Spider-Man: Brand New Day

I took my god son to see Spider-Man: Brand New Day and I have got to say that it was really good.

The world may have forgotten Peter Parker. But it hasn't forgotten about Spider-Man. This includes best bud Ned Leeds and girlfriend MJ who have fractured memories of being rescued by the superhero. Crime in New York is at an all-time low. That is except for at the Department of Damage Control. That federal office has been attacked by an unknown assailant 4 times in the last month and now with attack #5, Spider-Man is involved. Whomever is behind the attack is possessing people in order to free Mac Gargan, the Scorpion, in hopes of discovering the secret of V-Max. 

When the entity attempts to enter Spider-Man, his Spidey senses push the intruder out of his mind. But in doing so, Spider-Man triggers his latent abilities, organic web shooters for one thing, that is causing Peter Parker to go insane. After almost killing both the Scorpion and a cop, Parker seeks out help in the form of Dr. Bruce Banner, who has developed a device that keeps his mean, green side in check. 

As Spidey develops an inhibitor to his new powers, the unknown entity has learned the webcrawler's secret identity. To keep Spider-Man from interfering with their quest to discover what Damage Control is hiding with V-Max, the entity has taken control of someone very near and dear to Peter's heart and he must turn to the one guy he'd never trust in a million years to protect them; one Frank Castle, the Punisher.

My god son wanted to see it in 3-D. I was wary because I wear glasses and the last time we went to a 3-D flick, I got the biggest headache. Not this time, however. There must have been some improvements since the last time I did 3-D, which I think was Venom...

Marvel Studios has gotten some flak for poor CGI and special effects in recent films. But I think they must have made some improvements as well. The scenes of Spidey swinging through the New York skyline was stunning. I felt like a kid again, living a childhood dream to be like Spider-Man in the parts where the movie was shot from the heroes point of view. With the classic blue, red and black costume, this is how I wish Spider-Man '77 could have been like.

Once again, Tom Holland is the definitive Peter Parker. Jon Bernthal as the Punisher was perfect. This is what I expect Frank Castle to be like if he was a real person. The guy playing the Scorpion, Michael Mando, has that kind of face that I swear that I have seen before. I got the actor who played Damage Control's head honcho, Bill Metzger wrong. He's played by Tramell Tillman, not Jason Derulo. And I really bombed on my guess as to the mystery character Sadie Sink was playing. I didn't even hit the target, much less a bullseye.

Spider-Man: Brand New Day was the first film since last year's Superman where I would have paid movie to see it again, right then and there. Though I don't think my ever falling apart body could have stayed seated for another almost 150 minutes of run time. But this was a great movie that really sets some things up for Avengers: Doomsday this Christmas. Just don't expect too much from the extra scene at the very end of the credits. Seeing the various webheads of the Spider-verse is not happening just yet. 

Worth Consuming!

Rating: 9 out of 10 stars.

Supergirl (2026)

Being such a fan of Supergirl, you might have been wondering when I will be watching the new live action movie? Well, the answer was today! I got up early, drove through Durham traffic to make a 9:45am showing so I could avoid crowds and be able to watch the movie without my mask. Unfortunately, I think the reports from Hollywood are accurate. Supergirl, at least financially, is a box office bomb. I think maybe 2 other people were in the theater with me. Even worse, there were dozens of Supergirl popcorn buckets and Lobo variants still sitting on store shelves. Only the Masters of the Universe franchise still had more collectible buckets still for sale!

On film, I thought the film was fantastic! It was loads better than the 1984 stinker, although I still think Helen Slater was a great Supergirl. I tried to stay away from the reviews of others. But with social media, occasional opinions slipped through. One of the biggest complaints was that the film, which takes place in outer space, was too much like Guardians of the Galaxy. But I for one liked the lived in feel on James Gunn's DC Universe. Anytime you see Apokolips or Mongol's Warworld, it is the opposite of sterile Krypton. In Agro City, I think you could eat off the floor of any city street whereas in the places Kara Zor-El visits, you risk getting hepatitis A-Z just by looking at the locations.

The 2026 film is based on Tom King's Supergirl: Woman of Tomorrow maxi-series from 2021-22. I have that entire run but have held off from reading it because King has this annoying habit of killing our beloved characters from my childhood. But happy with the results that complete the film, I think that I might be ready to read the comic book. The story sees Kara and her dog Krypto on a planet orbiting a red sun. It's the only way she can get plastered as she attempts to escape the trauma of her parents dying from radiation poisoning and being sent to Earth to live with her cousin Kal-El.

It is on this planet that Kara runs into a young girl named Ruthye. The child witnessed her whole family murdered by a group of savage marauders led by the insane Krem of the Yellow Hills. Offering a sword made by her father, a fine craftsman whose weaponry was in high demand, Ruthye seeks someone to enact revenge on Krem. Supergirl is at first uninterested in getting involved. But when Krem shoots vulnerable Krypto with a dart containing a slow acting poison, Kara reluctantly agrees to help Ruthye in order to find the antidote which the gang leader wears around his neck.

There are some elements of True Grit with Supergirl playing the John Wayne role being hired by young Ruthye to avenge the death of her parents. Lots of great aliens and space vehicles, too. I feel that if Kenner was still in existence, the toys produced by this movie could have rivaled Star Wars!

Speaking of Ruthye; the actress who plays her, 14-year old Eve Ridley was fantastic. She brought forth so many powerful emotions. I know it's a long shot, but I really do think her portrayal deserves an Oscar nom!

As for the trolls comparing Milly Alcock to the cave person in 1970's Land of the Lost, do better Dean Cain! I might think you're a great Superman. Your Clark Kent inspired me for a brief time to explore being a newspaper reporter. But in real life, you're a total creep who confuses this country as being God.

My least favorite part of the movie was that of bounty hunter Lobo, played by Jason Momoa. The former Aquaman hams up the role. But I had to remember that in the 90s, co-creator Keith Giffen rebooted Lobo into a parody of the violent comic book characters such as the Punisher and Judge Dredd. But it seems like 2 different makeup artists worked on Momoa throughout the production because in the Czarian's first 2 scenes, you could tell that it was the former Game of Thrones actor in really bad white face. The black patches on his face looked less natural for his species and more like Surfer Dude Sting at the end of a match versus Ric Flair. His look appeared more natural towards the end of the film. But by then, the damage was done. 

At least I finally know how to pronounce the word 'bastiche.'

I really enjoyed the movie. Am I glad I went to see it in the theaters? Absolutely. But with my mystery illness, it's getting hard for me to sit still for 2 hours, even if the chair is a recliner! I think my days of going to the movies might be coming to an end. I wind up in just too much pain after going to the flicks. I just hope that regardless of how poorly the movie is doing in theaters, I hope this isn't what kills off Supergirl again for another 25 years!

Worth Consuming!

Rating: 9 out of 10 stars.

