Friday, November 14, 2025

Archie Halloween Spectacular 2024 #1

I found it! Also, I am not crazy. Scatterbrained because of symptoms from fibromyalgia. But I knew that I had read this before. Apparently, I filed this into my collection before reviewing it. (This is becoming an annoying pattern.) But I had read it before and yes, based on the events in this book going on to the events of the Halloween specials for 2025, I have missed something in the Amber Nightstone Saga featuring Sabrina the Teenage Witch.

In the all-new feature, Sabrina is summoned to Riverdale by Jughead. Juggie apparently is the only member of the Archie gang that knows Sabrina Spellman is a witch. Though, like with Batman, I think a whole lot of people know her true identity but they keep it quiet in order to stay out of trouble.

Anyways, Jughead is aware that his good buddy Archie is going on a date with Amber. Sabrina realizes that Arch has been entranced and along with Jughead, Sabrina seeks to save Archie from her enemy's clutches. Behind all of this is an ancient evil and the promise of more trouble from Nightstone.

Though they appear on the cover, Halloween sprites Trick and Treat don't have anything to do with this issue; even with the reprint stories. So when Archie expressed trepidation over being fooled by those characters again, as with what happened 'the previous Halloween' and Amber Nightstone is revealed to having ensnared Trick and Treat, I knew that I missed something. I still don't know where all that background stuff happened and it's a bit infuriating. Hopefully, Archie will produce a complete Amber Nightstone Saga trade so that I can get the full story. 

Next Halloween, perhaps?

The other reprints are more modern tales. There's a spoof on the M3gan movie where Veronica buys an expensive luxury toy that seemingly comes to life with malicious intents. As for the other stories, I can't really recall them. It has been over a year, ya know...

Obviously, I liked this special enough to have remembered bits from it. I don't think forgetting to review it speaks to it's diminished quality or anything like that. Although I really enjoy the stories from the Archie Madhouse era. People don't seem to realize it, but  Archie Comics was a pioneer, utilizing vampires and other monsters during a period in comics history when monsters and ghouls were verboten! And they managed to still receive the CCA stamp on their covers. I guess it goes to show that humor can trump horror and it's detractors - if it's done as a lampoon. 

Worth Consuming!

Rating: 8 out of 10 stars.

Tuesday, November 11, 2025

The Mythmakers: The Remarkable Fellowship of C.S. Lewis and J.R.R. Tolkien


I found this 2024 work in the graphic novel new release section of my local library. Though I am not really sure that you could classify this book as a graphic novel. It's more of a hybrid graphic novel/prose non-fiction biography. I'd say a good 50% of this book is prose. Plus the dialogue is very wordy. But I think that's to be expected as the subjects of this book by John Hendrix were both academics and philosophers.

C.S. Lewis and J.R.R. Tolkien were the 20th century's most distinguished fantasy writers. Lewis wrote dozens of works in many genres, including early science fiction, children's literature and Christian theology. Tolkien was a perfectionist with anxiety and writer's block. But he managed to create an entire universe with his 4 volumes of completed stories set on Middle Earth. 

For a good period of time, the two were the best of friends and if it wasn't for the other encouraging their mates on, we wouldn't have Aslan, Frodo, the White Witch or Gandalf the Grey. They were each other's biggest fans and harshest critics. But as iron sharpens iron, Lewis and Tolkien refined each other into becoming 2 universally beloved authors. Unfortunately, as happens with many friendships, the two men grew apart. Yet, the respect and love the two had for each other was unwavering.

I had a difficult time getting through the first chapter. It wasn't about the history of Lewis or Tolkien. Instead, it was more of an introduction of what made a story either a myth, a legend, or a fairy tale. While I learned how a fairy tale could be as such without the inclusion of a fairy, I was very lost in this opener. Plus, I didn't like how close to calling The Bible a fairy tale or myth the author got and he's supposed to be a Christian author and illustrator!

Our narrators are a Wizard in full garb along with a pointed hat and a Lion dressed in rather a shabby looking blazer. I took me a while to figure out that the Wizard personified Tolkien, who was essentially one of the first cosplayers, and that the Lion in a shabby flannel coat was Lewis, as a lion is the main heroic character in The Chronicles of Narnia, and Lewis wasn't known to be a very flashy dresser 

While the opening chapter was a bit of a chore to get through, the rest of the book was not. It was a fascinating history of the two authors, growing up at the turn of the century, during an industrial boom, experiencing the horror of World War I and then witnessing the sun set on the British Empire after the devastation of the second World War. I even felt that the trio of appendices were really good. They felt more geared for the lay person as opposed to the introductory chapter which was too academic for my tastes.

While I wasn't too keen on John Hendrix in how he kept comparing Jesus to the great stories of myth and legend, I would not mind having him act as my guide through history. I see that Hendrix wrote a graphic novel about Dietrich Bonhoeffer, a pastor who became a spy and potential assassin of Adolf Hitler. I've been wanting to read a biography of this complex figure in World War II history and this seems up my alley.

So as much of an issue I might have had with some parts of this work, I think it speaks volumes that I am willing to give John Hendrix another try. 

Worth Consuming!

Rating: 7 out of 10 stars.

Monday, November 10, 2025

Zombie Fairy Tales #1

I've read a zombie horror/comedy special from Antarctic Press previously. It was pretty funny with lots of quick gags. Based on that positive experience, I was rather stoked to find this fairy tale based horror special from the same company. 

For the most part, I enjoyed this 2011 one-shot. There were some unique takes on Little Red Riding Hood and Goldilocks and the Three Bears that resulted in chuckles. I was disappointed that despite having Peter Pan, Tinkerbell and a zombified Captain Hook on the cover, they don't appear anywhere inside. But like most anthology comedies do, this special made the mistake of having 1 long story that wasn't all that funny and ruins the flow of the work. 

The Kentucky Fried Movie and Amazon Women on the Moon both fell into this trap. They had fantastic, rapid fire skits that left you dying laughing; only to slow everything down with a very long, and nowhere near as hilarious segment that ruins everything! 

That's exactly what happens here. In a parody of the Disney Princesses, Prince Charming is about to break Snow White from her sleeping spell with a kiss when a couple of sidekicks approaches him with alternate options. The Little Mermaid and Jasmine are also in need of smooches. Whomever the Prince awakens will make him a very wealthy and powerful man. But just who will Charming select?

There were a few chuckles. But it was also a story that seemed to cross several lines. Hermaphrodite ( or trans- not sure which) jokes aren't funny. They clearly aren't jokes that would fly today... Or would they? Considering how the pendulum has shifted politically in the last year or so, it's hard to tell. Regardless, when they started mingling in characters from Resident Evil, they really overcrowded the stew and like those longer segments from comedic cinema history, it fell flat. 

Not sure if I wanna keep this one. It started so well. It ended so poorly. Can't win them all I guess.

Rating 5 out of 10 stars.


