Wonder Woman Annual 1989 (2023 Comic Book & Graphic Novel Reading Challenge)

With exception of the cover, this 1989 annual features artwork, including inks and colors by an all-female crew. Cover artist George Perez also pens this extra-large sized feature that chronicles Princess Diana's Post-Crisis debut. 

When the princess of Thermyscira first arrived in the world of men, she didn't speak much English and knew even less of modern day ways and norms. So, Diana needed an intermediary in order to spread her message of peace and unity. Enter Myndi Mayer; a press agent who sees dollars signs in the arrival of the DC Universe's newest heroine. A progressive feminist, Mayer believed in Princess Diana's message. That didn't mean that there weren't marketing opportunities to be found around this Wonder Woman.

This story takes place after the shocking overdose death of Myndi Mayer. The PR agent's death means that end of a chapter in Wonder Woman's life. Diana has decided that the life of a celebrity is not for her. So Mayer's agency must pack up all of the artifacts and effects of the Wonder Woman campaign so that Diana can transport it back to Thermyscira for preservation. As the team goes through these mementos, they reminisce about the highs and lows of Princess Diana's first months in modern civilization. 

This annual was both a closing chapter for established Wonder Woman readers as well as a starting point for newer fans. Along with the death of Myndi, Diana had just finished a climatic battle with Circe as well as Ares. But as we know, Wonder Woman's beef with the god of war is never over. The War of the Gods epic crossover is still 2 years away. But in this new stage in Diana's life, more battles with the upper echelon of Greek gods and continued alliances with the superhero community are in Diana's near future.

Perhaps the most notable segment of this story is the origin behind the logo that Diana wears on her chest. Just like as with Superman's S-shield, the supposed W's on Diana's armor are misinterpreted as English letters.  Kal-El's S-Shield is the Kyrptonian symbol of hope. Diana's double-W's are in honor of a great warrior who helped the Amazons of Themyscira centuries ago: the insignia of Steve Trevor's mother!

Due to the death of Hermes' son Pan, a rift in the fabric of time and reality opens. This anomaly ushers Diana Trevor back in time to Themyscira. The time displaced pilot arrives on the tropical island in the middle of a catastrophic scene as the Amazons are attempting to prevent demons from the underworld coming topside. 

We learn that Diana Trevor sacrificed herself to aid a race of people she did not even know. The Amazons as a result, bury Trevor with full honors and use the Air Corps insignia of a double-W on Trevor's uniform and incorporate it as a totem of strength and courage, which Princess Diana proudly wears. But we also learn that Diana wasn't named after the goddess of Greek myth but instead after Diana Trevor. So that means Steve Trevor is in love with the woman named after his mother!

Featuring Ramona Fradon, Jan Duursema, Colleen Doran and Trina Robbins among others.

Rating: 6 out of 10 stars. 

Completing this review completes Task #32 (A Wonder Woman Story) of the 2023 Comic Book and Graphic Novel Reading Challenge.

Star Trek Vs. Transformers (Family Comic Friday)

IDW has been doing a line of miniseries based on classic cartoon shows from the 70s and 80s. A GI JOE and a Ninja Turtles book have been huge successes. Now the publisher is gambling on a micro-series based on the Dungeons & Dragons cartoon that ran on CBS from 1983-85. I'm trying to get all of these books and I think none of those 'Saturday Morning Adventures' would have happened if not for this miniseries.

This 2018 story joins the Star Trek and Transformers franchises for the first (and so far) only time ever! Drawn in the style of the 1973-74 Star Trek Saturday morning toon and the original Transformers syndicated series from 1984-87. 

The story starts with the Enterprise intercepting a distress call from a mining colony near the Neutral Zone. Expecting to run into Klingons, Kirk finds the colony under attack by aircraft from the late 20th Century! Adding to the mystery is the massive red and blue big rig that comes out of nowhere to counterattack the out of place planes! 

Oh.... Did I mention that the truck just transformed into a big ole' freakin' robot?

This story was just amazing! It had Arak and M'Ress! Klingons! And writer John Barber and artist Philip Murphy figured out a way to make a Transformer out of the Enterprise!

