Stan Lee: A Life of Marvel (2025 Comic Book & Graphic Novel Reading Challenge)

Just weeks after the death of comic book legend Stan Lee, Entertainment Weekly issued this commemorative magazine. The 80 page book was filled with dozens of photos of Lee through the years from his days in the US Army as a playwright to editor of Marvel during its heyday in the 1960s all the way through to the end of his life where he spent the last 4 decades making memorable cameos and appearances in virtually every Marvel movie made up until that time. Stan also appeared on a variety of TV shows such as Heroes and The Big Bang Theory. He was also animated as himself on shows such as The Simpsons and Ultimate Spider-Man. Let's not forget his two season stint as the creator and host of the reality series Who Wants to Be a Superhero? But according to the Man himself, Stan's favorite movie role was as himself offering sage romantic wisdom to Jason Lee's (no relation) Brodie in Kevin Smith's Mallrats.

There are a number of tributes to Stan in this retrospective. Kevin Fiege thanks Stan for laying the foundation of the Marvel universe. Todd McFarland reflects on the day he met Stan when he was only 16 and gained a mentor for life. Finally, many of the stars of the Marvel Cinematic Universe are quoted, presumably from their social media accounts, mourning the death of the Marvel legend. 

The impact Stan's creations made on television and movies are explored with Spider-Man receiving the most attention. If you're expecting an in-depth look at the comic book industry, you'll want to look elsewhere. While his time as a writer and editor are covered in this book, a majority of the comic book images inside are of titles Stan had very little to do with. The controversies surrounding claims that Stan Lee was the singular creator of characters such as the The Fantastic Four and most of the original Avengers line up are briefly mentioned. But the majority of this book is designed to praise Stan; not bury him. Even the allegations of financial mismanagement and elder abuse against some of his assistants and daughter are buried under piles of positive encounters with an iconic figure that every fan must admit, seemed to be the happiest guy in the room everywhere he went when his adoring public was present. 

For more in-depth looks at the highs and lows in the life of Stan Lee, Stan's own graphic novel autobiography Amazing Fantastic Incredible: A Marvelous Memoir as well as Tom Scioli's I Am Stan: A Biography of the Legendary Stan Lee are reads that cannot be missed. And to truly decide if Stan Lee is comics' biggest hero or villain, read Scioli's Jack Kirby: The Epic Life of the King of Comics that tells of the legendary Stan Lee/Jack Kirby collaboration from the King's point of view. 

No matter how you feel about him, Stan Lee will be missed.

Completing this review completes Task #40 (Prose Non-Fiction About Comic Book History) of the 2025 Comic Book and Graphic Novel Reading Challenge.

Essential Avengers, Vol. 3

Volume 3 of Essential Avengers sees yet more roster changes. BIG SHOCK there. The King of Wakanda and the android Vision joins the ranks of Earth's Mightiest Heroes. With that last inclusion, that also means we're introduced to the robotic menace: Ultron!

This volume covers issues that first debuted from 1968-70. I knew that the Vision makes his debut during this period of time. But I thought we were at least 5 years, maybe more, away from Ultron coming into being. So having him pop up was a real surprise. Too bad that Ultron is probably my least favorite Marvel villain of all-time. Here's a character perfectly designed to destroy humanity and yet, Ultron always loses- seemingly destroyed. But no! Ultron keeps coming back in a new, bigger and badder upgraded body. Why won't he just die?! 

The addition of T'Challa adds a touch of royalty along with a heavy hitter to the ranks of the Avengers. Why the Black Panther doesn't use his political clout more during this time period is beyond me. Instead, T'Challa takes on the secret identity of Luke Charles, a inner city school teacher. Towards the end of this volume, we do experience the struggles of the Civil Rights movement through the Panther's eyes when those slimy racist goons of the Serpent Society rear their ugly heads back onto the seen. They're not as scary as the original version of the group seen in the previous volume. Still, it doesn't make their message of hatred and bigotry any less palatable. Beating DC Comics to the punch with relevant comics by almost a full year, I don't know if making the Black Panther the champion of the battle of inner city racism and inequality was Roy Thomas' idea or that of editor Stan Lee. Whomever it was, they were visionaries whose contribution should never be erased from bookshelves!

Another major character undergoes a change; although their metamorphosis is less internal and very much overt! Clint Barton hangs up his purple tights and arrows and takes on Dr. Henry Pym's mantle of Goliath, the giant Avenger. No, Hank hasn't retired from superheroing. But now a married man and operating as the schizophrenic superhero Yellow Jacket, Pym doesn't have time for seeing the sites of the Big Apple from 20 feet in height. After the death of his brother, Barton needs a change. Losing the love of his life, the Black Widow, to her career as a SHIELD operative may have something to do with the change in identity...

Compared to the last volume, there's a lot more of original members Thor and Iron Man as well as Captain America in this book. They're all still on reserve status. But it's nice to see them in action when things look their bleakest like in the alternate reality thriller of Avengers, Annual #2 in which the original Avengers killed off all of the other heroes in order to usher in a Golden Age of Peace and tranquility under the benevolence of the Scarlet Centurion. 

It seems that with the loss of new recruits balanced with the assistance of the Big Three, the more things change for the Avengers, the more things stay the same.

Worth Consuming!

Rating: 9 out of 10 stars.

Essential Avengers, Vol. 2

The second volume of Marvel's Essential Avengers sees not just the team but the magazine itself going through a lot of changes. When we begin with issue #25, the team's lineup is seriously under-powered. Thor, Iron Man, Giant Man and the Wasp are gone. Captain America is left to lead mutant siblings, the Scarlet Witch and Quicksilver as well as the hot-headed sharpshooter, Hawkeye. Arguably this is the weakest incarnation of the Avengers ever!

How the comic book managed to avoid cancellation with such a puny roll call is beyond me. Yet, that was part of the genius of Stan Lee. Love him or hate him, the man knew how to sell a comic book and he managed to keep the World's Mightiest Superheroes relevant without any of Marvel's heaviest hitters. By issue #35, Stan would leave the title in the hands of his most trusted protege, Roy Thomas. Along with Don Heck, some of the weirdest tales ever told this side of Marvel's sci-fi and fantasy books would occur in the pages of the Avengers; including the heroes being abducted by aliens in the Bavarian Alps.

