Superman: The War Years 1938-1945

I've been watching the new World War II docuseries on History Channel hosted by Tom Hanks. Having a history degree, along with my culinary degree, modern pop culture history from 1938-on has been my focus of study for going on 30 years. Thus, being inspired by the show's very holistic approach to the war, I decided it was time to return to Roy Thomas's 3-volume look at DC's trinity and their impact on the war at home and abroad.

I had already read the volume on Batman. So it was up to either reading about Superman or Wonder Woman. With the new Supergirl movie coming out, I used that to break the tie as Superman has a cameo in the film. Don't worry, Princess Diana, your time is coming!

The origins of Superman were basically forged in the furnace of war. His very first story sees the Man of Steel running afoul of war profiteering. Ending with a cliffhanger, the story concludes in Action Comics #2, with Superman forcing the American arms dealer to enlist in the European army that he's been selling weapons to in hopes of achieving an ah-ha moment regarding the error of his ways much like the ghosts do to Ebenezer Scrooge.

Being the world's most powerful man at the time, Superman could easily end the war in a blink of an eye. In fact, there's an imaginary story that poses such a question. But in reality, Superman's might caused a problem for his creative team. Thus, Superman stayed stateside. Having accidentally failed his physical, Clark Kent was tasked to cover the war effort for the Daily Planet, touring military bases and observing maneuvers. Only when mistakes happened did Superman secretly appear to keep up the morale of our fighting forces. If Superman did make a public appearance to the troops it was mostly in an USO-type capacity that showed off his astounding feats of wonder.

There's even a newspaper story included in which a summit between Hitler and Superman is arranged by the State Department. Adolf, along with Himmler, Göring and Goebbels don Superman suits in hopes of swaying the Man of Tomorrow to the Nazi cause. It would be hilarious if not for the fact that those 4 Ratzis were responsible for the death of millions of innocent Jews and gentiles throughout Europe. 

Throughout the book, Roy Thomas offers commentary on how Superman evolved from his inception in 1938, right as Germany is sweeping into Poland through America's entry into the war after the bombing of Pearl Harbor to the arrival of actual G-men when a Superman newspaper script came too close to revealing the secrets of the Manhattan Project. (Deemed classified, we never see the script.) Finally by August of 1945, the conflict came to an end and with it, the last of Superman's contribution to the war effort. 

This is a fantastic book, full of stories and covers that I've never seen before and I have read a ton of Superman stories. I'm not at Mark Waid level, but I have read quite a few Golden and Silver Age Supes tales. I'm eager to see how Wonder Woman helped the allies win the war...

Worth Consuming!

Rating: 9 out 10 stars.

Superman #401 (2026 Comic Book & Graphic Novel Reading Challenge)

Prior to the Crisis of 1985-86, Lex Luthor was a man obsessed. Determined to finally kill Superman, he constructed a massive green and purple war suit. It could fire blasts of humbling red sun energy at the Man of Steel. It could fly. Plus, it increased Luthor 's energy, allowing the villain to go toe-to-toe with Superman in a fist fight, while preventing Luthor from feeling whatever his foe could dish out.

Lex Luthor's increased rage came from the destruction of his adopted home planet Lexor. Superman arrives on the planet to arrest his arch enemy for numerous crimes. It's here that the Warsuit is introduced and Luthor has the advantage because Lexor orbits around a red sun which renders Superman powerless. In the fight, the duo damage an atomic battery which makes Lexor unstable. With his Warsuit damaged, Lex can only watch as his wife and son are killed when the planet explodes similar to Krypton.

In this 1984 issue, Luthor uses a pair of Siamese twins baddies named Pluto and Plato Statler to hold the 6 o'clock news at WGBS hostage. There, the twins issue a challenge to Superman on Luthor's behalf at high noon the next day before leaving the studios. Clark Kent quickly changes into Superman, seeking to track the evil siblings back to Lex's lair. However, the hero has fallen into a trap and is assaulted by his foe's empty Warsuit that Luthor can operate remotely.

Superman awakens from the attack now encased in the Warsuit. Any attempts to break free causes him great pain as the suit blasts him with red sun energy. But even more dastardly is how Luthor has changed Superman's facial appearance and voice making his friends and allies think that it's the super criminal inside of the Warsuit. As Luthor causes his foe pain with any attempts to alert his pals that it's really Superman in the armor, the Last Son of Krypton will have to use subterfuge in hopes of being freed from Lex's clutches.

A regular sized issue, there's no official backup feature. Instead, in the middle, there is a 15 page insert for a short lived futuristic toy car line from Matchbox called Flash Force 2000. The main feature 'Operation: False Front' was written by Cary Bates with art by Curt Swan. 

Cover by Eduardo Barreto.

Completing this review completes Task #17 (A Superman Comic From the 1980s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Superman #267 (2026 Comic Book & Graphic Novel Reading Challenge)

Superman in the 1970s saw several changes. His vulnerability to Kryptonite was eliminated. Sidekick Supergirl went to college and became more independent. His partnership with Batman, who was becoming more of a darker vigilante hero, weakened, seeing the World's Finest heroes teaming more with other heroes AND VILLAINS, and less with each other. But perhaps the biggest changes for the Man of Tomorrow involved his secret identity, Clark Kent.

No longer working for the Daily Planet newspaper, Kent was recruited by the paper's new owner Morgan Edge, to host the evening news for Metropolis television's Galaxy Broadcasting Station (WGBS). He was also allowed to start dating Lois Lane; although their relationship was more platonic than romantic with Lois often wondering why she hung out with such a milksop as Clark Kent. Making his relationship goals difficult to achieve, Clark found himself in a love triangle for Lois' affections against his WGBS colleague, the macho braggart sports reporter Steve Lombard.

That's where the cover story for this issue begins. Clark and Lois are enjoying time at the beach when Lombard and his nephew appear. Steve treats Clark like the wimpy guy in those Clark Atlas ads, kicking sand in Smallville's face before grabbing Lois for a swim. On shore, Clark learns from Steve's nephew that his father has been missing for several weeks. However, when a sudden whirlpool occurs, threatening the lives of Lombard and Lois, the child exclaims that his father had warned him of such calamity just the night before. Intrigued by this contradiction, Clark changes into Superman and visits Steve and his nephew where the hero learns that the boy has a telepathic link to his missing father, a famous scientist. 

