Bullwinkle #2

The second and last solo issue from Gold Key in the 1960s titled Bullwinkle. It really didn't need to be renamed because the formula is exactly like the TV show. It just reflects that Bullwinkle became the break out star.

The opening story has Rocky and Bullwinkle investigating the so-called 'Phantom of the Soap Opera.' While squirrel uncovers the clues, moose plays bait, taking a lead role in the stage production. 

Afterwards, Snidely Whiplash infiltrates Mountie's headquarters, posing as a travelling magician whose closing act promises to be explosive for Dudley Do-right. The 'Fractured Fairy Tale' is a spoof on the Woodcutter's Daughter, becoming a beautiful starlet after she rescues a witch. Mr. Peabody takes his boy Sherman back to meet P.T. Barnum around the time he was playing manager for noted songstress Jenny Lind and the talking dog becomes the circus' latest star attraction!

In a rarity, there's also a 3-page solo story starring Boris and Natasha. The spies film a promotional video touting the benefits of living in Pottsylvania and wind up making the Communist country sound so good that nobody will want to escape from it!

Bookending this issue has Bullwinkle resulting in trickery to win a kiddie TV show contest. Also posing as a child in hopes of winning is Boris, who thinks his short stature and former childhood prowess will net him a humiliating win over the children of the United States.

Another fun read that includes a Ripley's Believe It or Not type feature of unusual and somewhat comical facts. It would be almost a decade before Bullwinkle and Rocky returned to comics with a very poor adaptation from Charlton. If you can't get your hands on the classic episodes, this is the next best thing for many laughs and a few groaners. But that's was to be expected from the toon as well.

Worth Consuming!

Rating; 8 out of 10 stars.

CBGB: OMFUG (2026 Comic Book & Graphic Novel Reading Challenge)

Creators from mainstream and Indie comics along with musicians, music experts and those intimately involved in the operation of the legendary New York music venue CBGB joined forces in 2010 to present a 4-issue anthology from Boom! Studios. 

CBGB was at the forefront of the American punk scene, providing a headquarters for fabled bands such as Television, Blondie, Talking Heads and Ramones. It later evolved into the home of New Wave as punk began to fade. But it wasn't intended that way. When Hilly Krystal opened his bar, he felt that country music was going to be the next best thing in the Big Apple. Hence, the name CBGB, which stood for 'Country, Bluegrass and Blues'. Like one of the characters says in the opener 'A NYC Punk Carol', which untangles the facts from the myth of CBGB, the owner 'couldn't have been more wrong.' In desperate need of patrons, Krystal would allow very avant garde acts to perform under the arrangement that the band got the door sales and Holly got the bar take. Soon, an unusual new vibe began to form, fueled by a single rule: there are no rules.

Kieron Gillen, Rob G.,  and Kelly Sue Deconnick, among others, examined the past, present and future of CBGB. The past of the venue was vast and rich. The present for fans of CBGB, was pretty bleak. In 2006, the club closed due to a dispute over rent. (Patti Smith was the site's final act.) A year later, Hilly Krystal passed from complications of lung cancer. By the time this miniseries saw print, CBGB was an entity in name only with licensing of the name and logo on countless T-shirts, hats and book bags being overseen by the venue's long-time general manager, Louise Staley, who reviewed and approved all of the stories in this collection. 

As for the future of CBGB, as long as the acts that got their start at 315 Bowery, Manhattan continue to enthrall the next generation of music lovers and musicians, CBGB will continue to live on, if only as just a memory and commercial property.

Note: OMFUG isn't an acronym for dirty talk. It stands for 'Other Music For Uplifting Gourmandizers.' In this case, the gourmandizers were 'eaters of music.'

Completing this review completes Task #4 (About Music) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Rating: 5 out of 10 stars.

Bullwinkle and Rocky #9 (2026 Comic Book & Graphic Novel Reading Challenge)

Though new episodes hadn't been produced in over 2 decades, Rocky and Bullwinkle saw a resurgence in the mid-1980s thanks to home video. Disney, of all companies, actually had distribution rights of the show through their sister company, Buena Vista Video. Suddenly, children born in the late 70s and early 80s could watch The Adventures of Rocky and Bullwinkle any time they wanted. 

