Bizarre Adventures #28

This black and white magazine from Marvel is a must have for Elektra fans. It contains the assassin and Daredevil love interest's first ever solo story. With art and story by creator Frank Miller, it alone is worth the asking price which seems to range online from $20-50 bucks. Maybe it's because it's a magazine. Or maybe the asking price is less than I would have expected as maybe collectors don't know about it's importance. I know that I got lucky having bought it for only a buck at a thrift store a few years back.

A trio of characters make their first ever appearance debuts in this issue. Neal Adams, Doug Moench and Larry Hama present the Shadow Warrior; perhaps the world's smallest ninja and America's only hope against the infiltration of a cadre of brainwashed American soldiers trained by an Asian operative to overthrow our government. 

Archie Goodwin, Michael Golden and Steve Mitchell introduce readers to the world of the Huntsman. From what I can tell, this is the only appearance of the character and that may very well have been because of how much the world of the cracker jack Huntsman named Ballard is a lot like that of the dystopian sci-fi thriller Logan's Run. Citizens who must die at age 35, bounty hunters stalking 'defiers', those who wish to extend their lives by escaping into the wilderness and there's even a floating arena where winners who make it to the victory ring atop the domed ceiling can live longer lives in luxury. I wonder if Marvel got a cease and desist order from 20th Century Fox for copyright infringement. 

Upon further research, it turns out that I was right. Only in reverse. In 1975-76, Marvel Comics had the rights to produce a comic book based on the film starring Michael York. Only, the House of Ideas had the rights to adapt the film, which they did as a 5-parter. When Fox learned that Marvel was continuing on with new adventures, the studio made them stop. Issue #7 was the last issue, which supposedly ends with a never resolved cliffhanger. 

'Huntsman' was a story that was going to run in a future issue of Logan's Run. But due to the sudden cancellation resulted in the project getting shelved. Never one to let paid work sit unpublished, Goodwin and Golden made some adjustments to the story; enough to satisfy legal and the forgotten story finally saw print several years later in 1981.

It must of been Assistant Editor's Month at Marvel because two of Goodwin's assistants supplied a story for this issue. Mary Jo Duffy and Wendy Pini place the Inhuman Triton in an ecological heavy adventure involving a wrecked oil tanker and modern day pirates.

If you've been paying attention to this review, you'll remember I said that this book contains 3 debuts. Lastly, Steve Skeates and Steve Smallwood introduced a rather odd little fellow named Bucky Bizarre. In his premiere, this guy is a time traveler who winds up in the 1950s, where non-conformity is a thing to be mocked and berated. Bucky tries to help a living garbage heap that came alive because of pollution and nuclear water only to set up the punchline to a really awful plotline. 

I'm really torn about this issue. Having the Elektra story makes it sorta valuable. Only I don't really have room nor a bag and board for a magazine sized book. I think the materials to keep it pristine and clean are more important than having a place to keep it. If I could get it, that would be great.

Worth Consuming!

Rating: 7 out of 10 stars.

G.I. Combat #170 (2024 Comic Book & Graphic Novel Reading Challenge)

The Haunted Tank became the main feature of the war anthology comic book with its debut in issue #87 (May, 1961). This occurred shortly after National Publications (DC Comics) acquired the properties from floundering Quality Comics. Under Quality, G.I. Combat focused on war stories that warned against the Red Scourge of Communism. Under new ownership, the book's tone changed to having a more dovish perspective against war to the point that in the 1970s, all of DC'S war comics carried a bullet that proclaimed 'Make War No More.'

The primary protagonist of the Haunted Tank stories is the American G.I. Jeb Stuart Smith. A Northerner, Stuart Smith, later rectonned to being named without the Smith, is sent to basic training in the deep South. He eventually comes to command a M3 Stuart tank whose crew are all good ol' Southern boys. At first Jeb's crew protest a Yankee being named after a beloved Confederate general. However, Stuart's ingenuity and grace under fire earn him the respect of his crew.

One reason the tank commander is so successful is due to the supernatural assistance he receives from the ghost of rebel general J.E.B. Stuart. Only the American G.I. can see and hear the legendary ghost. This leads his crew to think Jeb Stuart might be up for a section eight. However, as the guidance of the general continues to lead true, Stuart's men place a rebel flag atop their vehicle and christen it, the Haunted Tank.

