Superman: Year One

Frank Miller, the godfather of the 'Year One' storyline, gives Superman the long overdue treatment in this deluxe sized Black Label tale. In other words - this very well could be an imaginary story. But I'd be totally fine with it being turned into canon.

The childhood story of Superman doesn't really change. His Kryptonian parents, knowing that their planet is doomed, ship baby Kal-El to Earth in hopes of becoming humanity's savior. Raised as Clark Kent by Kansas farmers, Kal-El learns the difference between right and wrong while forging a friendship with Pete Ross and a budding romance with Lana Lang.

Once Clark graduates high school, the origin changes. For the first time ever, in Act Two, we see Kent joining the Navy in hopes of learning what it means to be human while finding his place in this world as a god among men. Clark's romance with the mermaid Lori Lemaris takes an unusual twist with the Kryptonian becoming the ruler of Atlantis, after defeating her father in combat.

It appears that Frank Miller is really going to challenge the established legend of Superman by having him become a super-powered Aquaman. But that's all but forgotten in the final act; just as Clark's relationship with Lana becomes nothing more than a memory by the time he finishes basic training. When Superman meets Lois Lane in a great twist on their first appearance in the crashing helicopter trope, the very young Man of Steel just gives up his life in Atlantis, enrolls in journalism at a nameless University, and becomes an intrepid investigative reporter at the Daily Planet. 

This is not a 365 day year in the life of Superman. It's more of a series of snap shots in the first 25 or so years of life of Clark Kent. This makes for some inconsistencies in the plotting, a ton of forgotten friends and family, and an ending that didn't feel like the end. I wouldn't be surprised for a Superman: Year Two to be announced sometime in the future. Though this book is from 2019, so our chances of that might be dwindling...

As for John Romita, Jr.'s artwork, it too was inconsistent. But it's actually something that works in his favor. In my late 40s, I understand that when you have a career that involves your hands, arthritis and age are your worst enemies. Jr.Jr.'s art has really suffered over the last decade. But when he shines, he really shines here. There were several pages that I spent a long, long time marveling at his dynamic drawings. Powerful renderings. Amazing angles. Kick ass action. It helped improve my rating for this book that feels in desperate need of a director's cut edition.

Worth Consuming!

Rating: 7 out of 10 stars.

The Super Heroes Monthly #8

I've just been so busy and exhausted with the new school year and all that. I've been reading comics and graphic novels. I've just been too (fill in the blank) to do any reviewing. I seem to have caught a break today.

From the U.K., I couldn't tell you where I found this magazine of black and white DC reprints. But I know that I didn't spend more than a buck on it. So I must have gotten this years ago at a Con and totally forgot about it.

There are 3 stories inside. First up is a reprinting of the very first appearance of the Barry Allen Flash. The Robert Kanigher, Carmine Infantino and Joe Kubert origin is forever imprinted in my mind. But I had forgotten that the first villain that the Fastest Man Alive takes on is known as the Turtle Man, the Slowest Man on Earth! Kinda comical. But it's a pairing that makes sense.

The Super Heroes Monthly had been running through the complete Man-Bat saga for several issues up to this point. In this issue featuring story by Frank Robbins and art by Neal Adams and Dick Giordano, the Man-Bat takes a bride.

I've either previously read, own a copy or both when it came to both stories. Had I bothered to check the contents of this book whenever I bought it, I probably would have passed over it. At least the third and final story was one that I never read before. It stars Superman featuring Len Wein on scripts and art by Curt Swan and Murphy Anderson; which in itself is an all-star crew. Unfortunately, it's a Man of Steel story that isn't really good.

The premise to this tale has an intriguing beginning. Lex Luthor laments the disappearance of the entire population of Earth. In his latest attempt to destroy the Man of Steel, Luthor's robotic assassin overheats, causing the nuclear core to meltdown and wipe out not just Superman, but everyone and everything on the planet. Birds, snakes and all!

When we learn what the MacGuffin behind the disappearances really details, the explanation is so implausible, it really lowered the quality of the story. I know that a lot of Superman stories stunk up news stands and comic collections during the 70s. If we were to place this story on the list, and believe me, I am, then 'The Man Who Murdered the Earth' has be the durian of all Superman tales from 1970-79!

I love the Alan Craddock cover of Superman and the Flash attempting to outrace a speeding locomotive. It is what enticed me to buy this book. But the fact that I already have 2/3 of the stories contained within and I hate that last one, this issue is going to be taken in for hopefully a little bit of trade credit instead of taking up valuable shelf space.

Rating: 5 out of 10 stars.

All-New Collectors' Edition #C-58: Superman Vs. Shazam! (Facsimile Edition)

I'm in no way criticizing the art skills of Dick Giordano or Rich Buckler. If you are a regular reader of my blog, then you know that I am a huge fan of Giordano; having gotten to meet him at his very last con. As for Buckler, I loved his work on the earliest stories of the Marvel cyborg, Deathlok. So I believe that I have established respect for both artists. That being said, who drew the artwork for both the back half of this wraparound cover as well as many of the full sized and splash pages? They look like they were masterfully drawn by Neal Adams!

This facsimile edition is absolutely beautiful. The foil enhanced wraparound. The remastered colors of Adrienne Roy. The throwaway panel of what a brunette Supergirl would look like. This was a visual masterpiece from 1978!

An ancient wizard from a Martian civilization millennia before those of J'onn J'onzz' people, is seeking to end his singular mistake. In an attempt to become immortal, the mage got his wish. But not before first turning the rest of his kind into silent, tormenting phantoms. His hope is to place devices on two different Earths where they will vibrate in sync with the other and cause a cataclysmic explosion to should restore his people to their corporeal forms.

The two Earth's chosen are Superman's Earth-1 and Captain Marvel's home, Earth-S. To prevent the two heroes from discovering the devices, the wizard forces Black Adam and the 'Quarmmer', a duplicate of Superman made of living sand, to cloud the minds of the heroes so that they see each other as mortal enemies. Thus, fans finally get their wish: an epic battle that will definitively prove who is mightier? The Man of Steel or the Big Red Cheese?

The fight was epic. The team-up of Supergirl and Mary Marvel was awesome. The villain Karmang was pretty cool looking. But like most DC Comics of the late 1970s, the plot fell flat.

For one thing, I didn't quite understand Karmang's costume didn't really make sense. He's got these wicked looking eyeballs which adore the epaulets on his cape and apparently makes some fashionable earrings.  But he never uses them. They'd be really cool if they helped Karmang see the action occurring on the two Earths. Instead, he's got TV set-up sweeter than any wall of boob tubes at Circuit City. 

