Batman/Deadpool #1

The Dark Knight meets the Merc with a Mouth. 

This should have been the event of the year. If this had occurred 30 years ago, it would have made the front cover of Wizard Magazine, Entertainment Weekly and a host of other publications that have gone the way of the dodo. Even 20 years ago, such a cross company crossover would have made the news.

But it's 2025. There's so much media out there, this epic introduction was barely a blip on the radar. Still, getting the stars of the DC and Marvel universes together again for the first time in over 20 years was a crossover that established fans have been clamoring over for a very long time!

I must admit, I forgot about this one-shot happening. Earlier this year when the announcement was made, I promptly emailed my favorite comic shop and ordered a copy. I then put a pic of Batman and Deadpool together- officially!- on my Facebook pic. Then as time elapsed, I just forgot about it until I saw on a comic book website that the time had come. And yet, despite having been really excited about the meet-up, it was another week until I picked up my copy!

While Batman meeting Deadpool is the primary selling point of this book, there are several other crossovers contained in this Marvel published giant. After Deadpool is brought over from his universe to the DC one by a mysterious benefactor who hires the mercenary to off the Bat;  Wonder Woman and Captain America reflect on their past history which sees the DC and Marvel universes cohabitating as one. Then Daredevil and Green Arrow bump into each other in a story penned by Kevin Smith, who helmed classics starring the two characters. The Dark Knight Returns Batman and the Old Man Logan Wolverine are given the same treatment by an artist/writer who knows the pair rather intimately: Frank Miller! Then we get a tease that the Amalgam Universe could be alive and well with the introduction of Logo: a hybrid of Czarnian bounty hunter Lobo and the mutant Wolverine. 

Every story but 1 was great. Woman Woman with her World War II introduction to the world was the perfect team-up pairing with Captain America. Princess Diana must have a thing for Army men named Steve. Having Kevin Smith bring the Man Without Fear and the Emerald Archer together was another brilliant idea. And could it be true that we're going to be returning to the Amalgam Universe? Please say it's so! But man, has things fallen off for Frank Miller...

The artwork was primitive. But I can't really fault that. Arthritis and age have reduced many an artistic talent in the comic book industry to far cries of their glory years. But the dialogue for this piece. It was chopped full of cliches. It was such a jumbled mess. I didn't know what was happening nor what the hell either character was trying to say. 

Oh! And how could I forget that adorable play date between Krypto and Jeff, the Land Shark! Plus I loved the cultural exchange program between the Guardians of Oa and the Guardians of the Galaxy! Having Rocket Raccoon as a Green Lantern was hilarious. That adventure was way too short.

There was only one missed opportunity. No Deadpool meets Deathstroke. No Deadpool meeting Harley Quinn. Okay. That was 2 missed opportunities 

Thankfully, the DC/Marvel fun doesn't have to end just yet. In November, Batman and Deadpool will intermingle once more in a one-shot published by DC. Grant Morrison is set to pen it. Hopefully, Wade Wilson will meet Slade Wilson and Harleen Quinzel. Regardless, it should be epic. I can't wait. And hopefully, I won't forget about it this time!

Worth Consuming!

Rating: 8 out of 10 stars.

Dracula's Brunch Club (Family Comic Friday)

I started off my Halloween reads of 2025 with a fantastic book. Dracula's Brunch Club blends humor, horror and culinary arts in a story that takes everything you know about vampires and flips it around 180 degrees.

Count Dracula has won international fame. Not because he's the king of the vampires but because he's a world renowned donut maker! His sugary delights have forged a peace between humans and the undead. He even hosts a weekly brunch club where even werewolves can't help themselves for a taste of Dracula's famous crullers.

Dracula's claim to fame are his blood orange jelly donuts. It gives all of the vampires that partake a needed boost of late night energy. However, everything the Count has built threatens to come crashing down when his supply of blood orange jelly is stolen. Unable to make his signature dish, it provides an opening for a rival vampire to become the head of the brunch club, which is now full of mysterious new members. And he's even banished all of the human members from the club!

With jams, jellies and fruits on short supply, now Dracula and his trusty French Baker Chef Jeleu (Jelly in French) must create a new gelatin filled donut. Without it, the town's children's hospital fundraiser will be ruined, the Count will lose the coveted Spirit Award for excellence in baking and worse! No longer be a member of the very brunch club Dracula created! 

Writer Brian Gonsar and artist Keenan Gaybba make their graphic novel debut in this 2025 work from Oni Press. It has a spooky vibe with liberal amounts of silliness and humor. The entire foundation of vampire folklore is in this book; from their inability to reflect in mirrors to their love of A,B and O positive and negative blood. A few townsfolk get turned into creatures of the night. But it's all done off scene. There's a little bit of fisticuffs between Dracula and his rival. But it's nothing that's too scary or violent. 