There would be several incarnations of the Haunted Tank. Perhaps the most famous version is the Jigsaw Tank. After being damaged in a fire fight behind enemy lines, the crew of the Haunted Tank picked from some damaged Russian tanks to create an ersatz version of a Stuart tank. Before the end of World War II, Stuart's crew would be assigned to a Sherman tank which was originally guided by the ghost of the Union general William T. Sherman before being reunited with the spirit of General Stuart.

In this issue, Jeb Stuart has his eyes set on revenge against a one-armed Nazi soldier responsible for the death of a young woman the commander had a dalliance with a couple issues prior. In a twist, the Nazi is bent on revenge over the loss of his arm, which was taken in a firefight with a Stuart tank bearing a Confederate flag! As Stuart and the German play a deadly battle of cat and mouse, the church in which their confrontation occurs is falling down around them meaning that the next wrong step could be their last.

Featuring art by Sam Glanzman and story by series editor Archie Goodwin. In typical fashion, Glanzman's illustrations are so perfect, the only thing that has this much attention to detail are the technical guides used by G.I.s in order to operate the weapons and vehicles that pepper the feature adventure.

The backup feature titled 'Every Battle... Y'Die A Little!' is by the creative team of writer Frank Robbins and artist Jack Sparling. It's about a veteran soldier known to work alone, who reluctantly takes up a partner when the grunt saves him from a Nazi soldier sneaking up upon the older G.I. in a blizzard. The tragic ending is typical of DC's anti-war slant and though this is a tale set in the European theater of World War II, this is clearly an allegory about the many young men who die prematurely in Vietnam.

G.I.s. Nazis. Tragedy. Dovish views on war. This is a nearly perfect example of a DC war comic. Only there's no contribution by DC's quintessential talent of the war genre titles, Joe Kubert. Not even the cover. Instead, the artwork is by Ken Barr.

Completing this review completes Task #15 (A War Comic/Graphic Novel) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 9 out of 10 stars.

Wolverine/Nick Fury:The Scorpio Connection

This is one of those titles I had when I was a kid. For Christmas one year, my mom bought me a slew of stuff that I am guessing the owner of my favorite comic book store recommended. Because at the age of 10 or so, I was not a fan of Wolverine. In fact, I think you could easily say that a child under the age of 13 shouldn't have owned this book. 

The Scorpio Connection is a super-spy story at it's very best. Archie Goodwin and Howard Chaykin pepper in plenty of ultra-high tech gadgets, eccentric villains and action scenes galore. But with the host of alluring femme fatales and James Bond level of sex and sex appeal, this is PG-13 material at best. 

While I am sure that whomever recommended this book to my mother for purchase was building upon the fact that in the late 1990s, Wolverine was more popular than most comic book heroes out their; I ended up becoming a Nick Fury fan for life because of this graphic novel!

Fury's arch-enemy, Scorpio is apparently back from the dead. Being as Scorpio is/was also Nick estranged brother, this suspected resurrection is quite personal for the head of SHIELD. 

The return of this super villain is also personal for the X-Man, Wolverine; but for different reasons. One of the operatives killed is a close personal friend of the mutant. An agent that once saved his life back when Logan was working for Canada's counter intelligence team. 

With family honor and a blood oath at stake, Nick Fury and Wolverine will team up on an errand of justice that will take them through just about every continent on earth!

Archie Goodwin (Star Wars) pens a tale of international intrigue that ranks up their with the likes of SHIELD legends Stan Lee, Jack Kirby and Steranko! Add to it the very 80s art style of American Flagg's Howard Chaykin and you've got one of the best Nick Fury tales ever told. 

This is a book I first read 30 years ago. I never forgot it, despite being stolen years later. I was so excited to find this book at a used book store! Even more excited to read it again. Unlike some books I read as a kid and love and then hated when I re-read it again older, The Scorpio Connection did not disappoint. 

Worth Consuming!

Rating: 9 out of 10 stars.

