Valley of the Dinosaurs #11(2024 Comic Book & Graphic Novel Reading Challenge)

Debuting on the very same day in September 1974 as Sid and Marty Krofft's Land of the Lost, Hanna-Barbera's animated series Valley of the Dinosaurs is the missing link when it comes to TV series about people being sent back in time to the age of the caveman. 

The same date of premier isn't the only similarities between the forgotten cartoon series and the live action classic. Valley of the Dinosaurs starred the Butler family who are sent through a vortex back in time to prehistoric ages while on a rafting trip. Father John Butler is a scientist who uses his knowledge to educate both his children, daughter Katie and son Greg, along with viewers on how to survive the many forms of thunder lizard that roam the valley. Unlike the Marshall's on Land of the Lost, the Butler consists also of mom Kim and family dog Digger. 

The Butlers are met by a Neanderthal family who befriend the displaced family. While Land of the Lost had a heavy sci-fi influence, Valley of the Dinosaurs was more like Gilligan's Island with the Butler's introducing modern technology like pulleys and the wheel to their primitive allies. Together, the two families fight for survival against dinosaurs and warring tribes while looking for a way to return the Butlers back to the present.

Like the Marshall's, the Butler's are never shown to return to the 1970s. However, the Marshall's have had the longer staying power, with Land of the Lost airing on NBC for 3 times as many episodes over a trio of seasons. Land of the Lost has also spawned a 1990s reboot series as well as a comedic live action film starring Will Ferrell. 

One thing that Valley of the Dinosaurs surpassed the Krofft Brothers creation in was a comic book adaptation. As part of Charlton's Hanna-Barbera line of comics, Valley of the Dinosaurs ran for an impressive 11 issues. Okay, compared to the number of issues Charlton produced of sister series such as Yogi Bear and the Flintstones, 11 issues may not seem like much. That is until you realize that the entire run of the Valley of the Dinosaurs comic occurred 1-2 years AFTER the animated series had been cancelled! 

In this issue, John Butler races to reinforce a dam before a looming maelstrom threatens the safety of his Neanderthal neighbors' village. As repairs are made, daughter Katie goes foraging for food. Unfortunately the girl unknowingly enters the territory of a tribe of ape-like warriors who kidnap Katie and force her to become a slave worker for them. With the storm looming, teenage primitive Lok races to save Katie from not just the ape creatures but a rampaging Tyrannosaurus! 

The one page prose story included in this issue sees Katie and Lok once again facing that fierce T-Rex. Only this time the two teenagers are stuck in between a battle with the king of the dinosaurs and an equally hungry Allosaurus. 

Issue #11 concludes with a one-page factual strip about sea otters.

Valley of the Dinosaurs featured an impressive vocal cast. Frank Welker voiced several characters including Lok and Digger. Child actor Jackie Earle Hailey was Greg. Sharon Farnon, Alan Oppenheimer and Don Messick were other notable voice talent on the series developed by Hanna-Barbera's Australian based studio. 

As for acknowledging the talent that worked on the comic book, there's not a lot of resources to cull from. We do know that the cover of this issue was by TV advertising director turned illustrator Fred Himes. Himes was a Charlton Comics work horse, drawing covers and interiors for many of the Connecticut based publisher's horror and war titles. According to Comicvine, Himes was also the writer for this issue with additional art provided by Don Perlin. However, no credits other than Himes' signature on the cover are attributed to other creators anywhere else in this issue.

Issue #11 was the last issue of the series.

Completing this review completes Task #23 (Something Bought From a Dollar Bin) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Uncle Scrooge and the Infinity Dime #1 (Family Comic Friday)

If Don Rosa's The Old Castle's Other Secret is the quintessential ending to the story of Scrooge McDuck, then this tale is the epilogue!

Jason Aaron pens a story that asks what if on that fateful snowy Christmas on Bear Mountain, Donald and his nephews never showed up? Scrooge would still be motivated to discover all those hidden treasures. However, without the bonds of family to experience those adventures with, McDuck would still be wanting more. Thus, when he uncovers an enchanted mirror that can breach the barrier between worlds, that world's Worlds Richest Duck will seek to become the richest duck of all the worlds!

I'm actually surprised that there hasn't been such a story before this. Multiverse type stories are extremely popular right now and it seems like every franchise from Rick and Morty to Scooby-Doo has done such a story in one medium or another. 

A bevy of artists contributed beautiful work on this book which might seem a little expensive with a $7.99 price. However it's got a ton of extras including the story that inspired this comic, Christmas on Bear Mountain, which introduced readers to Uncle Scrooge way back in 1947. That debut story is remastered to crystal clear perfection and worth the extra cost.

Uncle Scrooge and the Infinity Dime is the first Disney Ducks comic book ever from Marvel. The House of Ideas had tested a Disney comic in the early 90s, featuring popular franchises like the Little Mermaid, but they were victims of the comic book bubble. I've had this book on my wish list ever since I learned about its existence back in March. I would have gotten it the day it dropped in stores if I wasn't so gosh darn tired from driving all the day prior back from vacation. So I got it the next day after a big rest. But I didn't have to worry about it selling out because I made sure to order a copy from my favorite comic book store early!

Speaking of orders, thanks to the special material at the end of this book, I've got not one but 2 more Disney one-shots by Marvel to look forward to in the next couple of months. Donald Duck is being given the What If... treatment in 2 new specials that ask what would happen if Scrooge's nephew was subject to the Weapon X program and then found the hammer of Thor. With an Aliens What If... miniseries just wrapping up and these Disney issues forthcoming, I'm hoping that Star Wars is next to go under the watchful eye of the Watcher.

