X-Men #1 (2026 Comic Book & Graphic Novel Reading Challenge)

1991's X-Men #1 by Chris Claremont and Jim Lee holds the Guinness World Record for the best selling single issue of all-time. The total number of copies sold is around the 8 million mark. However, I don't think it's a fair attribute. 8 million people didn't buy this book. There were 4 different variant covers that revealed a massive battle scene between the X-Men and Magneto. Add the fervor of speculators who gobbled up first issues by the long box full, and in reality, X-Men #1 was probably only purchased by 2-3 million individuals. 

The new series was a restructuring of the X-Men franchise. Seeing that there were just too many mutants to keep track of,  first, Marvel killed off a few fan favorite characters with a massacre in Genosha. Then they split the roster in half and blue some of the all-time greats together in a sister series. Then, Magneto, who had become an ally of the Xavier's School for Gifted Children, renounced his membership and fled to the ruins of his asteroid compound to create a refuge for mutants. In return, Charles Xavier returned to lead the X-Men after years away. 

Cyclops, Wolverine, Jean Grey, Beast, Storm, Gambit, and Rogue. Plus support from the mechanic genius Forge. If this sounds like the lineup for Fox's classic X-Men: The Animated Series, you're almost right. Only Jubilee is missing. But over time, she'll be recruited by Cyclops to join what will soon be dubbed 'the blue team.'

As Claremont was winding down his lengthy run as the X-Men's scribe, co-plotter and artist Jim Lee's star was rising. In just a couple of issues, Lee would also become the new writer of the series. But his tenure would be short. Feeling undervalued by Marvel, Lee and about a half dozen other writers and artists from the bullpen broke free from the publisher and founded Image Comics. 

A rotating lineup of talent would write on the new X-Men title, including Scott Lobdell, Fabian Nicieza, and Grant Morrison. After a brief 2-issue fill-in by Art Thibert, before eventually setting on Andy Kubert as the regular penciler from issue #14-59. As for the series itself, beginning with the Morrison run, issue #114, it was retitled New X-Men. Issue #157 lost the 'New' moniker before another change at issue #208. Becoming X-Men: Legacy, the title went back to just X-Men in 2012 for the milestone 300th issue. Never cancelled due to dwindling sales, X-Men #300 concluded many storylines and paved the way to seasonal relaunches in hopes of streamlined numbering of titles.

 However, if you have ever read any of my reviews of the more recent Deadpool series with a nearly annual reset back to issue #1, you'll know that I hate this new way Marvel numbers it's books. It's a leading reason that I have stayed away from most Marvel series of the past decade. But I don't seem to be the only one who hates this new method of doing business. However, despite how much we hate it, it doesn't seem like Marvel will be ceasing this way of conducting business any time soon.

Completing this review completes Task #36 ( Work by Jim Lee, Fiona Staples or Alex Ross) of the 2026 Comic Book and Graphic Novel Reading Challenge.

And with this review, my 2026 Reading Challenge is COMPLETE!

Rating: 6 out of 10 stars.

X-Men: Dark Phoenix

Fox's run on the X-Men movies comes to a close with Dark Phoenix. With some small adjustments, this movie was one of the more faithful-to-the-comics adaptations. However, this was also one of the most boring films I ever sat through.

If you are familiar with Chris Claremont's 'Dark Phoenix Saga', then you have a pretty good idea about the plot. Always troubled by her immense mutant abilities, Jean Grey (Game of Thrones' Spohie Turner) gets possessed by a cosmic force during a rescue mission in space. The entity causes what little command Jean had on her telekinesis to spiral out of control, resulting in a body count. 

It's revealed that Charles Xavier (James McAvoy) had kept a number of secrets from Jean as to how she became a pupil at his School for Gifted Youngsters, mostly through mental barriers established. When the truth comes out, Jean seeks both revenge and answers. Enter the mysterious Jessica Chastain (The Help) who plays an alien with ties to Jean's 'Phoenix force' powers, along with promises to those questions. Now Jean is stuck between the forces of good and evil with control of her new powers with the fragile truce between humans and mutants forged since the previous film hanging in the balance.

