Superman: The War Years 1938-1945

I've been watching the new World War II docuseries on History Channel hosted by Tom Hanks. Having a history degree, along with my culinary degree, modern pop culture history from 1938-on has been my focus of study for going on 30 years. Thus, being inspired by the show's very holistic approach to the war, I decided it was time to return to Roy Thomas's 3-volume look at DC's trinity and their impact on the war at home and abroad.

I had already read the volume on Batman. So it was up to either reading about Superman or Wonder Woman. With the new Supergirl movie coming out, I used that to break the tie as Superman has a cameo in the film. Don't worry, Princess Diana, your time is coming!

The origins of Superman were basically forged in the furnace of war. His very first story sees the Man of Steel running afoul of war profiteering. Ending with a cliffhanger, the story concludes in Action Comics #2, with Superman forcing the American arms dealer to enlist in the European army that he's been selling weapons to in hopes of achieving an ah-ha moment regarding the error of his ways much like the ghosts do to Ebenezer Scrooge.

Being the world's most powerful man at the time, Superman could easily end the war in a blink of an eye. In fact, there's an imaginary story that poses such a question. But in reality, Superman's might caused a problem for his creative team. Thus, Superman stayed stateside. Having accidentally failed his physical, Clark Kent was tasked to cover the war effort for the Daily Planet, touring military bases and observing maneuvers. Only when mistakes happened did Superman secretly appear to keep up the morale of our fighting forces. If Superman did make a public appearance to the troops it was mostly in an USO-type capacity that showed off his astounding feats of wonder.

There's even a newspaper story included in which a summit between Hitler and Superman is arranged by the State Department. Adolf, along with Himmler, Göring and Goebbels don Superman suits in hopes of swaying the Man of Tomorrow to the Nazi cause. It would be hilarious if not for the fact that those 4 Ratzis were responsible for the death of millions of innocent Jews and gentiles throughout Europe. 

Throughout the book, Roy Thomas offers commentary on how Superman evolved from his inception in 1938, right as Germany is sweeping into Poland through America's entry into the war after the bombing of Pearl Harbor to the arrival of actual G-men when a Superman newspaper script came too close to revealing the secrets of the Manhattan Project. (Deemed classified, we never see the script.) Finally by August of 1945, the conflict came to an end and with it, the last of Superman's contribution to the war effort. 

This is a fantastic book, full of stories and covers that I've never seen before and I have read a ton of Superman stories. I'm not at Mark Waid level, but I have read quite a few Golden and Silver Age Supes tales. I'm eager to see how Wonder Woman helped the allies win the war...

Worth Consuming!

Rating: 9 out 10 stars.

Batman Family Giant #13 (2026 Comic Book & Graphic Novel Reading Challenge)

In 1974, DC Comics unveiled a new anthology series called Superman Family. Though Superman was featured on the very first issue, the series centered on the adventures of friends and family of the Man of Steel. Superman Family served a financial purpose for DC as they cancelled the titles devoted to Jimmy Olsen, Lois Lane and Supergirl individually and merged them into a giant sized publication for the affordable cover price of 60 cents. Numbering of the series picked upon that  issue #164 of Superman's Pal, Jimmy Olsen.

A huge success, DC followed up with the anthology formula with Batman Family the following year. Unlike Superman Family, the numbering for the new series began with #1. A few issues later, it was rebranded as Batman Family Giant. The exploits of Vicki Vale, Alfred Pennyworth and the Huntress were regular subjects along with reprints. The first main feature was a monthly team-up of Batgirl and the Dick Grayson Robin. Their first pairing was supposed to be featured in an issue if 1st Issue Special. However, once it was decided to create the Batman sister anthology, editors decided that the Boy Wonder and Batgirl combo would be an excellent selling point with readers. 

Beginning at issue #11, Man-Bat was also made a main feature of the title. An attempt had been made to feature the Jekyll and Hyde type character into a superhero in his own title. However, the idea proved unpopular and the series was cancelled after issue #2. However, as there were still several Man-Bat stories on tap that had yet to be published, the idea was to burn those stories in the pages of Batman Family.

Eventually, Robin and Batgirl, billed as the Dynamite Duo were fated to team with Man-Bat. 

In this issue, both Dick Grayson and Barbara Gordon are gifted a new motorcycle. There's no note or indication who sent it. But it intrigues both sleuths, who don their costumes and decide to take their new choppers for a spin. This turns out to be a massive mistake as once they mount their new rides, their arms are essentially handcuffed to the handlebars. Then the motorcycles go into automatic pilot mode, and once in New York City, the two heroes meet, Travelling at speeds well exceeding the speed limit Robin and Batgirl about to play a most deadly game of chicken.

Meanwhile, Dr. Kirk Langstrom is trying to settle into his new role as superhero. Making a new start in the Big Apple, Langstrom has perfected his genetic serum, allowing his body to change into the Man-Bat while keeping his level headed Langstrom personality.

Staying sane as the Man-Bat hasn't been easy. In his most recent experience, a gang armed with a special type of flashlight was able to transform the Man-Bat into a savage jaguar creature. On his latest patrol of the city, Man-Bat runs afoul of the gang with the specialized light source. Knowing that he'll never be free until he can destroy that lantern, the new found hero goes in for the attack. Disarming the the gang, Man-Bat makes a leap for the device. Only another player has taken control of it: the Outsider! 