Another issue with the plot is the pacing. There are 4 acts in this issue, along with interludes and a prologue and epilogue. If writer Gerry Conway would've cut the unnecessary comic relief provided by Lois Lane and sports reporter Steve Lombard playing the role of cameraman, I think we could have gotten a much smoother ending that really hyped up the tension. Instead, we get Superman racing around the world to counter the pull of the magnetic field while Captain Marvel literally decides which color wire to clip on one of Karmang's devices. 

And as much as I enjoyed Supergirl being in this story, the ending where she and Mary Marvel fawn over each other's super hunky relative was clunky at best. At worst, it's a groaner and brother did I groan over that dumb ending...

At least we got an answer as to whether Supes or Cap are stronger than the two. At least for this clash.

Worth Consuming!

Rating: 8 out of 10 stars.

Superman/Fantastic Four: The Infinite Destruction

Superman and the Fantastic Four. It became a viral movement to see both films in the theater in one sitting much like Barbie and Oppenheimer a couple years back. I didn't watch Superman and Fantastic Four First Steps in one sitting. I don't think my back could take it. But I managed to see them both within the same week. Little did I realize that I could have experienced a meeting of the two icons at one time years ago.

In 1999, DC Comics and Marvel mingled their two universes together for one of their last co-published works in Superman/Fantastic Four: The Infinite Destruction. Just like when Superman meet Spider-Man in 1976, this book was published as a super-sized tabloid. Only the cover would be slick and thicker like a paperback. Written and illustrated by Dan Jurgens, with additional artwork by Art Thibert,  the concept has Galactus crossing dimensional barriers absorbing the energies of Krypton as it explodes. As the planet dissipates, a tiny rocket flees the destruction but not without the notice of the world consumer.

Years later, Superman intercepts a Kryptonian drone bearing a message from his father Jor-El stating that Galactus was behind the destruction of his home planet and that the Man of Steel's Earth is on the menu. This leads Superman to travel to the Earth-616 universe, seeking assistance from the Fantastic Four. While in that universe, it's discovered that an enemy from Superman's world crossed barriers as well and has plans to become the next herald of Galactus. But before that happens, Superman is captured by the Devourer and blasted with immense energy. Now welding the power cosmic, Superman has become the new herald of Galactus and with his incredible powers added to the mix, not even Kryptonite can stop the Man of Tomorrow!

I knew I had been holding on to this work for a reason! It was a great way to capture off the Summer of 'Super Fantastic'! I must say that the format with the deluxe edition paper and cover, being so gigantic, it was a bit unwieldy. I'm pretty sure I damaged the spine some as the sturdier paper would bend terribly against the book binder used. Age, size and wear definitely will prevent this from remaining a pristine mint book in your collection no matter how careful you are.

I thought this book would have worked better if it was jointly published as a joint What If.../Elseworlds. Readers are supposed to go into this book with the fore-knowledge that Superman and the Fantastic Four know each other. Presumably, from the crossovers DC Vs. Marvel and/ or the All Access minis. Also I don't think Superman crossed paths with Reed, Sue and company in his 1996 meeting with the Silver Surfer. 

If you are new to comics and you came across this book, you'd probably be wondering about how these two icons are acquainted since it's been over 2 decades since entities from both worlds were in a comic book together. Though you won't have to wait much longer as Deadpool and Batman are set to meet for the very first time later this November.

Another thing is the choice of villain. No, not Galactus. He was perfect for this. It's the DC baddie selected for this book: the Cyborg Superman. Yeah, he's evil and ruthless. Plus, since he has to participate in the ubiquitous reluctant pairing of protagonist and antagonist in order to help the Fantastic Four minus Mister Fantastic find Galactus, having someone more powerful in this story just wouldn't work. But could you imagine how epic this story would have been if DC and Marvel had decided to pair Galactus with Brainiac?! 

Jurgens (and Thibert) did a fine job. The artwork was classic 1990s Superman and I like how they worked in that Easter egg for the Superman: The Animated Adventures toon into the mix. I was just disappointed from the cover. It's illustrated by Dan Jurgens. But it's painted by Alex Ross. He's know for several oversized one-shots starring members of the Justice League. I was hopeful based on which that the interior art was also by Ross. Alas, it wasn't to be.

Wanna actually experience both Superman and the Fantastic Four on the same set together? Plus the presence of First Steps for Galactus? Then this is your book. You might have to go out in the wild to find a copy of get lucky on something like eBay..Though if DC and Marvel were smart, they'd refuse this book in time for the holiday shopping season. It's the pairing social media has been clamoring for all Summer long!

Worth Consuming!

Rating: 8 out of 10 stars.

Action Comics #428 (2025 Comic Book & Graphic Novel Reading Challenge)

The opening story begins with the Metropolis Twin Towers engulfed in flames. Superman uses an iceberg and his heat vision to put out the flames. It's a feat captured on camera by Jimmy Olsen. However, when the event makes the front page of the Daily Planet, the story details that a freak thunderstorm put out the blaze.

When Superman as Clark Kent confronted Jimmy as to why he didn't credit the Man of Steel with putting out the fire, the cub reporter responds that Superman hasn't been seen or heard from in 10 years. Despite Clark being able to see Superman in the photos Jimmy took, everyone else he encounters merely sees a thundercloud raining on the skyscrapers. 

As Superman conducts further rescues throughout Metropolis, the citizens attribute the acts as miracles. Clearly, the populace has not only forgotten about Superman; they cannot even see him! 

The backup feature stars Green Arrow and Black Canary. Oliver Queen has been approached by a struggling motorcycle manufacturer for help with their lagging sales. Ollie negotiates a deal where Black Canary will perform a death defying stunt on one of the company's bikes during an upcoming sports event. Only, he forgot to ask the heroine permission for the endorsement.

Seeing as the funds for the stunt will go to charity, Black Canary reluctantly agrees. It will be her first public appearance in quite some time. Yet, it might end up being her last as a pair of ex-cons out for revenge on Canary have tampered with her bike's gas tank, rigging it to explode during the stunt jump. It's up to the Green Arrow to race against the clock and the sprawling city to save Black Canary in time!