Blade Runner #2

The story of Rick Deckard continues in the second issue of the 1982 Marvel Comics adaptation. The artwork by Al Williamson and Carlos Garzon really is a thing of beauty. Plus, I love how Archie Goodwin captured the futuristic wasteland feel of the book. Making sure to have Deckard be the narrator, as he was in at least one version of the film, was the right move.

Pretty much the only thing I have left to watch before going to the movies tomorrow is the trio of short films that are supposed to bridge the original film with 2049. Looking forward to it.

Really, if you are a fan of the series, you need this two-issue miniseries. It's beautifully illustrated, masterfully told, and just the right thing to whet your Blade Runner appetite when you don't have quick access to the Ridley Scott classic.

Worth Consuming!

Rating: 10 out of 10 stars.

Blade Runner #1

This Monday I'm going to go see Blade Runner 2049. I am a huge fan of the original film and the Philip K. Dick book (Do Androids Dream of Electric Sheep?) and when I first saw the trailer for the sequel, I gasped. It's one of the few trailers I will watch everytime it's on TV. Unfortunately, I couldn't go to the double feature at AMC theatres in which both the original and the sequel were being shown back-to-back late Thursday night into Friday as I had to work early the next morning. It's also a good thing I didn't go to see the movie yesterday after work anyways. When I got home, I laid on the bed and woke up 6 hours later! I slept hard!

Since I didn't get a chance to see the first film to get reacquainted with the franchise, I was able to do the next best thing- I read it! 

This 1982 adaptation from Marvel is a loving recreation from Archie Goodwin and Al Williamson and Carlos Garzon. If those names sound familiar, it's because this trio was behind the Star Wars comic strip from the 1980s. Considering the amazingly renderings of Han Solo (along with Luke Skywalker and Darth Vader), this was the perfect group to illustrate a comic book adaptation of a Harrison Ford sci-fi film.

If you notice on the cover it says that this comics adaptation of the Ridley Scott film is 'A Comic Art Classic" and they're not joking. There's a scene in which Ford as retired cop Rick Deckard is checking out a crime scene. The use of shading to illustrate city lights emanating through the shadows of some Venetian blinds was visually stunning! 

Blade Runner is considered a masterpiece of not just science fiction but film noir and special effects- oh and costuming and set design! Folks, this film is a classic and a favorite of mine. This comic book is the next best thing to getting to watch it. Now having re-read it for the first time in decades, I can also declare this one of my all-time favorite adaptations in all of 
comicdom!

Worth Consuming!

Rating: 10 out of 10 stars.

Classic Star Wars, Volume 3: Escape to Hoth

   The final adventures of the Rebel Alliance chronicled by Archie Goodwin and Al Williamson is collected in this Dark Horse treasury from the mid-90s. In this volume, the Rebels seek to establish their new base on the ice planet of Hoth.  But first the Alliance fleet's caravan must escape an Imperial blockade. Then Luke is stunned by a blast from his past before accidently getting Han captured by a band of bounty hunters under the employ of one Boba Fett. Lastly, Luke and Vader have one more battle through the Force before this epic comic strip comes to an end.

   If you are disappointed that this series is through like I am, remember 2 things. First, the next thing that happens in Star Wars timeline is the events of Empire Strikes Back- so you haven't missed anything. Second, though the Goodwin/ Williamson run is through, it's not the end of Classic Star Wars. No less than 2 Han Solo adventures are contained under the imprint title and with volume 4 of this series, you'll get the Russ Mannings run on the strip that occurred before Goodwin took over as scripter. I told that this was a confusing title!

  None the less- those adventures are on my wish list and I loved the Goodwin/Williamson books. Goodwin was a gifted storyteller of Star Wars and I just can't say enough about Al Williamson. His art is just that damn good! If you overlook these treasuries you're really doing yourself a disservice!

   Worth Consuming

   Rating: 10 out of 10 stars.

Classic Star Wars, Volume 2: Rebel Storm

    Continuing the newspaper series by Archie Goodwin and Al Williamson. In this collection, the Rebellion sniffs out a traitor amongst some new allies, Han enters Chewie in a gladiator match to the death to retrieve a mystical gem, Luke faces an ancient evil lurking in the Massassi Temples on Yavin, Darth Vader christens his super star destroyer, The Executor, and the Mon Calamari join the rebellion.