This story was also kinda sad. Or bittersweet. Star Trek: The Animated Series takes place around the year 2269. That means from 1990 to 2269, the literal hundreds of Transformers whittle down to about 6 Autobots and around a dozen Decepticons. Okay, there could be more. But that's about how many Transformers are in this crossover. So, I'm to infer that a whole bunch of characters died from my cherished childhood memories to about 270 years in the future; all thanks to a needless war for power and energy.

I did love the Easter eggs peppered throughout this book. To get to see the Eugenics war and Zefram Cochran and company from Star Trek: First Contact. Though this is supposed to be a family friendly comic book story, it is a bit shocking to see one of those soldiers from World War III taking narcotics in a throwaway panel. It's a lot like those innuendos that get thrown into Disney films. The kiddoes don't get it. But it's something the adults catch on to. Same thing here. It looks like a dude is picking his nose or something. But really, he's getting high as a kite!

There's something here for the whole family. Whole generations of family. The artwork was utterly amazing. The story was action packed and full of the stuff of dreams. If I had seen Optimus Prime transform into an iconic ship from pop culture history, like the Millennium Falcon or a Cylon raider one Saturday morning, I would have spit my cereal out like an exasperated grown-up drinking coffee when they hear something incredible and then done victory laps around the living room.

I don't think I need to have Star Trek and the Transformers ever meet-up again. But I hope this isn't the end of the animated Enterprise joining forces with other animated entities from my childhood.

Worth Consuming!

Rating: 9 out of 10 stars.

G.I. Joe: Dreadnoks Declassified

One of the most exciting villains in the 1980s GI Joe line was the elusive Zartan. A master of disguise with a strange chameleon-like ability to blend into his surroundings, Zartan was the figure all the kids wanted next to Snake Eyes and Destro.

In the cartoon and Marvel Comics, nobody knew who Zartan really was. The leader of a group of bayou bikers, Zartan was the only character who intimidated Cobra Commander. That's probably because old Snakeface knew that at any moment, Zartan could eliminate Cobra's leader and replace him without anyone being all the wiser.

This 2006 miniseries from Devil's Due Publishing seeks to reveal the mysteries behind the villain without spilling the beans on him. In reality Zartan might be Amauri Sanderson, an American soldier who sold government secrets to France. Or he's a mercenary named Lee who sold France's secrets to a central European nation and then double-crossed that country to funnel weapons to Cobra.

What surprised me the most was that the revelation that the man I grew up believing was Zartan wasn't the original Zartan. But it all made for a really great story that provides more backstory in the origins of the rise of Cobra. I always thought that the flashback stories were the best ones told in the Marvel books and Josh Blaylock's story was on par with the amazing pen of original Joe comics writer, Larry Hama.

Along with the main story, there's a back-up short story which also promises to reveal some deep-dark secrets of Zartan's past. Really, the only reveal is that the leader of the Dreadnoks has had so many different secret identities, Zartan can no longer remember who he really is anymore!

I learned from listings for other DDP Joe titles that there are at least 2 other 'year one' type miniseries. One about Snake-eyes. The other about the first lady of American freedom, Scarlett. I want them both. But if I got to pick the one I want to read first, it would be Scarlett's story as I already know quite a bit of Snake-eyes' origin.

The opening story was fantastic! I liked the backup. But it lacked the promise of big shocking secrets coming to light as assured on the back cover of this collection. Despite that story being a recap of the Dreadnok's miniseries, it was a fun read. Lots of action. But also a glimpse at some early Stanley Lau artwork before he started going by the moniker 'Artgerm'!

Worth Consuming!

Rating: 8 out of 10 stars.

Willow #1-3 (2023 Comic Book & Graphic Novel Reading Challenge)

During the 1982 filming of Return of the Jedi, in the forests of the Pacific Northwest, a young child actor is making a giant impression. Warwick Davis, a British actor with dwarfism, is playing a tiny version of a Wookiee called a Ewok. In his first ever role as Wicket, Davis is showing such professionalism and passion for acting that Star Wars creator George Lucas promises the lad to create a movie for the newcomer to star in. 

Jump to 1987 and George Lucas kept his word. Working on an idea he first developed in 1972 originally called Munchkins, Lucas created the story of Willow. Set in an unnamed mystical world, Willow Ufgood is a struggling farmer and amateur magician with aspirations at becoming chief sorcerer of his race of little people called Nelwyns. 