Dick Tracy Book 3: Official Movie Adaptation

Len Wein takes over the scripting role for the third and final issue of Disney Comic's Dick Tracy miniseries. Issue #3 is the official adaptation of the live action film starring Warren Beatty, Al Pacino and Madonna. 

I felt like this was a fairly good adaptation of the movie. It's been decades since I saw it. Maybe the 2 prequel issues helped me to enjoy it more. Though I think to consider the 1990 noir film based on the popular Dick Tracy comic strip a children's movie, was perhaps a bad idea. There's a lot of murders and violence. Mostly from Tommy guns and explosions. But at least one character is killed by being buried in a cement coffin called 'The Bath.' Don't even get me started on the abuse the Kid suffers at the hands of Steve the Tramp!

One thing that I didn't realize was how much sex was in this movie. There isn't anything blatant. But the costumes worn by Madonna's character Breathless Mahoney are pretty risque. And the innuendo she pours over Dick Tracy, trying to lure him away from his sweetheart Tess Trueheart was quite silacious. At the time, I was only 12. What did I know???

Kyle Baker was the artist for the entire series. It's interesting work to say the least. The background sets and the NPCs of the story have that traditional early Kyle Baker style that's raw, fierce and sometimes uninhibited. But when it comes to the characters created by Chester Gould, they look like they were penciled and inked by the Dick Tracy creator himself. With one exception: the title character! I'm wondering if there was a clause in Warren Beatty's contract that all promotional imagery, including comic adaptations, had to have his likeness. 

Al 'Big Boy' Caprice, who was played by Al Pacino, had the legendary actor's eyes. But Big Boy is drawn more like Pacino appeared under a good 10 pounds of foam rubber makeup. Madonna's character looks more like a sultry blonde illustrated by Patrick Nagel. It could be anybody in a blonde wig in a slinky dress that hangs onto the body in the right places. 

As for Tracy's squad of do-gooders, Dick Tracy Jr, Sam Catchem and such, they vary in style. The Kid has coal black button eyes whereas Sam looks like Flattop in a bowler with a permanent grin on his face. If you're familiar with the comic strip, based on the artwork, you should be able to figure out some surprise reveals ahead of time. Just keep a detecting eye out.

Lot of fun. I think being in my late 40s, I was able to enjoy this book more than I would have as a preteen. This trip down memory lane has got me wanting to see the live action picture again. That's really saying something because I remember when I first saw the film, I was really blasé about how it turned out. Dick Tracy 1990 has a reputation of being a terrible movie despite really killing it in theaters those first 2 weeks in theaters. It has become a sort of cult classic. Maybe it warrants another view. I'm definitely in the right frame of mind for it!

Worth Consuming!

Rating: 9 out of 10 stars.

Dick Tracy Book One: Big City Blues (2026 Comic Book & Graphic Novel Reading Challenge)

1990 saw a longtime dream of actor/director Warren Beatty come true when a feature length live-action version of the crime comic strip Dick Tracy debuted in theaters. Beatty had developed a treatment for such a film in the early 70s. Film rights switched hands many times and yet Warren Beatty was constantly attached to the project, chomping at the bit to play one of his long time heroes. 

Dick Tracy was created by Chester Gould. The police detective with unwavering scruples debuted in newspapers beginning in 1931. 3 years later, Dick Tracy would hit radio airwaves before a string of movie serials would thrill kids and adults alike in 1937 with a 15-parter starring Ralph Byrd. Add in a Dick Tracy cartoon that aired on television during the early 60s, that was the limit to the character's non-print appearances in the media until the 1990s. 

Disney Studios through Touchstone Pictures and Buena Vista Pictures finally got involved in the Dick Tracy project in the 80s. With Warren Beatty leading the project not just as the lead actor but now behind the lenses as director, superstars came out of the woodwork to appear in the film. Al Pacino, Dick Van Dyke, Dustin Hoffman and Madonna, arguably the biggest female pop singer of the time, all signed onto the picture which finally debuted on June 15, 1990.

There was a ton of licensing for the film. Toys, bubble gum cards, clothing, even a video game were released as tie-ins. Disney released a 3-issue comic book miniseries. During this time, Disney self-published their own comics for a very brief 3 year period. They were high quality works featuring art by media juggernauts. Unfortunately, Disney Comics was one of the many smaller publishing houses that couldn't survive when the comic book bubble burst in the early 90s.

John Moore wrote the script for this series. Art was from Kyle Baker. If you were expecting this issue to be an adaptation of the movie, you'll have to wait. Issues #1 and 2 are actually the prequel build-up. The story begins in 1938. Prohibition is about to be repealed. The gangs of 'The City' are in chaos as the lucrative cash flow from illegal bootlegging runs dry. Prune Face is attempting to encroach into the numbers racket controlled by rival Lips Manlis. Numerous small time thugs hide in the shadows in hopes of picking through the debris and casualties left in the war of the growing mob war. 

Most of the City's police force are on the payroll of either Manlis or Prune Face... Or BOTH! That is except for one police detective that wears a bright yellow overcoat and matching fedora everywhere he goes: Dick Tracy. Having recently arrested the son of an important socialite for public intoxication, Tracy finds himself stuck at a desk job. But when his girlfriend, Tess Trueheart's father is murdered while transporting 'kitchen supplies' for Lips Manlis, Tracy disobeys orders. With Tess distraught and the police claiming that Mr. Trueheart was really a smuggler, Dick investigates on the sly to find Mr. Trueheart's killer.

This was a totally unexpected treat. But probably not how you think. I wasn't expecting this to be the comic book adaptation of the film. Based on the cover title proclaiming 'Big City Blues', and how I have learned over the years that Warren Beatty longed a trilogy of Dick Tracy films, I came into this selection of my reading challenge as being a continuation of the 'first film.' I didn't know that I was going to get the inside track on how things lead up to the events of the film. 

A must for fans of Dick Tracy. It took me forever to find all 3 issues. I like to have an entire story run before I read the title. However you won't have to worry about a cliffhanger here. The story ends with a satisfying ending that you could use as the entryway into the film. Or you could wait until you find issue #2. But if you decide to skip ahead as it turns out that issue #3 actually is the adaptation of the movie, you'll be just fine, I think.

Worth Consuming!

Rating: 10 out of 10 stars.

Completing this review completes Task #38 (A Crime Comic) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Swamp Thing Annual #1 (2026 Comic Book & Graphic Novel Reading Challenge)

 In 1982, Bernie Wrightson and Len Wein's creepy creation, the Swamp Thing, made its motion picture debut. Written and directed by Wes Craven, the film tells a mostly faithful origin story of Dr. Alec Holland and how he is transformed into a being of sentient plant matter.