Recommended for readers aged 8-12 on Amazon, I can support that suggestion. This book fits right in that kind of sweet spot for kids of that age who like scary things as well as really silly reads.

I love the cover. It's an image of a box of donuts. The fang marks on the jelly donut is hilarious. The plastic window in the shape of a coffin is genius. And the Dunkin' looking font was so clever. It perfectly hints at everything you should expect from this book: horror and humor.

I really thought I made a great choice with this book to start off my October of Halloween reads. This book isn't set during Halloween. But unlike a Christmas read, does a read for All Hallows Eve have to be set on October 31st? I don't think so. As long as there's that supernatural vibe, whether terrifying or not, a Halloween read can be set during any time of year. 

Worth Consuming!

Rating: 9 out of 10 stars.

Simpsons Comics Get Some Fancy Book Learnin'

I was a little skeptical about whether I would like this collection of Simpsons comics or not. I'm not really a fan of the episodes that take place during a different era. But I want to own all the Simpsons Comics there are, regardless of the book being a floppie or a trade. So I gave it a shot. Thankfully, these issues were more like a Treehouse of Horror, spoofing individual works of literature than that god awful episode from 2017 that took place entirely during medieval times. 

There's 5 issues that comprise this volume. Each focuses on a single subject. Hence why I was a little hesitant that I was going to like this one. Greek Myth, Fairy Tales and stories from The Bible are among the classics spoofed. Ian Boothby wrote every issue with artwork and colors being provided by a number of talents. Boothby did a fine job making cramming in numerous references and quick jokes like a standard episode of The Simpsons. And he managed to do it without getting too irritatingly repetitive. Every once in a while a joke from earlier in the issue would reappear. But Boothby used considerable restraint not going overboard with those gags. Too bad current Simpsons writers can't learn from this!

Surprisingly, the issue that I thought was the best was the one which dives into God's holy word. I was a bit on edge thinking it would be blasphemous. But Boothby did something brilliant that lessened some of the irreverence. He had Bart tell the stories! With the Sunday School teacher out sick, Bart retells the story of Noah's ark, Abraham and Isaac and The Prodigal Son to Rod and Todd with hilarious results. Bart getting details wrong isn't so much a criticism of the Bible; it's what kids actually do! It's why I love Little Lulu and Foxtrot so much. It reminds me of the mixed-up adolescents I teach on a daily basis. 

I really was pleasantly surprised by this one. There were several laughs to be had. Some great gags and a few biting commentaries. In a word, it was CLASSIC Simpsons humor and it was very much appreciated in a day where there's getting to be less and less to laugh about.

Worth Consuming!

Rating: 9 out of 10 stars.

Frankenstein #1

This 1963 comic is a grail that I have been searching for for a very long time. It's something that I've wanted so much that apparently the price I paid surprised the heck out of my wife. I only paid $20 for it. Sure, the cover has been tattooed by some kid named 'Fred'. But it was in decent shape with vibrant colors and beautiful artwork by Tony Tallarico. Inked by Bill Fracchio. Still, being a notorious bargain hunter, giving up a portrait of Andrew Jackson was a surprise to my wife.

This issue is officially licensed by Universal Studios and it offers a quasi-faithful retelling of the 1931 classic starring Colin Clive and Boris Karloff. The first half of the book follows Dr. Frankenstein attempting to recreate life in his castle laboratory. He succeeds but the experiment is flawed because the scientist's assistant accidentally destroyed the normal brain that was to go inside the monster's cranium and instead replaced it with a criminal mind. 

Frankenstein attempts to control the beast. But when townsfolk end up dead, those who survive storm the castle. Armed with pitchforks and torches, the citizenry destroy the castle, seemingly condemning the scientist, his assistant and his creation to their dooms within the fiery confines of Castle Frankenstein. 

It's at this point that the book takes a huge shift away from the movie and goes to a place never explored by Frankenstein and his creation: New York! There had been several sequels made by Universal Studios that continued the story of Frankenstein. The monster would get a bride, fight the Wolfman and even meet comedians Abbott and Costello. But none of those adventures ever occurred in the Big Apple. So why the sudden change to the legend? For that answer, you have to blame the Comics Code.