Sunday, November 9, 2025

Grubbs Loves Halloween #1


Every time I think that I have reviewed all of my reads for Halloween 2025, I find a book that I read but never reviewed. I'm finding that vivid dreams are a symptom of my fibromyalgia. I will read a book before bed and as I drift off to sleep, I will have crafted a brilliant review. I dream that I posted it here on my blog and everything, only to find out a couple of days later that no, I really didn't write up a fantastic dissertation on the comic, graphic novel or book that I completed. 

The latest Grubbs Halloween special is just another example of such.

In this 2025 one-shot, Grubbs has drafted plans for the ultimate Halloween. It involves, costumes, candy and pranks. Lots of pranks, of which if Grubbs can pull off before midnight will net him a wager of lots of Halloween candy and treats. First up, Grubbs plans on making some Halloween cookies with a special ingredient. Then Grubbs gets in trouble at school and has to pay off his punishment by being the target in the school carnival's dunk tank. Then it's a chance to win his big bet. Unfortunately, the big kids who Grubbs tricked into stealing a giant bag of doggie doo instead of his candy haul, are after the lad; chasing him deep into the bowels of his school's haunted house. It seems that the chances of winning his Halloween bet are in danger for ol' Grubbs.

Lots of fun. I've enjoyed both Grubbs Halloween specials that I have read. The world of Grubbs is so smart and funny. The level of imagination and the great banter between the siblings reminds me of Bill Amend's Foxtrot. Boy, do I miss Foxtrot. At least I get a little bit of a fix here with Grubbs and company. 

This issue was even better than the last special. Probably because both tales in this issue involved Halloween. That other Grubbs special ( I read) had a backup that could have taken place anytime of the year and with Grubbs wearing a tee-shirt and playing with a water hose, it felt like a springtime affair instead of during a chilly fall day.

Worth Consuming!

Rating: 9 out of 10 stars.

Friday, November 7, 2025

The Giant: Orson Welles, the Artist and the Shadow

Orson Welles was a contradiction. He was unwavering as a film director; to the point of being so pioneering that he could be considered avant garde. Yet in order to fund his passion projects which he created away from the constraint of an art film despising Hollywood, the genius actor would whore himself out for desperately needed funding by appearing in some of the worst films ever made. Don't get me started on his formulaic sponsorship of second rate wines and computers for cash because his directorial vision was considered damaged goods. 

Also, don't get me started on his narration of the 1981 documentary about Nostradamus, The Man Who Saw Tomorrow. I saw it at my grandparents when I was about 7. It scared the absolute hell out of me. And I'm kinda glad this graphic novel overlooked that small blip on the movie legend's nearly 50 year long acting career 

The Giant is a 2025 graphic novel by Youssef Daoudi about the trials and troubles of Orson Welles. Declared a wunderkind at an extremely early age, Welles shocked the world with his Halloween, 1938 radio presentation of The War of the Worlds. The panic caused by the radio program made Welles a household name. It also opened the floodgates to Hollywood. Right off the bat, Welles crafted a work of art: Citizen Kane. Though it would be decades before critics, audiences and Hollywood would appreciate its ground breaking use of flashbacks and never before seen camera angles.

By the way, I think it is a brilliant movie. Yet, it's a film not without it's flaws. If the title character of Charles Foster Kane died alone, how did anyone know that his last word before dying was 'Rosebud'?

Confused audiences and a controversy involving a smear campaign by Welles' inspiration for Citizen Kane put the newcomer on notice. Going over budget and refusing the studio's requests for re-shoots and to be dumbed down caused Orson Welles the director to flee to Europe where he was appreciated by artsy audiences. But Orson Welles, the actor, was considered the ultimate casting by any studio, director or actor. Yet, he could still be difficult to work with; never afraid to express his displeasure with a horrible script. 

But with several divorces, child support and an appetite for excess, Welles needed money for his art. And that meant taking on roles in films the actor felt was below his genius.

Along with his ego and sense of importance, the title of this book could refer to Orson Welles imposing physical presence. He battled with food and drink. At times, he weighed over 300lbs. Though based on some segments of this book, I would not be surprised if he came closer to 400. Standing at 6 feet tall, add the weight and the personality, and Orson Welles could be the tallest person in a room full of Harlem Globetrotters.

Just like Welles, creator Youssef Daoudi gets artistic. He loves to utilize the lobby cards of Welles' films as scene framing devices. He time jumps all over the place like Citizen Kane on caffeine pills. But to go deep into the troubled artist's psyche by having Welles' shadow point out the man's faults and shortcomings. I think I would have preferred a more straightforward look at the life and career of the actor and groundbreaking filmmaker.

Worth Consuming!

Rating: out of 10 stars.

Tuesday, November 4, 2025

The Maltese Falcon by Dashiell Hammett

I don't know if there's been a debate over which is the better detective writer. But between Dashiell Hammett and Raymond Chandler, my money is on Chandler. I tried to get into crime noir as a kid and while I liked it, I wasn't mature enough for it. I tried to get into Hammett's work but I found him too wordy. I probably would have stayed by that assessment without needing to review my position. But I found a copy of The Maltese Falcon for a really good price and decided to give Hammett another try.

The story is where the world was introduced to Sam Spade. He'd appeared in a short story a year prior. But it didn't really move the needle. It was until the popularity of this story broken into 5 parts in the pages of Black Mask magazine in 1929, that the world really got a good look at the celebrated private investigator who only ever appeared in 5 works by Hammett and one of those was left unpublished! 

When The Maltese Falcon were collected into a single novel in 1930, it became a smash hit. It also laid the foundation for hard boiled crime fiction. Humphrey Bogart made the character of Spade a household name in 1941's black and white film adaptation, directed by John Huston; which is considered one of the greatest films ever made. You might be wondering why it took over a decade for Bogie to play Sam Spade.  Actually, a film version was made in 1931. But it's content was so salacious, with nudity, sex and homosexual overtones, that film standards adopted shortly after it's release, prevented it from ever being re-released to the viewing public. Hence, a toned down remake was necessitated to be made for the viewing public of a pre-WW2 America.

In the story, Sam Spade is accused of murdering his detective agency partner, with whom he is having an affair with the man's wife. To clear his name, Spade must figure out how the client his partner was hired to protect got tangled up with a trio of criminals who all accuse the woman of stealing something valuable from them: a one of a kind golden statue covered in black resin called the Maltese Falcon. Lost from the annals of history, the Falcon was supposed to be a tribute to the King of Spain, during the time of the Crusades. If the bird can be recovered, it would be a priceless relic that could net Sam Spade and his client a hefty pay day.

As the murder count grows, so does distrust among the group. Sam and his client get rather intimate with each other. And the police threaten to send Spade away on a murder charge for a very long time. What results is a trio of chapters that crosses and double-crosseds everyone on the suspect list a good 3 or 4 times a piece and becomes some 40 or so pages of the most well written crime drama even written. I just wish the other 175-odd so pages were just as good. 

