The Tall Stranger by Louis L'amour

Yes, I read Westerns. Mostly in comic book form. But I have been known to enjoy them in paperback format. Louis L'Amour is my favorite. Probably because of my grandfather who probably owned a copy of every work the American author ever wrote.

It's been a very long time since I read one of L'Amour's works. At least 25 years, I'd say. The Iron Marshall, the first work of his I read is still my favorite. With me being on Summer break and a desiring some literary comfort foods, I ordered this book with the intention of reading it while at the beach. However, the novel I started right before I went on vacation took me a bit longer to read than I expected. So The Tall Stranger would have to wait a bit.

The book is about a drifter named Rock Bannon. A wagon train heading to the Oregon trail found Rock dying from a gunshot wound. Nursed back to health, he's caught the eye of the girl who cared for him. But for the other single fellas hoping to make their play with the girl, they despise Rock as an interloper.

During a rest stop right before the beginning of the Oregon split, a smooth talking gentleman named Mort Harper persuades the train to veer South through Utah territory with promises of the lushest valley ever seen this far West. Rock knows that this land has already been claimed by a cattle rancher named Hardy Bishop. But no matter what Rock says, the men of the wagon train will not listen to him. 

Bannon also knows that their presence in Bishop's Canyon could start a land war. Deep down, Rock suspects that Mort is going to make a play for the valley as the legality of land ownership rights at this point in American history is more about who's settled on the land than who in fact owns the title deed.

Rock is torn. Should he help the wagon train settlers and hopefully win the heart of the girl once and for all? Or does Bannon respect the bond of blood, because Hardy Bishop is in reality Rock's father?

The Tall Stranger was written in 1957. L'amour's first novel, Hondo, was written 4 years earlier. So this is early in the author's career. There are still some rough spots in L'Amour's writings that will be polished up by the time he writes The Iron Marshall in 1979. Take the names for example Rock Bannon? Mort? Clearly, the author was basing some of dashing matinee idol Rock Hudson in the moniker and description of the protagonist. But never in the history of the world had a bad guy ever gone by the name Mort? (Although, morte is French for death and dying and everywhere Mort goes, the Geim Reaper surely follows. So maybe his name is a pun.)

Another issue is that Louis L'Amour rambles. Despite a page count of only 150 pages, this book could have been 15-20 pages less if the author wouldn't wander off topic to present to the reader interesting facts and mysteries about the old West which have nothing to do with the plot. When if comes to painting a picture of the scenery or interior of one of the settler's cabins, there's no equal to the author, even at this early stage of his career. But  writer for the Western edition of Ripley's Believe It or Not, L'Armour is not

Lastly, I'm left to ponder the subject of this book's title. The Tall Stranger; who is it that the author is referring to? At first, you'd think it's Rock, having been involuntarily integrated into the wagon train by being saved from the nearly fatal gunshot wound? Or is it the Snidely Whiplash of the story, Mort, who joins the caravan after he makes his pitch for heading further south? I guess it's left up to the reader to decide? Personally, I think it refers to Mort, the fork-tongued con man who's planning on literally enslaving the settlers so that he can become the next cattle baron of Bishop's canyon. 

I enjoyed the book. It was a short read that I wouldn't exactly call a quick read. But it's close. Flawed? Yes. But it's still quintessential Louis L'Amour. I might go for another of his works. Just not right at the moment as I have several mysteries and a food journal on my to-read pile at the moment.

Worth Consuming!

Rating; 7 out of 10 stars.

Doctor Who (2011-2012) #6

 The Doctor, Amy, and Rory are looking for a chance to unwind. They set the TARDIS to a pleasure station that sits atop a temporal rift in the farthest reaches of space. Here, multiple timelines throughout history can play out within a matter of feet from each other. The Doctor has been here many times before and has had nothing but great memories of the place.