I'm not sure if Jason Aaron is ready to be listed with the likes of Rosa, Carl Barks and William Van Horn. But he's got my blessing to write more stories starring Scrooge and his nephews. Aaron crafted a perfect all-ages adventure that includes appearances by inventor Gyro Gearloose and those dastardly Beagle Boys. (Be sure to look out for a cameo made by the adult version of Simba from The Lion King!) I only wish that with the Christmas time book-ending of this story, and the inclusion of Scrooge's holiday set debut, that this book had come out in December. You're welcome to wait and read this book closer to Christmas. But where's the fun in that?

Oh... Can someone please tell me what happened to Donald and his nephews that kept them from visiting McDuck that Christmas on that alternate Earth? That's a mystery I'd like solved! Maybe Jason Aaron can explain that in a follow up to this funtastic multiverse romp!

Worth Consuming!

Rating: 10 out of 10 stars.

Uncle Scrooge and the Infinity Dime debuted in print and digital formats on June 19th, 2024.

The Mighty Crusaders, Vol. 1

I'm a big fan of MLJ/Archie's Red Circle line of heroes. They're just so darn difficult to find. Their golden and silver age books are ultra rare and too expensive for my wallet. The bronze age titles weren't massive sellers and so there's not a lot of those issues floating around. In the 90s, DC had the rights to them and touted them as !mpact Comics, only to be brought down once more by poor sales. (I'm doing pretty good at collecting these ubiquitous dollar bin floppies.) Then there's the modern age stuff. Why didn't anybody tell me that there was modern day Red Circle books out there?

Under the imprint Dark Circle, Ian Flynn and Kelsey Shannon linked together every incarnation of the Red Circle heroes in this 4-issue miniseries from 2017. It's been a couple of years after the last version of the Mighty Crusaders disbanded after the colossal battle with longtime Crusaders enemy, the Brain Emperor. Friends died in the conflict. Public support for heroes waned. Communities rebuilt. But now with the return of a second generation of super-villains, Joe Higgins, now referred to as the Broken Shield believes that the time for another incarceration of the Mighty Crusaders has come.

Unfortunately, this new group is far from a cohesive unit. Their leader, the latest to carry the name of the Shield, Victoria Adams, is too much of a loner and has trouble delegating to her teammates during a crisis. It doesn't help that legacy hero, the Fly, undermines the struggling new leader's every command. It also doesn't help that Higgins added another legacy, the over-confident Web to the lineup without the Shield's knowledge. Old-timer Steel Sterling is secretly battling the effects of time. Former Crusaders leader the Comet is with the team. However, the nightmares of that climatic fight with the Brain Emperor have left the hero's confidence rattled. Then there's the wild cards: Jaguar and Darkling. The Jaguar is teetering on the edge of insanity as the ancient god that shares her body is demanding sacrifice while the mysterious Darkling, the most powerful of all the Crusaders, is only on the team to prevent her from becoming a villain.

This book also comes with an exclusive short-story about the Mighty Crusaders predecessors, the New Crusaders. Also written by Ian Flynn, this story is supposed to bridge the reader between the two more recent superhero teams. I probably would have liked this story if not for Flynn himself. In this book's foreword, Flynn warns readers that the new team might have connections with the New Crusaders that left them confused. Thus the inclusion of the prequel story. Well, I actually felt like the main story didn't need the extra tale and that short was more confusing and unnecessary than Ian Flynn intended. Possibly even worse, that clunky short had an unintended consequence; it's put me off from wanting to read New Crusaders: Dark Tomorrow. 

Kelsey Shannon's art was so lively and animated. In fact, it looked like the storyboards that you might see for a cartoon show. There's been rumors of a Mighty Crusaders cartoon series since the 80s. I've pretty much given up hope on that project. So if Shannon's artwork is as close as we'll ever get to seeing the Red Circle heroes on the tube, I'm fine with that.

A very good opening salvo. I love that these guys can't seem to get along! I'm excited to see what's on store in volume 2. I just don't know where to find it. I found this book on a total lark at Ollie's and I didn't see any other similar books. Well, it turns out that's because there is no volume 2. Despite a promise of more story and this book being labeled 'Volume 1', these guys just didn't catch on and were quickly shelved. The Red Circle guys just can't catch a break!

Worth Consuming!

Rating: 9 out of 10 stars. 

Jack Kirby: The Epic Life of the King of Comics (A Madman Re-Read)

After reading Tom Scioli's biography of Stan Lee, I wanted to revisit his account on the life and times of frequent Lee collaborator, Jack Kirby. There were 2 questions I wanted to answer: 1) how much comic book history is repeated between the two graphic novels? and 2) whose account of the early days of Marvel Comics seems the more honest? 

For the first question, not a whole lot is repeated between the two books. In the two volumes, we see how Stan and Jack first met, why Jack was fired from Atlas, Jack's return to Marvel, Jack's departure for DC and that's about it. No panels seem swiped. The dialogue in the two books is differing. If you read one book and then the other, you will not feel like you were gypped. Though written, illustrated and even lettered by the same creator, the Jack Kirby biography and the Stan Lee account are completely different.

For question #2- I believe Jack Kirby. For one moment do I not doubt that Stan Lee loved the fans. He was an entertainer and he knew that if not for the readers of his comics, he and the rest of the Marvel bullpen would be out of a job. I also believe that Stan cared very deeply about his staff. But when given the chance to excel over them, it's my opinion that Stan Lee would connive, back-stab and steal the glory whenever possible. 