I know that I am going to upset a bunch of X-Men fans by saying this; but I really don't like Jean Grey that much. Yes, the 'Dark Phoenix Saga' is awesome, but it's really all of the other characters who make that story so good. It just seems to me that Jean Grey always loses control, dies and then comes back, spending all of her time trying to make amends before going insane with the Phoenix Force yet again.

Then there's the fact that we already had this storyline in 2006's The Last Stand. I didn't feel like I needed to see this plot again so soon, if at all. But I promised my god son we'd go see it. I wish we went to the new Men In Black movie instead...

I thought that the make-up and special effects were quite good. So were the fight scenes. But Dark Phoenix is a movie that is heavy of melodrama and very light on action. I truly think this is the case why the movie had such a steep drop-off at the box office from the first and second weeks. Very few people clamor to see Schindler's List again after first viewing. But they'll jump right back in line for a movie with amazing action and adventure scenes. 

Let's also face the biggest problem with the entire X-Men franchise: the timeline. Everything is just so mixed up. For one thing, this movie occurs in 1992, meaning that in 8 years, Michael Fassbender, who plays Magento, is supposed to look like Ian McClellan and Xavier will turn into Captain Picard! I still cannot figure out how Wolverine ended up back in the Weapon X project after being rescued by Mystique...

One thing is certain, the X-Men are better as a TV show than a movie. X-Men: The Animated Series proved this. There's so many plot threads, that with progression jumping 3-5 years into the future in each chapter, 2-3 hours is no enough time to catch up on all the missing parts. 

This still isn't the worst Marvel movie I've ever seen in theaters (Thor: Dark World wins that distinction). But this also wasn't a necessary film either. I know Fox wanted to milk that cash cow one more time. But with how money hungry Disney is, I am afraid that all Dark Phoenix did was push back an sort of reconciliation of Marvel's mutants with the rest of he MCU back for years to come!

Rating: 5 out of 10 stars.

X-Men Apocalypse

In the latest offering from the X-Men film series, an ancient Egyptian mutant is released from his centuries-old slumber. This being, known as En Sabah Nur, is so powerful that along with his four disciples of doom, he can literally change the world. One of Nur's disciples is Magneto, who seeming went straight after the events of Days of Future Past, but is now wishing to unleash his vengeance on the world after the death of his wife and child. 

   Seeking to stop Magneto is his former ally, Mystique. Since she parted ways with Magento at the end of the last film, the shape-shifting mutant has been on a personal mission, secretly savings mutants from humans seeking to exploit them. Mystique's actions in saving Nixon in 1973 has made her a hero in both the human and mutant communities of 1983. So when Nur's Four Horsemen kidnap Professor Xavier, it's up to Mystique to lead a group of untested but equally star-struck mutants to stop En Sabah Nur's plan to unleash the destruction of the apocalypse onto the world.

    X-Men: Apocalypse is my favorite of the new trilogy. It narrowly beats outs First Class and it leaves Days of Future Past lying in its wake. Now whether this film is better than X2: X-Men United is up for debate. 

   Personally, I don't think it outpaces X2, but it's close. To me, the reason why Apocalypse doesn't assume the throne as the greatest X-Men movie ever is because of the character of William Stryker. I thought Stryker died at the end of Days of Future Past what with Mystique impersonating him at the film's end in order to rescue Wolverine from the Potomac. But the evil army officer rears his ugly head once again with no explanation as to his return and possible resurrection. (But if I know director Bryan Singer, this will all be covered in the film's DVD director's cut due out sometime in the next couple of years...)

   Speaking of Bryan Singer, I think he does yet another bang up job at the helm of the X-Men franchise. I heard earlier this week that he's taking a break from directing X-Men movies for a while and some fans cheered. I think they're more upset at the amazing job he has done and how each success keeps Marvel from adding most of the mutant population to its cinematic universe.