While working in a secret government lab deep in the swamps of Florida, Dr. Holland has created a formula that can transform barren deserts into futile farmland. His sister Linda, has also discovered that a single drop of the formula can also double as a powerful explosive. Anton Arcane, a despotic paramilitary leader, has caught wind of the chemical and attacks the lab in hopes of making the formula a part of his ever growing arsenal. During the assault, the chemical is spilt on Holland and he immediately catches fire thanks to its volatile properties. To extinguish himself, Holland jumps into the murky swamp and seemingly perishes.

Meanwhile, Alice Cable, a new government attaché to the project, flees with one of Holland's notebooks. With Arcane's operatives trailing her, Cable must find a way to alert Washington to the attack. However, the commandos get the better of Cable. With the notebook in their possession, there's no longer a need to keep Cable alive. But right before they silence the government agent, a mysterious creature emerges from the muck. It's the Swamp Thing and boy, is he mad!

The live action film was produced by Swampfilms and distributed jointly by Embassy Pictures and United Artists. It started Ray Wise as Dr. Alec Holland.  Adrienne Barbeau played Alice Cable. Renown French actor Louis Jourdan was the evil Arcane. Dick Durock would don pounds of rubber and fake moss as the title character. Over the next decade, it would only be Durock's body in the Swamp Thing suit. The imposing 6'6" actor would star opposite Heather Locklear in 1989's campy Return of the Swamp Thing. A year later, Durock would return for an hour long TV series on cable's USA Network. The series would run 72 episodes over 3 seasons. 

None of the subsequent Swamp Thing adaptations to star Dick Durock would receive the comic book treatment. This oversized special was written by Bruce Jones. Mark Texeira penciled; Tony DeZuniga inked. The cover image is of the original theatrical poster. It was painted and airbrushed by celebrated fantasy and sci-fi artist Michael Whelan. 

Completing this review completes Task #30 (A Movie Adaptation) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 7 out of 10 stars.

Antman and the Wasp: Quantumania

Following the events of Marvel: Endgame, Scott Lang has been riding high on the success of a bestselling biography and popular lecture circuit. But things aren't so great on the home front. Girlfriend Hope Pym Van Dyne barely has time for him now that she runs her father's company. Daughter Cassie has been getting into trouble with the cops; mostly because her father refuses to let her become a superhero. Adding to problems, secretly, Hank Pym has been helping Cassie create a device that could communicate with the Quantum Realm. This really freaks out Janet Van Dyne and before she can turn off the device, she, Hank, Cassie, Hope and Scott are plunged into that microscopic universe.

It's learned that while Janet was stuck in the Quantum Realm, she meet a fellow castaway who promised to return Van Dyne to her world in exchange for repairing his damaged ship. On the day the vehicle is to be activated, Janet learns that whom she thought was an ally actually had plans to conquer the entire known multiverse. Despite a promise to leave her universe free from his plans for conquest, Janet destroys the machine, making a very powerful enemy. Thus, Kang the Conqueror promises revenge on Janet Van Dyne, with the guarantee that should he ever free himself from his exile in the Quantum Realm, her universe will be the first to be destroyed.

Stuck once more in the Quantum Realm, Scott and family must find a way back home without alerting Kang of their presence. But Janet Van Dyne made a lot of enemies during her time away from Hank and Hope; mostly because her betrayal of Kang led to the villain's conquest of the Quantum Realm and slaves of it's inhabitants. Throw in a forgotten foe from the first Antman film and it's essentially 5 against a universe that literally defies the established laws of quantum physics.

I recorded Antman and the Wasp: Quantumania sometime last November on my DVR. FXX was the channel showing it. I get a week off for Thanksgiving break and had every intention of seeing the film in it's entirety in one sitting. FXX was showing the movie in a sort of marathon viewing. As my DVR timer was set to begin recording 2 minutes early, the after credits scene was what started things off and it spoiled a huge chunk of the movie for me. Add in the terrible CGI, the excessive use of green screen and the knowledge that most of what occurs in this movie gets scrapped because of the cancelling of actor Jonathan Majors (due to an arrest for assault and battery), who plays Kang and I quickly lost interest in the movie.

I think I watched the first hour during Thanksgiving break. Another hour or so during Christmas and then today, I finally got up the nerve to finish the film and free up a couple hours on my DVR. Maybe it's because I am nearly 50 and I have seen more than my fair share of superhero movies. Maybe it's because Hollywood is operating on tired cliches and very little else. Maybe it's both, because I found very little in this 2023 film that surprised me. I was literally running through everything that happened in the last climatic battle scene out loud a good 3-4 seconds before it happened. I wasn't bored as much as I was unimpressed.

I feel like a major Marvel villain such as Kang the Conqueror shouldn't have been wasted on such a minor hero as Antman. Kang deserves better than Scott Lang. He needs the Avengers. Yeah, I know. Earth's Mightiest Heroes are defunct at the moment. Having Kang was going to be what brings the old team together in what, the MCU's 5th wave. Or is it 6th? 7th? I have no idea.

The plan going forward for Marvel is to have Doctor Doom, played by Robert Downey Jr., as the main villain. But did we have to forgo Kang just because the actor who played him did something criminal? Actors and actresses have been fired and recast since the beginning of Hollywood. If you are going to explore the multiverse of the MCU and officially add the Fantastic Four and the X-Men to it, it really makes sense to keep Kang your villain. He's the time travelling, multiple Earth visiting antagonist that has given everyone fits at one time or another. It's almost like Kevin Fiege was unhappy with the plans made for the Kang Saga and was looking for any glitch to change things around. To me, this feels like the crimes committed by Majors was almost secretly welcomed by Marvel. If Disney was really sickened by those crimes, they would have kept their original plans and recast another actor to play Kang.

This is a movie that was not very well made in terms of creativity or special effects. It's also a film with a lot of baggage. I'm glad that I didn't spend about $80 going to the theaters to see it with my godson. It would have been a waste of time and money- hard earned. Antman and the Wasp Quantumania is almost, ALMOST NOT as bad as the worst MCU film ever made, Thor: The Dark World. But not by much. I hate to say it but it's Jonathan Majors who makes this film somewhat re-watchable.

Rating: 5 out of 10 stars.

Guardians of the Galaxy, Vol. 3

FX has been showing a slew of Marvel movies this summer. I've recently seen Eternals and I've got a couple other films coming up in my queue. Whatever the programming campaign by Disney is, it's really helping me to catch up on my superhero movie deficits. I just don't have the money to see these films new for the prices theaters are asking for these days.

My latest watch was the third, and perhaps final, entry in the Guardians of the Galaxy series. If you've been wanting to get all the details on the origin of Rocket Raccoon, this is the film you've been waiting for. The movie has some pretty heartbreaking moments and that's not just because of the ending which seems to wrap things up for the Guardians. It's also because of just how freaking tragic Rocket's origin story was.

I'm that sort of softie that I will absolutely hate a movie if a lovable animal is killed. So, YES- once I realized that we were finding out about how Rocket and his friends were early experiments of the High Evolutionary, I made sure to go to Wikipedia and find out who lives and who dies so that I wasn't stunned by the death of a furry friend. It's a good thing I did, because several adorable animals buy the farm in this film. But what really surprises me is that because of that treatment of animals, Vol. 3 actually won an award of praise from PETA! It must have been because director James Gunn used CGI animals instead of the real McCoy. 