One day, Willow's children find a baby girl floating on a makeshift cradle in the nearby river. The infant is a Daikini, the name of full-size humans who share the land with the Nelwyns. Tasked by his people to deliver the child to the first Daikini he sees, Willow begins an epic quest that promises to restore freedom to all of the people of the land.

The Daikini child is in reality Elora Danan, an infant princess who has been prophesied to one day overthrow the evil ruler of the land of Nockmaar, Queen Bavmorda. In order to stop Bavmorda, who wishes to sacrifice Elora Danan in a demonic ritual, Willow must find the aged sorceress Fin Raziel. Which Willow does. Unfortunately, Fin Raziel has been rendered powerless as Bavmorda changed her into a possum. All seems lost, unless the aspiring Nelwyn sorcerer can restore her back into human form. 

Aiding Willow in his quest is the mercenary Madmartigan; a mercenary of questionable character but unsurpassed swordsmanship. A pair of brownie warriors named Rool and Fanjean, whose diminutive sizes make Willow look like a Colossus in comparison add comic relief and some assistance as tiny combatants. Adding to the adventure is the warrior princess Sorsha, daughter of Queen Bavmorda, whom Madmartigan becomes enamored with and just might have a shot with, if she doesn't kill him and the infant first!

Willow was directed by Ron Howard. A protege of George Lucas, Howard starred in the Lucas' 1973 homage to the early 1960s, American Graffiti. With a script by first time movie screenwriter Bob Dolman, Lucas had hoped that Willow would be on par with E.T. as the new all-time money maker at the box office. While the film was a moderate hit, mostly bolstered by international movie sales, Willow face stiff competition against a 1988 American film slate included colossal blockbusters such as Big and Rambo III.

Willow went on to become a kind of cult classic. In the early 90s, George Lucas tasked X-Men's Chris Claremont to pen the Chronicles of the Shadow War trilogy. Set 15 years after the first film, a teenaged Elora Danan is the central character. Last year, an 8-episode sequel starring Warwick Davis aired on Disney+. Also titled Willow, conflicting reports list the series as cancelled after one season or in indefinite hiatus. 

As part of Lucasfilm and MGM's original marketing campaign, a number of tie-in products were issued. TOR issued a 6-player board game as well as a RPG source book. Tonka's 'action figures' were in reality die-cast figurines much like tin soldiers and lacked vital points of articulation. 

In the realm of comics, Marvel was tasked with a 3-issue adaptation. Star Wars' Jo Duffy penned the script. Artwork was by Bob Hall (Super-Villain Team-Up) with assists and inks by Romeo Tanghal (The New Teen Titans). The miniseries was later collected in 2 formats: as a tabloid sized Marvel Graphic Novel and in as an illustrated edition much like a trade paperback.

Worth Consuming!

Rating: 7 out of 10 stars.

Completing this review completes Task #5 (A Movie Adaptation) of the 2023 Comic Book and Graphic Novel Reading Challenge.

Agents of A.T.L.A.S. Vs. X-Men and the Avengers

A premier edition hardback collecting a pair of crossovers starring the Agents of A.T.L.A.S..

A little background information first- The Agents of ATLAS are a group of superheroes who first operated in the 1950s. (Originally, they were a Roy Thomas and Donald Glut concept floated around in the pages of What If... #9 (June, 1978). The group of heroes became official members of the Marvel universe after Marvel editor Mark Paniccia stumbled across the classic issue and inspired Jeff Parker to bring the group into the present day. 

After the events of the first Secret Invasion, the dastardly Norman Osborn negotiated his way into becoming the head of Earth's intelligence community. Not trusting the sometime Green Goblin, super spy Jimmy Woo took the place of the Chinese crime lord Yellow Claw's criminal underworld. With the help of the simian Gorilla Man, telepathic Marvel Boy, Atlantean Namora and the super-powerful robot M-11, Jimmy Woo keeps tabs on Osborn while transforming the criminal elements he's inherited into a force of good. 

X-Men Vs. Agents of ATLAS opens with teammate Venus being kidnapped by a centaur. With the X-Men having just fled their San Francisco area base, thanks to Osborn declaring the mutant enemies of humanity (once again), Woo hopes to borrow the X-Men's Cerebra device to find the missing agent. The unauthorized use of Cerebra sets off a warning alarm and the X-Men return to their abandoned base to investigate. 