Eventually Hank Pym, stuck at the towering height of 25 feet, along with Jan Van Dyne, would return to the team, becoming the de facto leaders in the absence of Cap. A terrifying story of a fascist group of bigots calling themselves the Sons of the Serpent would do their best to infiltrate the ranks of our government as well as the boards of many Fortune 500 companies, declaring America for Americans only, would be an early test of Pym's leadership. Taking place in issues #32-33, you really couldn't tell if this story was set in 1966 or current day 2025. Extremely unsettling how undated that story of political terrorism was.

Heck would eventually leave after issue #49. His replacement was John Buscema. The change in artwork was so striking. Heck was great. Buscema was just a tad bit better. Along with the new artist would soon come a new character to the title, that Prince of Power, the Mighty Hercules. While not an official member of the team, the hero's presence as an exiled guest of the Avengers adds a powerful punch that has been missing since the absence of Thor. 

But don't fret thinking that Thor and Iron Man have completely turned their backs on the Avengers. They'll both make guest starring returns in a pair of stories, one of who's sees the heroes battling against the Mandarin and his team of 5 of the Avenger's most fearsome does.

I have an early print of this volume. The printing was terrible. I don't think any sort of remastering had even been attempted. Multiple panels were in desperate need of ink. Others seemed to have been over-inked. It was rare to find a complete page where there weren't any print flaws.

I had low expectations for this book. While the Sons of the Serpent story was a gut punch of a read, I really enjoyed this seemingly implausible lineup of Marvel heroes. I just wish my print was given the same amount of love and care as the original works were given.

Worth Consuming!

Rating: 7 out of 10 stars.

Sgt. Fury and His Howling Commandos #28

This issue is Stan Lee's swan song as head writer. To close things out, Lee pits Fury against his arch enemy, Baron Von Strucker!

I guess you could argue that Nick Fury's main foe is Adolph Hitler. But Fury does end up taking on Von Strucker as the head of Hydra later on in the 60s. So maybe I should refer to the Baron as Fury's most enduring enemy???

The Fuhrer himself guests in this issue, personally ordering Von Strucker to end the resistance forces in a town in France. The Howler's mission for this issue is to rescue the leaders of the French underground. However, when Fury discovers that the Nazis have rigged the entire town to explode, the Commandos must alter their plans to liberate the entire village!

A good issue that does something very implausible. It shows Von Strucker as not being 100% on board with Hitler's plans of total world dominance. It's that hint of a conscience that seems very out of character for the ruthless ruler of Hydra. Something must have happened between this issue and the swinging 60s to turn the Baron into a heartless terrorist leader.

Worth Consuming!

Rating: 8 out of 10 stars.

Sgt Fury and His Howling Commandos #128

In the pages of Essential Sgt. Fury and His Howling Commandos,Vol. 1, Fury's right hand man, Dum Dum Dugan was injured and sent stateside for rehabilitation. Unknown to the Howlers, Dugan was on his way back to them when his transport vehicle was shot down by the feared Nazi raider, the Sea Shark! Now as the Howlers, with help from the mysterious Navy Captain known only as the Skipper, scour the Atlantic for survivors of the attack, Dum Dum leads his comrades on a desperate mission of survival! That's because the Sea Shark has it in mind to finish off the job of elimination of all evidence of the villain's actions, which are in clear violation of the Geneva Convention!

As much as Stan Lee could milk a dead horse with endless appearances by Doctor Doom in the pages of the Fantastic Four or Magneto giving the X-Men constant fits, the Marvel legend sure could keep things fresh in the pages of Sgt. Fury. Plus Stan the Man wasn't afraid to shake up the Howler's lineup. 

I think being veterans of World War II, Stan and the rest of the bullpen did everything they could within the confines of the Comics Code to make the war in Sgt. Fury as realistic as possible. So they added a few Nazi villains that were colorfully on par with the typical comic book baddie. Based on the fact that this version of the war occurs in a universe filled with superheroes, it makes sense that these Nazis seemed like demonic mad scientists bent on world domination and the spread of evil. ( Man, I'm starting to sound like Stan Lee here...) However, in the pages of Sgt. Fury, good men died, got injured, and bore their scars internally as well as externally.

Look, I am a huge fan of Nick Fury. I love his super spy adventures and I just adore his stint in the United States Army. These issues are some of the best works of the Marvel Age of Comics. Being a war comic, which has a sorta niche following, these books are seriously underrated. I'm glad I got my hands on all of the issues I needed for a full story run before the secret of these gems got out!

Reprinting the main story from Sgt. Fury and His Howling Commandos #26.

Worth Consuming!

Rating: 10 out of 10 stars.

Sgt. Fury and His Howling Commandos #25

During another important mission, Nick Fury is separated from the rest of his team. In this midst of everything, Fury's has sustained a head injury. Now as his Howlers search for their missing leader, Fury imagines his allies are the enemy and continues to evade important medical help.

A great psychological thriller by Stan Lee. It ranks up there with the original D.O.A. starring Edmund O'Brien or some of Hitchcock's earliest stuff. Great art by Dick Ayers with a sinister looking cover by the King, Jack Kirby!

Worth Consuming!

Rating: 10 out of 10 stars.

Essential Avengers, Vol. 1 (2025 Comic Book & Graphic Novel Reading Challenge)

Comic Book Quiz Time: True or False - the Fantastic Four appear in the first issue of The Avengers.

The answer is TRUE. In fact, Marvel's First Family play a very large role in the formation of Earth's Mightiest Heroes becoming a superhero team. 

The Norse god of mischief, Loki, would like nothing more than to defeat his boastful half brother Thor. However, due to being banished to a forbidden zone within the Seven Realms, Loki has to use a proxy via his magical inclinations to defeat the god of Thunder. The chosen lackey is none other than the Incredible Hulk who is duped into destroying a train track after Loki used an illusion spell to make the green behemoth believe there was dynamite about to explode.

Using a ham radio, the Hulk's teenager sidekick, Rick Jones attempts to summon the Fantastic Four for help, as they had dealt with him previously. However, the Fantastic Four must decline and they recommend Jones summon Thor, since he's a heavy hitter. You'd think this is just what Loki was hoping for. Only his ultimate trap is far from set. So when Rick Jones attempts to radio Thor, his transmission is received instead by Iron Man and Ant-Man and the Wasp. 