Okay, that last statement might not be quite so fair. Before the last 3 chapters, there is a span of 3-4 chapters that I also thought were very good. But I just couldn't get into this book until I reached chapter 11. At that point, something just clicked. It felt like the writer had finally gotten into the zone, or whatever similar mode of excellence that writers get into when they get cooking. But that first half of the book was rather difficult for me to get engaged with. I was averaging 2 chapters a night at first. That was how much I could take. With the adventures of Philip Marlowe, I was finishing entire 80 page short stories in just an hour worth of read time. 

I will say that I no longer consider Dashiell Hammett to be 'wordy'. But I feel like he was too focused on the mundane. For instance, he can spend an entire 200 word paragraph, exploring the contents of a dead man's pocket. Not plural. For each searched pocket, Hammer devotes another paragraph to it and I am just not sure it was all that necessary. But Hammett's dialogue is brilliant. So good, that I am willing to give Nick and Nora Charles with their witty repartee and frequent downing of martinis a try with Hammett's The Thin Man

It wasn't Raymond Chandler. But it wasn't terrible as I had thought it was 30 years ago either. My tastes grew up and so did my appreciation. 

Rating: 6 out of 10 stars. 


Monday, November 3, 2025

Marvel: Black, White & Blood AND Guts #1

Marvel has been offering several 'Black, White, Blood and Guts ' one-shots this autumn season. But this is the only one that I have seen that was advertised as the company's annual Halloween release. I guess the Crypt of Shadows was being renovated this year.

I read this a couple weeks ago actually. But I forgot to review it. Well, I forgot to write it down. I'm realizing that I have developed this habit of writing up really good reviews in my dreams and then going about my business thinking that I already given my opinion on the works in person.

There are 3 stories. The first two, star the vampire hunter, Blade. 

The opener is a bloodbath on par with the opening scene of the original Blade movie starring Wesley Snipes. It imagines if Elon Musk and Mark Zuckerberg were vampires who use a medical social media app of their design to recruit the healthiest of the healthiest users for their own personal smorgasbord. True, the names have been changed to protect the innocent; but deep down you know that writer Al Ewing was referring to Musk and Zuckerberg as the bloodsuckers in that fright fest. 

In story #2, Blade's hired to protect a member of a dying family of hellhoundss. Instead of killing the seemingly little girl, Blade reluctantly takes the job, fighting off a horde of the undead who wants the ageless child for her imbued blood. It was a thrill a minute read that left me confused. I thought Blade was committed to destroying all vampires. And yet, he's a group of day sleepers that not only does Blade respect, but feels their survival is vital to, um well... I'm not sure. But Blade feels some sort of loyalty to them. I may have to do a wiki-search for more information.

The final story takes place in the not too distant future. It might also take place on another Earth; but the reader is given the option by the narrator to decide that. The possible grandchild of Pepper Potts brings a friend over to her house in search of the late Tony Stark's Iron Man armor. The Avenger was killed by a curse from a demi god and unbeknownst to the lad, he's about to fall under its voodoo when he tries on the helmet.

Of the 3 stories, this was the best one. It has that classic horror twist ending with a gruesome final panel that leaves everything to the reader's imagination. The middle story was great but a bit too confusing for me. For someone who likes symmetry and for themed books to follow a shared concept, not having Blade in the final story makes my brain itch. 

Another element of this book that makes my brain itch is the cover. It's an amazing cover by E.M. Gist. It has an Alex Ross quality to it ,which means I love it. While it has Blade in the background as well as Iron Man, it also has the Hulk and the Silver Surfer on the cover. Where the heck are they in this one-shot? What's that? This isn't the 2025 Marvel Halloween special?!

Even though the Previews description for this issue ties in the October release date, this isn't a one-shot; nor is it meant for Halloween. Adding to my misunderstanding, one of the variant covers has Cyclops and Jean Grey in costume at a Halloween party. Now I understand why the owner of my local comic shop asked me if I wanted the rest of the books. I thought they were asking if I wanted the special covers. I have requested some of them previously before. But what he was asking me was whether or not I wanted the other 3 issues of this horror anthology miniseries with a gory slant to it. In other words: Marvel isn't releasing a series of 'Black, White, Blood & Guts' specials. They're all part of a miniseries!

Okay, so I can forgive Marvel and E.M. Gist for putting Hulk, Surfer and parts of the Punisher and Thor on the main cover without them being in this book. Upon researching the other 3 issues, they all appear to be on tap for future starring roles in a forthcoming issue. Gist just seems to be giving readers a preview of what's in store and I can appreciate that. What I cannot overlook is having Blade in 2 of the 3 tales. Why couldn't he either have been in all 3 or that he could have been removed from one of the stories he started in. I don't mind either way- though I think an all-Blade issue would have been sweet! (Maybe next Halloween?) But this uneven presentation just irks me and I must take away 1 star from my rating.

Will I get the other 3 issues? I do love horror and these were a trio of pretty good tales. But I probably will wait to find them in a bargain box instead of shelling out the full cover price of $5.99, which is in my opinion, just a bit too high for my preference.

Worth Consuming!

Rating: 7 out of 10 stars.

Sunday, November 2, 2025

Archie Halloween Spectacular 2020 #1

A couple of days ago, I reviewed this year's annual Archie Halloween special. I had mentioned that there was a story inside that seemed to continue a continuing plotline from the past couple of spectaculars and it made me feel like I had missed something. Afterwards, I did some digging and discovered that I had somehow missed last year's edition! Not sure how I did that. But it lit a fire under me to search around for it as I still have a couple of gigantic piles of books to bag, inventory and add to my collection.

I thought I hit pay dirt when I found this book. Satisfied, I began reading it without checking the publication year. After reading the first story that was devoid of neither Sabrina the Teenage Witch or those Halloween sprites Trick and Treat, I discovered that this was the Halloween special from 2020!

Now October, 2020 was right in the middle of the pandemic. The entire comic book industry shut down and most of the holiday specials announced for release in October and December were postponed. So I likely didn't get to buy this book until early in the new year of 2021. That would explain how I missed this one. But where in the heck is last year's book?

The 2020 special was in my opinion kinda dull. Although I suspect that if I would have had this during the doldrums of COVID-19, it would have been a highlight of my home bound Halloween season. (It's amazing what seasonality and your current circumstances will make a ho-hum book feel like a masterpiece.) (And compared to how good this year's Archie's Halloween Spectacular was, this book just couldn't compete!)

The all-new opening story finds Archie determined to scare Reggie after being humiliated for the last time. It's a story that I know that I have read before, only by different writers and artists. And probably not set during Halloween.

The immediate follow up story was much better, even though it wasn't set at Halloween. Inspired by the movie Night at the Museum, Jughead and Archie spend the night at the local history museum. As a prank, a couple of employees dress up as cavemen and scare the boys silly. 