Even in the early 1960s, horror comics were still a bit of a cultural taboo. Zombies, vampires and werewolves were forbidden by the CCA. Dell Comics had survived being bound by the code, even producing an impressive catalog of works without the Comic Code stamp by following a strict self-imposed code of quality and conduct. However, the Universal monster movies of the 1930s were seeing an impressive comeback on the TV airwaves as certain copyrights had expired, introducing the likes of Bela Lugosi, Lon Chaney Jr., and Karloff to a new generation of monster fans. 

Wanting to capitalize on the sudden monster mania, Dell licensed several characters from the Universal vault. This would allow for a one-shot comic book adaptation of the original films to be produced without outcry about violating the Code, as the movies were by-and-large based on works of gothic literature and European folk lore. But how could Dell continue to tell the stories of the Universal monsters as the many, many sequels were nearly 100% Hollywood fabrication? 

The answer was to turn the monsters into superheroes. In order to do this, Dell needed to set up each character to be able to start off their crime busting careers. For Frankenstein's monster, that meant having Dr. Frankenstein and his creation surviving the destruction of his lab by escaping through an underground tunnel and fleeing to America. While in the States, Dr. Frankenstein seeks to introduce his experiment to the world at a medical convention. In typical fashion, the monster goes berserk, wreaks havoc and seemingly perishes deep in the middle of Hudson Bay.

Everything seems set up for a successful new Frankenstein series. The first issue was in such high demand, a second print was issued in 1964. Only the second issue didn't see print for 3 years after the premiere! With Dell still owning the Universal license, Frankenstein and his cohorts become superheroes, with much of what happened at the end of the first issue retconned away. Instead of being set in the Big Apple, the Monster lives in the fictional burgh of Metropole City. No longer trapped under water, the monster is instead revived by a convenient thunder bolt proving that lightning does indeed strike the same place twice.

I didn't really mind the changes to the story. Artistic license has been a part of comic book adaptations of TV and movies since it's inception. I just thought it was really odd that we go from 1880s Central Europe to more modern 1930s when Dr. Frankenstein flees to America. I know that parts of Europe are known as the Old Country. But I thought only Dr. Frank N. Furter encountered time warps...

Love this book. So glad to own it. Despite the poor reception, I really want issues #2-4 of the super-powered Frank; as well as his vampire and werewolf compatriots. They're oddities. They're kitschy. And they're still on my wish list! But so are the other more traditional Universal Studios publications, including the Mummy, who for some reason never received the heroic treatment.

Worth Consuming!

Rating: 9 out of 10 stars.

Chef Yasmina and the Potato Panic (Family Comic Friday)

Today's Family Comic Friday offering has just enough fear factor to be a perfect amuse bouch for the upcoming Halloween season. 

Aspiring chef Yasmina is on a budget. She's been utilizing fruits and veggies from her nearby community garden. But when a conglomerate buys the land and tears down the garden in lieu of an experimental crop, the young lady will have to make ends meet. And that means making secret raids on the rooftop garden of her overhead neighbor. 

Within weeks, a new product from the mega corp that bought up Yasmina's garden hits store shelves. It's an immediate success. In fact, you could call its fans rabid. That's because for some reason, anyone that eats the GMO potatoes in the new food stuff starts acting like rabid dogs; to the point of even chasing the neighborhood mail carrier. At first, Yasmina avoids the fervor, preparing healthy meals with the assistance of a pair of gardening fanatics. But when her father eats the mysterious potato product, she'll need all the help she can get to save the day. Even help from the neighbor that she pilfers produce from.

I thought Wauter Mannert's 2019 debut four-colored graphic novel was a great read. It was like a cross between Top Chef and The Walking Dead. Only there's no real zombies and there isn't any eating of brains! There was some oddball humor and some really unusual characters, which I chalk up to the creator being Belgian. Though I don't approve of anyone stealing items from another's property. I understand that Yasmina's theft helps bring the story to a successful conclusion to the story. But being the victim of multiple thefts in my time, I take umbrage with the hero making liberal use of the five-finger discount. And I am sure parents and guardians will feel the same as I do.

Despite my disappointment with that character flaw in our hero, I liked Yasmina and I hope that she might have some more unusual adventures with food. She does some amazing things with food. Her father has a culinary background as well, working at a Belgian fries restaurant. I think there was a missing opportunity by not having a couple of recipes included in the book. Though I greatly appreciated Mannert's one-page comic about the lives of children in Belgium and his director's cut commentary offers some amazing insight into the artist's creative process and inspirations for the story.

Genetically Modified Organisms have been in the news and cause for culinary debate for a good couple of decades now. As a culinary teacher and chef, I can tell you that not every scientific advancement in our food supply is as terrifying and reckless as the potatoes in this book. There have been some creations that straddle ethical practice. But there's also been some that have positively influenced our growing world. GMOs is one subject that my state wants different educational departments to cross teach and this is an excellent book that can get the discussion rolling with the young readers in your life while also entertaining. Plus, it was a great pick to whet my appetite for October fun which I just can't wait to get here!