As for James Gunn, I've seemingly made my peace with him. His scandal of dressing up as a pedophile priest really stung me because I am a survivor of childhood sexual abuse. I was pretty pissed off at him at first and it did factor in me not watching this 2023 film when it first came out. But I've learned that if I want to be an opponent of cancel culture, what I have to do is forgive. It's also a tenant of being a follower of Christ. I'm not perfect. FARRRRRRRR from it and I've got to practice the forgiveness I was given by Jesus on others. Even if I've never met them in person. James Gunn in his escapades was trying to be funny. It wasn't a good joke. But it's not worth holding a grudge against someone. He apologized and deserved a second chance.

I wouldn't say that Vol. 3 was a bad movie. I also can't say that its the weakest of the trilogy. But it is long. At exactly 150 minutes in length, I think we could have cut out about 20 minutes, which is pretty much the length of time the Guardians visit the Evolutionary's counter-Earth. What I was initially thinking was going to be the funniest part of the film just felt unnecessary to me. Based on the clip where Star Lord is trying to help Nebula open a car door, I was expecting much more of this movie to take place on our Earth and not a anthropomorphic duplicate created by the film's main antagonist.  The animal hybrids were pretty cool looking but I don't think we needed to see how they lived. I would have been totally fine with seeing these creatures walking about on the High Evolutionary's ship. 

As for the High Evolutionary, in comics, he's never been a character that appealed to me. But I thought actor Chukwudi Iwuji was great as the very unhinged bio-scientist. Another character that won me over in the film despite not being one I care much about in the books was Will Poulter as Adam Warlock. The British actor brought a naivety to the character for some much needed comic relief since Rocket spends about 2/3 of the movie in a coma. And I just love the Soviet era pooch with psychic powers, Cosmo. That dog stole every scene!

Although the film was very long, I didn't want the excitement to end. I really have grown to love these characters. As I don't have Disney+, I've never seen the Holiday Special. Maybe I will have that to look forward to this Christmas season. FX is showing streaming series such as Daredevil: Born Again. So maybe we'll get lucky! 

Worth Consuming!

Rating: 7 out of 10 stars.

The Fantastic Four: First Steps

Issues #48-50 of the first run of Fantastic Four by Jack Kirby and Stan Lee are considered an American masterpiece. Even by scholars who wouldn't consider themselves a typical comic book reader. Today, I witnessed the first work of cinematic art to hot screens in decades. 

I got definite feels of Stanley Kubrick's 2001: A Space Odyssey during the first half of the film which leads up to the team of Reed Richards, Ben Grimm, Johnny Storm and a very pregnant Sue Storm to confronting Galactus as he consumes a planet light-years away before he heads to Earth for the main course. 

The Devourer will spare Earth if the Fantastic Four will surrender their unborn child to him. Sensing the child's great abilities, Galactus believes that the ageless one's unstoppable hunger will finally be sated with the Richards child taking his cosmic place as a natural balance of all things in the universe. 

I don't think it's much of a spoiler to reveal that Sue has the baby while attempting to escape Galactus since a trailer came out weeks ago where Reed Richards reveals to the human race that they refuse to bargain with him. That turning point then changes the feel of the entire movie. But it still manages to keep that masterpiece feel by now evoking feelings of The Grapes of Wrath, The Ox-Bow Incident and To Kill a Mockingbird as the Fantastic Four's sense of duty to the planet while maintaining a whole family unit is greatly explored as they try to find a way to defeat Galactus.

I know a lot about the Fantastic Four. They're in my top 5 favorite superheroes all-time. I've seen every cinematic incarnation of Marvel's First Family and read a ton of their books. So I feel that I can definitively say that it was refreshing to know all of the backstory and yet watch this film as having no clue where it was going. Honest. I was clueless about how this film was gonna end.

There's 3 reasons that helped me not feel like I've seen this story a million times before. No- 4! 

#1. The movie takes place in the 1960s. A few years AFTER the team goes into space and are bombarded by cosmic rays. So no oft repeating origin story other than a quick establishing montage.

#2. It takes place on an Earth different from the 616 universe we've experienced all those other Marvel Universe movies in the past 25 years.

#3. There's no appearance of Uatu, the Watcher, whose arguable meddling in the affairs of the human race, saves the Earth from Galactus. Also absent: Alicia Masters, whose sightless view of the good in humanity causes the Silver Surfer to betray Galactus in the process.

#4. By having the Silver Surfer be a different character than Norrin Radd, you have no idea as to whether or not this Surfer is 100% to Galactus or not. It makes the character more of a dark horse in the scheme of things, helping to keep things fresh.

I know that some fans threw literal fits with having a female cast as the Surfer. I thought Julia Gardner was really good. Ralph Ineson, who plays Galactus was very good as well. As for the FF, they were like this legendary meal I had in Philadelphia years ago prepared by Iron Chef Morimoto. Individually, each element was good but not great. Get two characters together, things start to come together. Three is hitting on fabulous. But put all 4 actors together, and it's like Morimoto's Chilean sea bass with Black Bean Sauce: it was Fantastic.

I was startled by how much Human Torch actor Joseph Quinn looked like a young Robert Downey Jr. As Downey is set to play a version of Doctor Doom, I couldn't help but wonder if that casting was intentional. Ebon Moss-Bachrach as the Thing was great when dealing with civilians. I could get used to a Ben with a beard. But he really needs to work on his battle cry of 'It's Clobbering Time!' as Ebon's was really weak.

Speaking of weak, actress Vanessa Kirby was anything but. I know that today's Sue Storm is a bad ass not to be trifled with. But when she first appeared in the 1960s, her role was less that of the Invisible Girl but more of the damsel in distress. Since the film occurs during a time when the sexual revolution is not even on most women's horizon, seeing Sue so determined and self-confident feels like an anachronism. 

As for Pedro Pascal as Reed Richards. I think it's time for him to stop being in every movie and franchise or we're going to get tired of him pretty soon. But he was good, too.

And I can't close this review without mentioning the 5th member of the team. No, not Franklin. I'm talking about H.E.R.B.I.E. the robot. Not since watching Star Wars have I been so invested in an android. I was going to be pissed if they killed him off and it was everything I could do to not pick up my phone during the film and make sure that H.E.R.B.I.E. survived. 

I would love to see this film again. But next time I do, I want to watch it at home where I can pause the screen and examine the backgrounds and the extras. I caught a few Easter eggs, like of Stan and Jack working away at Timely Comics. I'm sure I missed a ton in the opening montage scene. Plus it was so great of Marvel Studios to give a solid tribute at the end of the film to the King. Stan the Man always got the praise. It was about damn time that the applause for all for just Jolly Jack for once!