The next tale funds Archie in his eternal predicament: committed to taking Betty and Veronica to the Riverdale High Halloween Dance at the same time. But in a twist, there's a third player who's impersonating both the the girls. If you're familiar with the legend of the Betty-Archie-Veronica love triangle, you'll know immediately who the fourth wheel is and it's NOT Sabrina! 

And yes! I knew who it was!

Archie specials typically have 4 stories. But the 2nd and 3rd yarns are pretty long. So the 4th entry is a one-pagers that I've read previously somewhere before. It's a parody of the famous demon on the airplane wing episode of The Twilight Zone. I love it and I wonder if they ever made more of those...

I enjoyed this read. I would have really loved it if at least all 3 large tales were all about pranks instead of just the first 2. Plus I wish there was more creativity behind the new opener. It felt more like a mid-90s stagnant era Archie Comic instead of a more dynamic 2020s offering. I guess I have been spoiled by the superior quality of the past several years of holiday specials...

As for the cover by Jeff Shultz and Rosario 'Tito' Pena, this is why I would choose Betty over Veronica any day of the week?

Rating: 6 out of 10 stars.

Saturday, November 1, 2025

Harley Quinn x Elvira #1

I had forgotten that I not only bought this Dynamite Entertainment/DC Comics 2025 crossover, I made sure to special order it and the rest of the 6 issue miniseries. I'm a huge fan of Harley Quinn. I've been a fan of hers since her first appearance all the way back to September 11, 1992 on Batman: The Animated Series. I am a proud member of the Gang of Harleys. Plus I am a sucker for any and all comic books that are Halloween themed. Even if the Samhain celebration in this story is occurring in August!

A bad dream reveals that Harley has subconsciously been fretting over missing Halloween last year. She had a terrible stomach flu. So in order to make up for missing All Hallows, she's going to throw the biggest Halloween party Coney Island has ever seen- in the sweltering heat of Summer! And to make it a bash to remember, Harley's going to have as the guest of honor, the Mistress of the Night herself, Elvira. Now all Harls has got to do is meet Elvira...

As for Elvira, she might be able to make it to the bash. Her schedule has suddenly been blown wide open after she learns that her weekly horror movie theatre program has just been cancelled! So when Elvira goes to give her old boss a piece of her mind at his house, she runs into Harley, who just happens to have a fully loaded rocket launcher in her possession.

One big boom and a destroyed mansion later, Harley Quinn has become Elvira's newest best friend. And suddenly in need of cash, the horror hostess agrees to host the extravaganza. Cue the promise of issue #2...

I've got zero idea where this story is going to go. I am just thrilled that the two stars of this series meet with at least half of the first issue remaining. I can't tell you how many cross company crossovers I've read where the two stars don't meet until the last page of the first issue. I also couldn't tell you what's in store for Harley Quinn and Elvira. There isn't really an antagonist here unless you count Elvira's boss. Logic tells me he'll pop back up by the end of this miniseries. But he can't really be the only bad guy in this thing. Can he? 

Unfortunately I might not find out who the villain of this miniseries is until March of next year. I mentioned already that this is a 6-issue miniseries. What I've neglected to mention is that each issue is a monthly. Issue #2 isn't due until right before Thanksgiving and it's Hanukkah when we'll all see issue #3. If you are a regular reader of my blog, you will know that I hate cliffhangers. As much as I appreciate the talents of Jimmy Palmiotti, Amanda Conner and Juan Samu, I'm not sure I can wait until March for the full ending. This issue finished with an ending that left me satisfied enough to wait for the other 5 issues to come out before I read the whole thing. 

Who am I kidding? It won't be until next Halloween when I read it all in a row. I don't care if Harley and Elvira's block party takes place in August, April or next week. I'll be saving this for October 2026!

A little bawdy for my taste. But full of Halloween humor!

Worth Consuming!

Rating:  8 out of 10 stars.

Friday, October 31, 2025

Disney Tim Burton's The Nightmare Before Christmas Full-Color Manga Edition (Family Comic Friday)

Let's finish out my Halloween readings for 2025 with a Manga adaptation of a film that has become a classic of not just Halloween, but Christmas as well! 

Tim Burton's The Nightmare Before Christmas has become a holiday classic that people enjoy from October all the way through to the New Year! I didn't see the movie when it first appeared in theaters in 1993. Probably because I went to a Christian school and was too afraid of expressing any interest in a film that was clearly 'pagan'. It wasn't until I was in college working at a shopping mall video store that I became introduced to the film. But even through our showing the film on the myriad of television screens, I didn't really appreciate it until years later. Now I absolutely adore it.

My local library had this book in their new release section and I thought it would be the perfect transition between Halloween and Christmas comic book reading; though I won't be diving into holiday time comics until Thanksgiving week. This is a 2025 release from TokyoPop. Now you might be thinking 'Didn't TokyoPop release an adaption of this movie in 2016?' Well, you would be right. But that was a black and white edition and the artwork was not very faithful to the vision of Tim Burton. It was more sketchy in look and for those not familiar with the Manga style, it was very much maligned.

With this deluxe color hardcover edition, the artwork looks more polished. The format is still traditionally Manga, meaning you read from the right going leftward. Same with interpreting the panels. The sound effects are in Japanese with English subtitles. But compared to that black and white edition, this volume is 10 times better. 

The classic story is still the same. The King of Halloween Town, Jack Skellington, has become bored with the same old Halloween traditions year after year. A chance encounter into the realm of Christmas Town inspires Jack to celebrate the season of giving. But it's done with Halloween flare. So when Jack has Santa kidnapped in order to take his place as 'Sandy Claws', things go horribly wrong. 

My favorite scene from the movie is when Jack as Sandy gives a human boy a wrapped present. The parents ask the lad about what Santa gave him for Christmas. The boy pulls out a shrunken head and his parents faint. Classic scene. Unfortunately, TokyoPop changed it. Instead of a shrunken head, the kid pulls out a bat. It's not even a scary looking bat. The parents still freak out. But the magic of that scene is no more. 

As with any adaptation, scenes get cut or edited. (But why did they have to change my favorite one?) Another thing  that underwent what I thought was an unnecessary alteration was the antagonist, Oogie Boogie. He just kinda shows up out of nowhere, putting Santa Claus and the rag-doll character Sally in mortal peril for no seeming reason. He's much more developed in the film and there was no prior eference to his one-armed bandits that plays a critical role in the climax of the story. (Russian playwright Chekov would be mortified at this!)

TokyoPop has an origin story about how Jack and Oogie Boogie started out as friends and then had a falling out. Perhaps, they are heavily editing the villain's impact in this volume in hopes of enticing readers to go out and buy it. Thanks to the ad for that volume at the end of this book, I want to read it. But I also feel like cutting out a lot of Oogie Boogie's backstory, of for the sake of additional sales is a little underhanded, if that's what TokyoPop did in fact do.