A classic foe from the 1960s, the Outsider was originally the resurrected Alfred Pennyworth, devoted butler to Bruce Wayne. The process that revived Alfred changed his psyche to wanting to kill Batman and anyone associated with him. It also changed his appearance with his skin becoming chalk white and covered in boils. Able to telekinetically control matter, it's very likely that the Outsider is behind the attack on Robin and Batgirl. Only it doesn't add up. Alfred Pennyworth hasn't reverted to the Outsider persona in years. Has Pennyworth gone mad again? Or has a new player found the key to becoming one of Batman's most deadliest of does?

Published roughly 8 times a year, Batman Family Giant survived until late 1978. Ultimately cancelled with issue #20, the series originally was to survive the infamous DC implosion. Batman Family Giant was actually outselling Detective Comics at the time. Execs actually planned to cancel Detective Comics. Artists and writers protested the loss of such an iconic title and thus Batman Family Giant got the axe. In a sort of compromise, Robin, Batgirl and Man-Bat's adventures were continued in Detective Comics, now given the 'Giant' moniker as the page count was upped to 68 with a $1.00 price tag. After 15 issues, the series lost the extra word and pages 'effectively cancelling Batman Family for good'.

'The Man Who Melted Manhattan' was written by the Answer Man, Bob Rozakis. Artwork was attributed to Don Newton, Marshall Rogers and Bob Wiacek. This issue is notable as being the first professionally published work by eventual Batman Norm Breyfogle, who submitted a redesigned Robin uniform in a portfolio display titled 'Robin's New Look?' in the back of the book. 

Completing this review completes Task #12 (Batman Comic from the 1970s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

CBGB: OMFUG (2026 Comic Book & Graphic Novel Reading Challenge)

Creators from mainstream and Indie comics along with musicians, music experts and those intimately involved in the operation of the legendary New York music venue CBGB joined forces in 2010 to present a 4-issue anthology from Boom! Studios. 

CBGB was at the forefront of the American punk scene, providing a headquarters for fabled bands such as Television, Blondie, Talking Heads and Ramones. It later evolved into the home of New Wave as punk began to fade. But it wasn't intended that way. When Hilly Krystal opened his bar, he felt that country music was going to be the next best thing in the Big Apple. Hence, the name CBGB, which stood for 'Country, Bluegrass and Blues'. Like one of the characters says in the opener 'A NYC Punk Carol', which untangles the facts from the myth of CBGB, the owner 'couldn't have been more wrong.' In desperate need of patrons, Krystal would allow very avant garde acts to perform under the arrangement that the band got the door sales and Holly got the bar take. Soon, an unusual new vibe began to form, fueled by a single rule: there are no rules.

Kieron Gillen, Rob G.,  and Kelly Sue Deconnick, among others, examined the past, present and future of CBGB. The past of the venue was vast and rich. The present for fans of CBGB, was pretty bleak. In 2006, the club closed due to a dispute over rent. (Patti Smith was the site's final act.) A year later, Hilly Krystal passed from complications of lung cancer. By the time this miniseries saw print, CBGB was an entity in name only with licensing of the name and logo on countless T-shirts, hats and book bags being overseen by the venue's long-time general manager, Louise Staley, who reviewed and approved all of the stories in this collection. 

As for the future of CBGB, as long as the acts that got their start at 315 Bowery, Manhattan continue to enthrall the next generation of music lovers and musicians, CBGB will continue to live on, if only as just a memory and commercial property.

Note: OMFUG isn't an acronym for dirty talk. It stands for 'Other Music For Uplifting Gourmandizers.' In this case, the gourmandizers were 'eaters of music.'

Completing this review completes Task #4 (About Music) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Rating: 5 out of 10 stars.

Are You Afraid of the Dark?, Vol. 2: The Sinister Sisters and Other Terrifying Tales (Family Comic Friday)

Growing up, we had a number of horror anthology TV series to scare the pants off of us. Tales From the Darkside. Monsters. The Twilight Zone- both the black and white original in syndication and the full color reboot. But the show that creeped my generation out the most, was a series that on paper, should have been a much more tamer of a fright. That's because it was geared at teens and aired on Nickelodeon! I'm talking about Are You Afraid of the Dark?

This anthology series originally aired from 1992-96. It was the chilling capstone to a 2-hour Saturday evening program block that saw innocuous family friendly fare such as Rugrats, All That and more. Are You Afraid of the Dark? was good to spoil my good feeling mood and as I was a latch key kid on the weekends in the 90s, the show would put me on edge to where I was creeping out at every little late night noise.

The premise in involved a group of teens that made up a club called the Midnight Society. Each week, a different member would submit a new ghost story or other tale of terror for the approval of the club. Sometimes, it would be a potential new member having to craft a haunt in hopes of becoming a member. If I remember correctly, there was a couple of episodes (probably a two-parter of a season ending cliffhanger) where a member of the Midnight Society had violated the rules of the charter and had to tell the ultimate horror story in order to save their membership status.

In this volume, a set of twin sisters are challenged by the Midnight Society to tell the scariest story. The results of the competition could keep the secret club's existence from being made public or it could mean that one of the members is kicked out of the group. With use of Ghanaian folklore from the girls' ancestry, frightening tales of monsters that eat naughty students and angry gods will be told. However, the voting ends in a tie. Now the girls must team up to craft a story so terrifying that it threatens the siblings already fragile relationship!