     Apocalypse was a fun ride of almost 2 and a half hours of action, adventure, humor, and surprises galore! Seeing the younger versions of Jean Grey, Scott Summers, and Nightcrawler was pretty cool and just wait until you see them in uniform at movie's end. While some feel that the character of Jubilee was underused, I think the real victim was Olivia Munn's Psylocke. She mostly poses for the camera for about 9/10 of her scenes and when she actually does something it's wasn't that impressive.

  With some mild violence, a few swears, with a biggie or two thrown it, it's a good movie for the 12 and up crowd. (My God Son loved it!) And unlike Civil War, I wasn't bored one bit. There I said it, X-Men Apocalypse beats Captain America: Civil War. But it's Deadpool that is still leading as the best Marvel movie of 2016. 
   
  Worth Consuming

     Rating: 10 out of 10 stars.

X-Men: Days of Future Past

In the not too distant future, the fate of all sentient life on earth rests in the hands of the X-Men. The sentinels, a group of robotic mutant hunters designed by Bolivar Trask have become the de facto rulers of the planet. Originally design to seek and eradicate all mutant kind, the androids turned on humanity when they finally became sympathetic to the mutant plight.

    Professor X, teamed with former foe Magneto has a plan. He will transfer his consciousness back in time into his younger self in order to prevent Mystique from killing Trask and initiating the Sentinel Program. However, Kitty Pryde has never sent anyone back into time more than a few days and she doesn't believe that Xavier's highly developed brain can stand a 40 year trip through time. Thus, the rapid healing Wolverine is sent back to 1973 in order to reteam Xavier with Magneto in a combined effort to stop the shape-shifting mutant.

 Days of Future Past is based on the 1981 Uncanny X-Men storyline of the same name developed by Chris Claremont and John Byrne. Except for possibly the Dark Phoenix Sage, that time traveling adventure is perhaps the most iconic X-Men tale of all time. I know the cover for Uncanny X-Men #141 surely is the most copied and tributed cover to feature Marvel mutants. Quite a bit of that seminal work is used in this film. But since when has Kitty Pryde had the ability to send people back in time? I've never seen this occur in any X-Men title and I've read my fair share!

  The film is heavy on action and adventure. I saw this film on DVD and unlike Amazing Spider-Man 2, I didn't feel like any of the CGI special effects looked fake. Even it's choreography was quite good. Especially, the character Blink and her ability to create portals in order for mutants to evade the sentinels. It was like watching poetry in motion.

   One aspect that this film got a lot of grief was over some of the casting. While we get the best of both X-Men series in this movie, including the younger and older versions of Professor X and Magneto, along with fan-favorite Wolverine, Storm, and Colossus, many hated the character of Quicksilver. The character, played by Evan Peters was criticized for being too young and immature. But, that kinda was the point of the character and his super-speed abilities were really needed to help speed up a very stagnant part of the movie. Plus, I liked that it's alluded to the Magneto might be Quicksilver's dad as in the comics.

   While I overlooked the casting choices, I did have some issues with plotting. The futuristic parts of Days of Future Past are set some time after the events of X-Men 3. We know this because, in one scene, Wolverine has flashbacks to having killed Jean Grey at that movie's end. So, how come Professor X is alive and in his Patrick Stewart body?  Didn't Jean vaporize him into a billion atoms in X3? I know that it's hinted in X3 that the Professor X took over someone else's body during the chaser scene, But wouldn't he then look different? To the film's fault, it's never explained how he got his new body back.


   There is supposed to be a director's cut of this movie, called the ' Rogue Cut' as a good 20 minutes of the character Rogue played by Anna Paquin was cut out due to time constraints. (The film is almost 2 and a half hours long.) So, maybe Xavier's return along with Magneto regaining his magnetic powers are going to be revealed in that edition on the film. I look forward to it when it drops sometime this summer.

    The ending of this film takes the X-Men franchise into two different directions. The New Class cast is due to appear in a third film, rounding out that trilogy. But I feel that the story of the original X-Men film trilogy's cast isn't over. Since Wolverine was essentially the main character link between both film franchises, hopefully, Hugh Jackman's swan song as Logan will explore just how the timeline has changed. (I hope not to spoil too much but I will say that if like me, you were angered by a certain character's death in X3, then you're going to love the end to this film.)

