Showing posts with label Danny Elfman. Show all posts
Showing posts with label Danny Elfman. Show all posts

Saturday, October 12, 2024

Beetlejuice Beetlejuice

When Tim Burton's Beetlejuice came out in 1988, I didn't really understand it. I liked the concept of a newly deceased couple navigating the afterlife as well as trying to extricate an annoying living family from their home. However, the movie was called Beetlejuice and the title character is only in the movie for 17 minutes! My 11 year old brain couldn't understand why Beetlejuice was so rarely in his own movie. So I ended up becoming a fan of the cartoon series as well as the action figures.  They were amazing sculpts! As I got older and became a fan of Tim Burton movies, I understood the reason behind the character's absence and it eventually became one of those movies I can't pass up if I see it while flipping channels.

We jump ahead to 36 years later and Beetlejuice returns to the screen after several decades of rumors of a sequel. While the main character still isn't in every scene, Beetlejuice is in enough of the movie that my younger self would have been satisfied. Beetlejuice Beetlejuice debuted last month, breaking records for films that opened in September. I kept wanting to go to the theaters but I was either too busy or not wanting to fight the crowds. At least my wait wasn't too long as it finally showed up on Amazon Prime and Youtube Premium for my bride and I do give it a Halloween time viewing from the comfort of home. 

In the time since the first film, Lydia Deetz has cashed in on her ability to see ghosts. After helping the Maitlands successfully cross over to the afterlife, Lydia could still see ghosts and became a psychic arbitrator between the living and the dead. Despite starring her own reality TV show, her teenage encounter with Beetlejuice has left Lydia a pill-popping neurotic wreck who has PTSD fears of being reunited with her one-time fiance poltergeist. A widow, Lydia is estranged from her daughter Astrid, who thinks Lydia is a fraud because she never can communicate with her dead husband. Living in New York City, Lydia and her daughter must return to Winter River after the tragic death of her father. However, as Lydia begins to clear the house of her father's possessions, the single mom begins to have horrifying visions of a ghost dressed in a black and white striped suit. With every passing moment, it becomes clear: Beetlejuice is nigh!

Almost the entire original cast returns for this film. Michael Keaton is a treasure! The only major exception is Jeffrey Jones, who played Lydia's father in the original film. However, his criminal past of possessing child pornography meant that his involvement in the film was not to be. Despite this, you do see photos of Jones as Lydia's father at the funeral and his voice is used in at least 1 scene.

There's a few new players to the Beetlejuice universe. Justin Theroux plays Lydia's manager and human fiance. I thought it was interesting having Theroux in this film as it was produced by Brad Pitt's Plan B Entertainment. Both Pitt and Theroux were married to Jennifer Aniston! Imagine the conversations between these two! Monica Bellucci plays Beetlejuice's vengeful wife, thus shedding some light on the main character's origins. Willem Dafoe is an afterlife detective trying to find Beetlejuice's former lover before she can send him to his final reward!

I liked being able to know when and where Beetlejuice came from. But I felt that Monica Bellucci's character was unnecessary. True, without her, that would make Dafoe's character also unneeded and he was some great comic relief. Still, I felt that her parts in this movie didn't really move the plot along other than telling us about the main characters life before the afterlife.

This has got to be one of the most Tim Burton movies filled with the most un-Burton like scenes and music. Thankfully, we get the great Danny Elfman doing the main score. There's stop motion. There's a slew of oddball dead characters. There's another dance scene. But it's no 'Banana Boat' scene. I'm guessing the Harry Belafonte estate wasn't willing to license out other songs of his. 

One thing that I just adored about this film is that it takes place during Halloween. It was seasonal to get to watch it here during the middle of October. Hopefully, it will become an annual favorite. I'd watch it again. It was a nostalgic sequel without being too repetitive of the original. If anything it felt more like a continuation of the Saturday morning cartoon series in which Beetlejuice and Lydia were good friends. Having a 600 year old plus ghost with the hots for a teenage girl is kinda icky. But as friends from differ sides of the doorway to the great beyond felt more comfortable for those of us who got up freakin' early every Saturday to watch a cartoon classic!

Worth Consuming!

Rating: 8 of 10 stars.

Monday, July 8, 2013

Dark Shadows


Though my mom watched the original series and I watched the 90s remake, I’m in no way an expert on Dark Shadows. I’m not sure how faithful the movie was to those projects.

The film takes a little while to really get going and at times, you wonder where it’s going next and how long will it get there. The scenes which actually move the plot forward are quite good, but to make a 2 hour movie on a 1200 plus episode soap opera, it’s not wonder things happen suddenly coming from far left field or that some plots threads are left dangling. For instance, when one characters transforms into another creature in order to fit the main villain, you scratch you head because there really wasn’t any plot development leading to the transformation.

Also, some characters pop up for no really purpose, like a 60 some odd year old Alice Cooper performing a trio of hits while heavily made-up to look like he was in his 20s. Sure, the songs used are motifs for parts of the movie occurring at that time. But, why not just have his music play during a montage- he’s not really needed in person.

Yet, the acting is what really makes this film. Johnny Depp is both charming and aloft as the suddenly out of his time period vampire Barnabas. He brings a wisp of magic to the film. Michelle Pfeiffer is a chameleon, making you think she’s a Joans Collins type character but is in fact a true matriarch who knows blood is thicker than water.

Then there’s the always wonderful Grace Chloe Morentz playing her usual bratty and way too smart for you rich girl with problems role. And the girl who plays the witch, Angelique is crazy good with her perverse devotion to Barnabas while trying to single-handedly bankrupt the Collins family. There’s times I thought to myself “She’d make an awesome Harley Quinn.”

Yes, it’s a Tim Burton film. But at times, you feel like he’s given up his normal film style to make a film as close to the original. The movie doesn’t suffer because he’s a faithful fan of Dark Shadows, but it’s easy to forget it’s one of Burton’s film.

Though it wasn’t a huge it, it had lots of laughs and a really good soundtrack, that’s strangely limited of Danny Elfman pieces. Not too scary, but a little too sexualized for my tastes.

Wicked fun though.


Worth Consuming.

Rating: 8 out of 10 stars