Written by Roseanne A. Brown, who is from Ghana, I like the use of native folklore. I took an elective on myths and legends in elementary school and it was so fun, I continue to devour such new oral histories with aplomb! It's got me wondering if the previous volume is told in the same manner as there is a different creative team associated with it. 

The artwork of the first story had some creepy elements. I was entertained by the middle story but not scared. Yet, that last one. Oh boy. It was edging on demon possession, which is one of the few types of horror stuff I shy away from. 

Since the 90s, there have been 2 revivals of the series. Both occurred in this decade. Age and probably being exclusive to a streaming platform resulted in them not making a blip on my radar. Heck, if it wasn't for my local library having this book on a Halloween display, I wouldn't have even known that Are You Afraid of the Dark? was having a prose revival with today's youth. I scour Previews and other sites for comic new releases and I do not remember seeing this one even listed!

In reality, this early 2025 release is a tie-in from the most recent series reboot. While there hasn't been a new episode drop since 2022, Harry N. Abrams has published a couple of chapter books and one previous graphic novel as a tie-in, as the show had continued to be featured on Paramount+ . However, in the spring of this year, Paramount removed the show in order to focus on other projects. So this book might be the very last in the series, which is a shame, because it captured the spirit of the original series very well and creeped me out.

If your looking for scary reads this Halloween season for third graders and up, why not make a nostalgic connection with Are You Afraid of the Dark? If it resonates, there's at least one other graphic novel and a slew of chapter books, both in and out of print, to stoke the fire of literacy with the young readers in your life. 

Worth Consuming!

Rating: 8 out of 10 stars.

Marvel

Many comic book collectors and fans consider Kingdom Come to be Alex Ross' best work. I like that possible future of the DC Universe. But it's not my favorite of his. I absolutely adore the Alex Ross/Kurt Busiek collaboration from 1994 known simply as Marvels. It follows the span of the Marvel Universe through the eyes of a human newspaper photographer trying to make sense of a world full of superheroes and villains.

So how in the world did I miss Ross' 2020-21 follow up, Marvel? 

Well, for one thing, I'm sure it had something to do with the pandemic. As much 'free time' as I supposedly had as a teacher having to go virtual, I did very little reading. I did even much less comic book shopping. During the pandemic, I had to attend so many useless Zoom meetings that should have been emails because the high ups in my district were terrified of being accused of not doing anything by political detractors. Plus, my anxiety was at such an all-time high, I had trouble focusing on reading. 

But once the pandemic was over and we all started exiting our homes like Punxsutawney Phil looking for his shadow, how did it still take me 4 years to discover this book? A very recent chance trip to Ollie's helped me to find this trade paperback for a very good deal. (If you're in the Durham NC area, there's still a couple dozen volumes of this book if you like to save money like I do.)

Marvel is what Alex Ross originally envisioned Marvels to be. It's an anthology unencumbered by the scope of current Marvel canon. An assortment of creators were to craft stories of their favorite characters in situations as realistic or far fetched as the imagination could reach. No timeline was off limits. Past, present, future or even alternate timeline was a possibility for the tales to be contained. Ultimately, Marvel Comics passed on this project, citing it to be an idea just too lofty for a relative newcomer in the comic book industry to tackle. So Ross put the idea back on the shelf, teamed up with Kurt Busiek and Marvel Comics history was made! (Made ironically by exploring Marvel Comics history.)

Jump forward to the approach of the 25th anniversary of Marvels. The House of Ideas approached Ross for a follow-up to the ground breaking mini. A couple of sequels, including a dark timeline 2-parter had already been done. Ross didn't really want to go back to that storyline. So he pulled deep into his portfolio and dusted off his original plans for Marvels. This time the editors whole-heartedly agreed to the miniseries.

The various stories that make up Marvel is framed with a Doctor Strange epic throughout the 6 issues of the mini. The demon Nightmare has placed the entire Marvel Universe into a deep sleep. His plan is to become the most powerful entity in the universe by drawing upon the hopes, fears and dreams of the heroes, villains and deities of the 616 Universe!

There's a ton of adventures in this book. Too many to give proper attention to. So I'll focus on just a trio of my favs. 

Alan Weiss explores an early adventure of Prince Namor set in the early days of the second World War. He's asked to infiltrate a new underwater mega-structure to determine if its a refuge for the wealthy hoping to avoid the coming global holocaust or is secretly an Axis underwater base. It's a story that shows a much more swashbuckling Sub-Mariner as opposed to the snobbish ruler of Atlantis that we know of today. Very thrilling and completely unexpected.

Speaking of unexpected, in a futuristic story set after 'The War of the Worlds', we see the apocalyptic gladiator games that Killraven was forced to compete in would be like if they were populated by super-heroic survivors of the alien invasion of Earth. I won't spoil the surprise of who makes it to the games. But it's an idea that if Marvel ever decided to expand on, I would making it a part of my pull list in a heartbeat. Featuring dynamic story and artwork by Daniel Acuna.

My choice for third is a tie. That's because we get a pair of stories starring my favorite non-superhero member of the Marvel Universe: Nick Fury. Adam Hughes crafts a Sgt. Fury story set at the very tail end of WW2. Greg Smallwood designed a whirlwind look at the Steranko era of Nick Fury: Agent of SHIELD. Both were bookend looks at a fantastic character that to choose one over the other would be like a father picking a favorite child. 

