Showing posts with label Russ Heath. Show all posts
Showing posts with label Russ Heath. Show all posts

Monday, July 15, 2024

Our Army at War #81 (Facsimile Edition)

Whether or not you consider this facsimile edition of Our Army at War to contain the first appearance of the tough as nails Sgt. Rock, this issue was a fascinating piece of pop culture history.

A prototype of Sgt. Frank Rock had appeared in the war anthology series a couple of years prior. Because the character is referred to as 'Sgt. Rocky', some historians and fans consider issues #82-83 to be the soldier's official first appearances in comics, when he receives his official moniker. It feels a bit like the debate over what is the first appearance of Wolverine. Is it #180 with the Canuck's entrance on the book's very last panel or is it Incredible Hulk #181 where not only does the mutant appear throughout the whole book but makes the cover as well? What cannot be denied is that Our Army at War #81 marks the first appearance of the World War II Army unit called Easy Company, whose troops are the focus of 2 separate adventures. 

The cover by Jerry Grandenetti is super clean. It features the Rock character taking on a Nazi soldier welding a potato masher, while the American hero carries a fallen comrade on his back. It, along with the vibrant reproduction of those late 1950s ads are what sold me on the book. As for the material inside, it was a bit of a mixed bag that had great art, neat ideas and very limited dialogue to the point of getting annoying.

Aside from a couple of one and two-page shorts and a letters page, the main body of this book is written by Bob Haney. There's the Rocky story, the other Easy Company tale where 2 grunts take on an entire Nazi division, a morality play about a paratrooper jealous of his brother: the fighter pilot and a story of cat and mouse in the African desert. Each story focuses on a single phrase or word which is then used as nauseam in literally every panel. For instance, the paratrooper keeps referring to himself as a 'parachute pilot' because of how he can maneuver like a pro when falling while strapped to the silks. I've never heard this term before. It very well could be a thing soldier's during the second world war said. But the problem was that the jumper keeps beating himself up about not being good enough to be an actual pilot to the point I could pretty much determine what the character was going to whine about on the next scene... Verbatim!

I swear, if those 2 dog faces from Easy Company used the word 'pocket' one more time, I was going to scream. I think my wife appreciates that I kept my frustrations from just writing this review. But what do you know? The freakin' captured Kraut commander at the end of the story just has to say 'pocket!'

I did notice something unique about this DC Comics facsimile edition. At the bottom of the front page, underneath all the copyright jargon, there was a disclaimer. It stated that this issue contained material that was considered racist and stereotypical for the time period; both intentional and unintentional. Rather than remove the offense material, DC decided to leave this issue uncensored for historical purposes and in hopes of opening dialogue about sensitive matters. I'm perfectly okay with that. I just can't figure out what DC is talking about.

There's Nazis galore in this book. I think they get called 'Ratzis' at least once. Other than that, the stories in this book are extremely tame. I'm wondering if the disclaimer was about the ads, which are vintage 1959 comic book advertisements. One ad tells kids how to make money selling Bible Quotes door-to-door. Could that be the offensive material? The Bible doesn't offend me. But I know it can be a source of derision for some. Or is it the one-pager titled ' What's Your B.Q.?', brought to you by the National Social Welfare Assembly?

In this public service announcement, readers are asked to test their Brotherhood Quotient.  To do this, readers are asked to rate on a 4-point scale how well they like things such as 'cabbage, alligators, Catholics, Jews and Negroes'. The idea of this seems very shocking and misguided; which makes me wonder why the school district I work for hasn't tried to implement this test before with our high schoolers. You know what they say about where the road of good intentions leads to and I'm just gobsmacked to think that any public program with the purpose of spreading social unity thought this print commercial was a good idea! Even in 1959!!!

You know, I really can't figure out how to end this review. Holy cow! I'm dumbfounded. I plan on keeping this as I doubt I could ever afford a copy of the original and the Ross Andru and Russ Heath art is amazing. But man, I thought the tests in Cosmo were bad...

Rating: 6 out of 10 stars.

Monday, October 25, 2021

Curse of the Weird #1

Steve Ditko. Through his artistic lens, Ditko is a legend; having a hand in creating Spider-Man, Doctor Strange, The Blue Beetle and nameless others. But while I am fan of Steve Ditko the artist, I am even more of a fan of Steve Ditko the writer! 

A lot of this is due to the very first comic I ever bought (Ghostly Tales #152) featured a Ditko penned and penciled story. Though it was a reprint, I was hooked at a very young age. And so for Day 5 of my Halloween readings, I'm devoting some time to one of my all-time favs in Curse of the Weird #1.

It's true! This issue isn't 100% devoted to Steve Ditko. But it was a definite selling point to me. Curse of the Weird was a 1993 4-issue miniseries from Marvel. It was one of several short run series and one-shots published at this time that chronicled Marvel's rich horror history. This title focused on the pre-code horror published by Marvel's parent company- Atlas!

The first story was a Stan Lee/Ditko collaboration called 'Do Not Panic!' It's an alien first contact story with a great twist ending. 

Next up was a Russ Heath beauty called 'The Brain.' It looked like something destined for the pages of Vault of Horror or Tales From The Crypt. The only thing missing was that crisp, clean type-set style font. Well, that and a believable storyline.

Surrealist illustrator Basil Wolverton is featured in the third slot. 'The Eye of Doom' is reminiscent of Wolverton's magnum opus 'The Brain Bats of Venus'. So much to the point that this story too takes place on the same heavenly body! It's classic Wolverton! Not for everyone. But I loved it!

Things get wrapped up with a terrifying tale from Sub-Mariner creator Bill Everett. In 'The Man Who Owned a Ghost' a man trades away his soul in hopes of killing his wife. In typical Faust-fashion, things never go right proving you should never make a deal with a devil!

This is a very good collection of classic horror from before the beginning of the Marvel Age of Comics. Don't pass up Mort Todd's (Cracked Magazine) in-depth article about the creation of these fabulous lost tales. It's a little bit disjointed with randomly inserted images of other titles. But it also gives an intimate glimpse into one of my favorite eras in comics- the comic book scare of the 1950s. 

There's 3 more issues out there. I've never run across them. But they'll definitely be coming home with me when I do. 

4 great artists. 3 fantastic stories. Worth Consuming!

Rating: 8 out of 10 stars.