When it comes to Jack Kirby, was he hardheaded? Absolutely. Did he make some horrible business decisions? No doubt. However, a lot of Kirby's trouble was based on trying to be a good provider for his family without the benefit of having a good friend that he could rely on for good advice. I think if the team of Kirby and Joe Simon still existed in the 1960s, Kirby wouldn't have received a screw job from both Stan Lee and the high-ups at Marvel years later when the company began making incredible profits from licensing everything from actions figures to bed sheet sets.

I still love Stan Lee's work. But having now read 2 graphic novel accounts of his life, I have less respect for the Man behind the curtains. I hate to think that the way Stan was mistreated and abused by his caretakers in the last couple of years of his life was karma getting back at him for how he treated Kirby and others. Yet, if Stan Lee's life was plotted out like one of the Marvel co-creator's many, many comic scripts, that ironic twist would have been taken straight from the Stan Lee playbook. 

Since I've read Jack Kirby's biography before and wrote a detailed review that I feel still speaks for how I feel about the book, I'll end my reflection here. Nothing new to add and I would hate to repeat myself. 

Both Tom Scioli biographies are fantastic reads that should be read as a companion set!

Monster Unleashed

When I first heard about this 2017 Marvel crossover, I was pretty excited. The big baddies of Marvel's sci-fi 1950s and 60s like Fin Fang Foom, Goomba and the Creature from the Black Bog were finally gonna rise up against the heroes of the Marvel Universe and reclaim their place as the rightful rulers of earth. It even appeared from some of the earliest artworks that good guys such as Devil Dinosaur were going to rise up against these men in tights. Yet, that wasn't to be the storyline at all.

An invasion by kaiju-like creatures does happen in Monsters Unleashed. However, these behemoths are unlike anything to have ever graced the pages of a Marvel Comic. Planet Earth has been chosen as the newest nest of the Leviathon Queen, a massive crimson egg-laying beast. But before she can settle in, the world must be cleansed of vermin. That means 'bye-bye, pesky humans.' 

The superhuman population assembles on a global scale like never before. Heroes and villains join forces to stop these Leviathons from decimating the planet. That's where the Marvel monsters of the Silver Age of comics step in. They've been biding their time waiting for the chance to conquer our planet and they're not about to let a bunch of extraterrestrial interlopers just swoop in and take the planet from them! 

Monsters Unleashed was unlike any massive crossover event I've ever read from the House of Ideas. For one thing, it was fun. There wasn't any sort of major shock, like the death of Captain America at the end of Civil War. The editors didn't try to add some new character that was going to change the way we looked at people of color or gender or reveal that some beloved established character was now retconned to be furry or something like that. Instead, this storyline was a tribute to the giant monsters of a by-gone era of creativity and thinly veiled fear of the Red Menace of Communism!

The new character that was introduced in this series was a young pre-teen boy named Kei. He has the ability to draw monsters and make them appear and disappear as needed. With this ability, Kei becomes Kid Kaiju (a freakin' awesome 2010s superhero name if I've ever heard one) and perhaps humanity's last hope for salvation against these big nasties.

I really loved how Monsters Unleashed utilized Moon Girl. Having her become a sort of mentor for new hero Kei was a perfect casting choice. Then we have monster-hunter Elsa Bloodstone becoming Kei's bodyguard and mentor in a preview of a Monsters Unleashed regular series that continues from where the 5th issue of the miniseries ends. Even though I've got plans to downsize my collection somewhat, I think I'd be more than happy to collect the follow-up series because just like this crossover event, it was fun. 

Okay. Now it's time to pick apart the story a little. With kaijus appearing all over the globe, both villains and protagonist alike, there's a lot of destruction here. Some notable landmarks become piles of rubble, like the Nevada's Hoover Dam, the imperial palace of Wakanda and Johannesburg's FNB Stadium. I've read Marvel stuff from the past 7 years since this story came out. I've not heard about rebuilding efforts from Monsters Unleashed still being a thing in the Marvel Universe. Is superhero calamity reconstruction company Damage Control that good at quick repairs? Or do the magicians of the Marvel Universe like Doctor Strange cast instance rebuild spells? I think what I'm trying to get at is as much as I enjoyed the scenes of massive destruction, the level seen in this book was just too implausible to me.

Cullen Bunn penned a great story that was a thrill ride a minute. Smartly plotted. Hilarious banter. The art was good. Though a lot of the alien kaiju seemed to have googly eyes that made them look more silly that deadly serious. (Was Hobby Lobby having a sale on them?) I did mourn the death of one of Kid Kaiju's creations. The character is only there for like 5 pages and yet I feel in love with them. Hopefully, they'll make a return! Some great variant covers by Arthur Adams appear in the back and they're not to be missed. 

Another gem unearthed at my nearest Ollie's, Monsters Unleashed is an extremely fun read  despite it's over-the-top level of chaos and destruction.

Worth Consuming!

Rating: 8 out of 10 stars.

Little Lulu: The World's Best Comic Book One-Shot (Free Comic Book Day 2019)

I don't think I would have given Little Lulu and her portly pal Tubby the time of day if it wasn't for two sources. First was the writings of Fred Hembeck in his massive omnibus. In his collection of writings, Hembeck fondly reminisces of the comic strip quite often. I felt if it's good enough for Mr. Hembeck, whom I actually play a music trivia game against online, then it's good enough for me. Only I didn't have any Little Lulu stuff on hand to read.