This collection was tons of fun. The unexpected ending was both bizarre and yet perfectly fitting. Marvel might have supposed to have been a celebration of 1994's Marvels but by story's end, it wound up being a love story to Timely, Atlas and Marvel Comics and the influence it has made on American pop culture history!

Worth Consuming!

Rating: 8 out of 10 stars.

Bizarro World (2025 Comic Book & Graphic Novel Reading Challenge)

Bizarro World is a loose sequel to 2001's Bizarro Comics. Whereas the earlier book was a collection of vignettes and previously cancelled material from some of the industry's top Indy talent, book-ended by a story in which Mr. Mxyzptlk is aided by Bizarro to save his 5th dimension home from an alien invader, the later work was a strict anthology in every sense of the word.

Featuring the talents of the Hernandez Brothers, Evan Dorkin, Raina Telgemeier and a host of others, 2005's Bizarro World pales in comparison to it's processor with one major deviation: Christmas stories! 

Andy Merrill and Roger Langridge's 'Jing Kal-El' is an oddball Elseworld in which we see what would have happened to the Last Son of Krypton if his rocket ship had crash landed into Santa's work shop at the North Pole. In 'Batman Smells', actor-comedian Patton Oswalt reveals the origins to the alternate lyrics of Jingle Bells. Artist Bob Fingerman takes viewers on a tour through Gotham City sewers and the Batcave in order to discover the answer. A couple of other stories have scenes that take place in otherwise non-holiday themed tales. But it adds to the unexpected merriment of an otherwise lacking anthology.

For being a graphic novel named after the Superman Family character, Bizarro is noticeably absent from a majority of this book. He does appear in the title story by Chris Duffy and Scott Morse, explaining that 'Bizarro World' is a DC Comics themed amusement park designed from a Bizarro point of view. However, the real Bizarro #1 is a closeted intellectual who milks his backwards persona for profit. Only those riches come at the cost of the anti-villain's dignity. A Harvey Pekar penned farce also stars Bizarro bringing the total number of appearances to 2. 

Not counting the cover by Jaime Hernandez. Batman is the winner of most starring roles in this book with a grand total of 8! The Legion of Super-heroes comes in third with a trio of appearances.

While a very Batman heavy book, just about every character in the DC Universe appears in this book, if only for just a 'Wheres Waldo?' type-cameo as part of the background scenery of a panel. Supergirl, The Spectre and Kamandi, the Last Boy on Earth are among the characters who star in this collection of over 2 dozen short stories that look at DC Comics with an askew view.

Completing this review completes Task #12 (An Anthology) of the 2025 Comic Book and Graphic Novel Reading Challenge.

Rating: 5 out of 10 stars.

I Know What You Did Last Crisis #1

When is a Halloween special not a Halloween special? When it's this year's All Hallows Eve offering from DC Comics! Each October, for at least the past 7 or 8 years (maybe more), DC has presented fans with a horror themed annual of 8 stories. Generally 6 or 7 are set during Halloween or Dia De Los Muertos. I Know What You Did Last Crisis offers 8 tales, set during the various Crisis events that DC has published since the biggie way back in 1985. But to call most of these stories 'horror' are misnomers at best. They're more like thrillers and only 1 is set during Halloween.

The lone Halloween story occurs during Zero Hour when the Justice Society of America is attacked by an unknown foe who has the ability to rapidly age their enemies to the point of near death. It was okay. But had I already read Zero Hour, I'd probably like it and understand it better.

The cream of the crop includes CRISIS set story starring Batgirl who finds that as Earth-1 is about to die at the hands of the Anti-Monitor, Killer Croc has kidnapped the parents of a scared little girl. Black Canary rushes to save innocents from the Silver Banshee who is exhibiting powers unlike her during the events of 'The Final Night'. Kimiyo Hoshi, the Doctor Light of Japan, tries to save her STAR Labs co-workers from a malfunctioning Man hunter during the Millennium event of 1988. 

A couple of stories starring villains Lex Luthor and the Scarecrow were mid-level reads. They had great premises. But they remind me of how long ago it was when I read Final Crisis and Blackest Night that I've forgotten a lot of the less finer details. 

I really thought I was going to hate that Midnighter story. I'm just not a fan of the Wildstorm stuff and I'm so tired of DC trying to make the Authority a thing in this current melded timeline. However, this is not the Batman knockoff that looks like I imagine Wolverine smells. His story takes place during the alternate timeline events of Flashpoint and sees Midnighter playing a deadly game of cat and mouse with Professor Pyg. It was a pleasant surprise and one that I would be interested in reading a follow-up of!

The absolute worst story is a sort of Elseworlds twist on the ending of Infinite Crisis. In the original story, Dick Grayson was fated to die but Conner Kent sacrificed himself. Kinda a bad move because had Nightwing died, it would have issued in a new age of peace and prosperity for the DC Universe. Great for the superhero community. No so ideal for sales. Anyway, an alternate Conner goes rogue and kills all the Dick Grayson's in the multiverse to ensure that all timelines experience this golden age. 