If you love Tim Burton's The Nightmare Before Christmas and you can get past the alternate direction of reading that comes with Manga, you'll love this book. In fact, if you are a collector, you might even say that you need this book. The adaptation is decent. They do a fairly good job of trying to portray some of the musical numbers from the film. The coloring was beautiful and I was absolutely enamored by the art until the very last page. Why did artists Jun Asuka and Manuel Puppo decide all of a sudden to make Jack's ghost pup Zero look like he was CGI instead of illustrated pencil and inks as he (and the rest of the Manga) appears in the book? It was an error that ruined a perfect holiday feel-good feel!

Worth Consuming!

Rating: 8 out of 10 stars.

Wednesday, October 29, 2025

Archie's Halloween Spectacular #1

As strange as it may seem, the Archie Halloween Spectacular is the Halloween special that I most look forward to! This annual one-shot is just so fun. Contrary to what you might think, while it is all-ages appropriate reading, it not all sunshine and lollipops.

The all-new opener is from the mind and might of Dan Parent; who in my opinion is the definitive modern day Archie creator. The story involves the South Side Serpents who have been transformed into actual monsters thanks to a defective invention of Dilton's. Transformed, the bullies look pretty terrifying and they seem eager to do some damage against Archie and his pals. 

It's the second story that I thought was the most intense of the bunch. In yet another reputed Riverdale haunted house, the gang seeks to put on a Halloween bash. Archie is on guard, expecting trouble from those Samhain sprites, Trick and Treat. Archie is on the money as the two do indeed cause calamity. Only there's an air of evil in these pranks which lead to teenage witch Sabrina to go into battle versus an old foe.

That story, along with the other 3 or 4 other tales are supposed to be reprints. But Trick and Treat were only introduced to the Archie universe a couple of years ago. And the last Archie Halloween Spectacular I read, which I assumed was last year's special, alluded to a rematch between Sabrina and Amber Nightstone. So did I miss something?! I mean obviously I did. I just don't know when and where I did and is there even more to this saga that I have yet to encounter because I am not reading a monthly Archie title regularly?

As for the other stories, only one sticks out to me as being memorable. It is by Frank Doyle and Harry Lucey and it looks like it's from the 1950s or early 60s. Betty and Veronica plan to meet up with Archie and Jughead at yet another haunted house. (How many violent deaths have occurred in this tiny burg to warrant so many haunted places?) The girls think that the guys are trying to scare them. The boys think that the gals are trying to spook them. It turns out that it's really the ghosts who occupy the dilapidated structure. And yet because each group thought the others were behind the frights, nobody gets scared. 

There was another story that looked like it's from the Silver Age that has Archie being the mark on a prank TV show similar to Candid Camera. Only, Archie has been warned ahead of time of the ruse and doesn't react to the ghost, which turns out to be the real thing! It wasn't a bad story. It just didn't feel as fresh being in the same book with another similar story. 

As for story #5 and #6 I think it involves Reggie. Maybe...? I just can't recall what happened in either. They must not have been all that great.

I enjoyed this special. It feels like Archie Comics is reading my annual reviews and making changes. At 30 pages and no middle ads, this felt like a giant read. Many thanks to my favorite LCS for ordering me the vintage looking variant cover. I like it so much more than the standard cover which looks CGI to me. Also, taking center stage is some random character that I bet most readers don't even know. Heck, I'm still not 100% sure I know who they are. I just with the green face paint, purple and black hair and fangs, whomever it is just is NOT recognizable. 

I loved this special. But it wasn't a perfect read. And it left me wondering if I missed something important.

Worth Consuming!

Rating: 7 out of 10 stars.

Tuesday, October 28, 2025

Gil's All Fright Diner by A. Lee Martinez

Duke is a werewolf. Earl is a vampire. They're friends but they act like they hate each other. Since Earl is in a vulnerable state during daylight hours, Duke is his pal's protector. Imagine Lennie and George from Of Mice and Men. I picture Duke and Earl as the main characters from Tremors: rude, crude and a little dumb. But what they lack in book smarts, they make up for with rugged ingenuity and supernatural powers. While those characters were played by Fred Ward and Kevin Bacon, I don't really envision those actors as Duke and Earl. In terms of Duke, I picture Tyler Labine from Tucker & Dale Vs. Evil. But hairier. I couldn't picture anyone famous for Earl.

Okay, back to the story...

The two drifters wind up at an all-night greasy spoon looking for gas and grub. Instead, they wind up having to take on a legion of zombies. So begins a tale that I could see being a Netflix series or even a SyFy movie that takes the two characters and puts them against a young adult aspiring pagan priestess who wants to usher in the apocalypse. Turns out that the truck stop is situated on the nexus point that will open up the gates of the underworld and introduce ancient deities to the 21st century.

If you can get past the clunky first two chapters, you're in for a treat. It was almost like the author had a little trouble getting out of the starting gate. (This 2005 work from TOR Books was his first novel.) I find as a rule of thumb that anytime a character is described as wearing a T-shirt with a funny but also inappropriate saying on it, there's just something off about the storytelling. Heck, Stephen King and Douglas Adams were both guilty of this at times. But I am very glad that I pressed on with the book.

Gil's All Fright Diner does some really clever work re-adjusting the established rules behind traditional folk characters such as the Wolfman, vampires, zombies and especially ghosts. There's a whole dichotomy that makes ghosts more believable in this world than here in reality. And they're smartly written too.

I liked the universe that writer A. Lee Martinez created and I was actually disappointed to see this book end. It's not a world that I would want to live in. But it's definitely a place that I would like to visit again. Sadly, though Martinez has written other similar type works of horror/comedy/fantasy, it doesn't appear that Duke nor Earl return in any of them. That being said, I wouldn't mind giving another one of the author's works a try and he's got a couple that do look interesting.

We'll see...

Worth Consuming!

Rating: 8 out of 10 stars

Monday, October 27, 2025

Army of Darkness: Halloween Special


Army of Darkness is about the limit of horror involving demons that I can tolerate. Ironically, I've never seen Evil Dead or Evil Dead 2. But I think Army of Darkness is one of the best horror comedies ever made. It's all because of living legend Bruce Campbell who stars as ego maniac Ash, our planet's last line of defense against the Deadite legions that seek to usher literal Hell on Earth.

Actually, Campbell stars in all incarnations of the Evil Dead films. So what is it that makes Army of Darkness okay for me to watch but not the first two films on the series. I think it is the level of seriousness of the movies. The first two movies were so shocking, let alone terrifying, with the first film being rated X. Army of Darkness with it's main character with his 1973 Oldsmobile and gas powered chain saw time, being stranded in medieval times is so tongue in cheek, that it turned the franchise into a bit of a farce instead of a soul stealing tale of terror. 

Plus, Bruce Campbell is such a definitive comedic actor. He's too restrained in the first movies.

The main story of this 2018 Halloween special from Dynamite has 2 stories. The opener sees Ash in Charleston seeking the his online match from a dating app. Instead of romance, Ash finds himself face-to-face with perhaps the most famous Deadite ever: the notorious Blackbeard the Pirate! Then on an eerie Halloween night, a group of meddling kids break into a graveyard. Armed with beer and a spell book, these horny teens seek to unleash some harmless fun but end up awakening a gaggle of Deadites instead!

