have come to life and are driving their creator insane!

Written and illustrated by Bill Everett, the horrors Jimmy Rogers creates seem ripped directly from the sketchbook of Basil Wolverton. When it comes to the lettering, it must have been by the same fella that crafted the stylized font for the word 'Comics' on the Action Comics logo. Just about every speech bubble using that style instead of italics for expressions of disbelief and shock!

The material in this book might not be the most terrifying horror title to ever grace market shelves. But this was a 1970s horror anthology that has since earned the respect of collectors, if not about 5 decades too late. 

Cover by Jack Kirby, Klaus Janson and Danny Crespi.

Completing this review completes Task #13 (A Horror Comic) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Marvel Masterworks: Golden Age Marvel Comics, Vol. 1

In 1939, comic books were relatively still in their infancy. The previous year's debut success of National's Action Comics, thanks to a mysterious super man from planet Krypton, inspired countless publishers to test the waters of this new medium. New York City's Martin Goodman was one of those commissioners who took notice. 

Already having published several pulp magazine devoted to action and adventure, sci-fi and of course, sex, Goodman founded Timely Comics. Then taking the name for one of his publications, Marvel Science Stories, Goodman hired Funnies Inc. to produce a book's worth of new material for his first ever comic book called Marvel Comics.

The first and third stories are tales that I know by heart. They introduce a yin-yang pair of anti-heroes who will lay the foundation for the plethora of heroes that will define the Marvel Age of Comics and beyond. Carl Burgos kicked things off with an android that bursts into flames when exposed to oxygen. First deemed a menace to society, exposure to natural elements corrects the design flaw allowing the Human Torch to control his flammable powers. Then Bill Everett takes readers to the icy waters off the coast of Antarctica where a human-Atlantean hybrid is the underwater kingdom's newest weapon in a proposed attack against the land breathers. 

Compared to Carl Burgos work, Bill Everett's Sub-Mariner was year 3000 stuff. Compared to the adventures of Superman over at National, the first 3 stories starring Prince Namor was year 3001 material. Why Bill Everett isn't given the level of love and respect of Jack Kirby or Wil Eisner is beyond me. Dying in 1973 at a young age of 55, I think Everett's lesser body of work compared to other super stars of the golden age of comics is to blame for this. 

The rest of the material in issue #1 along with the other 3 issues contained in this collection are the stuff of the pulps. The overly powerful un-super powered Angel is much like the Shadow, taking on the dregs of the criminal underworld; only he's decked out in a blue leotard. Ka-Zar, who one day will become lord of the dinosaur filled Savage Land, got his start as a pulp hero. Much like Tarzan, Ka-Zar is able to communicate with the animals and acts as their protector from the greedy white men and fierce natives that seek African wildlife for game and sport. Rounding things out was a Western starring the Masked Rider, a clone of the Lone Ranger, who wore a full black mask in the desert heat as his took on cattle rustlers and claim jumpers. 

A name change comes in issue #2. Marvel Comics became Marvel Mystery Comics, perhaps to further differentiate the comic book from the pulp title. A new character debuts in the second issue. 'Perry Webb, American Ace' is a young lad who is traveling throughout Central Europe in his small propeller plane. The fictitious leader of a small European nation has amassed a small but formidable war chest and is about to begin a massive campaign to rule the world. Poor Perry Webb arrives in the first nation to come under attack and soon finds himself injured and with a wrecked air ship. As Perry recovers, the American Ace talks of needing to fulfill a special mission. Sadly readers will never discover just what that mission was as Issue #3 was Perry Webb's last appearance in Marvel Mystery Comics.

Younger readers will hate these books. The artwork is considered by many, including foreword author Roy Thomas, to be quite primitive. Because of the newness of comic books, that detriment can be overlooked. What many readers might not be able to excuse is the level of violence towards women, stereotypes of Asians and Africans, and other outdated portrayals that were overtly glorified in the pulps. Yet, with Martin Goodman's Marvel Mystery Comics, there's a level of respect towards minorities and females as well as aptitude to point out the sinful faults of white men that foreshadows a lot of groundbreaking stuff that Stan Lee will be championed for doing differently than the Distinguished Competition in the 1960s and 70s. 

If you wish to see what was the essential blueprint of 'Stan's Soap Box', these golden age collections are the things to read. Without them, there would be no Fantastic Four, no Black Panther, and definitely no Marvel Age of Comics. As for getting my hands on the other 6 volumes of this collection, I would love to read the rest. I don't think I'd want to add them to my collection as these books aren't really items I have on my wish list. I got this book in a grab bag years ago and Marvel Masterworks books are not cheap- hardcover or trades. Especially, since you only get 4 issues in each volume! But if I found further books for a good price, I would acquire and read them before trading for something else that I really needed to have on my bookshelf.