   But that’s all about to change when a badly damaged Sontaran ship approaches the space station in need of repairs. Leaking a special type of plasma fuel, The Doctor fears that if the Sontaran craft touches the temporal rift all of existence could be wiped out for light years around in a massive explosion.

   Well, the Doctor was right about the explosion. But instead of becoming one with the universe, the Timelord and his companions find themselves separated throughout the many time zones of the space station, each facing menacing problems of their own; such as rampaging dinosaur robots, an old west lynch mob, or Nazi Sontarins?!

   This opening chapter looks to be a fun Doctor Who adventure. The writing by 2000 A.D.’s Tony Lee captures the Doctor, Amy, and Rory very well. The Sontarans too! But the art is really strange.

   Artist Matthew Dow Smith, who does a fantastic job on many Mike Mignola titles such as BPRD, just isn’t a Doctor Who artist. On the Mignola titles, Smith’s job is to replicate the artwork of Mignola from the Hellboy books from which BPRD have spun-off. But Doctor Who is an entirely different animal and shouldn’t be drawn like Hellboy unless the two franchises were going to meet. (Oh wow! A Hellboy/ Doctor Who crossover! Put me down for a full series run of that please!)

    Great premise. Excellent writing. Art not meant for a Timelord… But still, when you boil it all down it’s worthy of some fish fingers and custard.

   Worth Consuming

  Rating: 9 out of 10 stars.

The Big Book of the Weird Wild West

How much would you be willing to pay for a Western anthology series featuring the artwork of legends such as Dick Giordano, Joe Orlando, Marie Severin, Paul Kuppenberg, Joe Staton, and many, many more? 

 

$50? $75? $100? What if I told you that all of these comic legends could be bought for $14.95 or less? 

   Featuring the writing talents of John Whalen (Un-Men), Rick Klaw (Wild West Show), and others, the Big Book of the Weird Wild West contains dozens of short stories about the oddest lawmen, dumbest outlaws, and strangest habits of the old west that Hollywood and the history books just don't you about. 

   This book was published by Paradox Press, a short-lived imprint of DC Comics from the 1990s. Paradox published a number of anthologies like this one in which each volume was devoted to the odd, the strange, the macabre, and the just plain weird. I love the Factoid Books series. For a history buff than loves his world the weirder the better, these books are the perfect fun reads in sequential art form.

   But as these are books about true events, the Factoid Books or 'Big Books' do not sugarcoat their reports. A little titillating, sometimes gory, and filled with adult themes and language, these books from Paradox are suited for the Vertigo Comics crowd. In other words: for teens and older. 

   I found this copy when I was working at the book sale at my local library. But volumes of this series can be found on Amazon for good prices. You might also come across these books at your favorite used book shop. These are treasured gems in my graphic novel collection and for some reason you can almost always find a copy or two at your local comics shop usual for half off cover or better.

   Worth Consuming

   Rating: 9 out of 10 stars.

The Spirit #23 (Correct Version)

Cover by legendary artist
Joe Kubert.

Commissioner Dolan is pretty stressed and needs to relax. So his daughter Ellen and the Spirit take him out to a Dude Ranch for a much needed R & R. But the vacation turns into a working vacay when one of the fellow visitors is murdered during a horseback ride.

    I liked this issue as the art and writing were quite good. It was like reading a comic book version of an Agatha Christie novel, of which I am a fan of. There were intriguing characters with fascinating backstories that may or may not have anything to do with the crime committed. You just have to wade through the clues.

   However, I wasn't quite such a fan of the ending. It's not that the mystery wasn't crafted well or that the reveal was a total cop-out (one Christie novella had all of the victims being the murderer for God's sake!) But when the killer was revealed, as was his motive, I was expecting the criminal to say " ...And I would've gotten away with it if it wasn't for those meddling kids!" This wasn't the mystery machine folks!

   Worth Consuming but it has a very hokey cliched ending and an even cornier punchline.

   Rating: 8 out of 10 stars.