The Superman opener was written by Cary Bates. Art was provided by Curt Swan and Murphy Anderson. Set during Clark Kent's days as a television newscaster for WGBS, it features a number of newer characters unseen from when he worked at the Planet. Station owner Morgan Edge and sports reporter Steve Lombard play important roles in the story along with Jimmy Olsen. Noticeably absent from the story is Lois Lane, who's not even mentioned in this news story heavy adventure.

The Green Arrow and Black Canary backup was written by Elliot Maggin. Dick Giordano illustrated. For fans of either character, this is a key issue in their relationship as this story ends with Dinah Lance revealing for the very first time that she loves Oliver Queen. 

This issue also features an article about the town of Metropolis, Illinois. The town, working with DC Comics and the State legislature, had just approved plans to make Metropolis the official home of Superman. Plans for a museum, a theme park and an annual festival showing old Superman serials and episodes from the 1950s series starring George Reeves, along with fun and games, were in the works according to the piece. Even the town newspaper would be changing its name to the Daily Planet! While The Amazing World of Superman theme park never came to be and the rag has been renamed as the Metropolis Planet, the museum, along with a giant statue of the Last Son of Krypton continues to welcome fans who arrive in droves every June for the town's annual 4-day Superman Celebration. 

Completing this review completes Task #31 (A Book Featured in a Facebook Group Post) of the 2025 Comic Book and Graphic Novel Reading Challenge. It also my 40th and final task for the 2025 Challenge.

Superman (2025)

Superman, 2025.

James Gunn did NOT eff him up!

I had my doubts considering how much The Suicide Squad was more of a fart fest in line with the Troma films Gunn cut his movie teeth on. Superman was done with care, respect and awe.

I loved it.

The movie starts off with Superman already established for several years. Lex Luthor has been scheming since the Man of Steel's debut to bring Superman down and he just might have a perfect opportunity to pull such a feat off. Superman prevented a fictitious country called Boravia from invading a neighboring country. As Superman acted alone, without the approval of the United States government or even the United Nations, his actions have caused controversy to swirl over whether Superman acted on his own accord or in the public good as he claims to the press.

Luthor determines the location of Superman's Fortress of Solitude where he uncovers a secret message from Superman's Kryptonian parents that encourage him to rule the Earth as a god-like despot. Sharing the message with the news media, public opinion turns on Superman quickly. They especially don't like the part where Jor-El tells his son to continue the Kryptonian bloodline by filling a harem with as many fertile human wives as possible. 

Not wishing for further trouble, Superman turns himself in to the Department of Justice, in hopes of working things out. Only because Superman is an illegal alien and not subject to American law, plus the superpowers he can use to escape any prison, the Man of Tomorrow is turned into a private army called PlanetWatch which just happens to be funded completely by Lex Luthor!

I hear that President Trump hates this movie. He's condemned it as being 'woke'. Yet, there's nothing woke about this film. Superman's role on the international stage has been debated since his second ever appearance in Action Comics #2 when Superman prevented 2 warring European nations from starting another World War. Supe's immigration status has been a topic of discussion for at least 4 decades. Way before the term became the common vernacular used today. So really, what is 45 &47's problem with this movie?

I've seen every Superman movie ever made. He's my favorite superhero of all-time. I wear Clark Kent glasses and somehow my hair does a natural curly-cue. So I think I can attest that this was an entertaining movie that was nostalgic while pushing the Man of Steel into the 21st century. I know that I am going to be controversial when I say that I liked this Superman better than the Henry Cavill Superman! David Corenswet's Superman and Clark are in the tradition of Christopher Reeve and Brandon Routh.

One reason our Commander in Chief isn't fond of the current Last Son of Krypton is because he's not a perfect specimen as he was created way back in 1938. I like that Superman isn't perfect. If he didn't have have weaknesses or made mistakes, he'd be boring. Just don't make him too flawed. Maybe like 97.8% perfect. James Gunn did a fine job keeping Superman a superior specimen while also keeping him relatable.

The real star of the film is Krypto, the super dog. Although in this film, he's a super mutt! We got the definitive Jimmy Olsen in actor Skyler Gisondo. While not a true ginger, we finally got a Jimmy with freckles. Rachel Brosnahan's Lois Lane wasn't bad. I got real Courtney Cox vibes off of her. Though, sadly I think she knows how to spell the word 'rapist'. Couldn't she at least once have called Clark 'Smallville'? I also really liked Wendell Pierce as Perry White. But then again, he's great in everything! It was so fun seeing this film be really heavy on journalism as that was one the things I loved about the Dean Cain/Terri Hatcher series from the 1990s.

I'm on the fence about Nicholas Hoult's Lex Luthor. He's way better than the last couple of actors to play Superman's arch-enemy on screen. But he was a little bit on the whiny side. This Lex is really intimidated by Superman despite being one of the most powerful men on Earth. Regardless, this Luthor is a real slime ball. 

Don't think that this is just a Superman movie. This is James Gunn's opening chapter into the new DC cinematic universe. Fans get to see Guy Gardner and Metamorpho in live action for the very first time while this is both Hawkgirl and Mister Terrific's big screen debut. Nathan Fillion was a perfect jackass. I can't wait to see Batman knock him out with one punch. Metamorpho was a character I remember my dad having a bunch of issues of when he was a kid and it brought back memories. As for Mister Terrific, I'm not very familiar with him as I don't read a lot of the more modern Justice Society stuff. But Edi Gathegi was terrific as the tech-saavy hero. I look forward to more of his character in future DC productions.

I loved this movie. It made me feel like a kid again. Though he's a bit more violent than all 4 Christopher Reeve Superman films combined. James Gunn's Superman may not be everyone's Man of Steel, but this film did something that recent movies haven't made me want to do in years: I wanted to buy tix for the next showing and see it again!

Worth Consuming!

Rating 9 out of 10 stars. 

DC Comics Presents #47 (2025 Comic Book & Graphic Novel Reading Challenge)

This issue marks the first ever appearance of He-Man and many of his cohorts from Masters of the Universe in comics. According to Bob Rozakis in his opening column in the letters section 'Pair Mail', Mattel approached DC with the idea of adapting their forthcoming Masters of the Universe toy-line in comic book form. 

Toying around with the concepts provided by Mark Ellis from Mattel, project editor Dave Manak and Paul Kupperberg got the idea to have He-Man's world of Eternia merge with the DC Universe. Since this would be a first ever introduction of the characters to readers, DC felt having Superman meeting the Masters of the Universe would alleviate some of the unfamiliarity felt by the youngest of readers.