   The stories are excellent and I think after 2 volumes, I finally have the unique pacing down pat. But what I really love is the artwork. Not every panel of Luke, Han, and Leia look like their real life counterparts. But the renderings of droids, Lord Vader, and vehicles by the talented artist, Al Williamson is stunning! It also helps that the editorial team at Dark Horse did a museum quality job on the restoration and coloring of these strips.

   I am so glad that I have volume #3. This book ends on a cliffhanger and I don' think I could wait very long to find out what happens next in what is, unfortunately, the swan song to a fantastic run of Star Wars universe tales.

   Worth Consuming

   Rating: 9 out of 10 stars.

Classic Star Wars Volume One

 Before I begin my review, let's get one thing straight: Classic Star Wars is by far the most confusing Dark Horse title EVER! Classic Star Wars is a 3-volume collection of newspaper strips by Archie Goodwin and Al Williamson that ran in papers nationwide from 1980 until 1984 when the title was cancelled. I've always thought that this series should have been titled Star Wars Daily and that the original Marvel Comics run should have been designated CLASSIC! Instead the Marvel reprints were packaged as CLASSIC STAR WARS: A LONG TIME AGO... Added to the confusion is yet another series of trade paperbacks that reprint the 1979-1980 non-Goodwin penned strips called Classic Star Wars: The Early Adventures!

    Having read the introductions, a little bit of this confusion is finally cleared up to me. Dark Horse in the early 90s had just received the rights to publish Star Wars comics and they were desperate to start raking in the sales. They didn't have the original Marvel books in their possession yet, so they went on to print the newspaper strips.

   For some reason, the first 18-months of the strips was MIA. Desperate to present rabid Star Wars fans with anything original, Dark Horse found its answer in rival publisher Russ Cochran and series artist Williamson. Russ Cochran had a few years earlier put out these giant sized hardback editions of the strip. But they were in black and white and they were reprints from a collection of clippings a fan made during the strip's original run. The images weren't all that great. Plus, since some strips didn't carry the weekly strip while others didn't carry the Sunday edition, to keep the reader from getting lost there were redundancies galore. Enter: Al Williamson!

    Strip artist Al Williamson apparently was ultra-meticulous. Not only did he have all of the original artwork but they were catalogued to such a degree that his files actually found flaws in the Russ Cochran archives! Working with Dark Horse, Williamson and company produced what I am just about to review, a beautiful collection of the strips, edited to look more like a classic format comic book, repetitive panels deleted; now colored, re-inked, and featuring original covers and filler art by Al!

  While I hated the title, I loved the content. The great introduction by writer Archie Goodwin helped me to better understand the way the strips were organized. There's lots of drama and action but it's framed in such a way that every other panel had to be a cliffhanger in order to entice the reader back the next day.

   In this volume, we learn of what really happened with Han and that bounty hunter on Ord Mandell. Then Luke accepts a deadly mission to the Imperial shipyards before he's a captive of the Serpent Masters. Lastly, before Han sniffs out a rebel traitor on an ocean planet, the crew of the Millenium Falcon are trapped in the wake of a collapsing star.

   The stories were exciting and I was riveted. There was one thing that really bugged me storywise and that was the love triangle between Princess Leia, Han Solo, and a certain farmboy from Tatooine. True, all of this happened before the big reveal in Return of the Jedi that Luke and Leia were brother and sister. But you'd think Lucas would've put the kibosh on this plotline. Plus, looking back at the massive hots Luke has for his (at the time unknown) sister, it's kinda creepy.

    But the thing I loved the most about this book was the art. Now when these strips were first published I was of the ages of 3-7. Yet, looking at Williamson's deft artwork and dramatic shading, I was taken instantly back to the days of having my uncles or parents read to me the daily adventures of my favorite Star Wars characters. Williamson's art is so identifiable. Though Luke may not look like Luke on every panel, the artist's renderings of spaceships, droids, and Darth Vader are so perfect.