Written by Chad Bowers, Chris Sims and Benito Cerano, my copy is autographed by Sims. That being said, I loved both stories, regardless of one of the creators being nice enough to put their John Hancock on the cover. Both captures the swagger and bravado of Ash, which is in very large part due to Bruce Campbell. 

As for the art, both stories were good. But I am going to give the title of best in show to Eion Marron who penciled and inked the opener. It's more dynamic. Ash looks amazingly like actor Campbell, whereas Sam Lofti's Ash appears more like a caricature. Plus Marron's Deadites, including Blackbeard, looked so freaking awesome.

Not sure why it took me so long to read this. Also not sure why I had it sitting in my 'to review ' pile despite actually having not read this. I must have misplaced it. But it was worth the wait!

Worth Consuming!

Rating: 8 out of 10 stars.

Sunday, October 26, 2025

Sad Sack and the Sarge #128

If the cover to this 1977 Harvey Comic was Christmas themed, I would call this book a 'Scrooge'. We get this really really festive Halloween cover with Sad Sack skewering his gruff, but caring Sarge, as the most frightening decoration for the Army base's upcoming Halloween bash. But in terms of any of the stories being Halloween themed, there's absolutely nothing.

There are 4 stories starring Sad Sack, the Sarge and other characters in this book. 3 are paneled stories. 1 is prose. The artists and writers might have set these tales during the month of October. But there's nothing to the plot or settings that imply that the characters are in the throes of the season of the witch.

The opening story was the best. Sad Sack and Sarge are going on leave via air travel. Sarge got business class while Sad Sack flies 2nd class. The differences in the experiences of the 2 characters couldn't be more polarizing or funny. The middle story was interesting as it's got Sad Sack being an Army test subject to early virtual reality and hard light hologram technology. A funny read but lacking the magic of the opener.

The prose yarn was a rambling mess. These fillers were merely requirements to help meet first class postage standards and the lack of care and finesse shows. But it seems that whomever plotted the prose tale also scripted the last story which sees Sad Sack and Sarge on horseback getting lost on a vacation excursion at a dude ranch. 

There were also a couple of one-page gags that were okay. But again, not involving Halloween. In fact the only thing Halloween themed was an ad for UNICEF starring the main characters of Harvey Comics, including Richie Rich, Casper and Baby Huey. 

This is the second time that I have been burned by an issue of Sad Sack. I bought a reprint of Sad Sack: At Home for the Holidays that features a beautiful cover of the main character coming back to his metropolitan home for a Christmas break. But it was devoid of Holiday cheer. At least one story was set during Sad Sack's trip back home and there was snow. But none of the sets were decorated with boughs of holly; nor were there any 'fa-la-la-la-laaas' in the air.

If I had spent a ton of money on this book I would have been really disappointed. But the asking price was only 90 cents and I think I used trade credit. And at least half of the material in this book was decent. However, if I come across another Sad Sack comic book with a holiday cover of any sort of celebration, you can be assure that I will be making sure there's at least 1 themed tale in the book before I shell out some cash to purchase it.

Rating: 6 out of 10 stars.

Friday, October 24, 2025

Stitch Head: The Graphic Novel (Family Comic Friday)


A new animated feature film will be debuting in theaters on October 29th. Stitch Head is a heartwarming tale filled with monsters, a mad scientist and angry townsfolk, much in the vein of Mary Shelley's Frankenstein. However, in this story, Stitch Head is Doctor' Eramus' first experiment, created from when the researcher was just a lad. After creating life with a patchwork rag doll, his father sends the aspiring scientist to college in order to achieve his degree in mad science.

Forgotten Stitch Head waits patiently for his master to remember him. But as the doctor creates 300 more creatures, one things becomes clear: the mad scientist isn't all that brilliant! Good thing Stitch Head has all of the knowledge and experience to help his master perfect his experiments.

I know. You're probably thinking 'I thought that this was a book review' and it is. I didn't watch the animated movie. Instead, I found this book on the new release shelf in the young readers graphic novel section at my local library. Stitch Head: The Graphic Novel is based on the 2011 young readers novel by Guy Bass. If you were going for a faithful adaptation, I don't think you get any better than this as it was adapted by Bass and it features art by Pete Williamson, the original illustrator of the Stitch Head series of chapter books.

They say that you shouldn't judge a book by its cover. But there's nothing wrong with being enticed by it! When I first saw the book, I got definite vibes of Tim Burton. Add in the character of the traveling circus ringmaster Filbert, who captivates Stitch Head with promises of a glamorous life, defiant young Arabella who's not afraid of the terrifying legends coming out of Castle Grotteskew, and Creature, the newest creation of Stitch Head's master and the ragamuffin's only, new friend and this could be a newly discovered corner of the Tim Burton-verse!

Though this story takes place in an eerie looking fortress overlooking a spooky little village, there's nothing too frightening. It's got a creepy vibe. Perfect for Halloween. Kids should love it. Parents should approve. 

Why not take the young readers in your life to the movie (or stream it wherever possible), then after they fall in love with it, have copy of this amazing graphic novel on hand for them to read and continue the experience? Maybe pick up some of the chapter books too? Say it's a gift from the Great Pumpkin! It might just make this a Halloween to remember for them and the whole family!

Worth Consuming!

Rating: 10 out of 10 stars.

Tuesday, October 21, 2025

Donald Duck's Halloween Scream! Mini Comic #2

This mini comic from 2017 features a William Van Horn classic. Donald has decided to become a house painter. His first job is to spruce up a haunted house. Only Donald accepts the job without the knowledge about the home's spooky history. Nephews Huey, Dewey and Louie have heard that the place has a dubious history and they decide to play a little prank on their uncle. But as Donald chalks up the strange goings on in the house as age and disrepair, the nephews turn up the heat only to become victims of a real poltergeist!

I've read this tale somewhere before and it never fails to disappoint. I wouldn't be surprised to learn that this story eventually became a Disney animated short. So maybe that's where I remember this tale from. I've checked my entries on this blog and despite having owned this Halloween ComicFest freebie for a long time, I can't find when and how I've come across this story before. 

Carl Barks is definitely my favorite Duck creator. Don Rosa follows. I may have to give serious consideration for Van Horn being my pick for number 3. His art is clean. His word play is brilliant. And I love how his Donald is smarter like Don Rosa's version of the character. I'm just not sure if I like a mischievous Huey Dewey and Louie or not. I think I like it better when they're the experts on everything thanks to their massive time of knowledge, the Junior Woodchuck Guidebook. But the guys sure can pull off some great pranks on their Uncle Donald.

Worth Consuming!

Rating: 8 out of 10 stars.

Monday, October 20, 2025

Ghosts and Girls of Fiction House


This YOe Books/IDW Publishing collaboration seemed doomed almost from the start. 