In what would have been a great 'What If' type tale if it was done as a standalone special and not part of a supposed Halloween anthology, it's a jumbled mess. Not scary at all. And it's written by Dan DiDio, who just absolutely hates Dick Grayson with a passion and nearly destroyed the House that Superman Built. When can we stop making Dan DiDio a thing?

I can't really rate this book fairly based on that one tale. I need to average the quality of all 8 stories and then remove one more star for not being a Halloween special! And after making some calculations, I came out with an average of 6.5. So not quite worthy of consumption. But a decent read and for once, it doesn't try to push the envelope nor alienate established fans.

Rating: 6.5 out of 10 stars.

Potlatch: Comics to Benefit the SPA

I bought this book years ago. Like way before the pandemic years ago. It has to have been sometime between 2015 and 2019 when my wife and I were visiting Asheville NC annually because I remember the store where I got this book. It was an independent art store that sold work by local artists. Obviously, somebody who worked on this project was from the mountains of North Carolina.

Potlatch, which derives it's name from a Native American feast where gifts and large amounts of food are shared amongst different tribes, is an anthology title. The term is also where we get the word 'potluck', which more accurately describes this book as you have no idea what you're gonna get. Past volumes have benefited comic book publishing charities such as the Comic Book Legal Defense Fund. Sales for this edition from 2004 provides proceeds to be Small Press Association.

As with just about any anthology, it's really hard to rate it on quality as the skill levels of the talent ranges from 'why isn't this guy working for Marvel?' to 'when did this guy realize that becoming a professional comic book artist just wasn't in the cards?' A lot of what I read was forgettable. There were a few photocopied mini comics included in my copy. The one about a pair of villains who go on a talk show to explain how hard it is to be the baddie was the most memorable thing in the book. There was also Drake Maxwell, Private Eye. It was about a gumshoe who had to solve an alien abduction. Only the item missing is the alien's spaceship that has been stolen during a recent jaunt to the third rock from the Sun! I also received a couple of stickers of Japanese looking creatures that I think might make a fun prize for a friend of mine, that looked really nice. 

If I paid more than $5 dollars, I was probably gypped. Though it was for charity. So maybe I can be okay with having paid $10. But that's about it. Despite owning it for nearly a decade, this one is going to the used book store, hopefully for some trade credit. My luck, they won't take it because of how independent and unknown it is. But if they'll just take it off my hands, I'd be willing to take as little as 25 cents in trade to get this stinker off my hands.

Not Worth Consuming!

Rating: 3 out of 10 stars.

Champion Sports #1 (2024 Comic Book & Graphic Novel Reading Challenge)

One of the forgotten anthologies of DC Comics. Debuting in 1973, this series, devoted to the athletic feats of youngsters and young adults, lasted a whopping 3 issues. Joe Simon was the editor and head writer for Champion Sports. Each issue contained 3 stories each. That means there was a grand total of 9 stories in the short lived series. Jerry Grandenetti penciled every story with inks provided by Creig Flessel.

Issue #1 presents readers with a baseball story, a soapbox derby race and a battle between rival track stars.

'The Kid Who Beat The Oakland A's' is the story of David Wexler. He's not really that good of an athlete. But as an aspiring writer who wants to document the experience, he's got to make the team. David is about to be cut when he injures his shoulder which miraculously turns him into an ace pitcher. A couple of years later, Wexler joins an expansion team straight out of high school where his career puts him against the defending national champs, the Oakland A's!

Story #2 is called 'The Little Racer'. It's an unlikely story about a lad who dreams of winning his town's soapbox derby. From a poor family, the boy can't afford those fancy kits of aluminum and fiberglass bodies like the other kids can. Fatefully, while testing out his latest design, his cart is destroyed by a biker gang who feels sorry for their actions and winds up stealing parts for a replacement racer! 

The final story titled 'The First Hurdle', could be considered what Brian's Song would have been if Gale Sayers and Brian Piccolo allowed racial strife to come between the two of them. A young Irish track star is excited to meet his new roomie and teammate; one with the last name of Kelly. However the white student-athlete is incensed that Kelly is black! Thus begins a story about race and how bigotry can prevent a pair of supposed compatriots from gelling as a cohesive unit.

I feel like I've experienced the opening story of this issue before. Having a kid become a major league fastball throwing pitcher thanks to an arm injury is the exact plot of 1993's Rookie of the Year. I wonder if screenwriter Sam Harper used this obscure comic as inspiration!

The soapbox derby car tale would have been funny if it was written to be a farce. Instead, Simon has the story play out as a drama with a predictable ending. Though would early 1970s race officials really postpone a heat to let one of the drivers run home to change clothes? 

'The First Hurdle' was another story full of missed opportunities. It ends with Kelly having to fill in for his racist teammate in the climatic relay event, after an injury. Later Kelly confronts his fellow athlete but the ending is left kinda bitter and tragic, without any hopes of change or reconciliation. Considering how optimistic the first two sports stories end, the realistic yet depressing end of the final account, leaves the reader unfulfilled.

Champion Sports #1 ends with a lengthy one-page article on the early development of baseball. Written by Allan Asherman, it's a pretty informative piece that actually questions the validity of the myth that Abner Doubleday invented baseball! Quite a bit of the piece includes baseball's popularity that occurred during the Civil War, making this issue a must for Civil War buffs who also collect comic books!

Cover art for this issue by Grandenetti and Flessel.

Completing this review completes Task #37 (A Sports Story) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Rating: 6 out of 10 stars.