With parents in full nostalgia mode, they began purchasing the VHS formatted home entertainment to share with their children. Local TV stations took note and began picking up various incarnations of the animated series in heavy syndication. In 1986-87, I remember it being a big deal that Rocky and Bullwinkle were coming to a UHF band TV station in Fayetteville, NC. One hour blocks filled with special messages from Bullwinkle and his friends were peppered throughout the broadcast, along with special trivia contests and drawings for you prizes during the debut week. 

Marvel Comics took note of Rocky and Bullwinkle's revival and signed a franchise deal with Jay War Productions to produce a comic book. Originally published under Marvel's all-ages imprint Star Comics, Rocky and Bullwinkle soon switched imprints to the Marvel line up with issue #3, when the publisher shuttered the majority of the family friendly run of titles. 

This 1989 edition of Rocky and Bullwinkle would mark the debut of all-new adventures of not just the main stars, it would also see the first original adventures of Dudley Do-Right, Sherman and Peabody and Fractured Fairy Tales since 1964. However, due to a page count of only 28 pages, only 1 regular sized extra feature was possible. In this issue, in a story that doesn't seem from a traditionally known fairy-tale, an inept, bumbling King is saved from his scheming chief of staff by his own dumb luck. Then Bullwinkle returns for a 2-page adventure as resident Frostbite Falls genius, Mr. Know-It-All, showing readers what it takes to train to become a famous actor. For those of you wondering, what it takes is the ability to wash dishes and wait tables. The cover story is a two-parter, book-ending the issue. As Hollywood announces the disappearance of superhero costumes across Tinsel Town, Bullwinkle gets his chance to play his hero, the Masked Avenger: because he is the only one left in the world with his fan made outfit!

Dave Manak was the main writer for this issue. He also contributed some of the art, along with Ernie Colon. While Manak and Colon present screen accurate representations of the main characters, the supporting characters do not look in the style of series creator Jay Ward. Characters such as the original actor who plays the Masked Avenger and the King and his court look more like they were drawn as characters in a Flintstones or a Jetsons comic book. A.A. Perry wrote the Mr. Know-It-All episode.

Delightful fun. But it wouldn't last. This was the last issue published by Marvel Comics.

Completing this review completes Task #19 (Cartoon Comic Adaptation from the 1980s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Bullwinkle and Rocky #4 (2026 Comic Book & Graphic Novel Reading Challenge)

After a brief defection to Charlton Comics, Moose and Squirrel returned to Western Publishing. From 1972 to 1980 under the Gold Key imprint. Legacy numbering was used for the series with the fun beginning with issue #3. Over the course of the series, at least 6 Whitman variants would be produced.

The new series, now retitled Bullwinkle and Rocky, from just being named after the noted alum from Wottsamotta U, was still riding high from syndication reruns. After The Bullwinkle Show ceased producing new material in 1964, the show continued on network television in reruns on Sunday mornings under several titles. Thanks to syndication packages that also included a repackaged run on a series called The Hoppity Hooper Show, it would not be until the 1990s before America saw a Bullwinkle void on the airwaves, albeit very briefly.

Seeing that Bullwinkle and Rocky were appealing to a new generation of cartoon viewers, Western Publishing was able to cut costs by recycling in material from their Dell and Gold Key archives. Even cover art from that era was reused, with only the new title and a new price tag being the only changes. A small handful of issues saw new material, mostly starring Rocky and Bullwinkle. Backup features starring Dudley Do-right, Sherman and Peabody and 'Fractured Fairytales' were all reissues, as the smaller page count for the 70s Gold Key issues allowed for those segments to be spread out over multiple issues. Some issues, such as issue #12 was compromised of only reprinted material.