Then I was reunited with a copy of the 1981 museum quality collection: A Smithsonian Book of Comics. There was a bunch of Little Lulu and Tubby stories. All of them hilarious! While I did feel that there was more of them than some of the other characters and artists to be fairly represented in that volume, I didn't run into a single stinker of the comic strip creation from the artist known as Marge.

This Free Comic Book Day offering from Drawn and Quarterly is yet another comic that I meant to provide the members of my school's comic book club and lost within the cluttered mire of my backseat. As we're on a road trip this week, I had to get the car completely cleaned out and that's when I ran into this. 

Little Lulu: The World's Best Comic Book is an assortment of strips and stories taken from Drawn and Quarterly's 2019 and earlier line of Little Lulu and Tubby treasuries. The works of artist John Stanley are featured in this issue. Next to Marge, Stanley is perhaps the franchise's most well known cartoonist. He's Little Lulu's Carl Barks. I've read some of Stanley's non-Lulu material and wasn't blown away by it. Those works felt too childish for me. But here, it felt like I was taken back to the 1940s where kids had free range of the neighborhood and creativity and imagination at play was what kept children occupied compared to the soul sucking TV, video games and cell phones of today.

The best story is the opener in which Lulu looks forward to scaring Tubby with the new mask she bought. Only Tubby has one too. In fact, it seems that all of the kids in town have the same mask!

Another memorable adventure sees Tubby trying to find gold with a divining rod. It's got a lot of great one liners. Some fantastic observations that only come from the mouths of precocious babes. And a heartwarming ending. 

I'm really thinking that I'm going to take advantage of some of these collections, if I can ever find them for a fantastic deal. John Stanley really knows how to write dialogue like a child. He's got that innocence mixed with heavy doses of cynicism and prosecution like Harper Lee did so masterfully in To Kill A Mockingbird. I can see now why he's considered a legend of comic book cartooning!

Worth Consuming!

Rating: 10 out of 10 stars.

Marvel Graphic Novel #31: Wolfpack (2024 Comic Book & Graphic Novel Reading Challenge)

Sam Weltschmerz is a Jewish teen living in the South Bronx. He's accused of attempted murder by a gang member who probably assaulted his dad and most definitely burned the family hardware store to the ground. Known as Slippery Sam because of his ability to make sly escapes, the teen is the oldest established member of the vigilante team, the Wolfpack.

Formed in China 2000 years ago, the Wolfpack was created to protect the earth from evil. A splinter group called the Nine is the Wolfpack's primary foe. Mr. Mack, the Wolfpack's sensei, took martial arts, including the way of the ninja, that he learned overseas in the navy and formed a new Wolfpack to confront the Nine who have set up operations in the crumbling wasteland of the Bronx.

Along with Slippery Sam, this Wolfpack consists of the brooding giant genius, Slab, the ultra fleet of foot Sharon, and young Malcolm, AKA Wheels, a brilliant strategist confined to a wheelchair. After running afoul of the gang members who attacked Slippery Sam's family, the brash Rafael becomes the newest member in the fight against the Nine.

Wolfpack made their debut in the 31st edition of Marvel Graphic Novel. It was co-created by Larry Hama and Ron Wilson. Wilson came up with the team name, the members of the Wolfpack and the concept behind the evil intentions of the Nine. Hama was hired to write the script. As a result, many of the character back stories and tha inclusion of martial arts, a subject of great interest to Larry Hama as you can see in his G.I. Joe comics, were added to the story. 

Both Larry Hama and Ron Wilson were born in New York. Wilson, a Brooklyn native drew inspiration from the gangs and war on drugs he encountered from his childhood. Wilson imparts a heavy 'Just Say No' to drugs fervor, especially in the backgrounds of many scenes where the rhetoric is displayed on the graffiti of the city walls. 

Larry Hama was in the Navy during the Vietnam War. After a short one-year stay in Hollywood trying his hands at acting, Hama returned to New York City, becoming very active in the Asian community there. Seeing the effects that urban decay, gangs and drugs were having on the city's Asian community among others, it influenced Hama to focus on the social inequalities and sense of hopelessness the poorest parts of the five boroughs were experiencing in the mid- 1980s.

After the graphic novel, the Wolfpack returned in a 12-issue maxi-series where they continued to fight against the Nine. While Ron Wilson penciled the entire series, Larry Hama had to depart midway due to scheduling conflicts with his other regular series. John Figueroa took over as Wolfpack scribe for Hama.

Aside from a couple of appearances of solo members of the Wolfpack in the pages of Marvel Comics Presents, the gang of do-gooders really haven't had a large presence in the Marvel Universe. Slippery Sam lost his life at the hands of a stalker type villain. Wheels left in his own sometime later, eventually joining the Underground resistance during the Secret Empire storyline. That leaves Rafael, Slag and Sharon to defend the South Bronx from drug dealers and violent gangs. The trio of remaining Wolfpack members appear to have last been seen during the first Marvel Civil War, in which they were branded as sympathetic to the Superhuman Registration Act.

Completing this review completes Task #30 (Written by an Asian Author) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Rating: 6 out of 10 stars.

Showcase Presents: Dial H For HERO

My dad had a pretty impressive comic book collection that I remember fondly digging into frequently as a kid. It was mostly DC books. One of the B-list (heck, more like C-list) segments that I remember happening upon was Dial H For HERO. At the time, it just wasn't my thing. I was more enthralled by the glamorous superheroes like Superman, Deadman and the Flash. As much as finding a device that would turn them into a superhero is any kid's dream, I just didn't connect with the adventures of young Robbie Reed.

