At the time of the show, there were roughly 2 dozen paramedic crews operating in a county the size of Connecticut with a population of Chicago occupying it. The landscape varies from densely packed urban sprawl to sparse wilderness areas filled with cliffs, coastline and lush forests. Thus, Roy and Johnny were expected to save lives hanging from the sides of buildings as well as in the middle of a raging wild fire while being coached via a primitive form of cellular phone by the doctors at Rampart Emergency!
This premiere issue based on the TV show doesn't really follow the format of the series. The story has Roy and John responding to a warehouse fire. Then about 10 pages are devoted to a pair of police officers that have never once appeared on the show, trying to find the owner of the building. On about page 12, we return to the paramedics who learn that the fire was a case of arson and radioactive material stored inside has been stolen. With their shift over, Roy goes home for his wife's birthday. Johnny decides to play detective and with the help of the LAPD, finds the culprit and the stolen material.
I don't understand why a third of the story focused on characters not even on the show. Sure, cops appear on the series from time to time. But, they're secondary characters at best and not once has the action ever shifted away from Roy and John over to the other boys in blue. Yes, occasionally, Roy and Johnny play detective to help solve a crime or some sort of injustice. But they've never done it off the books in the kind of Dirty Harry without guns sort of way like in this issue.
The artwork for this issue was by comics legend X-Men's John Byrne. Equally legendary is the cover artist, Joe Staton (Dick Tracy). So, I was kinda puzzled by a goof made by him at the beginning of the story. Roy tells John that they need to put on air masks before entering the warehouse fire. Yet, that never happens. Plus, I thought that the ending in which the doctors of Rampart callously watch a patient die alone from radiation sickness was just so very unlike the characters. But that sort of blame is on the writer of which whose name escapes me.
I've learned over the past couple of years that some TV/Movie comic adaptations were rush jobs. The purpose of these books was advanced advertising, mostly to kids. In some cases, the characters had yet to be cast and nor were the sets built. There weren't even established scripts to cull from! So the authors and illustrators had to use a lot of creative license. The earliest Dell Star Trek comics were guilty of this. But Emergency! #1 debuted in 1976; several years after the show had already been on air. So, I really don't understand why the departure from the established tropes of the live action original.
The prose short story, included in order for the publication to maintain its first class postage status, captures the show's format almost perfectly. It's about an elderly man who lives alone and how the paramedics rallied around the guy to keep him active and social. Not the most perfectly written story as at one point Johnny tells Dr. Early over the bio-phone to give the patient an IV. That should be the other way around.
Issue #1 wasn't the worst TV adaptation I've ever come across. (A 1980s version of Lost in Space has that current distinction). It's just that a majority of the flaws that occur in this book are things you'd expect in early run books. Not something to find in stuff based on properties already established on TV. Nice renderings of the actors who play Roy and Johnny. And a very youthful but amazing capture of songstress Julie London who played head nurse Dixie McCall.
It's a good overall interpretation of Emergency! Only it doesn't quite feel like an episode of the 70s medical adventure drama.
Worth Consuming!
Rating: 7 out of 10 stars.
No comments:
Post a Comment