Recommended for readers aged 8-12.

Worth Consuming!

Rating: 8 out of 10 stars.

The Unofficial Archie Hostess Snack Ads Collection

We all know that during the 1970s and 80s, the heroes of DC Comics and Marvel fought crime with the assistance of Hostess Twinkies, cupcakes and fruit pies. But did you know that the teens from Riverdale used snack treats to improve their love lives?

Archie and his pals, Sabrina the Teenage Witch and Josie and the Pussycats all manipulated the objects of their desire to fall head over the heels for them thanks to creamy vanilla frosting and delicious fruit filling. The most frequent purveyor of the delights was Josie, trying to either win over the muscular blonde roadie, Alan B. or attempting to outmaneuver her ditzy drummer who won all the hunks, Melodie. Sabrina mostly used her powers for good, conjuring tiny cakes for hungry kiddies she was babysitting. Meanwhile, Archie scored with both Betty and Veronica, thanks to Hostess, while Jughead was actually pretty chill, using an amazing withstand to not eat all the treats being advertised.

This unofficial collection was published by Trident Studios. They keep surprising me with these mini comics that pay homage to the advertisements disguised as comic books from my childhood. Included in this collection are several comic ad one-pagers that used Archie characters as four-colored pitchmen. Archie, Jughead and Betty went on a trio of three-part adventures in search of Capri Sun. Fruit snacks, make-at-home slush packs and even a universal video game controller were hawked by members of the Archies. 

I can't believe that I paid money for a bunch of old ads. I also cannot believe how much I enjoyed this trip through my childhood. The scans were vibrant and clear as crystal and the font size was big enough to enjoy without severe eye strain. I hope Trident has some more offerings up their sleeves. Though I can't imagine what else from the realm of commercial comic books is out there in need of collection and publication. I guess only time will tell.

Worth Consuming!

Rating: 8 out of 10 stars.

The Complete Crimebuster: Volume 3 (Gwandanaland Comics #1430)

About 4 years ago, Gwandanaland Comics was having a fire sale. Several titles had either not sold very well or were returned for various reasons. So I got a very good deal on this book along with several others. In my usual fashion, it took me forever to finally decide that I was ready to give it a read.

Crimebuster was a major character in independent publisher Lev Gleason's arsenal. Featured in Boy Comics, the character appear in over 100 issues. And since most issues contained 2 Crimebuster features, this term hero had around 200 adventures. 

A lad whose parents were killed during World War II, Chuck Chandler drops out of boarding school and devotes his life to battling crime in all its ugly forms. Wearing his hockey uniform and a blue cape, Crimebuster was one of the few Golden Age heroes to not have a secret identity. In fact, in one issue, he attends his high school reunion while in costume amongst his old school chums. How's that for being the alum who was the most likely to succeed?!

Battling murderous con men, deadly bank robbers and vengeful land owners, Crimebuster was assisted by his trusty monkey sidekick Squeeks and District Attorney Loover, who is constantly shown-up by the sleuthing hero who's instincts rival those of Sherlock Holmes and Hercules Poirot. 

Being a Lev Gleason publication, there were 2 potential editors of these stories; both of whom had dubious reputations in the comic book industry. Boy Comics happened to be the work of Charles Biro, an undisputed creative genius, who might have been one of the faces on the Mount Rushmore had he not succumbed to his biggest vices: booze and gambling. Biro was an oddity in comics during the 1940s and 50s. He willingly and proudly put his name on the covers he illustrated as well as stories he scripted. 

The stories were a combination of swashbuckling action, light-hearted fun and salacious crime. Biro's melodramatic introductions bordered on the rambling verbose. The series could almost be considered a crime anthology as it wasn't unexpected for readers to not encounter Crimebuster until the last act, way after the dirty deeds had been committed and the criminals turned into fugitives. But no matter what, each adventure ends with Crimebuster bringing the villains to justice, whether through active or passive means.

If the protagonist looks oddly familiar, then you must be a fan of Rage Against the Machine. Crimebuster just happens to be the cape wearing character on the cover of the band's 1996 album, Evil Empire. The hero's altered look was taken from an original painting by Mel Ramos who made the work as a birthday present for a friend who happened to be a huge fan of Crimebuster. 