The revelation takes both Superman and the lad underneath the North Pole, where they encounter a long-forgotten subterranean race of flying reptiles called the Miros. With the missing Lombard's expertise in geophysics, the ancient people have been forcing the scientist to siphon the energy of the Earth's sun to power a special device that has been warming the Miros' subsurface habitat. Now with Superman on the scene, the reptilians seek to use the Man of Steel as the new battery for their failing synthetic sun.

This issue contains a backup story. Part of the 'Private Life of Clark Kent' series of tales, 'The Man in the Public Eye!', sees Clark Kent being put on a massive public relations campaign. Station boss Morgan Edge thinks that while Kent is a top notch newscaster but he's got the personality of a cold fish. Edge arranges for the newscaster to participate in a number of sporting activities in hopes of making Clark Kent appear more manly. As much as Clark tries to appear weak in front of the WGBS cameras, dumb luck mixed with his Kryptonian superpowers have the newsman looking really 'super., like when he accidentally knocks out the heavyweight champion of the world after a sparring match. Thankfully, the audience of Metropolis is eating up Kent's antics and it's sending ratings for the 6 o'clock news through the roof. Now if only Clark can screw up royally or else somebody is going to make a connection between the reporter and Superman!

Both the secondary story and the cover tale 'World Beneath the North Pole' were written by Elliot (S!) Maggin. Curt Swan drew both tales. He was assisted by Murphy Anderson on Superman's Arctic adventure. Bob Oksner gave assistance on the Clark Kent led tale.

The cover was drawn by Nick Cardy.

Completing this review completes Task #16 (A Superman Comic From the 1970s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 8 out of 10 stars.

Action Comics #332 (2026 Comic Book & Graphic Novel Reading Challenge)

In the 1960s, if you wanted to do something wild with DC's flagship character, Superman, you had two choices: use red kryptonite or make it an imaginary story. With red kryptonite, you could temporarily change the Man of Steel into a raving lunatic or give him the head of a ant. But if you wanted to play around with the dynamic of Superman and his friends and family, or even his personal history, you had to create an imaginary story.

Under a strict set of guidelines imposed by editor Mort Weisinger, Superman couldn't marry, he couldn't reveal his secret identity of Clark Kent and he couldn't go back in time to change the deaths of either his earthly parents, the Kent's or the destruction of his home world. That's where the imaginary tales come in.

In the cover story 'How Superwoman Trained Superboy', we see what would have happened if Kara Zor-El was born before her cousin Kal-El. Instead of only Kara going to Earth in the wake of the destruction of Krypton, her mother and father also make it to our planet. For a brief while, the family works in secret at night, using their new found powers, gained by our solar system's yellow sun, to help the people of Smallville. 

Meanwhile, Jor-El and his family have been living on a floating planetoid containing Argo City, encased in a protective plastic bubble. When asteroids destroy the dome and uncover deadly green kryptonite underneath Agro's crust, teenage Jor-El is sent to Earth to be reunited with his now adult cousin Kara. However instead of adopting the Kryptonian boy herself, she places Kal in Midvale Orphanage, until he can learn discipline and to master his new powers before he can become Superwoman's new sidekick, Superboy.

This issue opens with a Superman story involving his arch-enemy, Lex Luthor. Having escaped a prison planet, Superman goes to the planet Lexor, where the criminal mastermind is revered as the Lexor's savior, to find him. In doing so, he's inadvertently revealed to Luthor's wife Ardora that Lex is really a villain at heart. 

This causes a rift between Ardora and Luthor. Out of revenge, Lex plans to destroy Superman once and for all. But when the fiend discovers that another criminal is about to kill the Man of Steel, Lex actually comes to his foe's rescue. Changing plans, Luthor schemes to drive Superman insane by being his enemy's protector. 

But how that plan will be implemented will have to wait. Both 'The Super-Vengeance of Lex Luthor' and the cover story starring an adult Supergirl end on cliffhangers. That tale ends with Superboy planning to show Superwoman that he's more than ready to not only be her partner but out of revenge, he'll become something far more superior than his mighty cousin. 

Both stories were written by Leo Dorfman. Al Plastino both penciled and inked the Lex Luthor story. Jim Mooney was the artist and inker for the Superwoman adventure. Curt Swan was the cover artist.

Completing this review completes Task #15 (A Superman Comic From the 1960s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Limited Collectors Edition C-43 'Christmas With the Super-Heroes' Facsimile Edition

The fan favorite tabloid treasury returns in this facsimile edition! 5 holiday classics presented in oversized fashion with remastered art and color.

• A pair of Scrooges seek to force Santa to privatize or face a total cease of magical operations. Meanwhile Lois and Clark are leading a toy drive sponsored by the Daily Planet and those two haters of Christmas have decided to put the newspaper out of the toy  business as well. Enter the Man of Steel to save Christmas not just for Metropolis, but all the children of the world!
• On Christmas Eve, Batman gets summoned by the Bat-Signal to sing Christmas carols with Commissioner Gordon and the GCPD.
• Set during World War II, Wonder Woman is assisted by a Douglas Fir of all things, in uncovering a Nazi spy ring near the Canadian border on a snowy Christmas Eve.
• The House of Mystery's Cain spins a tale about a holiday intruder in true DC horror fashion in 'Night Prowler!'.
• Set during his spandex wearing days, the Sandman and his sidekick Sandy stumble across a mob scheme involving a department store Santa.

All 5 stories were reprints. Amazingly enough, I had only previously read the Batman story. Written by Denny O'Neil with art by Neal Adams, I've read this story previously in several retrospectives on the amazing work these two did in the 70s for DC. I've probably also read the House of Mystery story and just don't recall as I have several HOM omnibuses. But as for the other 3 stories, they were brand new to me!

The Superman story is from a comic book titled Superman's Christmas Adventure. It is something that I wasn't aware of until I got this. The story is pretty long which has me wondering if I got all the material from that book or if there's more that I am going to want to add to my ever-growing Christmas comic collection. (Turns out, I don't!)

I'm also wondering about the Wonder Woman story. This month, DC is re-releasing a facsimile edition of a classic 1940s Christmas issue of Sensation Comics. I know that my favorite LCS has a copy on order for me. I'm just wondering if the story from this 1975 reprint is from that issue or not. It doesn't make sense to me that DC would release the same story in the same month in 2 different facsimiles. But if so, unless there is a lot more holiday material in it, I don't want to spend money on the same thing in 2 different formats.