The Fantastic Four: First Steps was a masterpiece of film that deserves a view in the theater. But it's also a movie for true Marvel fans who will want to search over and over again  for clues and hidden gems like the Zapruder film.

Worth Consuming!

Rating: 9 out of 10 stars.

Eternals

Thanks to my having DISH Network and the FX channel, I finally saw Eternals. Of the post-Stan and Jack Marvel projects created by Jack Kirby, it's the one I know least about. I'm more of a New Gods person. Coming out during the height of the pandemic in 2021 and my god son not having very much interest in seeing it, I bided my time waiting for it to come out in an affordable format. 

Eternals isn't really a Marvel movie that you have to watch or else you risk losing your place in the Marvel Cinematic Universe timeline. If anything, it helps to explain how Earth has legends such as the Epic of Gilgamesh and Icarus with his flying too close to the sun. Turns out it's all connected to the Eternals.

The Eternals are a group of powerful humanoid beings who are tasked by the mighty god-like Celestials to assist planets with their development. The Eternals have a monstrous counterpart called the Deviants that prey on humanity, preventing the natural evolution of things. Throughout the ages, the Eternals become the stuff of legend by the civilizations they save to the point of becoming the inspiration for the Greek gods as they claim to be from the planet 'Olympia'. 

Around the 1500s, the Eternals wipe out the last of the Deviants in Central America. With their mission seemingly complete, the Celestials haven't retrieved the Eternals back to Olympia yet. With nothing to do but wait, the group fractures into smaller cliques, assisting humanity until the the day they are called home. Now it's 2021 and when a pair of Eternals named Sersi and Sprite are attacked on the streets of London by a Deviant welding  encountered powers and abilities, they must reunite to end the Deviant menace once and forever if they ever want to return to Olympia.

Eternals is one of the lowest grossing and lowest rated of the Marvel live action films. One complaint I remember hearing was that it was a 'woke' movie. True, it's got a multi-ethnic cast that puts Sesame Street to shame. But I didn't feel like this was a movie that was preaching at me. I did however feel like it was a picture that was just way too long.

With a run time of over 2 and a half hours, it would be okay if it was action packed. But you've got 9 characters having to rediscover one another. Each time a new Eternal is introduced, you get an exciting introduction. And then you get about 20 minutes of each character lamenting how hard it is to be immortal. There is also a lot of melodrama with the Eternals struggling to accept the new reality they all face when it's revealed that the Celestials are not really whom they have seemed to be for millennia.

If you were to trim about a half hour of the repetitive speeches, you'd have yourself a fine little picture. I was excited to watch a Marvel movie that I knew very little backstory. I just wish it was a bit more faster paste. There's a lot of time jumps with flashback scenes lasting 15-20 minutes each. Plus not having any established Marvel characters involved makes for this movie to have a really odd pace to it.

But to finally see Jack Kirby get the solo credit he deserves for this film was long due in coming. Too bad there wasn't a tribute scene of a photo of him somewhere in the background. But at least, Stan Lee didn't steal the limelight from the King.

Rating: 6 out of 10 stars.

Superman (2025)

Superman, 2025.

James Gunn did NOT eff him up!

I had my doubts considering how much The Suicide Squad was more of a fart fest in line with the Troma films Gunn cut his movie teeth on. Superman was done with care, respect and awe.

I loved it.

The movie starts off with Superman already established for several years. Lex Luthor has been scheming since the Man of Steel's debut to bring Superman down and he just might have a perfect opportunity to pull such a feat off. Superman prevented a fictitious country called Boravia from invading a neighboring country. As Superman acted alone, without the approval of the United States government or even the United Nations, his actions have caused controversy to swirl over whether Superman acted on his own accord or in the public good as he claims to the press.

Luthor determines the location of Superman's Fortress of Solitude where he uncovers a secret message from Superman's Kryptonian parents that encourage him to rule the Earth as a god-like despot. Sharing the message with the news media, public opinion turns on Superman quickly. They especially don't like the part where Jor-El tells his son to continue the Kryptonian bloodline by filling a harem with as many fertile human wives as possible. 

Not wishing for further trouble, Superman turns himself in to the Department of Justice, in hopes of working things out. Only because Superman is an illegal alien and not subject to American law, plus the superpowers he can use to escape any prison, the Man of Tomorrow is turned into a private army called PlanetWatch which just happens to be funded completely by Lex Luthor!

I hear that President Trump hates this movie. He's condemned it as being 'woke'. Yet, there's nothing woke about this film. Superman's role on the international stage has been debated since his second ever appearance in Action Comics #2 when Superman prevented 2 warring European nations from starting another World War. Supe's immigration status has been a topic of discussion for at least 4 decades. Way before the term became the common vernacular used today. So really, what is 45 &47's problem with this movie?

I've seen every Superman movie ever made. He's my favorite superhero of all-time. I wear Clark Kent glasses and somehow my hair does a natural curly-cue. So I think I can attest that this was an entertaining movie that was nostalgic while pushing the Man of Steel into the 21st century. I know that I am going to be controversial when I say that I liked this Superman better than the Henry Cavill Superman! David Corenswet's Superman and Clark are in the tradition of Christopher Reeve and Brandon Routh.

One reason our Commander in Chief isn't fond of the current Last Son of Krypton is because he's not a perfect specimen as he was created way back in 1938. I like that Superman isn't perfect. If he didn't have have weaknesses or made mistakes, he'd be boring. Just don't make him too flawed. Maybe like 97.8% perfect. James Gunn did a fine job keeping Superman a superior specimen while also keeping him relatable.

The real star of the film is Krypto, the super dog. Although in this film, he's a super mutt! We got the definitive Jimmy Olsen in actor Skyler Gisondo. While not a true ginger, we finally got a Jimmy with freckles. Rachel Brosnahan's Lois Lane wasn't bad. I got real Courtney Cox vibes off of her. Though, sadly I think she knows how to spell the word 'rapist'. Couldn't she at least once have called Clark 'Smallville'? I also really liked Wendell Pierce as Perry White. But then again, he's great in everything! It was so fun seeing this film be really heavy on journalism as that was one the things I loved about the Dean Cain/Terri Hatcher series from the 1990s.

I'm on the fence about Nicholas Hoult's Lex Luthor. He's way better than the last couple of actors to play Superman's arch-enemy on screen. But he was a little bit on the whiny side. This Lex is really intimidated by Superman despite being one of the most powerful men on Earth. Regardless, this Luthor is a real slime ball. 

Don't think that this is just a Superman movie. This is James Gunn's opening chapter into the new DC cinematic universe. Fans get to see Guy Gardner and Metamorpho in live action for the very first time while this is both Hawkgirl and Mister Terrific's big screen debut. Nathan Fillion was a perfect jackass. I can't wait to see Batman knock him out with one punch. Metamorpho was a character I remember my dad having a bunch of issues of when he was a kid and it brought back memories. As for Mister Terrific, I'm not very familiar with him as I don't read a lot of the more modern Justice Society stuff. But Edi Gathegi was terrific as the tech-saavy hero. I look forward to more of his character in future DC productions.