The story begins with Eternia's crown Prince, Adam going about his normal day of first learning combat skills from the palace's head of security Man-At-Arms then wasting his time in a tavern where a drunkard challengers the royal to a fight. Prince Adam is about to get his brains bashed when he's rescued by the palace guard. Only it turns out that this aloofness is all a ruse because in reality, Adam can change into the realm's mightiest human, the all-powerful He-Man.

Meanwhile He-Man's archenemy, the evil Skeletor is attempting once again to breach the ramparts of the mysterious Castle Greyskull. Feedback from a spell causes a breach in the universe, sending the Man of Steel to Eternia. Skeletor immediately casts his magic upon Superman, who has no immunity to the dark arts, turning the Last Son of Krypton into Skeletor's slave and latest weapon in his never-ending battle against He-Man!

A few months after He-Man's debut, a 16-page insert appeared in many of DC's flagship titles. A 3-issue miniseries came about next, dated November, 1982-February 1983. However, Mattel wasn't very happy where DC's direction was going with the franchise and severed ties after issue #3. He-Man wouldn't return to monthly comics until 1986, teaming with Marvel's Star Comics imprint for a 13 issue series (and adaptation of the disastrous 1987 live-action flick starring Dolph Lundgren, that ended when the House of Ideas shuttered the all-ages line of books in 1988. As the title faded, He-Man and company would lie dormant in comics until renewed nostalgic interest in the title would spawn short-lived franchise agreements with Image Comics, Dark Horse, and CrossGen Comics in the early 2000s. Masters of the Universe would return to DC from 2013-2020. Several minis were produced, including a 6-issue crossover between the characters of DC's Injustice video game and the heroes of Eternia. Dark Horse Comics currently owns the franchise, where they've published a couple of miniseries based on the animated Netflix reboot helmed by Kevin Smith. 

For this issue, Paul Kupperberg wrote the script with pencils by Curt Swan. A backup feature starring the Golden Age Sandman and his sidekick Sandy was crafted by Mike W. Barr and Jose Delbo. 

Completing this review completes Task #3 (Comic from the Bronze Age (1971-1985) of the 2025 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 7 out of 10 stars.

Superman Adventures #1(2025 Comic Book & Graphic Novel Reading Challenge)

Superman: The Animated Adventures ran on the WB from 1996-2000. It was a spin-off of the now classic Batman: The Animated Adventures. 

Featuring the voice talents of Tim Daly as Superman/Clark Kent, Dana Delaney as Lois Lane and Clancy Brown as Lex Luthor, the series was lauded for it's sleek futuristic design and cerebral script writing. Utilizing a majority of the production staff from Batman: TAS, names such as Paul Dini, Bruce Timm and Jean MacCurdy appeared regularly in the closing credits.

This cartoon version of the Man of Steel wasn't a god among men as he was originally designed by creators Siegel and Shuster. Instead, Superman: TAS structured their Last Son of Krypton with the same limitations as developed by John Byrne in the 1987 post-Crisis reboot of Superman. Though severely hampered with the restrictions put on the character, making for more dramatic storylines, Superman rose to every challenge he faced because there was one superpower to which the hero had no weakness against: Superman's unwavering moral code!

Unlike the pre-Crisis Superman, this version of the Man of Tomorrow still had access to his adopted parents, Ma and Pa Kent. Whenever faces with a crisis of conscience, Superman could always make a quick trip to Kansas and work out his problems as Clark Kent with words of wisdom and encouragement from the Kents. Unaware that Superman has a secret identity, Clark's morality was the one thing Lex Luthor's advanced technological schemes against Superman that he could never defeat!

Just as the animated series was debuting on television, DC Comics released a monthly all ages comic book. The first issue was written by Paul Dini with art by Rick Burchett and inks by Terry Austin. The opening story titled 'Men of Steel', sees Superman on scene in Metropolis for just a few weeks. Clark Kent is also still pretty wet behind the ears in his reporter job as the Daily Planet. Luthor sees Superman as a threat to his stranglehold as the de facto ruler of Metropolis as well as a potential alien invader, operating under the guide as a heroic savior. 

The corrupt business leader has been testing out Superman's powers and weaknesses through a series of tests designed as super villains randomly attacking Metropolis. After Superman's latest encounter with terrorist John Corben, inside a suit of 'stolen' LexCorp armor, Luthor has enough data to fully active a life-sized robotic replica of the Man of Steel!

The plot of this issue's story is a partial retelling of part three of the debut episode 'The Last Son of Krypton.' Corben's theft of the LexCorp rebo-suit and Luthor's determination to make a fool of Superman are almost verbatim scenes taken from show. Only Kent's attempts at love and the revelation that Brainiac survived the destruction of Krypton are not included in this premiere issue.

DC's Superman Adventures ran for 66 issues, outpacing the TV show by a dozen stories. A year after the cancellation of the series, Superman, Batman and others would return, this time as a team. Justice League and it's spin-off series Justice League Unlimited would run for 5 seasons; ultimately pitting the Superman led Justice League against the Injustice League, headed by Lex Luthor.

The wrap-around cover is by Bruce Timm.

Worth Consuming!

Rating: 10 out of 10 stars.

Completing this review completes Task #16 (Book from the Year You Graduated High School) of the 2025 Comic Book and Graphic Novel Reading Challenge.

DC Silent Tales #1

Less is not always more important in this experimental comic book. Gustavo Duarte's Silent Tales was originally published as a series of 6 digital comics under the banner DC's Speechless! None of these stories have words, with exception of the occasional sign in the background like for an exit from a building or a banner declaring items inside a store are on sale. Being essentially a pantomime, this very much is an experiment. Sadly, I didn't feel like the results of the half dozen tales had a success that was replicable.

Here's what on store in this issue without giving away too much of the plots:

• Harley Quinn takes on a DIY project.
• Cyborg looks to relax at Titans Tower with his latest record store find.
• Zatanna adopts a very hungry rabbit.
• Superman learns why it's important to separate his laundry under the categories of whites, colors and radioactive.
• The Joker partakes in some art appreciation under the watchful eye of Commissioner Gordon and the Batman.
• Intergalactic bounty hunter Lobo goes treasure hunting against a band of Nazi vampires!

Let me back that up. Nazi vampires. Vampires that happen to be demonic disciples of the Third Reich! Versus Lobo! Why hasn't DC Comics done a DC Horror series based on this idea?!