Speaking of covers, there's something rather odd about every single one of them. Instead of being posed in a dynamic heroic manner facing the reader, Biro would frame his hero from the behind. Whether it's riding atop a speeding sedan driven by mobsters, pursuing an off-stage murder during a Broadway production or comforting a girl when it's discovered that her father is a serial killer, Crimebuster just doesn't face forward! I'm sure there's something psychological and subliminal about this. Unfortunately, I don't have the medical background to diagnose these very un-comic book-like covers.

Despite not being a typical comic book, I liked what I read. And what could I expect? Lev Gleason's books were notorious for going against the grain. And that defiance made for good reading. Will I keep this book? No. But I will definitely be on the lookout for other volumes in this series. There was at least two volumes published prior and I'm pretty certain that Gwandanaland published at least a couple more volumes of later adventures of Crimebuster.

A must read for fans of pre-code crime comics! A whole lot cheaper too. I suspect that the reason I got such a good deal on this book was that it got returned because one of the issues is unreadable. The scan is so blurry. I couldn't even read it with my reading glasses without getting a headache. And yes, I am counting myself has having read the whole book even though I had to give up on that poorly copied issue containing TWO Crimebuster tales. It's presence was included in order to maintain a complete run of stories. Hopefully, other volumes don't suffer from such additions. I don't think my eyes could take it. 

Worth Consuming!

Rating: 8 out of 10 stars.

Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book by Gerard Jones

While this is a general account of the origin of the comic book, the crux of the narrative involves Jerry Siegel and Joe Shuster. These 2 Cleveland kids became friends, dreamed of creating a character worthy of a newspaper strip and ended up creating the archetype of the superhero which would dominate comics for over 85 years and counting. Boy, did the creators of Superman get screwed. But so did a whole lot of comic book creators, writers and artists during the infancy of comic books. Superman's creators, especially Jerry Siegel just happened to be the most vocal about it and essentially both men were blackballed for it.

I didn't realize how much influence that organized crime had in the early days of comics. Not just the Italians; but the Jewish mob as well. Harry Donenfeld, the founder of the publisher that would become DC Comics, rubbed elbows with the likes of Meyer Lansky, Lucky Luciano and Frank Costello. With their money funneling through Donenfeld's publishing and printing companies, any sort of shaking of the apple cart meant unwanted scrutiny. So anytime someone complained about low page rates or contacts not being honored, scummy accountants like Jack Liebowitz would show doctored ledgers indicating huge losses while bemoaning a lack of financial security. Then someone like the creators of Superman would be tossed a couple hundred bucks and hopefully walk away quietly while the editors and publishers lived like kings.

But it wasn't just the executives taking advantage of their creators. This book will make you despise Bob Kane, if you didn't already. Kane would literally steal the credit from his ghost writers and artists while basking in the limelight of being Batman's dad. Poor Bill Finger would die a drunken pauper, having really done all the work to make the Dark Knight one of the most popular superheroes of all-time and getting zero credit until decades later after his death.

You get a renewed respect for Will Eisner with this book. William Gaines too. I didn't know that his father hated him so. And poor Bill Gaines. He just wanted to be a school teacher and ends up having to become the editor of E.C. Comics after his father's suspicious drowning death, in order to keep his family afloat financially. I also feel really bad for Gaines for flaking out during the Senate hearings on comic book violence led by Senator Estes Kefauver. Image how things could have gone differently had Gaines swallowed his pride and not insisted on testifying to disastrous results. We wouldn't have had MAD Magazine, that's for sure. 

2005's Men of Tomorrow was written by comic book writer turned noted comic book historian Gerard Jones. It's an interesting story that examines the ins and outs of the early comic book industry as well as the personal lives of Siegel and Shuster. Neither were very pretty. It's a good read that teaches a lot I didn't know. But it could have been about 30 pages shorter if Jones didn't keep reminding us about what had happened prior. Though, maybe the author was trying to capture the way comics would keep readers up-to-date on the accounts of the previous issue before diving into the latest chapter.

Plus with this being a scholarly work, there's about 30 pages of notes that you can skip as well. That is unless you enjoy reading citations and sources of which I gave up interest in pursuing years after I graduated as a History major at NC State.

A must for those remaining collectors who are devoted to the entire field of comic books across the ages. And if you love the pulps or thinking about becoming a collector of those aging precursors to comics (and I don't mean that because of the source material which is considered taboo and very un-PC), the first four chapters are the introduction you've been looking for.

Also, the cover is a collage of comic book panels crafted together by famed book cover artist Chip Kidd. I'd really like to know what book he used for the top panel. Was it from a religious comic about the Rapture? I'm very interested in knowing the story behind that panel.

Worth Consuming!

Rating: 8 out of 10 stars. 