I loved this movie. It made me feel like a kid again. Though he's a bit more violent than all 4 Christopher Reeve Superman films combined. James Gunn's Superman may not be everyone's Man of Steel, but this film did something that recent movies haven't made me want to do in years: I wanted to buy tix for the next showing and see it again!

Worth Consuming!

Rating 9 out of 10 stars. 

Shazam: Fury of the Gods

When it comes to their movies, DC has a god problem. Not God, the Almighty. Though, that's definitely something that could be debated at a later date. What I'm referring to are the gods that occupy the pages of DC Comics and the visual media adapted from them. With exception of Wonder Woman, her people of the island of Themyscira and her eternal foe, Ares the god of war, DC's heavenly hosts just don't manage to capture the imagination of theater goers like Thor, Loki and such do. 

What about the New Gods? They're pretty popular among fans! True. But the average person doesn't know the difference between Steppenwolf the character and Steppenwolf the band who brought us the hit song 'Born to Be Wild'. I argue that a lack of familiarity with the villains in Scott Snyder's Justice League doomed the film way more than Joss Whedon's interference with the final cut. And that's also what doomed Shazam: Fury of the Gods!

When 2019's Shazam concluded, we were teased with a potential team up between Doctor Sivana and that domineering worm, Mr. Mind. I was so pumped for the sequel. Even with the poor showing of The Rock's Black Adam movie, I was expecting the Big Red Cheese and his Shazam family to take on Sivana, Mind and Black Adam in this sequel. And if Adam wasn't in the picture, maybe we'd get that evil brute Ibac! Instead, we got 3 daughters of Atlas who I've never heard of before in my life!

The daughters are played by Helen Mirren, Lucy Lui and the controversial actress Rachel Zegler. Lucy Lui was pretty good as the menacing Kalypso. She played a really good psychopath. Zegler was okay. But her romance with Freddy Freeman made her predictable. And I think Helen Mirren is one heck of an actress. But I just don't see her playing the role of a titan/goddess out to punish humanity because they turned their backs on the old gods. In her prime, Mirren is just too nurturing. Throw in a magical apple, some tree of life that actually does just the opposite and a bunch of mythical creatures that are more bark than bite and I was seriously bored with a lot of this movie.

The beginning when the 'Shazamily' saves a crumbling bridge full of car riders to the tune of Bonnie Tyler's 'Holding Out For A Hero', had promise. The unexpected return to Djimon Hounsou as the supposedly dead wizard Shazam was warranted. I loved the banter between him and Freddy. And the ending with that very much needed cameo and the whole family enjoying the spoils of victory was a great way to end the film. But the middle was so complicated and I found myself fiddling around on my phone instead of paying attention to the movie. In fact: I recorded this film on my DVR in March, where I made it through the first 45 minutes. It wasn't until now in July that I finally got up the nerve (and care) to complete it. In all honesty, I just finished it so that I could review it and get the 2 hours back on my recorder.

Some are going to argue that the 2023 film bombed because of the pro-Trump platform of lead actor, Zachary Levi. It probably didn't help. But it didn't deter me from watching it in theaters. Out of this world ticket prices led me to wait for it to come on TV. (For those of you wanting to blame the pro-Palestinian comments of actress Rachel Zegler for this movie tanking, her comments came AFTER Fury of the Gods left both the silver screen and Pay-Per-View.) Really, what killed this movie was that it was smited by the gods. The deities of Egypt in Black Adam couldn't illicit an opening segue into more interest for the second Shazam picture. Using obscure Greek gods stuck a knife through its heart. As a result, James Gunn, with his new vision for the DC cinematic universe, buried any hopes of a third movie with what I suspect will be a blockbuster with the new Superman coming out tonight!

Not Worth Consuming!

Rating: 3 out of 10 stars.

Alien³ #1-3 (2025 Comic Book & Graphic Novel Reading Challenge)

1992's third installment in the Alien movie series could have been so much better than what audiences received. Cyberpunk author William Gibson was originally tasked with writing a script that included elements of the Cold War, government corruption and religious fervor. Rushed to complete before a potential Hollywood strike, producers were unimpressed with Gibson's original treatment. They called it 'uninteresting'. So Fox Studios issued a number of rewrites. A film that was supposed to quickly capitalize on the success of James Cameron's 1986 action heavy sequel, Aliens, languished in pre-production for several years, resulting in some of it's stars to become unavailable or in the case of actress Carrie Henn, who played 12 year old survivor Newt; age out of their roles.

Alien³ would eventually see Sigourney Weaver's character Ripley crash landing on a former prison work colony along with a facehugger that survived from the previous film. Ripley believes that Newt's body is being inhabited by a Xenomorph embryo. However, an autopsy proves otherwise. That's because the facehugger choose another host - Ellen Ripley!

This 3-issue adaptation produced by Dark Horse Comics was written by Steven Grant. Except for some awkward translations of curse words into more comics friendly words and phrases, any qualms with the plot or scripting shouldn't be directed at Grant. The writer was tasked with a script that seemed doomed from the start. The same cannot be said about the artwork.

Pencils and inks for this mini were by Christopher Taylor and Rick Magyar. Their adult Xenomorph warrior referred to as a 'Dragon' Alien, because its 4-legged frame with a long tail was the result of bonding with the penal colony's guard dog, is impressive. But one has to wonder if Taylor and Magyar had ever seen either of the previous Alien films because their facehugger looked like a miniature Xenomorph with hair instead of an albino scorpion. 

Ripley looks like, well anyone but actress Sigourney Weaver. But at least the artists seemed not to confuse her with another actor. The oplikeness of Bishop looks more like Paul Reiser's character of Carter Burke, right down to the curly pompadour hairstyle and long trench coat! As for likenesses of the inmates, that's kinda hard to assess. They're pretty much all clones of one another as a lice infestation on the planet results in all of the colonists shaving their heads.

Alien³ would go on to make an estimate of $160-180 million dollars thanks in part to its Memorial Day weekend opening. Only the third installment in the Lethal Weapon series would outpace the space horror. Despite making three times as much as it's budget, the film is considered the worst of the Ripley films and tied with the franchise crossover Alien V. Predator: Requiem as the most underperforming of the franchise.

This would not be Weaver's final appearance in the Alien series. In 1997, she would return, this time as a clone, in Alien: Resurrection. Time would also see William Gibson returning to the franchise as a comic book writer. In 2018, Dark Horse published a 5-issue adaptation of what Alien³ could have been with William Gibson's Alien 3. 

The covers for Alien³ #1-3 were all painted by Arthur Suydam.    

Rating: 5 out of 10 stars.

Completing this review completes Task #7 (A Movie Adaptation) of the 2025 Comic Book and Graphic Novel Reading Challenge.