In issue #4, Bullwinkle is signed by a producer to become the next singing sensation. A la Johnny Bravo on The Brady Bunch, Bullwinkle fame is more based on appearance and very little talent. The second story has the friends at a carnival where Bullwinkle wins a special prize. Unknown to the colorblind carny, who is secretly an agent of Pottsylvania, he's accidentally given a hollowed out cane filled with top secret blueprints to the Moose instead of Boris and Natasha. The dastardly duo spend the rest of the story chasing Bullwinkle around the festival in hilarious attempts to steal the cane.

There are 2 back-up features. Sherman and Peabody travel to Roman times to see a very indecisive Julius Caesar stymied by superstition. The 'Fractured Fairy Tale' skewers the classic Jack and the Bean Stalk with Jack's mother taking a more active role.

Worth Consuming!

Rating: 8 out of 10 stars.

Completing this review completes Task #19 (Cartoon Comic Adaptation from the 1970s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Bullwinkle #1 (2026 Comic Book & Graphic Novel Reading Challenge)

Jay Ward's beloved characters Rocky the flying squirrel and his best friend Bullwinkle J. Moose made their first comic book appearance in what is collectively known as Dell Four Color #1128 (Aug., 1960).  The first issues were titled 'Rocky and his Friends' and included fan favorite segments and characters such as Peabody and Sherman, Dudley Dooright, and Fractured Fairy Tales. However, once it became clear that Bullwinkle was the star of the show, later issues forthcoming from the Four Color series were singularly titled Bullwinkle.

Those Four Color editions are quite rare and command hefty price tags. CGC listed a 9.6 rated slab of issue #1270 as being sold for $980 in 2013. As long as you don't mind getting a facsimile edition reprint, you could take your chances with a more affordable issue of the moose and squirrel's first official solo series from Gold Key. The risk being that while material from the nearly dozen issues of Four Color devoted to the NBC cartoon that ran from 1959-64 ran as reprints in the 1962 Gold Key series, not every issue was a faithful reprint of that earlier material. 

Making things even more difficult for collectors is that this Gold Key series was later retitled Bullwinkle and Rocky in 1972 with issue #3, after a nearly decade long hiatus. Some collectors try to overlook the repeated contents in various issues and set a goal to own a copy of each Four Color release as well as the 25 total issues that made up the first series. Some of the Gold Key issues also had Whitman variants. 

Issue #1 has a full slate of segments, just like a typical episode of The Adventures of Rocky and Bullwinkle, at this time retitled The Bullwinkle Show on NBC. In the bookending Rocky and Bullwinkle stories, the duo run afoul of secret agents Boris and Natasha. First, they stumble upon a plot where the spies have been stealing rare birds for use in appropriating Top Secret government blueprints. Later, Bullwinkle gets a chance to start in a major Hollywood picture. Only it's another plot by Boris and Natasha to kill the Moose. 

The Dudley Do-Right story is a caper in which Snidely Whiplash kidnaps the Mountie's girlfriend Nell during a blizzard. Mr. Peabody takes his boy Sherman on a trip to visit Odysseus inspiring him to build the Trojan Horse. Lastly, the Fractured Fairy Tale sees the Ugly Duckling trying to find his place in the world, only to become a model for beauty cream: the BEFORE model!

Credit for artists and authors were not yet common place in comics published in the early 1960s. Al Kilgore was originally believed by most comic book historians as being the main artist of these pages. However, later research has come to light that Jerry Robinson, Fred Fredericks and Mel Crawford all may have contributed to this issue as well, as they all worked at times on the previous Four Color series issues. Dave Berg and Jack Mendelsohn are amongst those attributed as having written in various Rocky and Bullwinkle titles.

Completing this review completes Task #18 (Cartoon Comic Adaptation from the 1960s) of the 2026 Comic Book and Graphic Novel Reading Challenge.

Walt Disney's Uncle Scrooge "Only a Poor Old Man": The Complete Carl Barks Disney Library Vol.12

I'm having a bit of a rough time right now, waiting for several medical appointments to hopefully diagnose that mystery ailment of mine. Thus, I have needed a pick-me-up. Thankfully I still had a Carload Barks Library volume on hand. 