Speaking of money, this recreation saved me some mega bucks. It unfortunately doesn't come with a mid-70s cover price of $1.00. However, $12.99 new was a much better price to pay than asking prices of anywhere between $60 and $100 that I have seen online and in the wild. Besides, this WAS a reprint of Christmas reprints. I didn't have to have the original. I just wanted a copy to call my own. But did somebody trim the cover to this book wrong? The filler material is a good 1/10 of an inch larger than the cover on both the top and the bottom. That doesn't seem up to specs to me...

Featuring Jack Kirby, Joe Simon, Len Wein, William Moulton Marston and many other comic book legends, this brought back so many memories of when my parents would give me with a Christmas themed comic book or two to read on Christmas Eve in anticipation of St. Nick.

Worth Consuming!

Rating: 9 out of 10 stars.

Supergirl #7

This issue of Supergirl was an unexpected surprise! It's Thanksgiving themed! The Danvers family is hosting a Turkey Day feast. But first, Supergirl has to deal with the effects of exposure to turquoise kryptonite: she's been turned into a fish!

I love Supergirl. Huge fan. I'm either trying to collect everything that has ever starred the Maid of Might. Or I'm trying to collect her current runs. Being that I hate cliffhangers, I haven't read any of the previous 6 issues of this latest series so far. And from what I read here, I am not really sure that I want to. 

Have things gotten so bad at DC? The dialogue was so corny. The characters were absurd. Princess Shark? Really? Everyone Kara Danvers knows has the initials LL. If you thought Clark Kent was gravely afflicted by this anomaly, you haven't seen anything yet. 

And speaking of Clark Kent, obviously Lex Luthor knows that he's Superman because the Man of Steel comes to dinner in uniform with Lois Lane in tow. And right in front of Lena Luthor! Who in the comics is the child of Lex; not his sister. It just seems so implausible. And stupid.

Let's talk about the art. I was very on the fence about the work of Sophie Campbell, who also penned It's got a Jack Davis caricature quality, and I am a fan of his. But the art lacks the liveliness of a Jack Davis piece. Everyone and everything seems so dull here!

Maybe I am getting to that age where I don't think that the next generation understands the characters of my childhood. But that's not quite right. I at least enjoyed a good sized chunk of what I read. It just feels so bleak. Even Superman, who is like the most positive and inspiring character in the entire DC Universe, felt devoid of cheer. It just lacked that holiday magic that made me so excited and impatient to own and read this issue. 

Just really disappointed with the end result.

Rating: 4 out of 10 stars. 

Superman: Year One

Frank Miller, the godfather of the 'Year One' storyline, gives Superman the long overdue treatment in this deluxe sized Black Label tale. In other words - this very well could be an imaginary story. But I'd be totally fine with it being turned into canon.

The childhood story of Superman doesn't really change. His Kryptonian parents, knowing that their planet is doomed, ship baby Kal-El to Earth in hopes of becoming humanity's savior. Raised as Clark Kent by Kansas farmers, Kal-El learns the difference between right and wrong while forging a friendship with Pete Ross and a budding romance with Lana Lang.

Once Clark graduates high school, the origin changes. For the first time ever, in Act Two, we see Kent joining the Navy in hopes of learning what it means to be human while finding his place in this world as a god among men. Clark's romance with the mermaid Lori Lemaris takes an unusual twist with the Kryptonian becoming the ruler of Atlantis, after defeating her father in combat.

It appears that Frank Miller is really going to challenge the established legend of Superman by having him become a super-powered Aquaman. But that's all but forgotten in the final act; just as Clark's relationship with Lana becomes nothing more than a memory by the time he finishes basic training. When Superman meets Lois Lane in a great twist on their first appearance in the crashing helicopter trope, the very young Man of Steel just gives up his life in Atlantis, enrolls in journalism at a nameless University, and becomes an intrepid investigative reporter at the Daily Planet. 

This is not a 365 day year in the life of Superman. It's more of a series of snap shots in the first 25 or so years of life of Clark Kent. This makes for some inconsistencies in the plotting, a ton of forgotten friends and family, and an ending that didn't feel like the end. I wouldn't be surprised for a Superman: Year Two to be announced sometime in the future. Though this book is from 2019, so our chances of that might be dwindling...

As for John Romita, Jr.'s artwork, it too was inconsistent. But it's actually something that works in his favor. In my late 40s, I understand that when you have a career that involves your hands, arthritis and age are your worst enemies. Jr.Jr.'s art has really suffered over the last decade. But when he shines, he really shines here. There were several pages that I spent a long, long time marveling at his dynamic drawings. Powerful renderings. Amazing angles. Kick ass action. It helped improve my rating for this book that feels in desperate need of a director's cut edition.

Worth Consuming!

Rating: 7 out of 10 stars.

The Super Heroes Monthly #8

I've just been so busy and exhausted with the new school year and all that. I've been reading comics and graphic novels. I've just been too (fill in the blank) to do any reviewing. I seem to have caught a break today.

From the U.K., I couldn't tell you where I found this magazine of black and white DC reprints. But I know that I didn't spend more than a buck on it. So I must have gotten this years ago at a Con and totally forgot about it.

There are 3 stories inside. First up is a reprinting of the very first appearance of the Barry Allen Flash. The Robert Kanigher, Carmine Infantino and Joe Kubert origin is forever imprinted in my mind. But I had forgotten that the first villain that the Fastest Man Alive takes on is known as the Turtle Man, the Slowest Man on Earth! Kinda comical. But it's a pairing that makes sense.

The Super Heroes Monthly had been running through the complete Man-Bat saga for several issues up to this point. In this issue featuring story by Frank Robbins and art by Neal Adams and Dick Giordano, the Man-Bat takes a bride.

I've either previously read, own a copy or both when it came to both stories. Had I bothered to check the contents of this book whenever I bought it, I probably would have passed over it. At least the third and final story was one that I never read before. It stars Superman featuring Len Wein on scripts and art by Curt Swan and Murphy Anderson; which in itself is an all-star crew. Unfortunately, it's a Man of Steel story that isn't really good.