The premise of Dial H For HERO is that preteen genius Robbie Reed finds a mysterious object that looks like the dial of an old rotary phone. Only instead of being in English, the tool has these strange glyphs. Brilliant Robbie is able to decipher the letters and decides on a whim to use it to spell out the word H-E-R-O. When Robbie dials the word, he turns into a superhero. Only, he doesn't know which protagonist he will become nor what his powers will be.

Over the course of his early career, as seen in the pre-horror pages of the House of Mystery, Robbie will become champions based on ancient myth, crazy gimmicks as well as bizarre freaks. Sometimes, Robbie will revisit the form of one of his previous incarnations and on one occasion, he becomes the established classic superhero, Plastic Man!

Dave Wood was the writer for all of these original series stories. Towards the end of the run, the characters got way more goofy and DC fell into the trap of thinking that the generation gap was what late 1960s kids wanted to read about. The series ended because of the Comics Code. Not because of violations, but instead because horror comics were once again in favor due to challenges over the Code which brought about some revisions. 

Dial H For HERO would return in the 1980s without Robbie Reed. Instead different boy as well as a young girl would find 2 different dials, changing into both a hero and a heroine. During this time readers were encouraged to create the characters that the kids turned into through a write-in contest.

It's those adventures in various issues of New Adventures of Superboy and Adventure Comics that I've come across as an adult that peaked my interest when I found this book a couple months ago. In this volume, there's a story where Robbie allows a gal pal of his to try the dial, becoming Gem Girl. I had originally assumed reading that tale that this was how we got 2 heroes in the later books. While that's not the case, that adventure is probably the inspiration for having a duo in the reboot series.

Looking around, those later stories don't seem to have been collected ever. I'd be very happy to own such a title should DC decide to release it in the future. While I am trimming my massive collection down a bit, this Showcase Presents collection is one that made the cut. While it's not a perfect series, Dial H For HERO is fun and nostalgic and to me that's worth overlooking the faults.

Worth Consuming!

Rating: 8 out of 10 stars.

Walt Disney Comics and Stories: Donald and Mickey- Quest for the Faceplant

IDW presents a rather charming collection of comic stories starring Mickey Mouse, Donald and his family and other iconic characters from titles originally published previously all over the globe.

Obviously, Donald Duck is the star of this collection. The best two stories costar Donald's cousin Gladstone who's literally a lucky duck! Usually Gladstone and Donald are rivals. But in the opening story based on the cover, Gladstone teams with Donald to photograph a rare plant that's about to bloom for the first time in years. With Donald's photography equipment and Gladstone's luck, the pair seems to have the edge over the competition. That is until they meet up with another contestant out to win the large cash prize: Scrooge McDuck!

Donald then gets a chance at being lucky for once when his wish to be as blessed as cousin Gladstone is mysteriously granted. It's a classic episode of blunder, satire and screwball comedy when Donald's luck runs out unknowingly right before he's about to perform the most insane stunt ever imagined!

In the Mickey arena, there's a pair of mystery stories. One involves the Phantom Blot. The other, Peg Leg Pete. Both co-star Horace Horsecollar, which is kinda odd, since Goofy tends to be the sidekick in those stories. Instead, Goofy have been saved for an adorable story in which he creates a series of mysteries for Mickey to solve in order for the busy amateur sleuth to finally have an exciting day of fun.

Stories starring some of the more lesser known characters of the Disney Universe include the Big Bad Wolf and the Three Little Pigs, Bucky Bug and his insect friends, Brer Rabbit and his country-time enemies, and an adorable one-pager starring Chip n' Dale. Plus, there's plenty of fun with Donald's nephews Huey, Dewey and Louie, including an epic sized riverboat adventure starring a character called Garvey Gull. A brand-new character to me, the jury is still out as to whether I find this little guy to be charming or annoying.

The love for the international Disney comics keeps growing within me. I think I have Don Rosa to thank for that. But IDW should get a little bit of the credit as well.

Worth Consuming!

Rating: 8 out of 10 stars.

Birds of Prey: Sensei and Student

Black Canary is summoned to Hong Kong. Her sensei is near death and she's come to pay her last respects. There's another student coming to bid farewell to the martial arts master: Lady Shiva! It looks like these two foes are going to battle it out until the sempai calls for peace between the two. 

An uneasy truce between Black Canary and Lady Shiva is arranged until the mentor's death. However, when their teacher is murdered by an unknown assailant, the two rivals become allies to avenge the senseless killing of a man already near death. Only this unlikely pair have differing ways of finding answers. One is willing to let her hands and feet talk for her. The other is willing to take a life in order to get answers.

Meanwhile back in Gotham City, someone has hacked into Oracle's mainframe, claiming to know her secret identity. With Canary overseas, Barbara Gordon must rely on the Huntress. But with Helena Bertinelli's past romantic history with Dick Grayson, there's more than enough bad blood between the two. Now with Barbara in the custody of Federal agents for terrorism charges and violations of the Patriot Act, the Huntress might be Oracle's only hope, whether she likes it or not.

This is a book that's been sitting on for a very long time. I inherited it from my best friend after he died over a decade ago. I just couldn't bring myself to read it. Not out of mourning. Mostly just cause I wasn't really a fan of this series. But I figured I'd give it a try someday. That day just happened to be recently.

The events in this book seem to be occurring during a transitional time for the Birds of Prey. One of the team just left and while I know that Huntress joins them, at this period in time Canary, Oracle and Huntress kinda all hate and distrust each other to varying degrees. So I'm not really sure if the book follows the formula of the issues featured in this book or if they start to trust and rely on each other. (This volume also doesn't inform me if the series prior to this time of change was any good or not.)