Venom: Let There Be Carnage

In the bonus scene at the end of the first Venom movie, fans were teased with the special appearance of Cletus Kasady; a deranged serial killer who would one day fuse with the spawn of the symbiote dwelling in Eddie Brock. The fusion would result in the deadly Carnage, whose red body is 10 times more powerful than that of the black alien being, Venom.

In this sequel from 2021, Venom and Eddie Brock are on the outs. Eddie is tired of being bonded to an alien creature that craves human brains. It hasn't been all bad, as Venom has helped Eddie regain some of the prestige he lost when his life spiraled out of control resulting in losing his investigative reporting job and girlfriend at the same time. Venom is growing bored with a diet of chocolate and raw chicken. But above all else, Venom wants to be appreciated for the ways he's changed Eddie's life for the better, despite a very schizophrenic living arrangement that puts Brock just a bit on edge. It all comes to a head when Venom takes off in search of a new host.

Eddie thinks that his life is finally getting back to normal. Maybe he'll even reconcile with his ex, Anne. However, it seems that Eddie and Venom are destined for each other once again when Kasady escapes from death row, bonded to Venom's DNA as the rampaging Carnage, and threatening to kill Anne unless Venom and Eddie sacrifice themselves to him!

Cletus Kasady/Carnage were the big draws for fans to hit the theaters. I admit, I was thrilled about the prospect when Woody Harrelson popped up on screen in the first film. But really what made this such an entertaining movie was the dialogue between Eddie Brock and Venom. You could have knocked me over with a feather when I learned that Venom was voiced not by Jai Michael White or Khary Payton but Eddie Brock himself, Tom Hardy! When a single actor plays 2 roles on screen at the same time, there's always a time lag that ruins the illusion. Yet, here, they've managed to make it work so seamlessly. And the two characters are written so well. I'd subscribe to a podcast of just Brock and Venom going back and forth at it. They're so hysterical together.

Another plus for the sequel is the director. CGI and blue screen icon Andy Serkis. I for one applaud his efforts. Finally, they're was a comic book movie that didn't use slo-mo during the action scenes. Plus, Serkis really seemed to understand the whole dual nature of both Venom and Carnage with their subsequent hosts. Which makes sense considering the troubled nature of Serkis' most iconic starring roll: Gollum/Smeagol!

Take out the credits, and Venom: Let There Be Carnage is 90 minutes of fun. It's also got a heavy true crime vibe to it as Brock tries to uncover where Cletus Kasady hid the bodies of all his victims during his murder spree. Really, it we could have just had Eddie and Venom kicking the crap out of each other and the crime angle, I would have been just fine with it as the movie. Harrelson's character actually was lessened when he fuses into Carnage. 

That's right: I could have done without the Carnage. I'd be a bigger fan of this movie without Kasady becoming Carnage. Though I doubt very many audiences would have shown up for Venom: Let There Be Cletus. 

There remains 1 more Venom film. I honestly can't believe that Let There Be Carnage came out in 2021. I could have sworn this film was from 2023. I didn't go to a lot of comic book films during the height of COVID and in a way I'm glad. So many haven't been all that great. With ticket prices being so freaking expensive, I'd rather wait a while and see it later on for free. I think I would have hated this movie if I paid $12 to see it in the theater. Besides, I obviously didn't wait that long to see it, since I thought it only came out about 18 months ago.

Worth Consuming!

Rating 8 out of 10 stars.

Morbius

I'm not sure why 2022's Morbius got so much hate. The film isn't very long, clocking in at about 1 hour and 40 minutes. An origin story, it doesn't drag things out too badly. The plot is pretty cut and dry.  Jared Leto's acting is way better than his Joker from Suicide Squad. Matt Smith is fantastic. The visual effects are pretty good. With exception of just 1 fight scene, the dreaded slo-mo effects are virtually non-existent in the movie. In fact, it's a pretty fast paced action horror movie that seems more on par to star Wesley Snipe's hybrid vampire hunter, Blade than being a Sony Pictures film set in the Spidey-verse. 

So why am I not singing it's praises? Mainly, because I was so bored with this movie.

I DVR'd Morbius last Thanksgiving. I had passed on going to see it in theaters because of how much hate the movie was getting in the reviews as well as my social media feeds. Going to the movies has gotten so expensive, if it's not something I'm thrilled to watch, I'm not going to suggest my godson and I go out to see it. I tried watching it during the holiday break. Then again at Christmas until finally finishing it yesterday. I just couldn't get into it.

The story of Morbius is fairly simple. Guy with a rare and crippling blood disorder becomes a doctor in hopes of curing himself. Using vampire bat DNA, Dr. Michael Morbius develops a cure. Only, it turns him into a living vampire. One who must consume blood in order to live; with all of the powers and none of the weaknesses of the traditional vampire. 

It all sounds a lot like the story of the Batman nemesis Man-Bat. It also sounds very similar to the origin story of another Spider-Man villain, the Lizard, who's work with iguana DNA in hopes of restoring his missing arm instead transforms the scientist into a rampaging reptile! While all 3 of these characters are certainly tragic figures, what separates Morbius from the others is that as far as I know, he's never been cured of his secondary affliction. To this day, Morbius struggles with the endless blood lust that boils inside of him, preventing him from becoming full vampire. 

If I had my choice to be able to affordably own the first comic book appearance of the Lizard, Man-Bat or Morbius, I'd choose Morbius every time. His role in the Legion of Monsters and Midnight Sons has made him such a bad ass character. Plus, he's got such a freaking awesome appearance and super cool looking costume design by legendary Gil Kane. For some reason, that level of excitement just didn't transfer very well onto the screen for me.

There's 2 extra scenes. I had to search for them on YouTube as the channel I recorded the movie from omitted them. Those 2 scenes piqued my interest into the potential of a Secret Six movie finally coming to fruition. However, I'm starting to think that if you can't use your friendly neighborhood Spider-Man in the film, there's really no point for these movies. A good villain can sell tickets. But if he doesn't have a greater hero to battle, it won't be entertaining. 

In other words, despite being a fan favorite character, not every Marvel based friend or foe deserves their own movie. Maybe it's time for Sony to let Spider-Man remain at the House of Mouse along with all his amazing friends...

Rating: 5 out of 10 stars.

RoboCop: The Official Adaptation (2025 Comic Book & Graphic Novel Reading Challenge)

There's an infamous scene in 1987's RoboCop in which a thug with a gun holds a woman hostage. The cyborg officer orders the man to drop his weapon. But when the criminal refuses, Robocop shoots him in a very delicate area of the male anatomy.

That scene is recreated here in this comic book adaptation of the blockbuster futuristic sci-fi starring Peter Weller as the title character. However, this being a Marvel Comic, the events were changed slightly with the gunman being shot in the shoulder from RoboCop's computer accurate targeting system.