Dark Horse Presents #1 Commemorative Edition (2024 Comic Book & Graphic Novel Reading Challenge)

Having been formed only a couple of months prior, the editors at Dark Horse Comics made the brilliant decision to highlight all of their properties in a bi-monthly anthology. Due to the popularity of the creations, Dark Horse Presents soon became a monthly series in less than a year and ran for 157 issues before being discontinued in September, 2000.

There are 4 different stories and properties introduced to readers in the premiere issue. Although the cover features Chris Warner's futuristic Black Cross about an United States of America divided by a Civil War between various factions, the star of this issue is Paul Chadwick's massive hero with an even more gigantic heart, Concrete.

Kidnapped by aliens, Ron Lithgow's brain is transferred into an huge artificial body made of a substance similar to concrete. Issue #1 of Dark Horse Presents is the first appearance of Concrete. In this story, Concrete has already been established in his new form as well as the newest darling of the Hollywood media. Concrete's origin won't even be explored for another year! Here, fresh off an appearance on the Johnny Carson show, Concrete is fooled by a soccer mom to provide entertainment for her little boy's 8th birthday party.

Readers then meet the smarmy Mr. Garrett in a story called 'Mindwalk'. Garrett has the ability to enter people's dreams and in his introductory story, forced to probe the secrets of a Jewish doctor who knows more than his fair share of dangerous experiments on germ warfare conducted by the Nazis. This story was written by Randy Strandley. Art by Randy Emberlin

Paul Chadwick returns to finish the issue with a story called 'Brighter' about a young woman who has the ability to make her dreams a reality. With a little bit of artistic flare, the woman hopes to make a go in Hollywood. If this feels a little bit like Marvel's Dazzler, you might not be far off. Chadwick wrote several late issues of the mutant's first series run.

In 1992, Dark Horse produced a pair of commemorative editions of the debut of Dark Horse Presents. One with a green border. Another with silver. This should read as a 5th anniversary issue except that this special edition 2nd printing debuted in stores in 1992. This release could also be considered a facsimile edition as all of the original ads and previews for forthcoming (low number) issues of DHP are still contained inside. The only change is found on the back page column titled 'Winner's Circle.' In 1986, editors used it as a vehicle to introduce readers to the talent behind the stories. For the re-release, readers are instead given an update on what has happened to the writers and artists since their works debuted in issue #1.

Completing this review completes Task #16 (Comic/Graphic Novel Published by Dark Horse) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Worth Consuming!

Rating: 8 out of 10 stars.

All-Negro Comics 75th Anniversary Edition Hard Cover

An important single issue, unknown and forgotten by many collectors, given new life in this 75th anniversary edition release.

In 1947, journalist Orrin Cromwell Evans had a dream to create a comic book devoted to blacks, written and illustrated by black talent. His dream became a reality with All-Negro Comics #1. While another title beat Wilson to newsstands with the distinction of being the first comic book aimed primarily for black readers, All-Negro Comics was comprised entirely of all-new material and solely by black artists. The forerunner, titled Negro Heroes was made up mostly of comic strips that formerly appeared in black newspapers. 

Orrin enlisted his brother George J. Evans, Jr. as well as John Terrell and an artist known only as 'Len' among others to craft an anthology series that offered an array of stories for all readers. The first issue introduced audiences to hard-boiled detective Ace Harlem who must solve the murder of a black restaurant owner, illustrated by Terrell. George Evans illustrates an adventure starring a black scientist known as the Lion Man uses science and legend to protect a cache of Uranium from thieves. Len satires black fashion trends in his 'Hep Chicks on Parade' comic strips. 

Humor also abounds with Sugarfoot, a sly youth who runs a foul of a farmer and his very attractive daughter and then there's hen-pecked L'il Eggie who can't win against his overbearing wife.

My least favorite segment was the fanciful Little Dew Dillies, a pair of pixies that explore their wetlands habitat. While the story was an example of how Orrin C. Evan attempted to make it where All-Negro Comics offered a little something for everyone, I wasn't alone in my dislike of the Dew Dillies. According to the commentaries that accompany this reissue, original readers and historians have felt that the inclusion of those magical sprites were really juvenile and out of place for such a sophisticated read.

My favorite story was the two-page prose mystery, 'Ezekiel's Manhunt'. Normally, I am not a fan of the composition tales that are included to suffice the U.S. Postal Service for choice shipping fees. However, the amount of care and craftsmanship is unsurpassed, especially compared to the fodder I've dug through in many a Dell Comics or Gold Key offering. Did Orrin C. Evans write this? If so, did he ever write more stories about Ezekiel and his townsfolk? I'd really want to read more!

It was Evan's intention for there to be an issue #2. However, that just wasn't in the cards. For one thing, All-Negro Comics had a cover price of 15 cents when all other titles were only a dime. Mind you, the debut issue was 48 pages. But for black families in the post World War era, that nickel was a lot of money. Evans also had trouble with infiltrating the segregated South with his book. Though the book did reach black audiences in the Midwest and even Canada, several thousand copies were returned unsold. 

All-Negro Comics was Evan's baby. However, the stress and effort of trying to make issue #1 a success along with the disappointing sales led Orrin C. Evans to never follow through with the promised sophomore issue.