Gunmaster (Gwandanaland Comics #684)

This collection of Charlton Comics Westerns comes from Gwandanaland Comics. It collects the 10 issues of the solo titled Gunmaster series. Published in stunning full color, there's also another collection of the character's adventures from the pages of the anthology series Six-Gun Heroes. I don't have that book, which is perfectly fine. Almost every story in this book is a standalone tale that doesn't require any prior knowledge about Gunmaster or his teen sidekick Bullet Boy. The only thing that seems to be missing here is any sort of an origin story about the main character and/or how he met Bullet Boy. But for all I know, there might not even be a origin story. Though that does seem unlikely.

Our hero is a talented gun smith, Clay Boone He's a man that abhors violence. To many, he's a yellow bellied coward. But secretly, he's a vigilante masked man who uses a stunning array of handmade weapons and gadgets to bring in outlaws with no fear of the men who wear the badge. 

Gunmaster's sidekick has got to have the most transparent secret identity in all of comicdom. If you thought Clark Kent just wearing glasses was see through, you haven't read anything yet. Bullet Boy's real name is Bob Tellub. That's Bullet Bob backwards! The kid is basically 1 letter away from a super villain with a mirror figuring out who these armed vigilantes really are. And if you ask me, I am pretty sure that the local authorities know that Clay and Bob are Gunmaster and his ward and the law men are just playing along because the masked heroes are the ones sticking their necks out in pursuit of justice.

This series reads like the Gary Cooper and Grace Kelly classic Western High Noon, only with hi-tech and gadgets. Gunmaster might have invented a lot of weapons. But he surely had nothing to do with Chekov's gun which is essentially a literary rule that states that if a gun appears in act one, it must be used in act 2. We witness Cooper creating a lot of gadgets to use in his war on crime at the beginning of every story that never gets used nor mentioned ever again by story's end.

One aspect that I did think that this series was rather superior at was it's villains. There's some varmints with gimmicks that rival those of Jonah Hex. There's the snake oil salesman with the hypnotic eyes. A fat guy who's the brains behind some impossible hold ups. Not to mention a Native American with supernatural connections to the predatory hawk and a tough guy who's charisma intimidates the heck out of Gunmaster. Having several of them return for a showdown against this Western pair of do-gooders was an exciting way to end the series.

That's not to say that they were all Professor Moriartys. The guy who thought he was the new king of a region of Mexico was a major wuss. And several outlaws were drawn so goofy-looking like they were the ancestors of some of the gangsters that Dick Tracy will one day face.

Various artists worked on this series that ran from 1965-67. There were varying degrees of success. But the real masterpieces were the covers dynamically illustrated off and on by Dick Giordano and Rocke Mastroserio. I never could figure out who wrote the stories with the exception of Joe Gill. For some reason, only they were given a writing credit in the last issue.

An interesting read with some strange and rather bizarre storylines. It wasn't always pretty. Far from it. .But I can see where this book might have influenced DC's Weird Western Tales.

Worth Consuming!

Rating: 7 out of 10 stars.

Rogues

It's been a long time since DC or Marvel produced a true crime heist story involving super villains. 2006's Secret Six miniseries might be the closest thing we've had and that was more about baddies acting righteous during a time when the heroes were acting criminal.

In Rogues, Leonard Snart's glory days as one of the Flash's arsh-enemies is long past. In his late 50s, balding, overweight and kept on a tight leash by a parole officer who deserves his own spot behind bars, the former Captain Cold is a broken man. 2 of the Rogues are dead. His sister, the Golden Glider has renounced her life of crime and became an inner city social worker. The Trickster has become a hack magician, performing to elderly crowds. Mirror Master lost his mind in a drug induced haze. Mick Rory, AKA Heatwave, still plays with fire. Only, he does it with an entrepreneurial flare, committing arson by torching buildings for a cut of the insurance check. 

Now is the time to bring the gang back together. For years, Smart has been planning a heist so outrageous, that it's literally a suicide mission. With Captain Cold's guidance, the Rogues are going to infiltrate Gorilla City and rob Gorilla Grodd's personal vault laden with tons and tons of gold. Good thing Smart has decided to recruit a couple of former members of the Suicide Squad to help in executing this insane plan!

Joshua Williamson penned this story which is nearly flawless. I don't even mind that there's zero appearance of any of the multitude of men to carry the moniker of the Flash in this book. My biggest issue is the addition of DEO agent Maggie Sawyer. She's a great player in Metropolis. But she really doesn't seem to have a place in Gorilla City. At least not here in this story.