Bob Harras wrote the script based on the screenplay by Edward Neumeier and Michael Miner. Alan Kupperberg and Javier Saltares penciled. It tells of a dystopian Detroit in which crime is so bad, it's police forcehad to be privatized by the mega-corporation Omni Consumer Products. Recently, a crime wave resulting in the deaths of nearly 30 Detroit cops has lowered morale to the point that the officers are ready to go on strike. That's just what corrupt executive Dick Jones is hoping for. Without humans to police the city, he can patrol Detroit with his robotic drones, the double-barreled ED-209. If the program is a success, Dick will certainly become the new head of OCP, allowing him to put a massive real estate plan into action. However, when the tank like robot malfunctions, killing a junior OCP exec, the project is shelved to make way for the RoboCop project.

After the death of Detroit's newest boy in blue, the idealistic Murphy, OCP rushes to harvest his body in order to create their first prototype. Supposedly wiped of the memory of his previous life, RoboCop becomes a one-man army against crime. While on a patrol, RoboCop comes face-to-face with one of his murderers, bringing back memories of his life as Murphy and setting the robotic law enforcer on a course of revenge against the gang of men who killed him. 

Marvel Comics hadn't been a stranger to issuing adaptations of R-rated films. However, when originally cut by director Paul Verhoven, the 109 minute long feature was rated-X for gory violence. Scenes of one character turning into a mutated blob thanks to a run-in with RoboCop and a tank of toxic ooze were considered off-the-table for censors. But the director stood firm in his original version of the movie, that is until his kids watched it. 

Verhoven had intentionally tried to make the scenes of gore as well as Murphy's torturous murder, a bit on the farcical side in order to undercut the level of violence. But the director might have gone a little too overboard in his level of surrealism, as his children reportedly laughed their heads off watching the heroes tragic death. Another round of edits and the film garnered not only an R-rating, but also elicited a feeling of unease among the audience of the new cut.

In 1990, Marvel would produce a monthly series continuing the adventures of Murphy and Lewis. The ominous OCP would be portrayed as more considerate of the public good while continuing with their gentrification project, Delta City. This series ran for 23 issues. Marvel would also release a 3-issue miniseries adaptation of the inevitable sequel before losing the franchise license to Dark Horse sometime in early 1992. 

After Dark Horse, RoboCop sat dormant as a comic book character until publisher Avatar Press gained the rights in 2006. Frank Miller, who worked the screenplay for RoboCop 2 and 3 wrote the new series which was based on Miller's rejected storyline for the sequel as well as unused concepts developed for the threequel. As of 2018, Boom! Studios was the last comic book publisher of the franchise, releasing the 5 issue miniseries RoboCop: Citizens Arrest. Nothing new starring Future of Law Enforcement has been released in this current decade.

This book is a colorized reprint of the official 1987 adaptation which was presented in magazine form.

Completing this review completes Task #11 (Pick a Long Box and Read the 6th Book in the Box) of the 2025 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 8 out of 10 stars.

Beetlejuice Beetlejuice

When Tim Burton's Beetlejuice came out in 1988, I didn't really understand it. I liked the concept of a newly deceased couple navigating the afterlife as well as trying to extricate an annoying living family from their home. However, the movie was called Beetlejuice and the title character is only in the movie for 17 minutes! My 11 year old brain couldn't understand why Beetlejuice was so rarely in his own movie. So I ended up becoming a fan of the cartoon series as well as the action figures.  They were amazing sculpts! As I got older and became a fan of Tim Burton movies, I understood the reason behind the character's absence and it eventually became one of those movies I can't pass up if I see it while flipping channels.

We jump ahead to 36 years later and Beetlejuice returns to the screen after several decades of rumors of a sequel. While the main character still isn't in every scene, Beetlejuice is in enough of the movie that my younger self would have been satisfied. Beetlejuice Beetlejuice debuted last month, breaking records for films that opened in September. I kept wanting to go to the theaters but I was either too busy or not wanting to fight the crowds. At least my wait wasn't too long as it finally showed up on Amazon Prime and Youtube Premium for my bride and I do give it a Halloween time viewing from the comfort of home. 

In the time since the first film, Lydia Deetz has cashed in on her ability to see ghosts. After helping the Maitlands successfully cross over to the afterlife, Lydia could still see ghosts and became a psychic arbitrator between the living and the dead. Despite starring her own reality TV show, her teenage encounter with Beetlejuice has left Lydia a pill-popping neurotic wreck who has PTSD fears of being reunited with her one-time fiance poltergeist. A widow, Lydia is estranged from her daughter Astrid, who thinks Lydia is a fraud because she never can communicate with her dead husband. Living in New York City, Lydia and her daughter must return to Winter River after the tragic death of her father. However, as Lydia begins to clear the house of her father's possessions, the single mom begins to have horrifying visions of a ghost dressed in a black and white striped suit. With every passing moment, it becomes clear: Beetlejuice is nigh!

Almost the entire original cast returns for this film. Michael Keaton is a treasure! The only major exception is Jeffrey Jones, who played Lydia's father in the original film. However, his criminal past of possessing child pornography meant that his involvement in the film was not to be. Despite this, you do see photos of Jones as Lydia's father at the funeral and his voice is used in at least 1 scene.

There's a few new players to the Beetlejuice universe. Justin Theroux plays Lydia's manager and human fiance. I thought it was interesting having Theroux in this film as it was produced by Brad Pitt's Plan B Entertainment. Both Pitt and Theroux were married to Jennifer Aniston! Imagine the conversations between these two! Monica Bellucci plays Beetlejuice's vengeful wife, thus shedding some light on the main character's origins. Willem Dafoe is an afterlife detective trying to find Beetlejuice's former lover before she can send him to his final reward!

I liked being able to know when and where Beetlejuice came from. But I felt that Monica Bellucci's character was unnecessary. True, without her, that would make Dafoe's character also unneeded and he was some great comic relief. Still, I felt that her parts in this movie didn't really move the plot along other than telling us about the main characters life before the afterlife.

This has got to be one of the most Tim Burton movies filled with the most un-Burton like scenes and music. Thankfully, we get the great Danny Elfman doing the main score. There's stop motion. There's a slew of oddball dead characters. There's another dance scene. But it's no 'Banana Boat' scene. I'm guessing the Harry Belafonte estate wasn't willing to license out other songs of his. 

One thing that I just adored about this film is that it takes place during Halloween. It was seasonal to get to watch it here during the middle of October. Hopefully, it will become an annual favorite. I'd watch it again. It was a nostalgic sequel without being too repetitive of the original. If anything it felt more like a continuation of the Saturday morning cartoon series in which Beetlejuice and Lydia were good friends. Having a 600 year old plus ghost with the hots for a teenage girl is kinda icky. But as friends from differ sides of the doorway to the great beyond felt more comfortable for those of us who got up freakin' early every Saturday to watch a cartoon classic!

Worth Consuming!

Rating: 8 of 10 stars.