In response to the legacy of All-Negro Comics, a number of modern day black artists and writers were assembled to produce a what-if retrospective of Orrin C. Evan's promised follow up. Sugarfoot gets under the skin of that hapless farmer once again and the Communist foe of Lion Man's goes round two for that uranium by kidnapping our hero's sidekick, Bubba. Ace Harlem takes another case, only it's left unsolved with a cliffhanger; albeit a rather ho-hum one at that. Eggie's wife browbeats him once more and those Little Dew Dillies return to help a young woman see her hidden talents, while those Hep Chicks arrive in the 21st century. But alas, Ezekiel and his friends are nowhere to be found in this long awaited sequel. 

Darn, Darn, Darn.

Like most, I only heard of All-Negro Comics #1 in the past couple of decades.  But when I did learn of it, I wanted to read it. And I've only seen maybe 2 of them in the wild. Both were slabbed and asking for insane prices. It was a stroke of sheer luck finding this anniversary edition at my local library on the new shelf. A Kickstarter type labor of love. Because it wasn't distributed by Diamond, I was never even aware of its existence.  A must for multiple segments of the comic book collecting community. Black readers, comic historians, both amateur and professional, and fans of Golden Age comics must read this special edition hardback. It's a recreated artifact of pop culture history that should not be overlooked!

Many Thanks to editor Chris Robinson for assembling his team of talent as well as digitally remastering this issue for the next 75 years of readers. And many, many thanks to the Kickstarter backer who made the '1 for You, 1 for Them' pledge that placed a copy of this book in my local library!

Worth Consuming!

Rating: 9 out of 10 stars.

Headless Horseman Halloween Annual 2023

Let me start by addressing the elephant in the room. The Headless Horseman, who is the horror host of this anthology special, is female. I know that is not supposed to be an issue in this gender fluid generation. However, when something doesn't match syntax, tone or pre-assumed expectations, it makes my brain itch. That's not being a boomer. It's my OCD. Go figure. I want things to be written (and advertised) correctly, but could care less if my house is messy or not. 

If the host is supposed to be the Headless Horseman from The Legend of Sleepy Hollow, then sure, I'm justified in my confusion because that character was the ghost of a Hessian soldier. And I'm pretty sure that the soldier was male. If this is an all-new character or a character from the Hellboy universe or Eric Powell's The Goon, which most of the art of this character closely resembles, then I have no issue with the gender of the Horseman. Just don't call this character a HORSE... MAN!

Now when it comes to the host, I had no issues with them. There were those punny elements you'd get from those B-movie theater hosts. They look awesome. And They spin a good yarn. I just don't know who this Headless Horseman is...

There are 5 stories in this issue. It starts with a tale set inside a fantasy video game. Not very scary, but it's got a great moral and awesome ending. There's a weird fable about a woman with writer's block. A group of teens go trick-or-treating with the new kid and his mom. Only there's something very, very wrong with mom. There's a wolf on the prowl as a little girl, dressed as Little Red Riding Hood, gets separated from her mom during trick-or-treating. And then there was the fifth and final story.

Up to this point, other than initial confusion over just who this Headless Horseman really was, this anthology was going great. That story about the new kid and his mom freaked me out and even though I didn't really get the writer's block story, I saw merit in it. But then Dark Horse had to go and ruin everything by getting political.

The story in question is about 4 kids dressed as monsters who are visiting a haunted house on Halloween night. The exhibits in the exhibition are really lame. It seems like the real horror is in getting old. Then I start to realize that the kids aren't dressed as monsters. They are monsters! So it's a haunted house about what humans do and the idea of what constitutes the contents of a haunted house for monsters and ghouls seemed like a novel idea. And then we get to that room!

Every year the haunted house has a new room. This year's room is full of right-wingers spouting off their agenda. Did we really have to throw MAGA into the mix? The concept was doing well up to now. It didn't need to get frighteningly real with the internal strife affecting our country. When I'm not reading comics and writing reviews about them, I'm a public school teacher. It's culinary, so I don't teach tricky subjects like race, gender or religion. But I still see a diverse mix of kids that will one way or another be highly affected by the results of the 2024 election. I deal with those fears everyday and I witness countless teachers and staff bailing out in anticipation of a Red Wave. When it comes to horror right now, I need vampires, zombies and psycho killers. I don't need tales of right-wing militants or uber-Dems. Those kind of frights already keep me up at night.

This one-shot is listed as an annual. So I see potential that there might be another issue next Halloween. I would be fine with that. Editors at Dark Horse, just leave the politics for election night if you make this an annual occurrence!

Worth Consuming! 

Rating: 7 out of 10 stars. (But it could have been a 9 out of 10 if not for how that final tale ended.)

Superboy: The Greatest Team-Up Stories Ever Told

I love DC's 'Greatest Stories Ever Told' series. They featured classics of the silver and bronze age of comics. A big reminder of my childhood, they were great money savers on my wallet as well since the originals would be astronomical for me to collect.

The Superboy books were a lot of fun. They were designed for kids. But the adult readers of Superman really took to the series as it offered glimpses into Clark Kent's childhood. As a result, fans started seeing early connections between the Boy of Steel. Fans just couldn't get enough. Over time, just about every adulthood acquaintance that Clark Kent/Superman would encounter. And this book is chock full of them!

Jimmy Olsen. Lori LeMaris. Robin, The Boy Wonder. Supergirl. Green Arrow and Green Lantern as teenaged versions of themselves. Witness Clark Kent, cub reporter in his very first run-in with Perry White. 