Eventually, Thor joins the fight against the Hulk with the other heroes. Rick explains that the Hulk is innocent of the mass destruction and Thor with assistance from the All Father, defeats Loki. Enjoying their adventure together, the heroes, along with the Hulk, decide to make this a regular thing. With suggestion of the Wasp, the team take on the name of the Avengers and comic book history is made.

Marvel characters had already been interacting with each other for a couple of years prior to the debut of The Avengers. As mentioned earlier, the Fantastic Four attempted to defeat the Hulk in issue #12 of their first series. Spider-Man asked the FF for a job in his first solo issue. With each of these crossovers, Marvel developed a cohesive universe which was a delight to readers.

As fans were demanding more of such adventures, Stan Lee got the idea to develop a group team title that would hopefully introduce readers to some of the struggling (in popularity) heroes and hopefully enticed them to pick up their solo books as well. Besides, DC has been having similar success with it's flagship group title, Justice League of America. Thus in Stan's mind, what was good for the goose must be good for the gander.

By issue #4, the Hulk departed the Avengers feeling hated and unwanted by his teammates and the remaining Avengers added the World War II legend, Captain America, since frozen in an iceberg, to the roster. Thor, Iron Man, Ant-Man now going as Giant Man, the Wasp and Captain America: they may not have been the original lineup. But they are considered by many to be the most iconic membership of the team's 60 year plus history.

Jack Kirby was Stan Lee's go-to artist and collaborator whenever a new project arose. Kirby was allowed to select the original roster of the Avengers. When asked in interviews years later why he went with the 5 characters that made up the Avengers by the end of issue #1, the King responded 'they were all characters that I had created' and was comfortable drawing. Plus, Kirby felt that he'd receive a higher working wage if he used only characters that he had created previously at Marvel. Familiarity and money might have been the reasons why The Sub-Mariner became a one-time adversary of the Avengers as well as the return of the Sentinel of Liberty, Captain America.

By issue #8, Kirby became bored with the title, as he often did, and went on to plot and pencil other projects at the House of Ideas. Don Heck took over as the series' regular artist. The co-creator of such Avengers stalwarts as Iron Man and the Wasp, Heck would oversee the team's biggest roster shake up in Avengers #16 when Captain America would now lead the team, comprised of former baddies Hawkeye, The Scarlet Witch and Quicksilver. Heck would stay on until issue #40. Dick Ayers inked a majority of the first 2 dozen issues with lettering completed by Artie Simek at Sam Rosen. 

Completing this review completes Task #14 (A Volume of Marvel Essentials or DC Showcase) of the 2025 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 8 out of 10 stars.

X-Men: Rarities

I'm not really sure what this X-Men collection is titled Rarities, considering that I've read 2 of these 5 included stories before. 

The opening story, taken from an issue of Bizarre Adventures marks Bobby Drake, Iceman's first silo adventure which occurred about 3 full years before his 4-issue miniseries by J.M. DeMatteisx. The middle story, penned by Chris Claremont, originally appeared in the pages of Al Milgrom's Marvel Fanfare. It depicts a tense truce between Storm and the Brotherhood of Evil Mutant's Mystique over the soul of Rogue who at the time of the story has ironically gone rogue. 

Those were the two stories that I had previously read. The new-to-me stories include a peek at what happened after the Giant-Size X-Men rescued the Uncanny X-Men from the menace of Krakoa. An untold tale presented in Classic X-Men, it's a story that covers a period of mutant history that I had never really thought about and yet it's such a brilliant idea! When the introduction of the new X-Men concludes, there's like a dozen people now on the team. What happened that fateful first night together that caused Havoc, Angel and several others to decide to forgo membership as part of Professor X's team? Chris Claremont answers those questions with some stunning artwork by John Bolton.

Stan Lee and Steve Ditko are highlighted with a story developed for the pages of Amazing Adults Fantasy #14. 'The Man in the Sky' is a pre-X-Men story, considered by many to be the concept that gave birth to the Children of the Atom. It's a very short story that ends with a typical Ditko finale that is anything but. It makes me wonder if the character of Tad Carter, being Marvel's first official mutant, ever made an appearance in the X-Men universe of comics. (Turns out he has in the pages of X-Men: The Hidden Years.)

The last story, starring Generation X, is in my opinion the only real rarity in the book. An introduction for the all-new team of mutants led by Sean Cassidy, was a Comicon exclusive in 1994. Since this promo comic was only offered to the lucky few who tried to San Diego, I feel like this is a title that can officially be declared a rare find. If you ask me, X-MEN: Rarities should have been comprised of promo stories featuring the legion of mutants that house the Marvel Universe. That would have been more appropriate than putting in several stories that just happened to be published in more lesser known publications.

Finally, I want to comment on the story that starred Mystique. Originally published in 1988, the story offers a revealing glimpse at the character's gender fluidity, since Raven Darkholme is a shape shifter. But even more groundbreaking is what happens after Storm departs the underground club in which Mystique summoned her foe. Right in the middle of the club is Irene Hadler- Destiny! The woman who just recently wed Mystique in the pages of some X-Men book and caused countless fanboys to lose their minds! 'Woke Comics!', they cried. And yet, here's Raven and Destiny as lovers 36 years prior! Seems that these so-called Marvel comics experts know nothing about the history of one of the X-Men's most popular foes!

A fairly decent grab bag of X-Men stories. I think my idea of a collection of promo comics has merit and is more entitled to the title of 'Rarities.' But this is still a good read.

Worth Consuming!

Rating: 7 out of 10 stars.

Jack Kirby: The Epic Life of the King of Comics (A Madman Re-Read)

After reading Tom Scioli's biography of Stan Lee, I wanted to revisit his account on the life and times of frequent Lee collaborator, Jack Kirby. There were 2 questions I wanted to answer: 1) how much comic book history is repeated between the two graphic novels? and 2) whose account of the early days of Marvel Comics seems the more honest? 

For the first question, not a whole lot is repeated between the two books. In the two volumes, we see how Stan and Jack first met, why Jack was fired from Atlas, Jack's return to Marvel, Jack's departure for DC and that's about it. No panels seem swiped. The dialogue in the two books is differing. If you read one book and then the other, you will not feel like you were gypped. Though written, illustrated and even lettered by the same creator, the Jack Kirby biography and the Stan Lee account are completely different.