The writing by Gail Simone was decent. But man are those birds a trio of biddies. Lots of action. But too much of a pissing contest. I thought this was bad in the books that primarily starred alpha males. But here, it's down right annoying.

The art is also decent. provides some very alluring art along with some action packed images led by Michael Golden and Ed Benes. Unfortunately, some of these artists draw in that beefy style of late 90s-early 2000s DC where you can't tell if the more muscular characters are well built or eating too much pie. Superman: Our Worlds At War was notorious for this look and it isn't becoming here either.

The Greg Land covers, like the one used for this volume, are breathtaking!

The ending was fantastic. It's a who's who of characters affiliated with the Birds of Prey as they answer the call to save Barbara Gordon and her Oracle secret identity from a corrupt politician with a damning past and a connection to the original Black Canary! Now that's a series I want to read more about as the pre-modern era filler story was much more interesting despite a bad case of convenient plot device at the middle of that segment.

I'd give the Birds of Prey another try if I found them at the library or something like that. But I'm not going out of my way to find more volumes, nor will I shell out any cash for it either.

Rating: 6 out of 10 stars.

Walt Disney's Moickey Mouse: Darkenblot

Let's face it. Mickey Mouse is just too much of a goody-goody. Other than occasionally getting called out by girlfriend, Minnie, when he's trying to do right but his good intentions end calamitously, Mickey lacks the ability to be a bad guy like Donald Duck or Uncle Scrooge. That's why Mickey needs a perfect antagonist like the Phantom Blot!

The Blot is almost pure evil. No, not evil like a demon. He's just got zero redeeming qualities. Everything the villain does is for his own selfish gains. Truly, he's the antithesis of Mickey, unlike Peg Leg Pete, another Mickey Mouse foil, who does have the occasional soft spot. 

From the cover of this IDW collection of Mickey Mouse comics, one would think that Darkenblot is set in a gritty dystopian future like Akira or Blade Runner. Instead, this high tech story is set in the present day in a city designed to be everything ol' Walt Disney himself envisioned with the Experimental Prototype Community of Tomorrow: EPCOT!

Avantegarde City is nearly 100% automated. Only the police force still uses humans as partners to robotic cops as a previous model was deemed to strict and abusive. Lately, the approved models have been acting up as well. Suddenly, an android version of the Phantom Blot begins terrorizing the city with electronic drones of his design. A visiting Mickey decides to stay in Avantgarde City to assist with the capture of this upgraded cyber villain calling himself the Darkenblot!

The Darkenblot story makes up probably 85% of this book. The remaining pages give readers a Mickey one-pager guest-starring Pluto, a Super Goof adventure in which the long-john donning hero takes on a mad scientist with a weather controlling machine and a yarn involving Horace Horsecollar. For those of you unfamiliar with Horace, despite looking more bovine, he really is a horse. Introduced in 1929, it's his girlfriend Clarabelle, Minnie Mouse's best friend, who is the more well known character. 

Despite my initial disappointment at Darkenblot not being set in the future, the story turned out to be really enjoyable. It lacked the formulaic traps that most Mickey Vs. Phantom Blot stories fall into. Perhaps because it's just Mickey to the rescue here. None of his beloved sidekicks like Goofy or Donald are available for comic relief. I kinda wish IDW had used one of the international covers. They present a more accurate feel of what the story was actually like instead of the American one which looks more cyberpunk.

The Super Goof story was silly.. uh, make that goofy. Horace's story was a delight, mostly if only for the unfamiliarity with the character. So I didn't know what to expect. And the one-pager, involving Pluto and an alley cat, was a delight that I re-read at least 3 times before moving on to the next story and I enjoyed it once more while writing this review.

I'm really becoming a fan of the international Disney comics. They're actually good! I want more!

Worth Consuming!

Rating: 8 out of 10 stars.

Western Gunfighters #33 (2024 Comic Book & Graphic Novel Reading Challenge)

Marvel's anthology series Western Gunfighters, which ran from 1970-75, was the second series to be published by that name. From 1956-57, Marvel, when they operated as Atlas, produced a series that spawned only 8 issues. The series began with issue #20, taking over the numbering from another Western title, Apache Kid. With issue #27, two other Western anthologies took over the numbering from Western Gunfighters.

The second volume lasted almost 4 times longer than it's predecessor, going for 33 issues. The first 7 issues contained a mix of all-new material and reprints, before switching entirely to previously published material with issue #8. The cowboy Ghost Rider was the main feature in those first few issues. Other new characters introduced in Western Gunfighters volume 2 included Jerry Siegel's Gunhawk and Roy Thomas and Mike Fredrich's short-lived and seldom remembered Renegades.

Referring back to the title's origins, reprints of the Native American hero Apache Kid were a frequent back-up feature since issue #1. In this issue, the Apache Kid, who poses as a white teenaged cowpuncher in order to infiltrate desperadoes who want to harm his tribe, joins a gang of white men who dress up as Apaches with hopes of causing a war with the US Calvary. Once the Army wipes out the Apaches, the gang hopes to lay claim to the tribe's valuable land and resources. The story featuring art by Werner Roth features two of the fastest quick-changes in the history of comics to a point, they make both Superman and any version of the Flash look slow. 