There's the classic origin story of how Superboy met a boy genius named Lex Luthor. When a fire breaks out in Lex's lab, Superboy rushes in to save him. As a result of the whole mishap, Lex loses his hair and that's how a personal vendetta against the Man of Steel is born!

This collection boasts a dozen amazing team-ups. I won't spoil all the surprises. But if you are looking for DC Comics Presents #87 in which Superman of Earth-1 meets Superboy Prime for the very first time, I am sorry to disappoint. It's an essential team-up that explains why the Superboy of the New Adventures of Superboy had a different looking set of parents and other confusing things. Probably because of all of the back-story needed is why this quintessential Superboy team-up is missing from the collection. 

Don't worry. I actually have the issue in my collection. IT WASN'T that expensive to obtain.

Worth Consuming!

Rating: 9 out of 10 stars.

Creepshow #1

In honor of the 40th anniversary of the horror anthology film by George Romero and Stephen King, Image Comics released this 5-issue miniseries. It also helped that Creepshow is also currently a TV show on Shudder. I've been a fan of Creepshow since I was a kid. Probably not the best thing for a 6 year old to be watching. But I was a much bigger horror and gore fan than I am now. Though I can't pass up a good horror comic especially if it's in the vein of those old EC Comics. 

The 1982 film was a love letter to the works of William Gaines, Wally Wood, Johnny Craig and countless other legends. Instead of a prose novel, Stephen King crafted an over-sized graphic novel with artwork by Bernie Wrightson (Swamp Thing). And the movie itself was done up as a video comic book with the Creeper horror host, animated panels and dynamic close-ups. I'm not sure about the TV show. Never seen it. But I couldn't pass up a chance to collect and read this book. 

There are 3 story segments in this debut issue. The first story is set at Halloween with 3 brats terrorizing their neighborhood. The terrible trio comes across a bowl of candy with a sign asking trick-or-treaters to only take 1 piece. But these creeps take all the treats. It'll be the last mistake these holy terrors ever make, though I'm not really sure if the punishment really fit the crime...

Story number 2 was completely insane. A young girl is having a birthday party and dad has dropped the ball in arranging the entertainment. Enter the mysterious Shingo! His big party trick is eating the party goers and the more he eats, the crazier he gets!

Lastly is a black and white 3-pager. I don't think it's a full story since there aren't any title or artist credits. I think it might be a preview of the next issue. But there isn't a 'to be continued' label or anything like that. Plus, I know that this isn't a printing error as there aren't any missing segments at the first of the book. If it is a short story, it ends really abruptly. Man, did it confuse me. 

Since the first issue has the awkward ending, maybe waiting until I had all 5 issues of this series collected isn't such a bad thing. Especially if the last story picks up in the middle of the tale in issue #2 without any sort of recap. I'm going to wait until Halloween to read the rest of this series. If the second issue doesn't have those last 3 pages, I may have re-read this book. We'll just have to wait and see. 

A fun romp with a lot of gore (even more than the first film and the forgettable sequel) and not very much in terms of mercy towards some of the recipients of their just desserts. I think I might like this book more once I figure out the format a little better. 

Worth Consuming!

Rating: 7 out of 10 stars.

Black Hammer Visions, Vol. 1

Jeff Lemire recruits a number of talented writers and artists to put their spin on

the Black Hammer Universe. 

Black Hammer Visions was an 8-issue anthology that told stories not

necessarily in the continuity of the residents of Black Hammer Farm. But these

tales are definitely in the thick of this growing self-contained universe of

superheroes, mages and monsters. 

Volume 1 reprints the first four issues of the series. Stories include an

examination of the hardships Golden Gail faces as an elderly woman trapped

in the body of a 10-year old child. Abraham Slam must restore his good name

when an usurper sponsored by the US military crosses the line into vigilantism. 

Things get meta when Madame Dragonfly hosts her horror anthology within the

pages of this very anthology as she recruits a young orphan to become the

next caretaker of the Cabin of Horrors.                                                              

        

The last story, which was the worst of this bunch, sees the residents of the farm

starring in a Downton Abbey type television series. Of course, Col. Randall Weird

is behind all of this. So the story is jumbled and uneven. Some readers really liked

this element of Col. Weird. Not me!

Patton Oswalt, Chip Zdarsky, Scott Collins and Johnnie Christmas are among some

of the talent behind the production of this volume. The Goldbergs' Patton Oswalt

brilliantly ties in Daniel Clowes' Ghost World, having main characters Enid and

Rebecca ponders why young Gail Gibbons never seems to age. Chip Zdarsky

(Spider-Man: Life Story) adds his quirky look on things with the Abraham Slam story.

I think the winner of this volume was Geoff Johns (Flashpoint) who crafted the eerie

Madame Dragonfly story.

Even though I wasn't a big fan of that last story involving Col. Weird, I very much

enjoyed this book. The Cabin of Horror concept is one that I really would like to see

become a monthly series, though I really think creator Jeff Lemire has other ideas to

close the books on Black Hammer. But before that happens, hopefully we'll see more

of the untold history of Abraham Slam.

Oh! and there's volume 2 to look forward to! I wonder if my library has that book

currently...

Worth Consuming!

Rating: 8 out of 10 stars.