Silent Tales wasn't without good ideas. It's just proof that words are important. We live in a society that is obsessed with emojis and text speak. This book proves that comics need words and dialogue just as much as they need pictures. I like Gustavo Duarte. His artwork in Bizarro, the road trip adventure with Jimmy Olsen was so fun. That's why I wanted to buy this 2023 one shot. Unfortunately, the stories in this book are far from superior to his previous work because some of the details get lost without those oh so important words. (To be fair, Duarte didn't write Bizarro. Heath Corson did and that might have something to do with the better storytelling.)

Still, Duarte's art was fantastic as usual. So whimsical. Quite funny. He's a master of caricature. And those creative Ideas. I'm game to read more future works by Gustavo Duarte. But the emphasis has to be on the word 'read'. We live in the age of talkies!

As for DC Comics - please keep taking digital works and giving them the paper treatment. Each trial might not be a success. But for those of us who love the floppy, please don't keep us in the digital dark. 

And please, make that Lobo against the Nazi vampires miniseries a reality... PLEASE!

Rating: 6 out of 10 stars.

Superman #411 (2024 Comic Book & Graphic Novel Reading Challenge)

It's the summer of 1985. You go to the local Fast Fare in hopes of the newest issue of Superman. Last issue saw the beginning of a 3-part 'Luthor Trilogy' that promises to cap the age old conflict between the Man of Steel and his greatest arch enemy right before Crisis on Infinite Earths changes everything. You scour the spinner rack where you find issue #411. Only instead of the 2nd part of Superman's battle with Luthor, you're faced with a special birthday issue devoted to DC editor Julius Schwartz!?

Elliot S! Maggin, Curt Swan, Murphy Anderson, John Costanza, Gene D'Angelo, Paul Levitz and Bob Rozakis crafted this September 1985 issue intended to be an oversized birthday to the beloved Superman editor known affectionately as Julie. This issue was planned as a surprise for Schwartz months before. Though you might be wondering how you can keep such an issue secret from the editor of DC's flagship hero. Enter Dick Giordano, who in his role as Vice President-Executive Editor, managed to keep everything under wraps until publication. 

'The Last Earth Prime Story' begins on Earth-One where that world's Julius Schwartz is down on his luck and homeless. Because of the existence of superheroes on that earth, interest in fictional stories about super-powered beings has waned. Hoping to change his fortune on his 70th birthday, Schwartz goes over to the Daily Planet building to ask old friend Perry White for a job but is turned away by White's secretary for his sloven appearance. 

Later in the day, Perry is alerted to Julie's visit and goes out with his wife to find him. When the White's run into Superman, Perry informs the Man of Steel about how Schwartz helped him get into publishing during the early days of Science Fiction pulps. Superman agrees to continue the search when he discovers Julie being held captive at the hands of a deranged member of a spy network who is literally half human/half machine! 

The book ends on Earth Prime at DC Comics headquarters. The Julie Schwartz of Earth Prime, our earth, is in the office enjoying his 70th birthday party. A number of DC talent make cameos in the scene including publisher Jeanette Kahn, Curt Swan and Dick Giordano. Astute fans of Superman history should also note the presence of former Superman editor Mort Weisinger, who appears as a decorative bust in Clark Kent's apartment. Superstars of the golden age of science fiction such as Ray Bradbury, Frederik Pohl and John W. Campbell cameo during the scene where Perry White explains his personal history with Julius Schwartz to Superman.

Julie retired from comics in 1986 after 42 years at DC Comics. In retirement, Schwartz would be a regular guest at comic cons nationwide. Schwartz was DC's editor emeritus until his death in 2004 at age 88.

Completing this review completes Task #44 (A Book Featured in a FB Group Post) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 7 out of 10 stars.

DC Comics Presents #80 (2024 Comic Book & Graphic Novel Reading Challenge)

With over a hundred members to have been active with the Legion of Super-Heroes at one time or another, if you could select a team of 5, who would you select? Logic might dictate picking the original big 3- Cosmic Boy, Saturn Girl and Lightning Lad. You'd also want to add Superboy to the mix. However, for the sake of this time travel team-up involving Superman, let's omit both him and his cousin Supergirl. #4 needs to be have some brain power. Who better than Brainiac 5 to fill that slot. That still leaves a 5th Legionnaire to choose. Do you go with the rotund Bouncing Boy? The ravenous Matter Eater Lad? How about the heavenly Dawnstar or the master of Martial Arts, the Karate Kid?

If you're the creative team for DC Comics Presents #80, you go totally rogue and select members that only the staunchest of Legionnaire fans might know. Paul Kupperberg and Curt Swan join forces to pit Ultra Boy, Chameleon Boy, Shrinking Violent, Phantom Girl and Element Lad against a legion of Superman robots!

Returning from a mission, this handful of Legionnaires emerge from a stargate straight into the void of space! Thanks to some quick work by Element Lad, the heroes survive the lack of oxygen. The planet Earth of the year 3000 is gone. In it's place is a floating replica of Metropolis circa 1985. The Legionnaires arrive on the planetoid to find it filled with countless androids of steel intent on destroying the heroes! 

We soon learn that the Legionnaires are stuck in a pocket dimension of the newly upgraded Brainiac. Recent events have resulted in the robot villain needing to run computations before he goes back up against the Master Programmer and his angel of death (Superman). Brainiac has pulled the Legionnaires from the timeline into his simulation in order to perfect it when the time comes to confront Superman. However, the cries of these futuristic heroes actually cross dimensions, bringing the true Man of Steel to the rescue. Only, the Legionnaires think he's another Superman robot!

The oddball selection of heroes is a tale-tell sign that this is a Paul Kupperberg story. Over his long career, Kupperberg has had a devotion to the lesser tiered characters of the DC Universe. We're talking C-listers and lower and yet the fans love it. 

As for knowing this is a Curt Swan penciled work, there are ways you can tell. All of the male humanoid characters have that slightly puffy forehead indicating a receding hairline. Superman looks less muscular and more beefy, like that of actor George Reeves. Plus, when the Man of Tomorrow flies straight ahead, Swan typically poses Superman with his arms spread far apart and his legs separated in a V shape. Only Superman isn't keeping up appearances using a glider like he does on the cover of Superman #229.

An interesting read that requires reading of several issues of Action Comics, #544-546, in order to truly understand the background behind Brainiac's intentions. It's one of the more unlikely line-ups of the Legion of Super-Heroes. Yet, based on the situations Paul Kupperberg puts the heroes into, it actually works.

Worth Consuming!

Rating: 8 out of 10 stars.