    George Lucas was clearly influenced by the Flash Gordon serials of the 40s and 50s in making Star Wars. Here, Al Williamson's work is inspired by the classic strips that starred Flash and the Merciless Ming. Plus, I think the artist loves to draw lizards because he hides them in his artwork a lot. It's like a cool signature Easter Egg.

    With Marvel owning the rights to these properties again, you might see this series get a new reissue one day soon. But, the original Classic Star Wars volumes are not hard to find. Amazon has a ton for sale and I often find the books in this series at LCS and used books stores nationwide. And for a decent price too.

    A forgotten treasure in the Star Wars comic universe.

   Worth Consuming

    Rating: 9 out of 10 stars.

 

Marvel Illustrated Books: Star Wars, Volume 1

  Last month at a comic book show in Raleigh, NC, I came across something that I never thought existed. It was one of the Marvel Illustrated Books from, you guessed it, Marvel Comics. This tiny pocket-sized paperback from 1981 contains 4 'never before published' comics from the original Marvel Star Wars series. 

    The book is near mint with pristine pages and the going price was $15. But, I managed to talk the dealer down to $10, mostly because he knew next to nothing about it and I promised I would do some research on this book and one day get back with him on it.
   
    I happen to have a complete run of the Marvel comic series under the Dark Horse trade title of 'Star Wars: A Long Time Age' and comparing every story from the adaptation of the first film up to the comic's version of Empire Strikes Back, again, it was confirmed that these are never before published Star Wars comics and perhaps the rarest of the bunch. 

Well, That last statement is partially true. Marvel Illustrated Books: Star Wars is comprised of 4 issues that for one reason or another, never made it into the actual series. They either didn't make a publication deadline or perhaps were rejected by Lucasfilm, who had final say over stories before they could be published by Marvel- IN THE STATES!!! (More on that shortly.)

   The first story called 'The Way of the Wookiee' takes place right before the events of Episode IV. In the prequel story, Han and Chewie pick up a shipment for Jabba the Hutt. However, when Chewbacca comes to the defense on an old Wookiee adversary, the smugglers find themselves betrayed by their spice distributor. 

    Then in another prequel tale, learn of how Princess Leia became adept with a blaster despite that her home planet of Alderaan forbids the use of weapons.

    The remaining two stories take place right after the destruction of the Death Star. First in 'the Day AFTER the Death Star' the Rebel Alliance almost loses their newest hero, when Luke Skywalker recklessly goes on a joyride to unwind from the post-celebration festivities. This was a really awesome story as in it, we learn the REAL reason Chewbacca didn't receive a medal in the final scene of Episode IV. 

    The final adventure is a very short one in which Luke must rescue Leia from Imperial forces on a diplomatic mission to a barren ice planet. I thought the main reason this story didn't see monthly publication status wasn't over length but because of the setting of the ice planet being too much like Hoth and Lucas might have been afraid that this might spoil what he had in store for Empire.
Turns out, I was wrong...

  Of the 4 tales in this book, 3 were published in the UK's Star Wars Weekly. It was common practice that if a story didn't make the cut by Lucasfilm, it wasn't scrapped but sent across the pond as the Marvel UK title wasn't restricted by the rules imposed by 20th Century Fox and George Lucas. The fourth story, about the ice planet, was short because it was the final chapter in a Star Wars serial published in the Marvel magazine Pizzazz, which was cancelled before this final chapter could see print. 

Speaking of rules, if you expect to see Darth Vader here, don't. Lucas was strict that the characters of Luke and Vader were not to met up prior to Episode V. But there is plenty of Imperial nasties and bounty hunters in this elusive Star Wars collection. A very enjoyable read with very good, but not great art, and fairly decent storytelling. As for rarity of this book, I was unable to find a copy at Milehighcomics.com and only one copy was available on eBay. Seller was asking for $55!

      Featuring artwork by Marvel/DC  legends Carmine Infantino, John Romita, Marie Severin, and Dave Cockrum along with being written and edited by Archie Goodwin and Jim Shooter this book is a Who's Who of some of the best talent to fill the bullpen at the House of Ideas in the late 70s. 

    Worth Consuming

     Rating: 9 out of 10 stars.