The premise to this tale has an intriguing beginning. Lex Luthor laments the disappearance of the entire population of Earth. In his latest attempt to destroy the Man of Steel, Luthor's robotic assassin overheats, causing the nuclear core to meltdown and wipe out not just Superman, but everyone and everything on the planet. Birds, snakes and all!

When we learn what the MacGuffin behind the disappearances really details, the explanation is so implausible, it really lowered the quality of the story. I know that a lot of Superman stories stunk up news stands and comic collections during the 70s. If we were to place this story on the list, and believe me, I am, then 'The Man Who Murdered the Earth' has be the durian of all Superman tales from 1970-79!

I love the Alan Craddock cover of Superman and the Flash attempting to outrace a speeding locomotive. It is what enticed me to buy this book. But the fact that I already have 2/3 of the stories contained within and I hate that last one, this issue is going to be taken in for hopefully a little bit of trade credit instead of taking up valuable shelf space.

Rating: 5 out of 10 stars.

All-New Collectors' Edition #C-58: Superman Vs. Shazam! (Facsimile Edition)

I'm in no way criticizing the art skills of Dick Giordano or Rich Buckler. If you are a regular reader of my blog, then you know that I am a huge fan of Giordano; having gotten to meet him at his very last con. As for Buckler, I loved his work on the earliest stories of the Marvel cyborg, Deathlok. So I believe that I have established respect for both artists. That being said, who drew the artwork for both the back half of this wraparound cover as well as many of the full sized and splash pages? They look like they were masterfully drawn by Neal Adams!

This facsimile edition is absolutely beautiful. The foil enhanced wraparound. The remastered colors of Adrienne Roy. The throwaway panel of what a brunette Supergirl would look like. This was a visual masterpiece from 1978!

An ancient wizard from a Martian civilization millennia before those of J'onn J'onzz' people, is seeking to end his singular mistake. In an attempt to become immortal, the mage got his wish. But not before first turning the rest of his kind into silent, tormenting phantoms. His hope is to place devices on two different Earths where they will vibrate in sync with the other and cause a cataclysmic explosion to should restore his people to their corporeal forms.

The two Earth's chosen are Superman's Earth-1 and Captain Marvel's home, Earth-S. To prevent the two heroes from discovering the devices, the wizard forces Black Adam and the 'Quarmmer', a duplicate of Superman made of living sand, to cloud the minds of the heroes so that they see each other as mortal enemies. Thus, fans finally get their wish: an epic battle that will definitively prove who is mightier? The Man of Steel or the Big Red Cheese?

The fight was epic. The team-up of Supergirl and Mary Marvel was awesome. The villain Karmang was pretty cool looking. But like most DC Comics of the late 1970s, the plot fell flat.

For one thing, I didn't quite understand Karmang's costume didn't really make sense. He's got these wicked looking eyeballs which adore the epaulets on his cape and apparently makes some fashionable earrings.  But he never uses them. They'd be really cool if they helped Karmang see the action occurring on the two Earths. Instead, he's got TV set-up sweeter than any wall of boob tubes at Circuit City. 

Another issue with the plot is the pacing. There are 4 acts in this issue, along with interludes and a prologue and epilogue. If writer Gerry Conway would've cut the unnecessary comic relief provided by Lois Lane and sports reporter Steve Lombard playing the role of cameraman, I think we could have gotten a much smoother ending that really hyped up the tension. Instead, we get Superman racing around the world to counter the pull of the magnetic field while Captain Marvel literally decides which color wire to clip on one of Karmang's devices. 

And as much as I enjoyed Supergirl being in this story, the ending where she and Mary Marvel fawn over each other's super hunky relative was clunky at best. At worst, it's a groaner and brother did I groan over that dumb ending...

At least we got an answer as to whether Supes or Cap are stronger than the two. At least for this clash.

Worth Consuming!

Rating: 8 out of 10 stars.

Superman/Fantastic Four: The Infinite Destruction

Superman and the Fantastic Four. It became a viral movement to see both films in the theater in one sitting much like Barbie and Oppenheimer a couple years back. I didn't watch Superman and Fantastic Four First Steps in one sitting. I don't think my back could take it. But I managed to see them both within the same week. Little did I realize that I could have experienced a meeting of the two icons at one time years ago.

In 1999, DC Comics and Marvel mingled their two universes together for one of their last co-published works in Superman/Fantastic Four: The Infinite Destruction. Just like when Superman meet Spider-Man in 1976, this book was published as a super-sized tabloid. Only the cover would be slick and thicker like a paperback. Written and illustrated by Dan Jurgens, with additional artwork by Art Thibert,  the concept has Galactus crossing dimensional barriers absorbing the energies of Krypton as it explodes. As the planet dissipates, a tiny rocket flees the destruction but not without the notice of the world consumer.

Years later, Superman intercepts a Kryptonian drone bearing a message from his father Jor-El stating that Galactus was behind the destruction of his home planet and that the Man of Steel's Earth is on the menu. This leads Superman to travel to the Earth-616 universe, seeking assistance from the Fantastic Four. While in that universe, it's discovered that an enemy from Superman's world crossed barriers as well and has plans to become the next herald of Galactus. But before that happens, Superman is captured by the Devourer and blasted with immense energy. Now welding the power cosmic, Superman has become the new herald of Galactus and with his incredible powers added to the mix, not even Kryptonite can stop the Man of Tomorrow!

I knew I had been holding on to this work for a reason! It was a great way to capture off the Summer of 'Super Fantastic'! I must say that the format with the deluxe edition paper and cover, being so gigantic, it was a bit unwieldy. I'm pretty sure I damaged the spine some as the sturdier paper would bend terribly against the book binder used. Age, size and wear definitely will prevent this from remaining a pristine mint book in your collection no matter how careful you are.

I thought this book would have worked better if it was jointly published as a joint What If.../Elseworlds. Readers are supposed to go into this book with the fore-knowledge that Superman and the Fantastic Four know each other. Presumably, from the crossovers DC Vs. Marvel and/ or the All Access minis. Also I don't think Superman crossed paths with Reed, Sue and company in his 1996 meeting with the Silver Surfer. 

If you are new to comics and you came across this book, you'd probably be wondering about how these two icons are acquainted since it's been over 2 decades since entities from both worlds were in a comic book together. Though you won't have to wait much longer as Deadpool and Batman are set to meet for the very first time later this November.