Worth Consuming!

Rating: 7 out of 10 stars.

Curse of the Weird #1

Steve Ditko. Through his artistic lens, Ditko is a legend; having a hand in creating Spider-Man, Doctor Strange, The Blue Beetle and nameless others. But while I am fan of Steve Ditko the artist, I am even more of a fan of Steve Ditko the writer! 

A lot of this is due to the very first comic I ever bought (Ghostly Tales #152) featured a Ditko penned and penciled story. Though it was a reprint, I was hooked at a very young age. And so for Day 5 of my Halloween readings, I'm devoting some time to one of my all-time favs in Curse of the Weird #1.

It's true! This issue isn't 100% devoted to Steve Ditko. But it was a definite selling point to me. Curse of the Weird was a 1993 4-issue miniseries from Marvel. It was one of several short run series and one-shots published at this time that chronicled Marvel's rich horror history. This title focused on the pre-code horror published by Marvel's parent company- Atlas!

The first story was a Stan Lee/Ditko collaboration called 'Do Not Panic!' It's an alien first contact story with a great twist ending. 

Next up was a Russ Heath beauty called 'The Brain.' It looked like something destined for the pages of Vault of Horror or Tales From The Crypt. The only thing missing was that crisp, clean type-set style font. Well, that and a believable storyline.

Surrealist illustrator Basil Wolverton is featured in the third slot. 'The Eye of Doom' is reminiscent of Wolverton's magnum opus 'The Brain Bats of Venus'. So much to the point that this story too takes place on the same heavenly body! It's classic Wolverton! Not for everyone. But I loved it!

Things get wrapped up with a terrifying tale from Sub-Mariner creator Bill Everett. In 'The Man Who Owned a Ghost' a man trades away his soul in hopes of killing his wife. In typical Faust-fashion, things never go right proving you should never make a deal with a devil!

This is a very good collection of classic horror from before the beginning of the Marvel Age of Comics. Don't pass up Mort Todd's (Cracked Magazine) in-depth article about the creation of these fabulous lost tales. It's a little bit disjointed with randomly inserted images of other titles. But it also gives an intimate glimpse into one of my favorite eras in comics- the comic book scare of the 1950s. 

There's 3 more issues out there. I've never run across them. But they'll definitely be coming home with me when I do. 

4 great artists. 3 fantastic stories. Worth Consuming!

Rating: 8 out of 10 stars.

Essential Doctor Strange, Volume 1

For a fan of horror comics, I am considered a bit of an outsider. I have no problem with ghost stories and tales of the macabre- or monsters. But when you get into witchcraft, demons and spells, I tend to shy away. That's one reason that you don't see a lot of Doctor Strange or Hellblazer on this blog. 

So why am I reading Doctor Strange now? The answer is easy with just 2 words:

Benedict Cumberbatch!

I love this actor. I adore him in Sherlock. I thought he was perfect in The Hobbit trilogy as the dragon Smaug. Heck, I could watch him read the phone book. 

The British actor's portrayal of the Sorcerer Supreme has made Doctor Strange one of my top 3 favorite Marvel movies of all-time. And it's piqued my interest in reading up on the earliest exploits of Stephen Strange.

It also greatly helps that the majority of the stories written and illustrated in this book are by some of my all-time favs as well- Stan Lee and Steve Ditko. Together, they wove an intricate foundation of magic and wonder into the Marvel universe. and I loved every panel of it!

From legendary villains such as Dormammu and Baron Mordo to lesser known baddies such as random street thugs, if someone was misusing the mystic arts, Doctor Strange was there to restore order. 

As with all good things, both Stan Lee and Ditko would eventually depart the series. But a bunch of legends in their own right took over the mantle as creators with varying degrees of success. Roy Thomas was a Stan the Man clone; whereas Denny O'Neil showed little glimpses of the that eerie supernatural touch that he'd later bring to DC in the pages of Batman. I was a bit disappointed with former EC crew member Marie Severin's artwork. It was too static. But I loved the art deco touch of the 1930s brought about with the pen strokes of Bill Everett (The Sub-Mariner). It's literally unsung brilliance in the annals of great Doctor Strange talent.

Like a lot of comics from this era, I am now hooked. I really want to get my hands on volume 2 as it has issues 3-14 of the very expensive Marvel Premiere run of Strange stories that I need to complete that collection. As a penny-pinching collector, I count reprints as part of a run because for me, it's more important to be able to read and enjoy the entire story as opposed to owning issues. And this volume collects some of the most amazingly entertaining supernatural tales ever told!

Worth Consuming!

Rating: 9 out of 10 stars.