Starring my favorite of the Disney Ducks, this edition contains the first four Uncle Scrooge solo issues by Dell. Though Uncle Scrooge has previously appeared in issues of Walt Disney Comics and Stories and Donald Duck, the contents here are not to be overlooked! There is a Duckburg money bin sized amount of origin story and key first appearances of supporting characters and relics. Glittering Goldie, Scrooge's lucky dime, and his biggest foes, the Beagle Boys! Although, by this time, it would be the 3rd appearance of the Beagles. In the other 2 times, they were cameos with no lines. The title tale 'Only a Poor Old Man's, sees the crooks finally talking and actively attempting to rob McDuck of his vast riches. 

Major events in Scrooge's early days are explored here. His discovery of the massive Goose Egg nugget when a sourdough in the Klondike is retold. We'll also learn some of the major talents the entrepreneur has gleaned over time building his fortune. Fluent in several languages, Scrooge can also communicate with various animal species.

It's not just Uncle Scrooge whose backstory is being developed. Donald is pretty much established. But his nephews Huey, Dewey and Louie are beginning to transition from mischievous brats to valuable resources in Uncle Scrooge's globetrotting adventures for fabled treasures. The Junior Woodchuck Handbook begins to see wear and tear in epics that see the ducks discovering Atlantis and a Utopian, or Duck-topian version of Shangri-la. 

The stories are still a bit rough around the edges. It's like the first season of a now classic TV sitcom. The lighting isn't quite right. Background information on a character might be a bit inaccurate from the eventual finished product. Heck, you might even find that some of the original cast will be changed over time. Still, to see the early version of my all-time favorite Disney characters was so awesome. 

(Note: The first three issues were originally published as part of the massive Dell Four Color Series, #s 386, 456, & 495. They are retroactively known among collectors as Uncle Scrooge #1-3.)

The director's cut commentary by several noted 'Duck experts' was as usual. The backstory information and history of Carl Barks was so interesting. I'd love to read a biography about this iconic comic creator. But when these experts start to wax philosophic about how some random item in the background of a single scene was Barks' silent protest against totalitarianism.  Have these experts never taken advice from Sigmund Freud? Sometimes a cigar is just a cigar.

Worth Consuming!

Rating: 8 out of 10 stars.

A Christmas Carol

It's an annual holiday tradition of my own accord to consume in some way a version of Charles Dickens' A Christmas Carol. It's one of my all-time favorite stories and I am a sucker for it in any form of media. I'll even fawn over a parody or a reboot of it. I just love the story and it's not the holidays without it's heartwarming message.

This year, I selected this 2009 adaption from Campfire. An Indian publisher, this version is in English and is a very faithful retelling of the Victorian era classic. The art is very good. But it's not clean. For one thing, Victorian era London wasn't a very tidy place. But the images by Naresh Kumar have a sort of woodcutting effect to them that makes the artwork seem a little faded and muddled from multiple printings over time.

Every year, I notice something that I never really noticed before. Here, Scrooge's time visiting his nephew, Fred, is covered more in-depth, with the reformed miser actually partaking in holiday parlor games with the entire household. Meanwhile, Scrooge's visit to the Cratchit household doesn't even occur. Instead, Scrooge provides the family with a Christmas feast as an unknown benefactor, thanks for multiple deliveries, while not even revealing to Bob Cratchit his emotional change of heart upon the employee's return to work on December 26th. At least it's revealed that Tiny Tim DOES NOT DIE and that Ebenezer becomes like a second father to the lad.

I still can't figure out Jacob Marley's timetable. He always makes it seem like Scrooge gets visited by ghost #1 on Christmas morning, ghost #2 on Boxing Day and the third ghost on December 27th. It's got to be some kind of old English way of telling time because it has never made sense to me. 

A very good retelling. More classic than contemporary. That's not a bad thing! I've read quite a few versions of the book that really try to push the envelope and it was refreshing to get a very straight forward adaptation for a change.

Worth Consuming!

Rating: 8 out of 10 stars.