Another thing is the choice of villain. No, not Galactus. He was perfect for this. It's the DC baddie selected for this book: the Cyborg Superman. Yeah, he's evil and ruthless. Plus, since he has to participate in the ubiquitous reluctant pairing of protagonist and antagonist in order to help the Fantastic Four minus Mister Fantastic find Galactus, having someone more powerful in this story just wouldn't work. But could you imagine how epic this story would have been if DC and Marvel had decided to pair Galactus with Brainiac?! 

Jurgens (and Thibert) did a fine job. The artwork was classic 1990s Superman and I like how they worked in that Easter egg for the Superman: The Animated Adventures toon into the mix. I was just disappointed from the cover. It's illustrated by Dan Jurgens. But it's painted by Alex Ross. He's know for several oversized one-shots starring members of the Justice League. I was hopeful based on which that the interior art was also by Ross. Alas, it wasn't to be.

Wanna actually experience both Superman and the Fantastic Four on the same set together? Plus the presence of First Steps for Galactus? Then this is your book. You might have to go out in the wild to find a copy of get lucky on something like eBay..Though if DC and Marvel were smart, they'd refuse this book in time for the holiday shopping season. It's the pairing social media has been clamoring for all Summer long!

Worth Consuming!

Rating: 8 out of 10 stars.

Action Comics #428 (2025 Comic Book & Graphic Novel Reading Challenge)

The opening story begins with the Metropolis Twin Towers engulfed in flames. Superman uses an iceberg and his heat vision to put out the flames. It's a feat captured on camera by Jimmy Olsen. However, when the event makes the front page of the Daily Planet, the story details that a freak thunderstorm put out the blaze.

When Superman as Clark Kent confronted Jimmy as to why he didn't credit the Man of Steel with putting out the fire, the cub reporter responds that Superman hasn't been seen or heard from in 10 years. Despite Clark being able to see Superman in the photos Jimmy took, everyone else he encounters merely sees a thundercloud raining on the skyscrapers. 

As Superman conducts further rescues throughout Metropolis, the citizens attribute the acts as miracles. Clearly, the populace has not only forgotten about Superman; they cannot even see him! 

The backup feature stars Green Arrow and Black Canary. Oliver Queen has been approached by a struggling motorcycle manufacturer for help with their lagging sales. Ollie negotiates a deal where Black Canary will perform a death defying stunt on one of the company's bikes during an upcoming sports event. Only, he forgot to ask the heroine permission for the endorsement.

Seeing as the funds for the stunt will go to charity, Black Canary reluctantly agrees. It will be her first public appearance in quite some time. Yet, it might end up being her last as a pair of ex-cons out for revenge on Canary have tampered with her bike's gas tank, rigging it to explode during the stunt jump. It's up to the Green Arrow to race against the clock and the sprawling city to save Black Canary in time!

The Superman opener was written by Cary Bates. Art was provided by Curt Swan and Murphy Anderson. Set during Clark Kent's days as a television newscaster for WGBS, it features a number of newer characters unseen from when he worked at the Planet. Station owner Morgan Edge and sports reporter Steve Lombard play important roles in the story along with Jimmy Olsen. Noticeably absent from the story is Lois Lane, who's not even mentioned in this news story heavy adventure.

The Green Arrow and Black Canary backup was written by Elliot Maggin. Dick Giordano illustrated. For fans of either character, this is a key issue in their relationship as this story ends with Dinah Lance revealing for the very first time that she loves Oliver Queen. 

This issue also features an article about the town of Metropolis, Illinois. The town, working with DC Comics and the State legislature, had just approved plans to make Metropolis the official home of Superman. Plans for a museum, a theme park and an annual festival showing old Superman serials and episodes from the 1950s series starring George Reeves, along with fun and games, were in the works according to the piece. Even the town newspaper would be changing its name to the Daily Planet! While The Amazing World of Superman theme park never came to be and the rag has been renamed as the Metropolis Planet, the museum, along with a giant statue of the Last Son of Krypton continues to welcome fans who arrive in droves every June for the town's annual 4-day Superman Celebration. 

Completing this review completes Task #31 (A Book Featured in a Facebook Group Post) of the 2025 Comic Book and Graphic Novel Reading Challenge. It also my 40th and final task for the 2025 Challenge.

Superman (2025)

Superman, 2025.

James Gunn did NOT eff him up!

I had my doubts considering how much The Suicide Squad was more of a fart fest in line with the Troma films Gunn cut his movie teeth on. Superman was done with care, respect and awe.

I loved it.

The movie starts off with Superman already established for several years. Lex Luthor has been scheming since the Man of Steel's debut to bring Superman down and he just might have a perfect opportunity to pull such a feat off. Superman prevented a fictitious country called Boravia from invading a neighboring country. As Superman acted alone, without the approval of the United States government or even the United Nations, his actions have caused controversy to swirl over whether Superman acted on his own accord or in the public good as he claims to the press.

Luthor determines the location of Superman's Fortress of Solitude where he uncovers a secret message from Superman's Kryptonian parents that encourage him to rule the Earth as a god-like despot. Sharing the message with the news media, public opinion turns on Superman quickly. They especially don't like the part where Jor-El tells his son to continue the Kryptonian bloodline by filling a harem with as many fertile human wives as possible. 

Not wishing for further trouble, Superman turns himself in to the Department of Justice, in hopes of working things out. Only because Superman is an illegal alien and not subject to American law, plus the superpowers he can use to escape any prison, the Man of Tomorrow is turned into a private army called PlanetWatch which just happens to be funded completely by Lex Luthor!

I hear that President Trump hates this movie. He's condemned it as being 'woke'. Yet, there's nothing woke about this film. Superman's role on the international stage has been debated since his second ever appearance in Action Comics #2 when Superman prevented 2 warring European nations from starting another World War. Supe's immigration status has been a topic of discussion for at least 4 decades. Way before the term became the common vernacular used today. So really, what is 45 &47's problem with this movie?

I've seen every Superman movie ever made. He's my favorite superhero of all-time. I wear Clark Kent glasses and somehow my hair does a natural curly-cue. So I think I can attest that this was an entertaining movie that was nostalgic while pushing the Man of Steel into the 21st century. I know that I am going to be controversial when I say that I liked this Superman better than the Henry Cavill Superman! David Corenswet's Superman and Clark are in the tradition of Christopher Reeve and Brandon Routh.