For question #2- I believe Jack Kirby. For one moment do I not doubt that Stan Lee loved the fans. He was an entertainer and he knew that if not for the readers of his comics, he and the rest of the Marvel bullpen would be out of a job. I also believe that Stan cared very deeply about his staff. But when given the chance to excel over them, it's my opinion that Stan Lee would connive, back-stab and steal the glory whenever possible. 

When it comes to Jack Kirby, was he hardheaded? Absolutely. Did he make some horrible business decisions? No doubt. However, a lot of Kirby's trouble was based on trying to be a good provider for his family without the benefit of having a good friend that he could rely on for good advice. I think if the team of Kirby and Joe Simon still existed in the 1960s, Kirby wouldn't have received a screw job from both Stan Lee and the high-ups at Marvel years later when the company began making incredible profits from licensing everything from actions figures to bed sheet sets.

I still love Stan Lee's work. But having now read 2 graphic novel accounts of his life, I have less respect for the Man behind the curtains. I hate to think that the way Stan was mistreated and abused by his caretakers in the last couple of years of his life was karma getting back at him for how he treated Kirby and others. Yet, if Stan Lee's life was plotted out like one of the Marvel co-creator's many, many comic scripts, that ironic twist would have been taken straight from the Stan Lee playbook. 

Since I've read Jack Kirby's biography before and wrote a detailed review that I feel still speaks for how I feel about the book, I'll end my reflection here. Nothing new to add and I would hate to repeat myself. 

Both Tom Scioli biographies are fantastic reads that should be read as a companion set!

I Am Stan: A Graphic Biography of the Legendary Stan Lee

My wife knows that I'm a big fan of both Jack Kirby and Stan Lee and got me both of Tom Scioli's graphic biographies of these two Marvel legends. The favorability of Stan the Man had lessened in my eyes after reading the Kirby book. Stan Lee took advantage of the King. But to be fair, a lot of high ups in the comic book industry used Jack Kirby as their personal door mat. 

Knowing how Stan Lee came off as a massive jerk in Scioli's other work, I held off on reading this book which I got last year for Christmas. But I couldn't hold off any further as I Am Stan was just sitting atop my 'To Read' pile just screaming to be read. 

With Stan Lee as the subject, Tom Scioli does seem to paint the man born as Stanley Lieber in a more favorable light. There's no doubt that Stan was a master storyteller and a lot of the anecdotes he regaled both interviewers and audiences seemed to evolve over time; getting more and more wilder and inaccurate with every retelling. As Scioli utilized a slew of articles and writings by and about Stan Lee, a lot of material is more positive about Stan as history is often told by the victors. However, I am glad to say that Stan Lee is portrayed as far from perfect.

For one thing, Stan was a workaholic. Makes sense as his father was often in-between jobs and seldom actively searching for work. However, Stan's work ethic caused friction between him and his beloved Joan, whom I did not know until I read this work that she was married to some other dude when Stan met her. I also expected Scioli to reveal that Stan was cheating on Joan with possibly his gal Friday, the Fabulous Flo Steinberg. However, it appears that in that regard, Stan was a saint!

Stan Lee was also a businessman. As much as he acted as one of the people in his monthly 'Stan's Soapbox' columns, Stan was the MAN, taking the side of big business when approached to support a comic book writer and artist union in the 1970s. That's despite claiming to be all for it years later once he was nothing more than Marvel's Chairman Emeritus.

You might blame Stan's ego on his family. His mother smothered him with praise; perhaps in hopes he'd grown into someone other than his father. Stan could be modest. However, he also couldn't help himself to ham things up. It's a tale almost as old as time. The guy looked upon as the leader gets all the accolades. As their heads balloon up with the forthcoming perks and riches, the leader forgets the little guys, causing friction if not all around dissension and broken relationships along the way. 

Jack Kirby's love/hate relationship with Stan Lee is covered in large part in this work. Thankfully, Tom Scioli doesn't just repeat everything that transpired between the two founders of the Marvel Universe play out exactly as it did in the earlier Kirby biography. If there was ever a time I would expect a comic book creator to phone it in with repeated swipes of previously published material, it would be in this book. Yet, Scioli doesn't fall into that trap!

Reading this biography has got me itching to give the Kirby graphic novel another read in order to compare notes. I've got a perfect chance to do so coming up in a couple of weeks. I'll be interested to see where Tom Scioli repeats himself as well as portraying incidents that are covered in both histories differently. I don't normally like to do a re-read. But this is one of those exception times where I'm actually looking forward to it.

I'm also hoping that Tom Scioli doesn't stop with the graphic biographies of comicdom's biggest names. Julie Schwartz, Bill Gaines and Steranko are just a few subjects I would love to see Scioli give notice to!

Worth Consuming!

Rating: 9 out of 10 stars.

Weird Wonder Tales #18 (2024 Comic Book & Graphic Novel Reading Challenge)

Weird Wonder Tales was just one of the many horror titles that Marvel published in the early 1970s thanks to the lessening of restrictions on such titles by the Comics Code. There was only one problem with these type books in the eyes of 1970s readers: based on the reprinted material inside, the Marvel horror anthologies were tame compared to what DC and Charlton were putting out. These stories were also way past G-rated compared to the horror material Marvel was distributing in magazine format which had some mild nudity and swears in them. 

Starting with issue #19, Marvel made the one-time Avenger Doctor Druid the series host, hoping that continuity would earn readers. Unfortunately, the experiment was a failure and Weird Wonder Tales was cancelled 4 issues later with issue #22. The ultimate irony is that nearly 50 years later, many of Marvel's horror anthologies from the 70s are sought out by collectors as the reprints they contain are affordable alternatives to the original issues from the 50s and 60s. This was the last issue under the title's original format.

In this issue there are 2 stories. The cover story, (I Created) Krang!, is a double sized giant monster story by Stan Lee and brother Larry Lieber with art and inks by Jack Kirby and Dick Ayers. A scientist seeking to use enlarged insects as environmental replacements for fuel burning vehicles travels to Europe where a rare tree might hold the key to gigantism. The assistant steals some of the resulting formula and puts it atop a seemingly harmless ant. However too much is applied and the ant grows to the size of an elephant. Even worse, the ant has developed super intelligence, forcing the scientist to make more formula in order for Krang to create an army of oversized insects and thus conquer the world!

