After a disastrous turn in Hollywood and then Merry Old England, Vincent Price and Elvira head to Egypt. The hope is to find the writer of the lost B-movie 'The Rise of the Ram', who hails from the North African nation. Turns out that the former writer is there and he's got the lost film and the original text that contains both the curse that could end all time and its cure. Unfortunately, a pair of goons devoted to the Egyptian Deity of Death and his bride are there too. And they've got guns! Does Vincent and his friends have guns? Nope? Yup! They're screwed!
I don't really understand why they need both the cursed ancient text as well as the print of the lost film. If it's the only copy of each, can't they just destroy it and then... problem solved? That seems to be the only thing wrong with this whole book. That sort of plot twist just seems unnecessary.
It's like this episode of MASH when this nurse is in trouble and can't sneak out to visit her husband who is on a 24-hour leave. Instead of putting the guy in the VIP tent, the doctors put him in Margaret's tent and have Hot Lips sleep with the nurses. It just didn't make a hill of sense and neither does my complaint with this story.
The dialogue is witty. The artwork of Vincent Price is amazing and Elvira is not half bad either. She still looks a tad cartoony. But then again, isn't that the point with her? Plus, I love that artist Juan Samu (Marvel Action: Black Panther) decided to draw the goons to look like Laurel & Hardy. It just seems to jive with the tribute to classic Hollywood that oozes through every panel.
A very fun read with a small bit of business I just can't figure out.
Worth Consuming!
Rating: 8 out of 10 stars.
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