In typical Marvel fashion, when the two teams meet, it's a battle royale. Nobody talks. They always start with fisticuffs. Only, there is a slight twist to this battle as members of both teams seem to have a history of fighting each other previously. Yet nobody can actually recall having done so before. 

Then in Avengers Vs. Atlas, the agents respond to a time anomaly in the heart of New York City. Jimmy Woo's team discovers Earth's Mightiest Heroes in the midst of an epic battle with a gigantic entity that seems to be about 1 second out of sync with time. Thanks to Wolverine being a member of the Avengers and having been in the previous story, Logan prevents a typical first meeting melee. That is until the temporal entity engulfs the modern day Avengers and replaces them with the original line-up! 

Now it's Jimmy Woo's Agents of ATLAS against Iron Man, Captain America, Thor, Giant Man and the Wasp. And now the battle begins before a chance of introductions. Remember that the Hulk was one of the original Avengers? Hopefully, he won't show up, right?

I absolutely hated the X-Men story. It had too many characters. There was too much back story that one needed to know in order to enjoy the plot. And while I enjoyed the elements of the original X-Men and their first encounter of the Agents, things got really confusing. And honestly, it didn't feel like some of those feelings of deja vu ever truly got resolved. Plus, this story was a two-parter and it felt like writer Jeff Parker was trying to shove an extra large helping of stuffing into a medium sized turkey. And the opening segment was a giant sized Thanksgiving feast of disappointment. 

At least the artwork was exquisite. Carlo Pagulayan illustrated the modern story and his depictions especially of the female characters was alluring. The flashback segments were by Chris Samnee. Those segments evoked the nostalgic feel of the late, great Darwyn Cooke.

The Avengers story was a 4-parter. I loved the first 3 issues. I had a better understanding of the story. I'll admit that reading the X-Men crossover helped a lot with that. The element of time travel and having lots of surprises pop up was great. The ending was really meta. There's a lot of quantum physics involved. And while I understand that the characters got to point B from point A, I have no idea how the Avengers arrive at that point. And I read that segment at least thrice!

The Avengers tale almost salvaged this entire edition. I was just about ready to keep this book as part of my collection. Yet that complex ending was just way too over my head. I'd rather my limited shelf space be devoted to something else. So I'll trade this in hopes of purchasing some else more permanent for my collection.

Oh! And isn't that like the worst cover to a book that you've ever seen in your life? There were so many other great regular and variant covers used in these comics. Why did they choose that monstrosity from Humberto Ramos? It looks like they dislocated Cap's jaw or something!

Rating: 4 out of 10 stars.

Where Monsters Dwell #4 (2023 Comic Book & Graphic Novel Reading Challenge)

Where Monsters Dwell was a horror anthology series from Marvel Comics. The series, which ran from 1970-75, is a fan favorite among collectors of Bronze Age Marvel Comics as well as devotees to horror and sci-fi. With exception of the covers, the material in all of the issues were comprised of reprint material. Silver Age stories from Tales of Suspense and Tales to Astonish were the primary sources where the stories were culled. 

In this issue, there are 4 classic horror stories ranging from ancient terrors to physiological thriller to B-movie sci-fi involving aliens from another world

In Steve Ditko's 'Behind My Door Awaits... Medusa' (Tales of Suspense #10) a seller of curios and antiques may also be the owner of the legendary Medusa of Greek myth. Do you dare open the door to his side room to find out for sure?

Then a sailor finds a message in a bottle from a castaway (Tales of Suspense #12). Knowing that the island where the S.O.S. came from is nowhere near any active shipping lanes, the seaman investigates only to find a hideous beast blocking him at every move.

Also from Tales of Suspense #10, an adventurer learns the deadly secret to why no man returns from Nightmare Valley. 

Finally, in the cover story, 'The Monster in my Cellar' (TOS #12), a pulp writer dreams up the perfect horror thriller only for the monster to become a reality!

Where Monsters Dwell was one of several anthology series Marvel released in response to loosening restrictions of the Comics Code in terms of horror and sci-fi. However, due to cost cutting measures, Marvel decided to use reprints for their new books. Where DC was utilizing new, edgier material with amazing talent like Bernie Wrightson, Len Wein and William Michael Kaluta that pushed the new CCA rules to the limit, Marvel relied on tried and true tales that were previously published under the barriers of the Code. 