One reason our Commander in Chief isn't fond of the current Last Son of Krypton is because he's not a perfect specimen as he was created way back in 1938. I like that Superman isn't perfect. If he didn't have have weaknesses or made mistakes, he'd be boring. Just don't make him too flawed. Maybe like 97.8% perfect. James Gunn did a fine job keeping Superman a superior specimen while also keeping him relatable.

The real star of the film is Krypto, the super dog. Although in this film, he's a super mutt! We got the definitive Jimmy Olsen in actor Skyler Gisondo. While not a true ginger, we finally got a Jimmy with freckles. Rachel Brosnahan's Lois Lane wasn't bad. I got real Courtney Cox vibes off of her. Though, sadly I think she knows how to spell the word 'rapist'. Couldn't she at least once have called Clark 'Smallville'? I also really liked Wendell Pierce as Perry White. But then again, he's great in everything! It was so fun seeing this film be really heavy on journalism as that was one the things I loved about the Dean Cain/Terri Hatcher series from the 1990s.

I'm on the fence about Nicholas Hoult's Lex Luthor. He's way better than the last couple of actors to play Superman's arch-enemy on screen. But he was a little bit on the whiny side. This Lex is really intimidated by Superman despite being one of the most powerful men on Earth. Regardless, this Luthor is a real slime ball. 

Don't think that this is just a Superman movie. This is James Gunn's opening chapter into the new DC cinematic universe. Fans get to see Guy Gardner and Metamorpho in live action for the very first time while this is both Hawkgirl and Mister Terrific's big screen debut. Nathan Fillion was a perfect jackass. I can't wait to see Batman knock him out with one punch. Metamorpho was a character I remember my dad having a bunch of issues of when he was a kid and it brought back memories. As for Mister Terrific, I'm not very familiar with him as I don't read a lot of the more modern Justice Society stuff. But Edi Gathegi was terrific as the tech-saavy hero. I look forward to more of his character in future DC productions.

I loved this movie. It made me feel like a kid again. Though he's a bit more violent than all 4 Christopher Reeve Superman films combined. James Gunn's Superman may not be everyone's Man of Steel, but this film did something that recent movies haven't made me want to do in years: I wanted to buy tix for the next showing and see it again!

Worth Consuming!

Rating 9 out of 10 stars. 

DC Comics Presents #47 (2025 Comic Book & Graphic Novel Reading Challenge)

This issue marks the first ever appearance of He-Man and many of his cohorts from Masters of the Universe in comics. According to Bob Rozakis in his opening column in the letters section 'Pair Mail', Mattel approached DC with the idea of adapting their forthcoming Masters of the Universe toy-line in comic book form. 

Toying around with the concepts provided by Mark Ellis from Mattel, project editor Dave Manak and Paul Kupperberg got the idea to have He-Man's world of Eternia merge with the DC Universe. Since this would be a first ever introduction of the characters to readers, DC felt having Superman meeting the Masters of the Universe would alleviate some of the unfamiliarity felt by the youngest of readers.

The story begins with Eternia's crown Prince, Adam going about his normal day of first learning combat skills from the palace's head of security Man-At-Arms then wasting his time in a tavern where a drunkard challengers the royal to a fight. Prince Adam is about to get his brains bashed when he's rescued by the palace guard. Only it turns out that this aloofness is all a ruse because in reality, Adam can change into the realm's mightiest human, the all-powerful He-Man.

Meanwhile He-Man's archenemy, the evil Skeletor is attempting once again to breach the ramparts of the mysterious Castle Greyskull. Feedback from a spell causes a breach in the universe, sending the Man of Steel to Eternia. Skeletor immediately casts his magic upon Superman, who has no immunity to the dark arts, turning the Last Son of Krypton into Skeletor's slave and latest weapon in his never-ending battle against He-Man!

A few months after He-Man's debut, a 16-page insert appeared in many of DC's flagship titles. A 3-issue miniseries came about next, dated November, 1982-February 1983. However, Mattel wasn't very happy where DC's direction was going with the franchise and severed ties after issue #3. He-Man wouldn't return to monthly comics until 1986, teaming with Marvel's Star Comics imprint for a 13 issue series (and adaptation of the disastrous 1987 live-action flick starring Dolph Lundgren, that ended when the House of Ideas shuttered the all-ages line of books in 1988. As the title faded, He-Man and company would lie dormant in comics until renewed nostalgic interest in the title would spawn short-lived franchise agreements with Image Comics, Dark Horse, and CrossGen Comics in the early 2000s. Masters of the Universe would return to DC from 2013-2020. Several minis were produced, including a 6-issue crossover between the characters of DC's Injustice video game and the heroes of Eternia. Dark Horse Comics currently owns the franchise, where they've published a couple of miniseries based on the animated Netflix reboot helmed by Kevin Smith. 

For this issue, Paul Kupperberg wrote the script with pencils by Curt Swan. A backup feature starring the Golden Age Sandman and his sidekick Sandy was crafted by Mike W. Barr and Jose Delbo. 

Completing this review completes Task #3 (Comic from the Bronze Age (1971-1985) of the 2025 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 7 out of 10 stars.

Superman Adventures #1(2025 Comic Book & Graphic Novel Reading Challenge)

Superman: The Animated Adventures ran on the WB from 1996-2000. It was a spin-off of the now classic Batman: The Animated Adventures. 

Featuring the voice talents of Tim Daly as Superman/Clark Kent, Dana Delaney as Lois Lane and Clancy Brown as Lex Luthor, the series was lauded for it's sleek futuristic design and cerebral script writing. Utilizing a majority of the production staff from Batman: TAS, names such as Paul Dini, Bruce Timm and Jean MacCurdy appeared regularly in the closing credits.

This cartoon version of the Man of Steel wasn't a god among men as he was originally designed by creators Siegel and Shuster. Instead, Superman: TAS structured their Last Son of Krypton with the same limitations as developed by John Byrne in the 1987 post-Crisis reboot of Superman. Though severely hampered with the restrictions put on the character, making for more dramatic storylines, Superman rose to every challenge he faced because there was one superpower to which the hero had no weakness against: Superman's unwavering moral code!