Craig Yoe's forward that recounts how he was first introduced to Fiction House's massive anthology series Jumbo Comics was a brilliant piece. Then we get an introduction by noted comic book historian Michael H. Price. However, his look at Jumbo Comics is a rambling mess that leads the reader to believe that they'll be experiencing stories of jungle goddess Sheena, swashbuckling tales adapted from Dumas' The Count of Monte Cristo and Mickey Mouse inspired funny animal yarns written and illustrated by comic book legends such as Al Feldstein, Bob Kane and Matt Baker. Yet all you get once you slough through about 50 pages of pre-code comics commentary,, that seems more like an commercial for the authority's other scholarly works, is a collection of spectral tales called The Ghost Gallery

Jumbo Comics had about a dozen regular features that appeared in the publication's 15 year history. The book was known for it's voluptuous dames, thanks in very large part to Feldstein, Baker and Maurice Whitman. Yet none of these artists worked on The Ghost Gallery. Or if they did, none of their efforts are presented in this 2015 hardcover, except for a few sketches and completed pieces. Instead, one should expect to view the efforts of Alex Blum, Bob Hebberd and the famed but more anonymous staff of the Iger Shop. That's right; a lot of the work in this book was considered so beneath the staff at Fiction House, that it was sourced out to an art house and the lack of creativity and love for the source material shows.

Officially, it was titled The Ghost Gallery by Drew Murdoch. Only there was no Drew Murdoch on the Fiction House staff. He's actually the main character. You might think that he's narrating each story. But aside from the first page (and maybe the very last panel) which would have Murdoch explaining his paranormal investigations to a cynical criminologist, the author of these mortifying myths takes a more active role in the story. 

The stories seemed rushed, which is how it was in the Golden Age of comics. The more pages turned out, the more money a writer, artist or inker could make. Artistically, the art isn't bad. But it doesn't stand out amongst the crowds either. Here, it's the writing which is not all that good. The plots have more holes than Swiss cheese, and there seems to be massive edits throughout the flow of the adventures. That leads me to believe that perhaps the writer had these vast plots that due to time or page allotments had to be trimmed - alot!

Thankfully, the stories get better towards the end. Sadly, the less we see of Drew Murdoch, the better the ghost tales got. Eventually, Murdoch became a phantom in his own series, though his name remained in the title. Eventually, Fiction House too gave up the ghost when the comics scare saw an end to all but a handful of publishers by the end of the 1950s.

I just wasn't a fan of this book. I tried to enjoy it and it did get better the last third of the book. But I really could have done without all of the extraneous information about both the publisher history and all the extra details on the other features that appeared in Jumbo Comics but not in this volume. It was almost like Michael H. Price wrote an essay about the entire company's publishing history in hopes that would be used in other future Yoe publications that feature the other stars of Jumbo Comics. A clever way to save money- sure. And maybe this generalized history was Craig Yoe's idea. Regardless, it is not a great way to introduce readers to what they might find inside, especially if they bought this book expecting to find works by the omitted artists praised in the prose section of the book.

Rating: 5 out of 10 stars.

Sunday, October 19, 2025

Popeye Halloween Mini-Comic: Popeye Vs. the Ghosk

This 2009 mini-comic might say Popeye on the cover. But the story that occurs in this book was originally published as part of E C. Segar's Thimble Theater before the spinach loving sailor eventually became the title character of the long-running comic strip.

This Halloween Comic Fest freebie not only provided a classic haunt for comic book collectors but it also advertised a 4-volume collected set of the earliest adventures of Olive Oyl, her brother Castor and hamburger loving pal Wimpy to appear in newsprint. It might surprise you but Popeye didn't appear in the strip in 1929, a nearly full decade after Thimble Theater debuted! Until then, pencil thin Olive Oyl was the main character. 

With that information established and Popeye taking the lead role, this story was first published in the 1930s. As this adventure occurs during Popeye's expedition to find his long lost father, a further Google search reveals that this episode first saw print around the late summer/early autumn of 1936. 

The search for Popeye's pop is just the framing device. Set on the fearless sailor's ship, the Elsie, Popeye reveals to a crew member that legend has it that his boat is haunted. At first, everyone, including Popeye, laugh this rumor off. However, as more and more sailors report at having seen a ghost aboard, including the helmsman who is constantly ordered by the spook to drift off course, Popeye and Olive Oyl seeks to get to the bottom of things. 

Naturally, this results in Popeye getting into fisticuffs with the 'ghosk'. But what I didn't expect was for the story to involve a floating head that hops around the boat and even talks! At first I thought that character might be Popeye's father. But the sailor man doesn't recognize the head. While there's no a cliffhanger at mini comic's end, the book closes without revealing who this dude was. And now I'm obsessed with finding out his identity!

I guess this Halloween time promo comic did it's job. It just took 16 years to attract me. I entered into my reading not really caring about reading more Popeye related work. But now I'm interested in reading more. Though conventional wisdom would argue that I start with volume 1, I don't think I can wait to get to volume 3 or 4 before finding out what happens next. I've read other series out of order. What's one more on my reading resume...

Worth Consuming!

Rating: 9 out of 10 stars.

Saturday, October 18, 2025

Food For Thought: Essays and Ruminations by Alton Brown

How many people can say that Alton Brown told them to go to culinary school. Well he did and I did. Mind you, I didn't just enroll as soon as he gave me advice at a Raleigh area food expose when I asked him about some of my career goals. The time just wasn't right. But what he told me was definitely something that I spent a very long time thinking upon.

Thanks to a life changing back injury which resulted in an ill-fated, but fun as heck running, hot sauce shop, I finally took Alton's advice and enrolled in culinary school. About a year later working in the school's store room, I found that I had so much fun educating the hapless students who came in looking for extra ingredients ordered by their chef instructors  that I made it my ultimate goal to become one myself.

I spent the recommended 5 years time sloughing through the culinary industry rising to the rank of sous chef when I got the chance to go back home to teach at the very same culinary school where I got my degree in Hospitality management. When the school, which was a for-profit institution, finally closed after tons of pressure from the Federal government, I found myself wanting to continue teaching. But all of the culinary schools were either shutdown or over an hour away commute. So I found myself working as a freelance restaurant consultant, which opened me up to a bunch of culinary experiences. Finally, in 2019, I found a new home as a culinary teacher... for high school students! 

Anyways, I know that this is a really long setup for a review of a book written by Alton Brown. But feel like I should mention all of this because the Food Network legend is my biggest inspiration as a culinary teacher. I use humor, games, videos, props and unusual facts to help inspire those called 'Generation Alpha' to want to become the next generation of chefs. With cell phones, the threat of Ai destroying the restaurant industry as we know it, and a general disregard for hard work, it's a very difficult task. Thankfully, growing kids love to eat and TikTok for all it's annoying little habits, has done more to inspired young people to go experiment with their food than just about any reality series hosted by Gordon Ramsay, the late Anthony Bourdain and Guy Fieri combined.