By not embracing the future of horror, many of Marvel's new anthology titles failed to catch an audience. Sister titled Monsters on the Prowl eked out 30 issues. The all-horror reprint tale Crypt of Shadows was sealed shut after only 21 editions. Where Monsters Dwell was the most successful of the reprint anthologies producing an impressive 38 issues. 

The popularity of Where Monsters Dwell continued to live on among fans both old and new. In 2005, a one-shot special was released as part of Marvel's Marvel Monsters tribute. In 2017, Where Monsters Dwell became one of Doctor Doom's Secret Wars Battleworlds in a 6-issue tie-in miniseries by Garth Ennis, Russell Braun and Frank Cho.

Worth Consuming!

Rating: 8 out of 10 stars.

Completing this review completes Task #18 (A Horror Comic) of the 2023 Comic Book and Graphic Novel Reading Challenge.

Muppet Babies #7 (2023 Comic Book & Graphic Novel Reading Challenge)

Jim Henson's Muppet Babies was an animated Saturday morning TV show that aired on CBS from 1984-1991. The series marked the first time that Henson's trademarked puppets appeared in animated form. Whereas Sesame Street focused on education and the more adult The Muppet Show was a tribute to vaudeville and variety shows, Muppet Babies was all about wonder!

Baby versions of Kermit, Fozzie, Gonzo and Miss Piggy used their imaginations to make-believe their way through a nursery full of fun. Adventures included a trip to the zoo, adventures through their favorite story books and visits with their future selves as Hollywood stars! Just as with the other Muppet shows, music was a big part of the show with at least 1 big musical number per episode. Over the span of 8 seasons, 107 episodes aired.

One thing that made the Muppet Babies different from other cartoons was how it integrated live-action material. For example, on at least 3 occasions, Gonzo or one of the other characters would open the closet door to their nursery to reveal a roaring TIE fighter from the Star Wars franchise. Clips of Darth Vader, Slimer from Ghostbusters and famous celebrities of the day would appear in unusual places in the nursery, interacting with the ingenious tykes. 

Many of the characters from the Muppet Show would appear as younger animated versions of themselves. Curmudgeons Statler and Waldorf would visit as the uncles of the babies' unrevealed Nanny, voiced by TV's Mrs. Cleaver, Barbara Billingsley. Other voice talents included Howie Mandel (St. Elsewhere), Dave Coulier (Full House) and Frank Welker (Scooby-Doo) A pre-teen Janice from Doctor Teeth and the Electric Mayhem Band would babysit when Nanny needed a night off. Kermit's nephew Robin would stop by as a tadpole nestled within a tiny glass bowl. And play dates, such as the one that occurs in this issue, would be scheduled with youngsters such as Bunsen and Beaker.

The single story of this issue starts off with Fozzie running some of his jokes by the rest of the Muppet Babies when Bunsen and Beaker arrive for another day of fun. Bunsen notices that everyone knows Fozzie's stand-up routine by heart. So the aspiring junior scientist offers Fozzie an experimental hat that will help the comedic bear think up some more jokes. Unfortunately, Bunsen gave Fozzie his experimental time travel hat. 

Flying backwards through time, Fozzie keeps running into his ancestors and ruining their punchlines! Join Fozzie and his Muppet buddies as they learn about comedy from the time of Napoleon to Hannibal's crossing of the Alp and ultimately; the prehistoric era!

The Muppet Babies comic book was part of Marvel's Star Comics imprint for young readers. The comic book ran bi-monthly from 1985-89 for 26 issues. The last 9 issues were Marvel releases as Star Comics was shuttered by May of 1988. In 2018, Disney rebooted Muppet Babies as an all-new computer generated series. The new version aired on Disney Junior until 2022 with a total of 71 episodes. 

Muppet Babies #7 was written by Stan Kay (Planet Terry). This issue was penciled, inked and colored by Marie Severin (Spoof).

Worth Consuming!

Rating: 10 out of 10 stars.

Completing this review completes Task #17 (A Star Comic: Marvel Imprint) of the 2023 Comic Book and Graphic Novel Reading Challenge.