Rogues was originally released as a 4-issue miniseries in 2022. The first 3 issues were by Italian artist Leomacs. Issue #4 marks the debut of artist Luca Finelli. The transition between the two was flawless. I didn't even realize about the shift change until I was reading the biographies at the end of the book. I don't know who's talent that speaks higher of. But I loved the artwork throughout this entire piece.

This is a Quentin Tarantino level story and that's not just because of the amount of violence. Tons of swears. Tons! And we're talking F-bombs. This might be a DC Comic title but it's a Black Label release. Definitely not for the kids. But a must for fans of the Scarlet Speedster and his gallery of Rogues.

Worth Consuming!

Rating: 9 out of 10 stars.

Superman: Year One

Frank Miller, the godfather of the 'Year One' storyline, gives Superman the long overdue treatment in this deluxe sized Black Label tale. In other words - this very well could be an imaginary story. But I'd be totally fine with it being turned into canon.

The childhood story of Superman doesn't really change. His Kryptonian parents, knowing that their planet is doomed, ship baby Kal-El to Earth in hopes of becoming humanity's savior. Raised as Clark Kent by Kansas farmers, Kal-El learns the difference between right and wrong while forging a friendship with Pete Ross and a budding romance with Lana Lang.

Once Clark graduates high school, the origin changes. For the first time ever, in Act Two, we see Kent joining the Navy in hopes of learning what it means to be human while finding his place in this world as a god among men. Clark's romance with the mermaid Lori Lemaris takes an unusual twist with the Kryptonian becoming the ruler of Atlantis, after defeating her father in combat.

It appears that Frank Miller is really going to challenge the established legend of Superman by having him become a super-powered Aquaman. But that's all but forgotten in the final act; just as Clark's relationship with Lana becomes nothing more than a memory by the time he finishes basic training. When Superman meets Lois Lane in a great twist on their first appearance in the crashing helicopter trope, the very young Man of Steel just gives up his life in Atlantis, enrolls in journalism at a nameless University, and becomes an intrepid investigative reporter at the Daily Planet. 

This is not a 365 day year in the life of Superman. It's more of a series of snap shots in the first 25 or so years of life of Clark Kent. This makes for some inconsistencies in the plotting, a ton of forgotten friends and family, and an ending that didn't feel like the end. I wouldn't be surprised for a Superman: Year Two to be announced sometime in the future. Though this book is from 2019, so our chances of that might be dwindling...

As for John Romita, Jr.'s artwork, it too was inconsistent. But it's actually something that works in his favor. In my late 40s, I understand that when you have a career that involves your hands, arthritis and age are your worst enemies. Jr.Jr.'s art has really suffered over the last decade. But when he shines, he really shines here. There were several pages that I spent a long, long time marveling at his dynamic drawings. Powerful renderings. Amazing angles. Kick ass action. It helped improve my rating for this book that feels in desperate need of a director's cut edition.

Worth Consuming!

Rating: 7 out of 10 stars.

The Super Heroes Monthly #8

I've just been so busy and exhausted with the new school year and all that. I've been reading comics and graphic novels. I've just been too (fill in the blank) to do any reviewing. I seem to have caught a break today.

From the U.K., I couldn't tell you where I found this magazine of black and white DC reprints. But I know that I didn't spend more than a buck on it. So I must have gotten this years ago at a Con and totally forgot about it.

There are 3 stories inside. First up is a reprinting of the very first appearance of the Barry Allen Flash. The Robert Kanigher, Carmine Infantino and Joe Kubert origin is forever imprinted in my mind. But I had forgotten that the first villain that the Fastest Man Alive takes on is known as the Turtle Man, the Slowest Man on Earth! Kinda comical. But it's a pairing that makes sense.

The Super Heroes Monthly had been running through the complete Man-Bat saga for several issues up to this point. In this issue featuring story by Frank Robbins and art by Neal Adams and Dick Giordano, the Man-Bat takes a bride.

I've either previously read, own a copy or both when it came to both stories. Had I bothered to check the contents of this book whenever I bought it, I probably would have passed over it. At least the third and final story was one that I never read before. It stars Superman featuring Len Wein on scripts and art by Curt Swan and Murphy Anderson; which in itself is an all-star crew. Unfortunately, it's a Man of Steel story that isn't really good.

The premise to this tale has an intriguing beginning. Lex Luthor laments the disappearance of the entire population of Earth. In his latest attempt to destroy the Man of Steel, Luthor's robotic assassin overheats, causing the nuclear core to meltdown and wipe out not just Superman, but everyone and everything on the planet. Birds, snakes and all!

When we learn what the MacGuffin behind the disappearances really details, the explanation is so implausible, it really lowered the quality of the story. I know that a lot of Superman stories stunk up news stands and comic collections during the 70s. If we were to place this story on the list, and believe me, I am, then 'The Man Who Murdered the Earth' has be the durian of all Superman tales from 1970-79!