   Worth Consuming

   Rating: 8 out of 10 stars.

Uncanny X-Men: First Class, Volume 1: Hated and Feared

 In 2006, Marvel crafted a series of untold tales about the original X-Men titled 'First Class.' The series only lasted 8-issues but it was such a hit, it spawned at least two further sequels as well as a few one-shots. Marvel naturally saw dollar signs and continued to produce more X-titles under the 'First Class' moniker. Wolverine starred in two solo titles that produced over 20 issues. After those successes, Marvel decided to explore its historically most successful line-up of mutants- the original Uncanny X-Men.

   This title stars Cyclops, Wolverine, Colossus, Nightcrawler, Banshee, and Storm. It reveals some of that team's never-before-revealed adventures that take place after X-Men #101 when Jean Grey becomes the Phoenix. Here, the team is having trouble jelling. Cyclops longs for the day to lead his original teammates again. Professor X and Moira McTaggart are attempting to gauge Jean's new physic potential. And the other members of the team are trying to adjust to their lives as superheroes that face more scorn than admiration.

     During these episodes of growing pains, the team will travel to the Inhuman refuge of Attilan to defend Nightcrawler, whose being tried for blasphemy, a charge that if found guilty brings a penalty of death. Then Banshee's past comes back to haunt him when he spies what may be the ghost of his late wife. Lastly, Storm and Jean Grey have a ladies night out that results in the girls being held hostage AND forced to break into Nick Fury's helicarrier! Along with a mysterious trio spied dancing on the surface of the sun and a Giant-Sized special that explores the individual origins of the Uncanny X-Men, this volume was pure fun and excitement.
 
   Why this series didn't take off like the other 'First Class' titles is beyond me! The art was eclectic but each artist's style was classic. The writing was just as good and with scores of cameos of several key secondary players of the X-Men series during the late 70s was the icing on the cake. The only reason this series lasted just 8-issues is that it seems to focus more on Banshee, Colossus, and Nightcrawler instead of proven fan favorites Wolverine and Storm.

   But if I had to choose my top 10 favorite mutants that trio would all rank on that list. In other words, I liked it. Maybe the only thing this series needed was the masterful pen of Chris Claremont, who without him, the X-Men might have been a footnote in comic book history.

Like the Vulcans say "only Nixon can go to China."

   Worth Consuming.

Rating: 10 out of 10 stars.

Uncanny X-Men, Volume 4: Vs. SHIELD (Marvel NOW!)

Marvel keeps finding ways to reunite or pit the students of the New Xavier School and those of the Jean Grey School. This time, the mystery of who is behind the mysterious attacks of those pesky new Sentinels is revealed as both teams go on an all-out war with SHIELD.

But that’s not the end of the reunions because Scott Summers team is once again called back to Manchester, New York when the She-Hulk comes bearing the last will and testament of Professor X! Along with a shocking revelation as who Xavier left widowed, the two teams learn that they’ll need to join together to find a dangerous mutants whose powers are extremely wonky.

Finally when we get really for the good stuff wouldn’t you know it but Marvel hits you with a typical “To Be Continued…” So, I’ve got to wait until volume 5 to see what happens and learn the final details behind Professor X’s estate!

The action in this volume was intense. The art was amazing and Bendis continues to weave a masterful plot between the various coinciding X-Men titles. (He really puts X-Men legend Chris Claremont with his masterful attention to continuity.) Lots of shocking revelations and mysteries are solved. But there’s one bit of info that was seriously glossed over. In volume 3, the All New X-Men had been kidnapped into outer space by the Shi’ar Empire. Now in this book, they’re back. But no fuss is made over their reappearance or over what happened in their team-up with the Guardians of the Galaxy. I’m not really complaining as I’m really looking forward to reading that story one day soon but you’d think somebody would say “Hey, you’re back!” or something.

Another thrilling chapter in the Marvel Now! series of X-Men titles that’s very much Worth Consuming.

Rating: 9 out of 10 stars.