The backup feature combines horror and ancient myth. From the early 1950s, 'The Cartoonist's Calamity' was featured in the pages of Venus #17. The story stars the character of Aphrodite. Growing bored with life as a goddess, the daughter of Zeus comes to Earth where under the name of Venus, she becomes the editor of a struggling fashion magazine. In this tale, her head cartoonist Jimmy Rogers has been acting erratically. Venus goes on to discover that Jimmy has been moonlighting for a horror comic; only now Jimmy's terrifying visions have come to life and are driving their creator insane!

Written and illustrated by Bill Everett, the horrors Jimmy Rogers creates seem ripped directly from the sketchbook of Basil Wolverton. When it comes to the lettering, it must have been by the same fella that crafted the stylized font for the word 'Comics' on the Action Comics logo. Just about every speech bubble using that style instead of italics for expressions of disbelief and shock!

The material in this book might not be the most terrifying horror title to ever grace market shelves. But this was a 1970s horror anthology that has since earned the respect of collectors, if not about 5 decades too late. 

Cover by Jack Kirby, Klaus Janson and Danny Crespi.

Completing this review completes Task #13 (A Horror Comic) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Daredevil #31 (2024 Comic Book & Graphic Novel Reading Challenge)

When law partner Foggy Nelson and secretary Karen Page begin to suspect that attorney Matt Murdock might be the super-powered vigilante, Daredevil, Murdock invents the character of Mike Murdock. Matt's 'twin' brother, Mike is the antithesis of the real deal. He's brash, loud, charming and a bit of a jokester. Everything Matt Murdock has longed to be but keeps bottled up inside is allowed to flow out in the guise of brother Mike. 

In the previous issue, Mr. Hyde and Cobra have re-teamed. Instead of battling Thor, both go up against the Man Without Fear. Hyde concocts a formula that is intended to render Daredevil blind. Unknown to the villains, since Daredevil is already sightless, the chemical strips Matt Murdock of his radar-like abilities. 

Starting from where things left off, Mr. Hyde and his partner in crime are about to strike when the New York Police Department charges into the warehouse doubling as a criminal lair giving Daredevil a chance to escape. However, without his billy-club/white cane hybrid walking device, Daredevil is unable to make his way home. His stumbling attracts the attention of the populace, leading Daredevil to pose as Mike Murdock in order to convince friends Foggy and Karen that any reports of a possibly blind Daredevil is not linked to actual blind person Matt Murdock!

After convincing what has got to be two thirds of the most gullible law firm in all of New York, Daredevil must then fool Mr. Hyde and Cobra into believing that their compound didn't work and that the hero still has sight. With help from Foggy, Daredevil travels a tightrope strung between two buildings rather poorly. Yet the villains interpret the protagonist's clumsiness as showing-off and they retreat from their latest caper. Daredevil thinks he's bought some time and has Nelson escort him home. The chapter ends with Foggy being kidnapped by an unseen force and Cobra now pretending to be Daredevil's assistant. 

Speaking of gullibility, can Matt Murdock, who has been blind since childhood, really be fooled by the voice of Cobra as to being best friend, Foggy Nelson? It remains to be seen and in reality, it's pretty doubtful that he can be tricked. However, it's implied from the cliffhanger that everything is a-okay with Daredevil and fans should be terrified at the prospect of the Man Without Fear helplessly being at the clutches of his foes.

Fans of the Silver Age Daredevil, such as humorist Fred Hembeck, have pointed to issue #8, the first appearance of Stilt-Man, as the most absurd moment in the character's early history. This issue written by Stan Lee could easily be a contender for that distinction. The prospective cliffhanger is laughable. Did Stan the Man really think fans wouldn't expect Daredevil to know when he's being hoodwinked? A more plausible pause that would elicit an elevated heart rate would have a snipe aiming at the now super-powerless Daredevil. Just because Daredevil lost his radar ability, the change should not have diminished the enhanced hearing and other senses Matt Murdock has picked up since losing his sight. 

The artwork by Gene Colan saves this ludicrous issue from being a total lemon. John Tartaglione adds a smoothness to the dynamic artwork with his inks in panels that scream mid-1960s stylish Manhattan. Lettering by Artie Simek. Cover art by Colan with John Romita Sr. and Frank Giacoia.

Completing this review completes Task #17 (A Daredevil Story) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Rating: 6 out of 10 stars.

Nick Fury, Agent of SHIELD #16 (2024 Comic Book & Graphic Novel Reading Challenge)

In the 15th issue of Nick Fury, Agent of SHIELD, the super spy was killed off by a gun-toting assassin named Bullseye. The death of Nick Fury marked the end of the spygame comic despite a 'To Be Continued' tagline. 

However, fans would soon learn that you can't keep a good spy dead for long as Fury would reappear in the pages of Avengers #72 a year later in 1970. Obviously, Bullseye didn't off Nick Fury. It was one of those handy-dandy Life Model Decoys that kicked the bucket. (A small aside. Has there ever been a storyline where a LMD thought it really was Nick Fury and once faced with the real McCoy the android went berserk and took over for the director of SHIELD? That would be an awesome story! If it has been done; where do I find this amazing tale?)

At about the same time Nick's death was being addressed with the Avengers, Marvel decided to bring back Nick Fury, Agent of SHIELD. Instead of a new volume starting at issue #1, the House of Ideas decided to continue on with issue #16. However instead of rehashing what occurred in Avengers #72, Marvel inexplicably decided to reprint a trio of Fury's very first SHIELD story line with material that appeared in Strange Tales #135-138.  Featuring scripts by Stan Lee, plotting and layouts by Jack Kirby and final art by John Severin. Let's not forget lettering by 'Artful' Artie Simek! Issues 17 and 18 contained reprinted material from Strange Tales as well. The only new material were the covers. Marie Severin penciled this cover as well as #17. Big brother John assisted Herb Trimpe for the finale cover.

If these 3 issues were Marvel's ways of testing the waters for interest in a new SHIELD, it didn't work. After a decade that saw a glut of super spy and Cold War clock & dagger properties, the 1970s signaled an cooling off period for the genre. Nick Fury would pop up in other titles, especially the pages of Captain America. He'd also partake a few solo missions in some of Marvel's showcase series. 

With the Reagan 80s bringing the Cold War into the 21st century and beyond with futuristic programs like Star Wars, interest in the clandestine adventures of Col. Fury and SHIELD reignited. He took on SHIELD after discovering the agency had been corrupted by ROXXON in Nick Fury Vs SHIELD. Then in 1989, Fury starred in his first of 3 graphic novel team ups with the X-Man Wolverine while also starring in the third Volume of Nick Fury, Agent of SHIELD ( volume 2 was another reprint series) which ran for 47 issues.