Completing this review completes Task #48 (A Team-Up) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Supergirl: Cosmic Adventures in the Eighth Grade (Family Comic Friday)

I usually review newer books for Family Comic Friday. However I've been wanting this book for a very long time and it's perfect for all-ages. 

Taking the legend of the Maid of Might, tweaking it just a little bit to be more appropriate for kids and adding a generous portion of DC Comics from the past 80 years, Supergirl: Cosmic Adventures in the Eighth Grade was a delightful romp for this huge fan of Superman's cousin.

Instead of Kara Zoe-El's home city of Argo being destroyed by poisonous gas, the explosion of Krypton sent it into a pocket dimension. Kara's father was working on an experimental rocket that would hopefully bring Superman into that universe and hopefully free his Kryptonian brethren. Unfortunately, Kara falls into the ship, activating it and becomes trapped on planet Earth. 

While Superman finds a way to send Kara back to Argo City, she must pose as a human girl named Linda Lee. Meanwhile, she will train as Supergirl in order to one day use her new found powers to fight for truth, justice and freedom! However, posing as a human isn't all that it's cracked up to be. For one thing, Linda is quite socially awkward. She's got zero clue about Earth science and history. Plus both the principal and the accidental duplicate that Supergirl made of herself absolutely hate her! If that wasn't bad enough, when as Supergirl, Kara can't quite land on her own two feet without crashing into something and (unaware to her) Linda's best friend and dormitory school roommate is no other than Lex Luthor's baby sister!

I really enjoyed the story. I was perfectly fine with the changes to Supergirl's story. In my opinion, those adjustments keep a Supergirl origin story from getting stale. I also liked the art by Eric Jones. It was more cartoony for a younger audience while still paying respect to the essence of such an iconic character.

If anything made me unhappy with this book, it was of either the team of editors or those in charge of marketing. It's got nothing to do with the original 6-issue run of this story. It's whomever was in charge of putting this trade paperback together. That's because the back cover of this book gives away the identity of the super-secret big boss that has been making life miserable for Linda Lee and Supergirl. No- telling us about Supergirl's doppelganger nor about Lena Luthor are the spoiler as they're just pawns in the main villain's plans. Even talking about time travel on the back cover isn't a spoil. Instead, it just alerts an established Supergirl fan like myself that writer Landry Q. Walker is paying major homage to the legend of Supergirl. Just take it from me; if you don't want chapter 6 spoiled, avoid reading the back cover!

Kids will love being introduced to a popular character who's also a pretty strong female. But this isn't just a read for girls. There's also enough Superman and Lex Luthor to appeal to boys as well. A little bit of over-the-top fighting on par with Looney Tunes or Tom and Jerry is probably the only thing objectionable to parents of young readers under the age of 7. Plus some words are advanced to where someone under the age of 8 might not enjoy this book as much as a third through sixth grader.  But the level of classic DC Easter eggs hidden throughout Supergirl's year of schooling will delight generations of family members!

Worth Consuming!

Rating: 9 out of 10 stars, as long as you avoid the back cover. Failure to do so, drops the book to a 7.

Superman's Girlfriend, Lois Lane #130 (2024 Comic Book & Graphic Novel Reading Challenge)

Thanks to an encounter with a psychic, reporter Lois Lane is subconsciously informed of Superman's secret identity. Unaware to this event, Lois has a series of nightmares in which she murders her co-worker and best friend Clark Kent. In the dream, as Kent falls, his superhero costume is revealed to which the shock of murdering the Man of Steel awakens Lois in a cold sweat. As Lois tries to make sense of this reoccurring dream, she is constantly attacked by a pair of crooks. Narrowly, the journalist escapes doom. Yet as Lois composes herself, the bystanders claim that no such attacks occurred. Could the nightmares and now supposed phantom attacks be a sign that Lois Lane is losing her mind?

The feature story in Superman's Girlfriend, Lois Lane #130 was penned by Cary Bates. 'The Mental Murder' is a mystery that keeps the reader guessing most of the time. However, if you've figured out the real identity of Lois' psychiatrist, you'll realize that Superman will do anything to protect his own self interests if it means keeping the world from knowing that Clark Kent is the Last Son of Krypton. 

Cover and interior art was by John Rosenberger with inks by Vince Colletta 

The backup story stars the somnambulist superhero Thorn. The second character to bear the name, Thorn's secret identity was Rhosyn 'Rose' Lynee Forrest. Created by Robert Kanigher and Ross Andru, the character debuted in issue #105 of Lois Lane. In her origin story, Rose becomes distraught at the death of her father, police officer Phil Forrest at the hands of a gang known as The 100. The desire for revenge triggers something in Rose's psyche to the point that whenever she went to sleep, she would switch personalities. Instead of sweet, innocent Rose, Rhosyn would transform into the vicious, athletic street vigilante Thorn. 

'Nightmare Alley!' sees Rose changing both personas, clothes and hair color into Thorn as she finally uncovers the identity of 1 of the 3 men who murdered her father. Unfortunately, the quest for vengeance will continue for the young lady when the thug is killed by an unknown assailant before revealing the identities of his co-conspirators. 

Artist Don Heck provides pen and ink to Kanigher's script.

Completing this review completes Task #14 (Main Character is a Woman) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Rating: 4 out of 10 stars.

Super Powers #2 (3rd Series)

In the last issue, 3 all-new super heroes were introduced. The question was were they friend or foe? Well, don't worry. They're all friends and in my opinion, part of the reason why Kenner's Super Powers line faded into oblivion.

The first new hero is Samurai. Technically, Samurai is new only to comics. Issue #1 of Super Powers, Vol. 3 marked the Alex Toth created character to readers. However, if you were a regular viewer of Saturday morning cartoons, then you might have been introduced to the character as part of The All-New Super Friends Hour.

Hero #2 is Golden Pharaoh. A British archaeologist excavating an Egyptian pyramid, the New Gods created him along with Samurai when they shot that beam of energy that Tyr intercepted in the last issue. Even with his magical staff and the ability to fly, the Golden Pharaoh still doesn't quite understand the extent of his abilities to the level Samurai does.

Hero #3 is the android Cyclotron. Built by Superman, his super computer brain has knowledge of every superhero and villain known to exist. Cyclotron is a lot like Superman's super androids. Only instead of looking like the Man of Steel, he wears a green helmet and wears ruby shades. I would have liked it if Kenner had made him look like Superman but with his removable outer shell that reveals Cyclotron's robotic interior.