Unlike the pre-Crisis Superman, this version of the Man of Tomorrow still had access to his adopted parents, Ma and Pa Kent. Whenever faces with a crisis of conscience, Superman could always make a quick trip to Kansas and work out his problems as Clark Kent with words of wisdom and encouragement from the Kents. Unaware that Superman has a secret identity, Clark's morality was the one thing Lex Luthor's advanced technological schemes against Superman that he could never defeat!

Just as the animated series was debuting on television, DC Comics released a monthly all ages comic book. The first issue was written by Paul Dini with art by Rick Burchett and inks by Terry Austin. The opening story titled 'Men of Steel', sees Superman on scene in Metropolis for just a few weeks. Clark Kent is also still pretty wet behind the ears in his reporter job as the Daily Planet. Luthor sees Superman as a threat to his stranglehold as the de facto ruler of Metropolis as well as a potential alien invader, operating under the guide as a heroic savior. 

The corrupt business leader has been testing out Superman's powers and weaknesses through a series of tests designed as super villains randomly attacking Metropolis. After Superman's latest encounter with terrorist John Corben, inside a suit of 'stolen' LexCorp armor, Luthor has enough data to fully active a life-sized robotic replica of the Man of Steel!

The plot of this issue's story is a partial retelling of part three of the debut episode 'The Last Son of Krypton.' Corben's theft of the LexCorp rebo-suit and Luthor's determination to make a fool of Superman are almost verbatim scenes taken from show. Only Kent's attempts at love and the revelation that Brainiac survived the destruction of Krypton are not included in this premiere issue.

DC's Superman Adventures ran for 66 issues, outpacing the TV show by a dozen stories. A year after the cancellation of the series, Superman, Batman and others would return, this time as a team. Justice League and it's spin-off series Justice League Unlimited would run for 5 seasons; ultimately pitting the Superman led Justice League against the Injustice League, headed by Lex Luthor.

The wrap-around cover is by Bruce Timm.

Worth Consuming!

Rating: 10 out of 10 stars.

Completing this review completes Task #16 (Book from the Year You Graduated High School) of the 2025 Comic Book and Graphic Novel Reading Challenge.

DC Silent Tales #1

Less is not always more important in this experimental comic book. Gustavo Duarte's Silent Tales was originally published as a series of 6 digital comics under the banner DC's Speechless! None of these stories have words, with exception of the occasional sign in the background like for an exit from a building or a banner declaring items inside a store are on sale. Being essentially a pantomime, this very much is an experiment. Sadly, I didn't feel like the results of the half dozen tales had a success that was replicable.

Here's what on store in this issue without giving away too much of the plots:

• Harley Quinn takes on a DIY project.
• Cyborg looks to relax at Titans Tower with his latest record store find.
• Zatanna adopts a very hungry rabbit.
• Superman learns why it's important to separate his laundry under the categories of whites, colors and radioactive.
• The Joker partakes in some art appreciation under the watchful eye of Commissioner Gordon and the Batman.
• Intergalactic bounty hunter Lobo goes treasure hunting against a band of Nazi vampires!

Let me back that up. Nazi vampires. Vampires that happen to be demonic disciples of the Third Reich! Versus Lobo! Why hasn't DC Comics done a DC Horror series based on this idea?!

Silent Tales wasn't without good ideas. It's just proof that words are important. We live in a society that is obsessed with emojis and text speak. This book proves that comics need words and dialogue just as much as they need pictures. I like Gustavo Duarte. His artwork in Bizarro, the road trip adventure with Jimmy Olsen was so fun. That's why I wanted to buy this 2023 one shot. Unfortunately, the stories in this book are far from superior to his previous work because some of the details get lost without those oh so important words. (To be fair, Duarte didn't write Bizarro. Heath Corson did and that might have something to do with the better storytelling.)

Still, Duarte's art was fantastic as usual. So whimsical. Quite funny. He's a master of caricature. And those creative Ideas. I'm game to read more future works by Gustavo Duarte. But the emphasis has to be on the word 'read'. We live in the age of talkies!

As for DC Comics - please keep taking digital works and giving them the paper treatment. Each trial might not be a success. But for those of us who love the floppy, please don't keep us in the digital dark. 

And please, make that Lobo against the Nazi vampires miniseries a reality... PLEASE!

Rating: 6 out of 10 stars.

Superman #411 (2024 Comic Book & Graphic Novel Reading Challenge)

It's the summer of 1985. You go to the local Fast Fare in hopes of the newest issue of Superman. Last issue saw the beginning of a 3-part 'Luthor Trilogy' that promises to cap the age old conflict between the Man of Steel and his greatest arch enemy right before Crisis on Infinite Earths changes everything. You scour the spinner rack where you find issue #411. Only instead of the 2nd part of Superman's battle with Luthor, you're faced with a special birthday issue devoted to DC editor Julius Schwartz!?

Elliot S! Maggin, Curt Swan, Murphy Anderson, John Costanza, Gene D'Angelo, Paul Levitz and Bob Rozakis crafted this September 1985 issue intended to be an oversized birthday to the beloved Superman editor known affectionately as Julie. This issue was planned as a surprise for Schwartz months before. Though you might be wondering how you can keep such an issue secret from the editor of DC's flagship hero. Enter Dick Giordano, who in his role as Vice President-Executive Editor, managed to keep everything under wraps until publication. 

'The Last Earth Prime Story' begins on Earth-One where that world's Julius Schwartz is down on his luck and homeless. Because of the existence of superheroes on that earth, interest in fictional stories about super-powered beings has waned. Hoping to change his fortune on his 70th birthday, Schwartz goes over to the Daily Planet building to ask old friend Perry White for a job but is turned away by White's secretary for his sloven appearance. 

Later in the day, Perry is alerted to Julie's visit and goes out with his wife to find him. When the White's run into Superman, Perry informs the Man of Steel about how Schwartz helped him get into publishing during the early days of Science Fiction pulps. Superman agrees to continue the search when he discovers Julie being held captive at the hands of a deranged member of a spy network who is literally half human/half machine! 

The book ends on Earth Prime at DC Comics headquarters. The Julie Schwartz of Earth Prime, our earth, is in the office enjoying his 70th birthday party. A number of DC talent make cameos in the scene including publisher Jeanette Kahn, Curt Swan and Dick Giordano. Astute fans of Superman history should also note the presence of former Superman editor Mort Weisinger, who appears as a decorative bust in Clark Kent's apartment. Superstars of the golden age of science fiction such as Ray Bradbury, Frederik Pohl and John W. Campbell cameo during the scene where Perry White explains his personal history with Julius Schwartz to Superman.