This book is comprised of essays written by Brown primarily for this volume. It's not a collection of works he's has previously published in other publications. Here, Alton reflects on how his past history both involving and separate from food inspired him to go to culinary school for his second degree in order to change the scope of the traditional cooking show with his brilliant series Good Eats. Alton also looks at food portrayed as in books, TV and movies, his thoughts on the future of the culinary industry and potential trends we might see on our dining room table - that is if communal eating is still destined to be a thing in 5-10 years. He also postulates his theory for teaching the next generation of cooks and chefs. 

This was the chapter of which I was most interested in seeing how I stacked up. I mean, I asked the guy nearly a quarter of a century ago how do I become the host of my own cooking show and while I don't have a weekly series on cable or the Internet, I am hosting my own cooking show 3 times a day, 5 days a week; barring summer break, teacher work days and those blessed school holidays!

Alton says that to be an effective teacher you must entertain, engage and empower. I try so hard to do these 3 things. I've been trying my entire career as a culinary teacher which I have been doing for just about a decade. At least my wife thinks I do these well. And I do have contact with some of my students years after they've graduated and I am not just talking about being friends with on Facebook.

I love teaching and I try to learn from my mistakes. During my first day as a high school teacher, I got all high and mighty about the term 'Chef' and told a couple swaggering teen boys who declared themselves to be chefs that they hadn't earned the title. Needless to say, I didn't connect with those 2. But I have learned that when a kid calls themselves a chef, they're not attempting to challenge my skills, knowledge and experience. They're showing a passion for an art form that one day they might want to make into a career. 

From this read, I didn't even know Alton Brown wasn't really a chef. Nor does he want to be referred to as one. He considers himself a 'food educator.' And for the sake of pretension, true chefs don't refer to themselves as that, I learned.  For the most part, I refer to myself as a culinary teacher or instructor. But just as. French teachers have their students call them Madame or Monsieur, I do have my guys call me Chef. It's my way of making our Culinary labs as real world approached as possible by maintaining Escoffier's kitchen brigade system. I've stepped away from the ego trips for the sake of making a quality impact on my students and their career goals.

I approached this book as a student coming back to his mentor after years in practice for a refresher course on whether or not the pupil had achieved a job well done. I still fight with feelings of inadequacies because I've never once ever been mentioned in the same sentence as any teaching award, much less even been nominated. But I feel like I've lived up to Sensei Brown's philosophy on the culinary world and how to teach it. Have I made mistakes? Oh, yes. But I think that my philosophy on how to make cooking and eating even more fun and exciting than it already is, was thanks in very large part to Alton Brown.

If you became interested in cooking around the turn of the 21st century, during the heyday of the Food Network before it became all about competition instead of creativity and love of the food, whether you became a culinary professional or not, you need to read this book. Use it as a reference to see how well you did over the years. Did you pick up the baton from Alton and his predecessors? (In my case, that would be Julia Child, Martin Yan, Jeff Smith of The Frugal Gourmet and Chef Masaharu Morimoto.) Or did you let the pursuit of perfection kill that spark of passion for cooking?  

We've all had meals that missed the mark. I still remember the third meal I ever tried to make after becoming a foodie. My wife and I still talk about how terrible it was. But despite injury and a lack of time, I still haven't given up trying to make my next meal my greatest work of culinary art. And I've got Alton Brown to thank for it and I think you can too when you pick up this 2025 dissertation on the state of the world of the culinary arts.

Worth Consuming!

Rating: 10 out of 10 stars.

Friday, October 17, 2025

The Simple Art of Murder by Raymond Chandler

This is my first venture into the Philip Marlowe archetype stories written by Raymond Chandler. Well, almost. If you thought George Lucas was bad with his constant retooling of the original Star Wars trilogy, you have never encountered Raymond Chandler. The celebrated crime author was never happy with the end result of his work and he struggled for years with perfection. It is listed as one of the underlying causes of his chronic alcoholism. 

The character began with the name Mallory. Ever the perfectionist, Chandler switched up his ultimate character ideal with another private investigator named Carmady, then Malvern before settling on John Dalmas, whom the author made the focus of a majority of his crime works from 1936-1939 when Philip Marlowe picked up the baton in the form of an ever smoking revolver to fight and solve crime in the Los Angeles area.

Once he was happy with Philip Marlowe, Chandler began to go back to his older pulp shorts and reworked the shamus into them. Stories that I have previously read such as 'Finger Man', 'Red Wind' and 'The Lady in the Lake' were written before Raymond Chandler was satisfied with his protagonist. Yet, the editions I read were the second final drafts. In this collection, I got to read the original published works. It was almost like coming across a DVD with the original 1977 theatrical cut of Star Wars- before it was retitled as Episode IV: A New Hope.

This anthology of Chandler short stories begins with the title essay 'The Simple Art of Murder'. Chandler wrote a lot of essays on crime and mystery writing. This one is considered the Gettysburg Address of brief dissertations on the medium. It gives insight into the thought process behind crafting a mystery story. It also lets me a little off the hook when I find myself feeling like something didn't gel right as Chandler argues that crime stories are full of inaccuracies, red herrings and are in a word, implausible. 

Along with the piece that was first published in the Atlantic Monthly, there are 8 short stories. My favorite was 'I'll Be Seeing You'. It was the shortest story in the book and is considered the most perfectly set mystery story of all time. It certainly was memorable and I didn't want it to end. 'The King in Yellow', 'Pickup on Noon Street' and 'Spanish Blood' were really good as well. That last story sees the main character spending some time in the same mountain town where The Lady in the Lake took place and I enjoyed the sense of a shared universe because of the setting.

I was excited to see 'Guns at Cyrano's' in this volume. That story was originally published in Trouble is My Business. But the edition I read omitted it. It was story that was worth the wait. 

I was on the fence about 'Nevada Gas'. I like that the protagonist was something other than a PI. Here, he's a mid-level hood who is simultaneously fighting off a romantic rival as well as gangsters trying to frame him for the aerosol murder of a businessman. But this story also has some gaps like in one scene when the main character walks in on his girl and the rival, who disappears but is never mentioned as ever having exited the scene.

The one story I could have done without was 'Smart-Aleck Kill'. It seems like an open and shut case of suicide. But the murder weapon is a hand gun that's been filed, which doesn't seem to fit the M.O. of a suicide. So the detective on the case goes to the widow of the gun's original owner and that's when things are supposed to get really good. But I was bored with this story. It just didn't resonate with me. It took me several days to finish and I couldn't wait for it to be over.

Though I wasn't a fan of every story, I love the crime noir world of Raymond Chandler. Even with some tales having flaws in them! I'm totally hooked right now and I want to read more. But as there's so many volumes of collected works that often have some of the same works. I think I am gonna need a list so I can keep straight what I have read and what's still out there to uncover.

Worth Consuming!

Rating: 7 out of 10 stars.