As for this issue, in terms of plot progression, we learn about the 3 mystery characters, Tyr kidnaps Mister Freeze via a Boom Tube in order to free Darkseid from his puzzle-like prison, and Mister Miracle and Orion start to see the power vacuum left by Darkseid's upheaval starting to fracture the delicate peace earned from the revolt.

If anybody had Tyr betraying Kalibak and Steppenwolf and stealing Darkseid's remaining Omega energies to make himself into a demigod on their bingo card, consider yourself lucky. I sure didn't see that coming. But to see Darkseid flee to Earth and get mugged by a pair of human punks was so satisfying!

Worth Consuming!

Rating: 8 out of 10 stars.

Super Powers #4

Superman and Firestorm wind up in Ancient Rome thanks to the Doom Seed taking root in the heart of modern Italy.

Meanwhile, the Martian Manhunter infiltrates Darkseid's lunar fortress in hopes of dismantling the technology that is powering the seeds. Despite using his invisibility powers, the despot of Apokolips is able to detect the Manhunter's presence. Darkseid warns that any interference with Desaad's computers will result in the automatic destruction of the Earth. It's clearly a bluff on Darkseid's part. Unfortunately the stakes are too great for J'onn J'onnz to risk it.

So instead of the series ending before Batman, Robin and The Flash get a chance to destroy the seed they've been tasked with, we're going to get 2 more issues of the Justice League Vs. The New Gods of Apokolips. I'm not complaining. But just once I'd like to see the good guys call Darkseid's bluff and see the villain kinda crumble in utter disappointment. 

Sure, the ending would have been anticlimactic. Yet you couldn't argue that it was an ending nobody saw coming. Not even the antagonists.

Worth Consuming!

Rating: 7 out of 10 stars.

Batman/Santa Claus: Silent Knight #4

Issue #4, which closes out Batman/Santa Claus: Silent Knight arrived in stores today just in time for After Christmas Sales! I guess technically, we're still in the 12 Days of Christmas. However, I would have liked to have been able to have finished this story before Santa came down the chimney. 

The finale itself didn't disappoint. After Superman became possessed by the entity that was tormenting Krampus, the combined might of several, but not too many, heroes took on the Man of Steel, some frost giants and a few other Norse creatures of power. Meanwhile, Krampus, having kidnapped Damian Wayne in the last issue, was having a crisis of conscience on par with Gollum and Smeagol about whether or not to just punish the lad or to eat him. The battle scenes were amazing.  Damian Vs. Krampus was riveting. But it was the finale that was just so gosh darn satisfying. 

I will not spoil the absolute ending. I will confirm something however. In the last issue, it was told that Santa had banished Krampus to a nether realm. I speculated that it was the Phantom Zone. This issue affirms my guess. Now why Superman didn't know Krampus was there based on his previous experiences with the dimensional prison is beyond me. Yet, Superman, after he's freed from the evil entity, states that other races and beings have used the Phantom Zone to trap their biggest baddies. So, if a follow-up occurred in which the DC Universe had to take on a slew of villains from other realms that have been imprisoned inside the Zone, I would very much place an order for that story's entire run. 

I just hope Jeff Parker is tasked with writing that tale. 

Silent Knight was a flawless Christmas comic book. Way better than that 80-page holiday annual DC also released this year. This mini-series was proof that you can have a story filled with character both major and minor in relation to their impact to the DCU without having to overcrowd that whole story, nor having to pander to every demographic know to exist. I'm not sure if I'll make this an annual holiday read. But it's definitely a story I will be re-reading often!

Worth Consuming!

Rating: 10 out of 10 stars.

Batman/Santa Claus: Silent Knight #3

A relatively harmless prank resulted in a misunderstanding that led to Santa Claus banishing Krampus to a nether realm. While in this 'negative zone', something caused Krampus to lose his mind. 

So now we know what turned Krampus evil. And we learn why the demonic being becomes a forgotten part of holiday lore. However, that's not what makes this issue worth the price of admission.

There's a ton of monsters unleashed in this issue. Big baddies. Ugly suckers. Some threatening to destroy London. A London defended by Wonder Woman and friends. But that's still not what makes this issue worth the price of admission.

What makes this the single most greatest DC holiday comic of them all is that childlike wonder of Superman in the presence of Santa. Add the contrasting skepticism Damian Wayne has towards Claus and you have this dichotomy of differing views on the magic of Christmas that is just universal. Marvel was a Scrooge this year focusing on a handful of Star Wars Life Day covers and variants of Avengers going skiing. I applaud DC Comics putting out such a book as this that promises to separate fans because of the subject matter. Yet, this is a timeless story that is for everyone and I believe it will become a DC classic.

Great story by Jeff Parker. Amazing covers by Dan Mora. Very good art by Michele Bandini.

Worth Consuming!

Rating: 10 out of 10 stars.

DC's T'was the 'Mite Before Christmas #1

This year's annual holiday release from DC Comics is representative of the complaints many of the fans of the publisher have been grousing about all year. The story telling is pretty darn good; but could be better. The artwork has devolved collectively. And the DCU is just too full of lame characters in an attempt to diversify it's lineup in order to appease every demographic.

As with 80-page giants of year's past, there are 8 stories inside. Batwoman outsources some help when the Riddler terrorizes Gotham over the 8 nights of Hanukkah. Superman gives a dose of his signature hope and optimism to a young man in crisis on a lonely Christmas Eve. Batmite makes a holiday visit to the Batcave where he encounters Damian Wayne for the very first time to disastrous effects. Lex Luthor is visited by a trio of spirits while the Raven is left home alone at Titans Tower during an attack by members of the Fearsome Five. Harley Quinn and Princess Amethyst switch roles for the holidays as a techno-virus turns Booster Gold into a clone of Santa Claus. And then there's a D-level former member of the Teen Titans who feels sorry for himself and receives a dose of It's a Wonderful Life. 

All of the stories except for that last one were of a quality ranking for a 6 or higher. The Superman, Lex Luthor and Raven stories were 9s or better. Booster's tale, the Harley switcheroo and Batmite stories were decent. The Batwoman story could have been better. Yes, it is very heavy on LGBTQ+ themes. But that's not why I ranked it low. The solutions for the Riddler's puzzles were really confusing and that art of the last page looked like it was drawn by somebody else. It just didn't look right from the rest of the story.