The cover story reprints a classic tale of Kid Colt. Written by Denny O'Neil, the Kid is given the chance at a pardon after he saves the governor of an unnamed Western state from train robbers. Sadly, Kid Colt must continue to live his days as a wanted man when he traded his chance at freedom in order to save the politician from assassins. Once more, the artwork is by Werner Roth.

Lastly, a loner named Gun-Slinger, along with his dog Lightning come across a prospector with aim to kill the pooch. A pack of wolves caused the prospector to lose a wealthy claim and now he's ready to kill anything that comes his way looking like a lupine. It's a story about redemption and forgiveness featuring art by John Romita, Sr.

Issue #33 would be the final issue of the series. It's demise was brought about by shrinkflation. When the reboot first debuted, it was a 52-page plus special for all of 15 cents. As the page count shrunk and the all-new material disappeared, the price rose to 20 cents and then 25 cents before Marvel let the title out to pasture.

Gil Kane was the cover artist for this issue.

Completing this review completes Task #47 (An Anthology) of the 2024 Comic Book and Graphic Novel Reading Challenge.

Walt Disney's Uncle Scrooge "Maharajah Donald": The Complete Carl Barks Disney Library Vol. 4

I actually finished this book about 2 months ago. However the theft of my goat was heavy on my mind and I was too distracted to review it at the time. Only after doing some organizing of my piles of books to review did I realize that I had overlooked this very fun entry in the Complete Carl Barks Library.

The title story sees Donald taking a trip to India. He's supposed to be going alone. Except his nephews Huey Dewey and Louie stowaway. Once in India, Donald is unexpectedly made the ruler of a small kingdom in a caper that combined hijinks, international law and a hint of racist stereotypes.

As I've mentioned before, Barks' works are indeed peppered with cultural stereotypes and prejudices that would make today's youth request the cancellation of the amazing cartoonists career. Thankfully, Disney and Fantagaphics has decided not to cull away these works in hopes of creating dialogue about how much our societal norms have changed as well as point out how much further we've got to go.

There's holiday stories a plenty in this book. The nephews win a turkey for Thanksgiving. Only it's a live bird and the boys are too attached to it to kill it. In a fantastic Christmas set story, Donald is a lighthouse keeper who forgot to buy gifts for the boys. A looming maelstrom prevents Donald from going ashore on Christmas Eve. So any chance of a Christmas to remember rests on an albatross tasked with delivering a letter to Santa.

Now all of these stories come from comics that are quite valuable and really hard to find. But it's the inclusion of the Donald Lighthouse story along with a tale in which involves Donald, an atomic bomb and a sneaky spy are what makes this book really worth it's cover price of $35! Both stories are freebie premiums that mostly found their way into the waste bin. The Christmas story was given away by various toy stores and department stores during the 1946 holiday shopping season. The Atomic Donald adventure was part of a 4-issue set of minis included in a box of Cheerios cereal.

Oh, and how can I forget Donald's houseboat adventure titled 'The Terror of the River'. His experience with a river bound sea monster contains some of the most epic images crafted by Barks! It's breathtaking!

Maharajah Donald contains some of the earliest Donald Duck stories produced not by Disney, but Carl Barks as well. There's only 3 volumes of earlier material out there. There's no sign of a sophomore slump or early development kinks here. Without Uncle Scrooge, who's still a couple of years away from debuting at this point, many of the stories in this volume are about as close to the adventuresome duck epic formula that made me such a fan of the Disney Ducks back in the 1980s!

Worth Consuming!

Rating: 10 out of 10 stars.

Walt Disney's Uncle Scrooge "The Seven Cities of Gold": The Complete Carl Barks Disney Library Vol. 14

According to the expert commentary at the end of this book, the time period covered here was a very difficult time creatively for creator Carl Barks. For those of you wondering, we're talking 1955-1960. Apparently, Barks and the editors at Western Publishing butted heads over the contents of several stories. All of a sudden, the editorial staff began nitpicking over every little thing and especially took issue with anything that they deemed to be too violent.

The commentators don't seem to know why the sudden change. How good a comic book historian can these experts be if they can't make the connection that Western Publishing was freaking out over concerns brought about by the Comics Scare of the 1950s and the newly established Comics Code?!

True, I purchase and read the volumes of the Carl Barks collection out of order because I shop for the books based on current affordability and not sequence. Maybe in a previous or later volume, the commentaries will dive into the Comics Code. I just think if you're going to question why about something, you really either need to figure out the reasoning or don't call yourself the authority on something. It just makes for poor research. But that's probably just the history major in me coming out.

Within this difficult time, it's said that Barks' productivity waned and his creativity stagnated. I just don't see evidence of that in this book. In fact, for someone who grew up on DuckTales, this volume seems to align with that classic 80s toon the most out of the several volumes in this set I now own!

Several amazing adventures starring Uncle Scrooge and his nephews Donald, Huey, Dewey and Louie take the ducks across the globe including an epic trek all over planet Earth in search of the fabled Philosopher's Stone. Then there's the sci-fi adventure The Mysterious Stone Ray starring those dastardly Beagle Boys. My favorite was The Golden Fleecing which I believe was adapted for the Disney cartoon series! Plus the origins of Scrooge's steamboat days are explored in action packed story titled The Great Steamboat Race. 

When I reviewed Don Rosa's The Complete Life and Times of Scrooge McDuck, I commented how much I disliked the talent making Scrooge so ornery. Yet, this volume here confirms that Carl Barks was behind the anger because in reality, he was a very disgruntled man. I'd really like to read a biography about Barks. Though I'm not all that sure if such a thing exists. And if it does, I surely hope it's not written by the 'expert' who neglected to connect the damage Dr. Wertham did to the comic book industry in the 1950s to all the in-fighting between Carl Barks and his editors. For if it is, I might have to take a pass.