Julie retired from comics in 1986 after 42 years at DC Comics. In retirement, Schwartz would be a regular guest at comic cons nationwide. Schwartz was DC's editor emeritus until his death in 2004 at age 88.

Completing this review completes Task #44 (A Book Featured in a FB Group Post) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 7 out of 10 stars.

DC Comics Presents #80 (2024 Comic Book & Graphic Novel Reading Challenge)

With over a hundred members to have been active with the Legion of Super-Heroes at one time or another, if you could select a team of 5, who would you select? Logic might dictate picking the original big 3- Cosmic Boy, Saturn Girl and Lightning Lad. You'd also want to add Superboy to the mix. However, for the sake of this time travel team-up involving Superman, let's omit both him and his cousin Supergirl. #4 needs to be have some brain power. Who better than Brainiac 5 to fill that slot. That still leaves a 5th Legionnaire to choose. Do you go with the rotund Bouncing Boy? The ravenous Matter Eater Lad? How about the heavenly Dawnstar or the master of Martial Arts, the Karate Kid?

If you're the creative team for DC Comics Presents #80, you go totally rogue and select members that only the staunchest of Legionnaire fans might know. Paul Kupperberg and Curt Swan join forces to pit Ultra Boy, Chameleon Boy, Shrinking Violent, Phantom Girl and Element Lad against a legion of Superman robots!

Returning from a mission, this handful of Legionnaires emerge from a stargate straight into the void of space! Thanks to some quick work by Element Lad, the heroes survive the lack of oxygen. The planet Earth of the year 3000 is gone. In it's place is a floating replica of Metropolis circa 1985. The Legionnaires arrive on the planetoid to find it filled with countless androids of steel intent on destroying the heroes! 

We soon learn that the Legionnaires are stuck in a pocket dimension of the newly upgraded Brainiac. Recent events have resulted in the robot villain needing to run computations before he goes back up against the Master Programmer and his angel of death (Superman). Brainiac has pulled the Legionnaires from the timeline into his simulation in order to perfect it when the time comes to confront Superman. However, the cries of these futuristic heroes actually cross dimensions, bringing the true Man of Steel to the rescue. Only, the Legionnaires think he's another Superman robot!

The oddball selection of heroes is a tale-tell sign that this is a Paul Kupperberg story. Over his long career, Kupperberg has had a devotion to the lesser tiered characters of the DC Universe. We're talking C-listers and lower and yet the fans love it. 

As for knowing this is a Curt Swan penciled work, there are ways you can tell. All of the male humanoid characters have that slightly puffy forehead indicating a receding hairline. Superman looks less muscular and more beefy, like that of actor George Reeves. Plus, when the Man of Tomorrow flies straight ahead, Swan typically poses Superman with his arms spread far apart and his legs separated in a V shape. Only Superman isn't keeping up appearances using a glider like he does on the cover of Superman #229.

An interesting read that requires reading of several issues of Action Comics, #544-546, in order to truly understand the background behind Brainiac's intentions. It's one of the more unlikely line-ups of the Legion of Super-Heroes. Yet, based on the situations Paul Kupperberg puts the heroes into, it actually works.

Worth Consuming!

Rating: 8 out of 10 stars.

Completing this review completes Task #48 (A Team-Up) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Supergirl: Cosmic Adventures in the Eighth Grade (Family Comic Friday)

I usually review newer books for Family Comic Friday. However I've been wanting this book for a very long time and it's perfect for all-ages. 

Taking the legend of the Maid of Might, tweaking it just a little bit to be more appropriate for kids and adding a generous portion of DC Comics from the past 80 years, Supergirl: Cosmic Adventures in the Eighth Grade was a delightful romp for this huge fan of Superman's cousin.

Instead of Kara Zoe-El's home city of Argo being destroyed by poisonous gas, the explosion of Krypton sent it into a pocket dimension. Kara's father was working on an experimental rocket that would hopefully bring Superman into that universe and hopefully free his Kryptonian brethren. Unfortunately, Kara falls into the ship, activating it and becomes trapped on planet Earth. 

While Superman finds a way to send Kara back to Argo City, she must pose as a human girl named Linda Lee. Meanwhile, she will train as Supergirl in order to one day use her new found powers to fight for truth, justice and freedom! However, posing as a human isn't all that it's cracked up to be. For one thing, Linda is quite socially awkward. She's got zero clue about Earth science and history. Plus both the principal and the accidental duplicate that Supergirl made of herself absolutely hate her! If that wasn't bad enough, when as Supergirl, Kara can't quite land on her own two feet without crashing into something and (unaware to her) Linda's best friend and dormitory school roommate is no other than Lex Luthor's baby sister!

I really enjoyed the story. I was perfectly fine with the changes to Supergirl's story. In my opinion, those adjustments keep a Supergirl origin story from getting stale. I also liked the art by Eric Jones. It was more cartoony for a younger audience while still paying respect to the essence of such an iconic character.

If anything made me unhappy with this book, it was of either the team of editors or those in charge of marketing. It's got nothing to do with the original 6-issue run of this story. It's whomever was in charge of putting this trade paperback together. That's because the back cover of this book gives away the identity of the super-secret big boss that has been making life miserable for Linda Lee and Supergirl. No- telling us about Supergirl's doppelganger nor about Lena Luthor are the spoiler as they're just pawns in the main villain's plans. Even talking about time travel on the back cover isn't a spoil. Instead, it just alerts an established Supergirl fan like myself that writer Landry Q. Walker is paying major homage to the legend of Supergirl. Just take it from me; if you don't want chapter 6 spoiled, avoid reading the back cover!

Kids will love being introduced to a popular character who's also a pretty strong female. But this isn't just a read for girls. There's also enough Superman and Lex Luthor to appeal to boys as well. A little bit of over-the-top fighting on par with Looney Tunes or Tom and Jerry is probably the only thing objectionable to parents of young readers under the age of 7. Plus some words are advanced to where someone under the age of 8 might not enjoy this book as much as a third through sixth grader.  But the level of classic DC Easter eggs hidden throughout Supergirl's year of schooling will delight generations of family members!

Worth Consuming!

Rating: 9 out of 10 stars, as long as you avoid the back cover. Failure to do so, drops the book to a 7.