Classics. But when I bought this I was hoping for the rest of the story. Not reprints.

Completing this review completes Task #9 (With the Word 'Agent' in the Title) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Marvel Masterworks: The X-Men, Vol. 1

This volume collects the first 10 issues of Marvel's X-Men ever published. I'm pretty sure that I've read most, if not all of these issues prior. But I have never experienced them in such glorious remastered color!

These issues reflect what I think is some of the very best and very worst of the early days of Marvel Comics. These stories debuted starting in the fall of 1963. That's not quite 2 full years of the Marvel Age of Comics yet. While many of the heavy-hitters including Spider-Man, the Fantastic Four and the Avengers have already debuted prior to the creation of these mutants, X-Men is really the first Marvel series aimed directly at primarily a teen audience. 

Stan Lee pens these stories and the first 2 or 3 issues show that Stan the Man had zero idea how early 60s high schoolers talked. Spider-Man was great because the kids in the book talked like normal people. Johnny Storm, the first teen of Marvel Comics, used some slang and was annoying. But at least he was only 1 character. Here you've got 5 high school students who despite their mutant abilities, look like kids who would've gone to a prep school and yet they talk like rejects from Blackboard Jungle. 

Thankfully, by issue #5, the bad attempts at 60s teenage language are aborted. But now it's replaced by really bad romantic pinings internally expounded by Cyclops, Jean Grey and even Professor X! Thankfully, Xavier's unrequited love towards his under-aged student, Marvel Girl, is quickly forgotten about. Yet, lots of people complain about how out of touch DC writers were with the youth counter-culture during the 1960s. Sure, the House That Superman Built never could get the generation gap right in their books. However, these early X-Men comics are proof that Marvel was far from perfect when it came to American's youth.

Jack Kirby was the main artist of these 10 first issues. I love Jack Kirby. However, I could tell that the X-Men was definitely a title that Kirby felt at times was beneath him. Some issues, the artwork looks rushed. Especially issues 1,2 and 6. However, when the King got a chance to be less rigid, like the 10th issue which takes place in the prehistoric Savage Lands, you could tell that Kirby had tons of fun drawing all those different dinosaurs and cavemen. Plus, it was really neat getting to see Ka-Zar's re-entry into the Marvel Universe as a teen warrior out of time after having recently reads some of his original exploits as a Tarzan arch-type in the African jungle.

Compared to how the X-Men universe has unfolded today, 1963-64 mutantdom is rather plan. The Danger Room is rather unimaginative. For one training session, Marvel Girl is tasked with telekinetically sewing laces on a practice board! There's no more than a dozen mutants with Magneto being the big baddie and for a character that will one day become a Jewish symbol of resilience and resistance, the X-Men foe sure does have a lot of fascist ideas in the book.

These 10 issues were enjoyable stories. But they definitely were not the best Marvel had to offer at the time. Oddly enough, though X-Men will go on to become the flagship standard of heroes for Marvel Comics from the 1970s to the early 2010s, these guys were in serious danger of becoming swept under the rug for their first dozen years of existence. The X-Men don't really gain a devoted cult status until 1975-76 when Len Wein, Dave Cockrum and a neophyte writer named Chris Claremont retool the entire team to being more of a group of international mutants instead of American misfits. Adding a character by the name of Wolverine to their ranks helped a lot with this newfound popularity. 

If I am at all honest, if I was to pick a group of oddball 1960s superheroes to put all my money on, it would be the Doom Patrol. Many, including series creator Arnold Drake and myself included saw the early X-Men as a poor copy of the DP team. I think it helped that the DC team had better and far more original villains than the students at the Xavier School did at the time. Magneto and the Blob are great foes. The Toad, Mastermind, Unus the Untouchable, and siblings Scarlett Witch and Quicksilver are not. (Can anybody tell me why the Vanisher is dressed like a snake?) But I really think the hearts of both Stan Lee and Jack Kirby just weren't in it 100% with this title and the lack of dedication shows as the consistency of Marvel Age quality just isn't noticeable in about half of these reprinted issues.

Worth Consuming, but just barely.

Rating: 7 out of 10 stars.

Fantastic Four: Unstable Molecules (2022 Comic Book and Graphic Novel Reading Challenge)

Fantastic Four: Unstable Molecules- the 2004 Eisner Award Winner for Best Limited Series.

Set in the late 1950s, Dr. Reed Richards is a rising physics superstar at Columbia University. On the verge of making a breakthrough with fabrics made from unsteady particles, the professor is also quite controversial. Accused of stealing formulas and discoveries from other scientists, Richards faces a series of potential lawsuits. Still, the potential loss of face isn't enough to deter the US military from requesting his help against the Red Menace of Communism!

Young Sue Sturm (not a typo) has been thrust into a role she did ask for. After the death of both parents in an automobile accident, Sue has had to raise her brother Johnny alone since he was 6. After several years of trying to raise a rebellious teen while playing the happy housewife is taking its toll on Sue. Johnny is frequently getting into trouble skipping school and stealing cars and fiance Reed seems more interested in his experiments instead of settling down.

Meanwhile, Ben Grimm is working as a boxing trainer after his own career has faded. Unable to stay in a stable relationship, Ben has just celebrated his one-month relationship with his latest gal. But deep down in his heart, Ben still kindles a flame for the one who got away- Sue Sturm.

This 2003 miniseries was an interesting concept. Fantastic Four: Unstable Molecules imagines if the First Family of Marvel were inspired by real people. However, unlike the perceived positivism of the 1950s nuclear family, things are anything but idyllic for the foursome who would be immortalized in countless comic books, movies, cartoons and action figures as the Fantastic Four. 

There's a cohesive story of a single day in the life of Reed, the Sturms and Ben. Along with the comic portions, there are a series of documents and interviews from the 'real life' inspirations of the FF and their friends. I love how the fourth issue of this series ties in how Stan, Jack and the rest of the Bullpen were invited to a wild party thrown by Sue and Reed and it led to the eventual creation of the comic book. But I really wish that those extra segments at the back of each comic would have explained what happened to those inspirations in real life. And do it without conflicting accounts.