The one story that stunk was indeed a part of DC's Pride line-up. But again, that's not why I gave that story a 2 out of 10. It was a lame story about an even lamer superhero named Bunker, who I've never heard of in 40 plus years of reading comic books. That being said, I refuse to believe that someone as virtually unknown as Bunker would really be the catalyst to saving the DC Universe from Dominators. I could think of dozens of low-level characters who would have more of a direct impact over the DC Universe if they weren't born than Bunker. Ragman. Obsidian. Crazy Quilt. CALENDAR MAN!

I'm also shocked that of these 8 stories there's not 1 tale starring a black or Asian character. 

Another thing missing has to do with something I applaud DC for at least making a small effort to include. As I mentioned, the Superman story involves a young man who is about to commit suicide on Christmas Eve until the Man of Steel stops him. Inside the back cover of this book there are a couple of phone numbers and other contacts for suicide prevention including the Jed Foundation for teens and NAMI (National Alliance on Mental Illness). As one who experienced a best friend killing themselves (and was a huge DC fan), I appreciate DC Comics including those contacts. But why didn't they include 988, the new, easier to remember phone number of the National Suicide and Crisis hotline??? I asked my wife about this omission and her being a social worker was appalled at 988's absence. 

I liked a majority of this book. The Ben Caldwell cover and the clever pun to A Visit From St. Nicolas with the book's title were awesome. It's just that there was too much focus on characters that aren't big names in DC Comics. I can't believe I am gonna say this but I think it would be best if DC killed off 50% of it's cast of characters. And not for a brief snap like with The Infinity Gauntlet. Kill off all of the C and D list characters. Get rid of all of the legacy characters. Keep it to one Flash, one Robin, one Superman for 5 years. (Multiple Green Lanterns would be allowed. Just not as many as usual.) Write good stories that focus on quality instead of quantity. You can still have black, Asian, gay/queer, and Latino characters. Just make the field of players smaller for a little while in order to appeal to readers who want to be entertained. I understand that people need to feel represented in the media they enjoy. But just because I have a pair of adopted goats, I don't need DC to create a superhero who has a Nigerian Dwarf for a sidekick to feel like I have a place in this world. 

T'was the Bat Mite Before Christmas had good storytelling. Now DC should get back to great storytelling instead of trying to check boxes to make everyone happy. And while you're at it, recruit some new art talent. This holiday special was definitely NOT a feast for the eyes. 

Rating: 6 out of 10 stars.

DC's Ghouls Just Wanna Have Fun #1

Ghouls Just Wanna Have Fun is the title of this Halloween oversized special from DC. I love the punny title and I love the main cover by Alvaro Martino Bueno. That prancing monstress dressed as Mary Marvel was just so cheerful. The dragon off to the left wearing a Flash mask is just adorable. And the looks on Lois and Clark's faces was timeless.

But was the interior just as fun as the cover? How about I describe some of the stories and you decide? Here's a run down of my favs...

• Adam F. Goldberg, the creator of ABC's The Goldberg's crafts a tale in which Lobo comes to his daughter Crush, to help him find a costume for a Halloween party at the House of Secrets. Crush recommends that her pop goes as a certain Hugh Jackman character. What she's hinting at is going as Wolverine. What Lobo hears is a whole bunch of other characters played by the Aussie actor.
• Lois tasks Clark to help her with a Halloween deadline, which means exploring an abandoned mental hospital. What Superman uncovers is a closet full of ghosts, all waiting for long overdue justice.
• Animal Man spies on his daughter on her first Halloween trick-or-treating since the death of her brother.
• A woman goes out for her nightly walk on the dangerous streets of Gotham. Her hope is to run into the Batman. Instead, she comes face-to-face with a Man-Bat!
• Hal Jordan battles an escaped inter-galactic villain. He also comes head-to-head with the demon, Etrigan. It's good cop vs. bad cop. If they work together, will this fiend they stop?

There were a couple of stories I liked but I hated the ending.

• In Bludhaven, Nightwing battles a werewolf. In order to stop the beast, he'll have to team up with Jason Todd, the Red Hood. It's a story of bad blood that ended with the promise of more. Only there wasn't any sort of blurb telling readers to catch the rest of the story in some other issue. As much as I hate having to read the rest of a story in the pages of another book, I hate it just as much when a story ends without really completing anything.
• On the anniversary of the first time the world thought that the Doom Patrol died, Robotman is haunted by the ghosts of fallen teammates. I love the classic Doom Patrol. There's a whole lot of modern characters that I just don't know. I probably would like this more if I had more of a connection to most of the ghosts.

And then there was one story that I didn't hate, but I wasn't completely sold on it either

• Renee Montoya investigates a number of murders during Gotham's annual Halloween Fashion Week. When she realizes that several of the models she's been questioning have been dead for a while, Montoya becomes the Question to complete her investigation as a pair of villains from Batman's Rogues Gallery prepare to take the catwalk for one final act of terror. The story wasn't so bad. Art was actually good. The first act was intriguing. I just didn't buy the team-up of the 2 baddies. It just didn't make sense to me their motivations.

5 stories were winners and I loved that Lobo tale from Adam F. Goldberg. I want a Lobo/Crush series written by Goldberg! I would buy each issue new on the day it came out! 2 stories were good but could've been better. Technically that Question story could have been better but I think only if 2 different antagonists were teamed together, could it truly have worked. 

For one of DC's holiday specials, there were 2 noticeable omissions. Harley Quinn is absolutely absent from this book and Batman is only represented by members of his family. I thought it was a law that DC had to include both characters in everything the House That Superman Built published these days. Not that I didn't miss either character. I'm an original member of the Gang of Harleys and Batman plays into a lot of my posts. I'm just surprised DC left both heavy hitters out of this book.

And then there's the missing story. According to Previews, Mary Marvel and Psycho Pirate were supposed to star in a story together in this book. As I had mentioned earlier, there's a ghoul dressed like Mary Marvel on the cover. So are monsters dressed on Man-Bat, Animal Man, Lobo and the Flash. Other than Flash, the other 3 characters do appear in this book. What happened to Mary Marvel? And was the Flash supposed to be in this special too and he got bumped for some reason as well?

Once again, this special was $9.99. That's been the price for these holiday specials for several years now. I know of some fans that say with conviction that paying $10 plus tax is too much for a comic book. In the past some of these books have not been that good. That's not the case here. Ghouls Just Wanna Have Fun was one of the best DC oversized releases I've read in years. More fun and exciting than preachy and political. I didn't feel like any of these stories were trying to talk down to me. In fact, that Lobo story felt like something my own warped sense of humor would come up with. Plus- no ads! 

It was definitely money well spent.

Worth Consuming!

Rating: 8 out of 10 stars