Worth Consuming!

Rating: 8 out of 10 stars.

I Am Stan: A Graphic Biography of the Legendary Stan Lee

My wife knows that I'm a big fan of both Jack Kirby and Stan Lee and got me both of Tom Scioli's graphic biographies of these two Marvel legends. The favorability of Stan the Man had lessened in my eyes after reading the Kirby book. Stan Lee took advantage of the King. But to be fair, a lot of high ups in the comic book industry used Jack Kirby as their personal door mat. 

Knowing how Stan Lee came off as a massive jerk in Scioli's other work, I held off on reading this book which I got last year for Christmas. But I couldn't hold off any further as I Am Stan was just sitting atop my 'To Read' pile just screaming to be read. 

With Stan Lee as the subject, Tom Scioli does seem to paint the man born as Stanley Lieber in a more favorable light. There's no doubt that Stan was a master storyteller and a lot of the anecdotes he regaled both interviewers and audiences seemed to evolve over time; getting more and more wilder and inaccurate with every retelling. As Scioli utilized a slew of articles and writings by and about Stan Lee, a lot of material is more positive about Stan as history is often told by the victors. However, I am glad to say that Stan Lee is portrayed as far from perfect.

For one thing, Stan was a workaholic. Makes sense as his father was often in-between jobs and seldom actively searching for work. However, Stan's work ethic caused friction between him and his beloved Joan, whom I did not know until I read this work that she was married to some other dude when Stan met her. I also expected Scioli to reveal that Stan was cheating on Joan with possibly his gal Friday, the Fabulous Flo Steinberg. However, it appears that in that regard, Stan was a saint!

Stan Lee was also a businessman. As much as he acted as one of the people in his monthly 'Stan's Soapbox' columns, Stan was the MAN, taking the side of big business when approached to support a comic book writer and artist union in the 1970s. That's despite claiming to be all for it years later once he was nothing more than Marvel's Chairman Emeritus.

You might blame Stan's ego on his family. His mother smothered him with praise; perhaps in hopes he'd grown into someone other than his father. Stan could be modest. However, he also couldn't help himself to ham things up. It's a tale almost as old as time. The guy looked upon as the leader gets all the accolades. As their heads balloon up with the forthcoming perks and riches, the leader forgets the little guys, causing friction if not all around dissension and broken relationships along the way. 

Jack Kirby's love/hate relationship with Stan Lee is covered in large part in this work. Thankfully, Tom Scioli doesn't just repeat everything that transpired between the two founders of the Marvel Universe play out exactly as it did in the earlier Kirby biography. If there was ever a time I would expect a comic book creator to phone it in with repeated swipes of previously published material, it would be in this book. Yet, Scioli doesn't fall into that trap!

Reading this biography has got me itching to give the Kirby graphic novel another read in order to compare notes. I've got a perfect chance to do so coming up in a couple of weeks. I'll be interested to see where Tom Scioli repeats himself as well as portraying incidents that are covered in both histories differently. I don't normally like to do a re-read. But this is one of those exception times where I'm actually looking forward to it.

I'm also hoping that Tom Scioli doesn't stop with the graphic biographies of comicdom's biggest names. Julie Schwartz, Bill Gaines and Steranko are just a few subjects I would love to see Scioli give notice to!

Worth Consuming!

Rating: 9 out of 10 stars.

The Spirit Archives, Vol. 10

January through June, 1945. The second World War is drawing to a close. Will Eisner is still tinkering away as a warrant officer in Washington, using the medium of comics to teach preventative maintenance. In New York, Eisner's creation, the vigilante detective posing as a criminal warlord, the Spirit, is still being published by talents such as Jack Cole. And yet, Eisner's creation just isn't the same without him.

Under Will Eisner, the characters had emotion. The layouts were brilliant experiments in lettering and design. The plots were simultaneously action-packed and funny. The art evoked empathy, passion and horror. Above all, an air of whimsy filled the corner of every page until it oozed off the paper. 

Without Will Eisner, the Spirit has become a soulless crime book. Instead of being imitated by the rest of the industry, the series has become just another in an endless sea of crime comics that seek to push countless envelopes. 

There are essentially 2 sections of this book. About the first 9 or 10 stories are trash. The artwork is flat but acceptable. The plots are complicated to the point of being unintelligible. The dialogue is like someone took a bunch of Sam Spade and James Cagney scripts and threw them in a blender: cliche without substance.

Then some miraculous changes around that 11th or 12th story. The art begins to pop. The colors are brighter. The story lines are now creative and the dialogue is much more polished. It lacks the charm Will Eisner brought to the characters. None of the writers that contributed to the Spirit at this time seem to be able to get Commissioner Dolan's relationship with the hero right. But it's better than the drivel that filled the first 80 pages of this book. 

I want to own the whole 26-volume Spirit archive. (There's actually 27 books in the set. But I think I own all the material that fills that final book and might not need to possess it.) Anyways, I buy (and read) these out of order. I purchase that which is affordable, not chronological order, based on many of these being out of print. Knowing now that Eisner is absent from the books containing the war years, If I am faced with two volumes of about the same price range that is favorable to my wallet and one is set during World War II and the other is not, I'll take the latter... for now.

A fair read. I wish I knew who wrote those later stories in this volume so I could give proper kudos. The difference between the halves of this volume really are as different as night and day.

Rating: 6 out of 10 stars.