In issue one, miniseries writer James Sturm tells readers that since Sue and Johnny Sturm were distant relatives, the Drawn & Quarterly scribe was inspired to write a biography about them. I understand that it's all pretend. But in that introduction to readers, James Sturm talked about how the inspirations were in real life adventurers. Yet in issue 3, in an interview with Johnny's best friend (taken years later, of course), the fiery blond youngster ended up becoming a fringe poet who like to use fire as a motif. If these fake extras would have been consistent, I would have been pleased. But with each issue contradicting each other on the 'facts', I was sorely disappointed.

This isn't your father's Fantastic Four. Heck, it might not even be my FF. This miniseries was rated PG+. While the series isn't full of blood and gore; it's a far cry from the World's Greatest Comics Magazine. There's the scene where Johnny is exploring his body. I've never encountered the Human Torch doing such a thing! Another scene that comes to mind is where Ben gets plastered and calls the girl who rebuffed him some pretty rude names that Aunt Petunia wouldn't condone. 

But there is one thing that this 'true tale' captures fairly well: the dysfunction of Reed, Ben, Sue and Johnny. Sadly, what is missing from these inspirations is what Stan and Jack made forefront in the Fantastic Four comic- LOVE.

Rating: 5 out of 10 stars.

Completing this review completes Task #45 (An Eisner or Hugo Award winning book) of the 2022 Comic Book and Graphic Novel Reading Challenge. 

The Fantastic Four Anniversary Tribute #1

Late 2021 marked the 60th anniversary of the debut of the Fantastic Four. The previews of this book listed dozens of amazing artists and inkers along with Stan Lee and Jack Kirby. Naturally, I thought that this tribute was going to be of dozens upon dozens of stories, one-pagers and pin-ups. And since Stan and Jack were listed, there might be some reprints or maybe some never-before-seen scripts and sketches. I was really excited. 

So on the New Comics Wednesday this book dropped, I sprinted over to my favorite LCS after work and bought me a copy. Then for some reason, I didn't read it until last night. And boy was I disappointed.

Instead of all new takes on the First Family of Marvel Comics, the abundance of art talent were each given a page from Fantastic Four #1 and Annual #3- the marriage issue between Mr. Fantastic and the Invisible Girl. In other words we get the amazing stories written by Stan Lee and Jack Kirby. But no Jack Kirby art! I don't know whether this is yet another kick in the nuts to the legacy of Jack the King from the House of Ideas or I got taken for $7! Maybe both!

I think if Marvel had went the extra mile to assign a team of writers to the rest of the art crew and have greats like Neil Gaiman, John Byrne and Alan Moore rewrite each page to reflect their style, I would have been okay with a retelling of those two classic comics. But to just remix the artwork is not at all what I expected or wanted in a tribute comic. 

Don't get me wrong. Seeing Adam Hughes, The Allreds and many, many more superstars put their thumbprint on the Fantastic Four's earliest, greatest hits was fun. I enjoyed attempting to guess who illustrated what and checking to see if I was right. But again, I felt like I was promised something I didn't get. 

A nice tribute that doesn't pay full homage to half of the creators of the FF. Thankfully, I didn't pay more than I did.

Rating: 6 out of 10 stars.

Essential Sgt. Fury and His Howling Commandos, Vol. 1

I just cannot get enough of the exploits of one Nick Fury. Whether he's an agent of SHIELD or the newest incarnation of The Watcher, if it's got Nick Fury in, I want it. And that's the case with Nick's time as a grunt Sargent during World War II. 

Fury has a squad of 6 men. There's former circus strongman, Dum Dum Dugan. Trumpeter, Gabriel Jones. Kentucky jockey, Reb Ralston. Brooklyn mechanic Izzy Cohen, whose Jewish heritage makes the war on Hitler that much more personal. Hollywood hunk Dino Manelli. And recent college graduate Junior Juniper. Fury along with the rest are under the command of one Captain 'Happy' Sam Sawyer; who just happens to be anything but cheerful.

Now, you may be wondering where's Pinky Pinkerton; the British playboy turned commando? Well, turns out he wasn't an original member of the Howlers as Fury's squad is known as. But an early shocking death will bring forth the Brit's membership onto the team within the first half dozen issues. An unknown element for it's time, having a good guy die (and stay dead) added yet another layer of realism.

One thing many don't realize it that while Sgt. Fury came about as a bet between Stan Lee and Martin Goodman, the crux of this comic book was a result of Jack Kirby's time as a solider in the European theater. The ideas behind this book were a therapeutic way for Kirby to deal with the horrors of war he experienced. For this reason, it was one of the few titles that Kirby didn't mind when Stan Lee overtook as the alleviation of his PTSD was worth the backstabs from the Marvel editor-in-chief. 

There's a lot of wild stories in this volume. Sgt. Fury meets his match when he is introduced to Baron Strucker. The Howlers take on assignments in Africa and the Pacific theater where Pinky's origin is revealed. Catch a glimpse into the future when the Howlers reform during the Korean Conflict. Oh, and in the most crazy story of them all,  the Commandos kidnap the Fuhrer!

Over the summer I completed a graphic novel biography about Jack Kirby. It was that book which inspired me to finally bite the bullet and get serious about completing my Sgt. Fury collection. But this task wasn't easy as just about half of the issues in the titles' 167+ run are reprints. And some issues were reprinted more than once! Being a gigantic bargain hunter, I went for the cheapest option which meant that my entire run is a mix of first run and reprints upon reprints. It took a while, but I got this run complete.

I'm very thankful Marvel did a volume of Marvel Essentials on the Howlers. A first issue is valued at about 4 grand. This collection contains issues 1-23 and the first annual; all of which would probably cost me just under $10K to own. This book is out of print. So I did pay a bit more than the original cover. But I saved a lot going this route.

Sadly, Marvel never made a volume 2. Shortly after this book was published, the House of Ideas decided to end this beloved line of black and white reprints for more expense all-color anthologies made on high quality paper- the Epic Collections.

 If you ask me, I'd prefer giving up the color and paper quality in exchange for saving cash. But Marvel never bothers to refer to me. 

That's okay. I'm sure I'll get my chance someday.

Worth Consuming!

Rating: 9 out of 10 stars.

Curse of the Weird #1

Steve Ditko. Through his artistic lens, Ditko is a legend; having a hand in creating Spider-Man, Doctor Strange, The Blue Beetle and nameless others. But while I am fan of Steve Ditko the artist, I am even more of a fan of Steve Ditko the writer! 

A lot of this is due to the very first comic I ever bought (Ghostly Tales #152) featured a Ditko penned and penciled story. Though it was a reprint, I was hooked at a very young age. And so for Day 5 of my Halloween readings, I'm devoting some time to one of my all-time favs in Curse of the Weird #1.

It's true! This issue isn't 100% devoted to Steve Ditko. But it was a definite selling point to me. Curse of the Weird was a 1993 4-issue miniseries from Marvel. It was one of several short run series and one-shots published at this time that chronicled Marvel's rich horror history. This title focused on the pre-code horror published by Marvel's parent company- Atlas!

The first story was a Stan Lee/Ditko collaboration called 'Do Not Panic!' It's an alien first contact story with a great twist ending. 

Next up was a Russ Heath beauty called 'The Brain.' It looked like something destined for the pages of Vault of Horror or Tales From The Crypt. The only thing missing was that crisp, clean type-set style font. Well, that and a believable storyline.

Surrealist illustrator Basil Wolverton is featured in the third slot. 'The Eye of Doom' is reminiscent of Wolverton's magnum opus 'The Brain Bats of Venus'. So much to the point that this story too takes place on the same heavenly body! It's classic Wolverton! Not for everyone. But I loved it!

Things get wrapped up with a terrifying tale from Sub-Mariner creator Bill Everett. In 'The Man Who Owned a Ghost' a man trades away his soul in hopes of killing his wife. In typical Faust-fashion, things never go right proving you should never make a deal with a devil!

This is a very good collection of classic horror from before the beginning of the Marvel Age of Comics. Don't pass up Mort Todd's (Cracked Magazine) in-depth article about the creation of these fabulous lost tales. It's a little bit disjointed with randomly inserted images of other titles. But it also gives an intimate glimpse into one of my favorite eras in comics- the comic book scare of the 1950s. 

There's 3 more issues out there. I've never run across them. But they'll definitely be coming home with me when I do. 

4 great artists. 3 fantastic stories. Worth Consuming!

Rating: 8 out of 10 stars.

Jack Kirby: The Epic Life of the King of Comics

  

 Stan Lee had his chance to speak his version of the origins of Marvel Comics many times; most recently in 2015's Amazing, Fantastic, Incredible graphic novel. Sadly, The King, Jack Kirby never had a chance to give his first person account of the founding of the House of Ideas in sequential art form; passing away suddenly in 1994. That is, until now!

Culling from decades of journals, interviews and first person accounts, Go Bots' Joe Scioli grants Jack Kirby the chance to tell his side of the story. It all influences Marvel Comics and DC's Fourth World! From his rough and tumble days in the Brooklyn ghetto (The FF's Ben Grimm) to his bloody tour of duty in the European theater of World War II (Sgt Fury and his Howling Commandos) to his epic romance with wife Roz (Big Barda) and of course, his love/hate relationship with Stan Lee (Flunky Flashman), if you always wanted to learn the full story of Jack Kirby- now is your chance!

This graphic novel will definitely sour your opinion of Stan Lee. Marvel's most famous employee was an opportunist. Lee's love of comics and most importantly, it's fans, cannot be disputed. But I think it's arguable to say that popularity went to Stan's head. Unfortunately, the influence Jack Kirby had on the Marvel Universe was railroaded by the Stan Lee popularity train.

Kirby says it best when he tells readers that he 'saved Marvel's ass!' There is absolutely zero doubt in that. Marvel, then Timely, was just about to shut up shop. As Jack Kirby entered the office, the furniture was being repossessed. Loyal secretary turned editor, Flo Steinberg, has gone on record to admit that's true! If not for Jack Kirby, your favorite Marvel characters may never have seen the light of day. Or maybe they would have, but they would have been property of DC Comics or Charlton or even Archie...

The majority of this book is about Marvel. But the third act is deep in  Jack's days at DC Comics; which as epic as they were, they didn't turn out as promising as the King had hoped. As it got harder for Kirby to hold a pencil, he went into animation. I had no idea he was behind some of my favorite 80s Saturday morning cartoons like Thundarr, Turboteen and Mister T!

I loved this biography by Tom Scioli, even if I did get him confused with Ed Piskor. The art was great. The book was full of great stories and facts. I might be on the fence with my former love of Stan Lee. But my love for Kirby is unwavering.  If anything, this book has given me a desire to finally bite the bullet and complete my Sgt. Fury collection. 

The King may never have gotten his just due when he was alive. I'll admit, I never gave the New Gods the respect they deserved until I was in my 20s. But, in the past 20 years, Kirby has been cemented as a member of the Mount Rushmore of Comics. Thanks to books like this, Jack Kirby might finally be placed on his undisputed throne as the one true King of Comics!

Worth Consuming!

Rating: 10 out of 10 stars.

SHIELD by Lee and Kirby: The Complete Collection

He's the world's last line of defense against secret organizations that seek to dominate all mankind. He is Nick Fury: Agent of SHIELD! Relive Col. Fury's earliest exploits as the director of  Supreme Headquarters, International Espionage and Law-Enforcement Division or SHIELD. 

In the 1960s, spy flicks were all the rage. 007 himself, James Bond, was saving the world from the likes of Dr. No and Goldfinger. Napoleon Solo was defeating the criminal organization of THRUSH as the Man from UNCLE. There were countless others, such as Secret Agent Man, Our Man Flint and the comedic Maxwell Smart. But none were as ornery or fantastic as Nick Fury!

Stan Lee and Jack Kirby crafted a non-superhero corner of the Marvel Universe with this title. Fury, along with war buddies Dum Dum Dugan and Gabe Jones and SHIELD graduate upstart, Jasper Sitwell, took on the likes of Hydra and A.I.M. (Advanced Ideal Mechanics.)

My favorite parts of Marvel Comics has always been about the espionage. I loved Captain America and his battle against fascism as a SHIELD operative. Nick Fury and his team have always entertained with their amazing gadgets, zany villain dictators and alluring femme fatales. Plus, it helps that I was a big fan of the other Nick Fury title, Sgt. Fury and His Howling Commandos!

I love this collection of stories. It did not disappoint! Now I have to get the companion piece, SHIELD by Steranko: The Complete Collection. I have to read the rest of Fury's adventures in the pages of Strange Tales!

Worth Consuming!

Rating: 10 out of 10 stars.