I love the Alan Craddock cover of Superman and the Flash attempting to outrace a speeding locomotive. It is what enticed me to buy this book. But the fact that I already have 2/3 of the stories contained within and I hate that last one, this issue is going to be taken in for hopefully a little bit of trade credit instead of taking up valuable shelf space.

Rating: 5 out of 10 stars.

Bizarre Adventures #28

This black and white magazine from Marvel is a must have for Elektra fans. It contains the assassin and Daredevil love interest's first ever solo story. With art and story by creator Frank Miller, it alone is worth the asking price which seems to range online from $20-50 bucks. Maybe it's because it's a magazine. Or maybe the asking price is less than I would have expected as maybe collectors don't know about it's importance. I know that I got lucky having bought it for only a buck at a thrift store a few years back.

A trio of characters make their first ever appearance debuts in this issue. Neal Adams, Doug Moench and Larry Hama present the Shadow Warrior; perhaps the world's smallest ninja and America's only hope against the infiltration of a cadre of brainwashed American soldiers trained by an Asian operative to overthrow our government. 

Archie Goodwin, Michael Golden and Steve Mitchell introduce readers to the world of the Huntsman. From what I can tell, this is the only appearance of the character and that may very well have been because of how much the world of the cracker jack Huntsman named Ballard is a lot like that of the dystopian sci-fi thriller Logan's Run. Citizens who must die at age 35, bounty hunters stalking 'defiers', those who wish to extend their lives by escaping into the wilderness and there's even a floating arena where winners who make it to the victory ring atop the domed ceiling can live longer lives in luxury. I wonder if Marvel got a cease and desist order from 20th Century Fox for copyright infringement. 

Upon further research, it turns out that I was right. Only in reverse. In 1975-76, Marvel Comics had the rights to produce a comic book based on the film starring Michael York. Only, the House of Ideas had the rights to adapt the film, which they did as a 5-parter. When Fox learned that Marvel was continuing on with new adventures, the studio made them stop. Issue #7 was the last issue, which supposedly ends with a never resolved cliffhanger. 

'Huntsman' was a story that was going to run in a future issue of Logan's Run. But due to the sudden cancellation resulted in the project getting shelved. Never one to let paid work sit unpublished, Goodwin and Golden made some adjustments to the story; enough to satisfy legal and the forgotten story finally saw print several years later in 1981.

It must of been Assistant Editor's Month at Marvel because two of Goodwin's assistants supplied a story for this issue. Mary Jo Duffy and Wendy Pini place the Inhuman Triton in an ecological heavy adventure involving a wrecked oil tanker and modern day pirates.

If you've been paying attention to this review, you'll remember I said that this book contains 3 debuts. Lastly, Steve Skeates and Steve Smallwood introduced a rather odd little fellow named Bucky Bizarre. In his premiere, this guy is a time traveler who winds up in the 1950s, where non-conformity is a thing to be mocked and berated. Bucky tries to help a living garbage heap that came alive because of pollution and nuclear water only to set up the punchline to a really awful plotline. 

I'm really torn about this issue. Having the Elektra story makes it sorta valuable. Only I don't really have room nor a bag and board for a magazine sized book. I think the materials to keep it pristine and clean are more important than having a place to keep it. If I could get it, that would be great.

Worth Consuming!

Rating: 7 out of 10 stars.

The Human Target, Vol 2

Christopher Chance solves the mystery of who killed him. Posing as Lex Luthor, the Human Target ingested a slow acting poison. His fate is sealed. Chance is literally a member of the walking dead. With only 12 days left, he spends his remaining time trying to solve his murder while enjoying some fantastic scotch and time by the beach, his favorite place. But as his life comes to an end, Chance must confront his own demons.

This Tom King maxi-series from 2022-23 is very much a noir mystery with the Human Target providing the internal dialogue, heroes who are secretly villains and forbidden romance. As with just about any noir whodunnit, the solution is crystal clear while the motivations are the real enigma. For some reason, when the murderer confesses, they have no problem admitting their guilt and yet you need a thesaurus to understand what drove them to kill. 

That's okay however. I'm still a big fan of crime noir.

When I reviewed volume 1, I stated that Greg Smallwood's art looked familiar. I just couldn't put my finger on what it reminded me of. I managed to solve that mystery about a third into this book. With the sharp pencil angles and soft charcoal shading of the subjects, Smallwood's artwork reminds me of that set of Childcraft Encyclopedia books my mom ordered me sometime in the late70s. Published originally in the 1930s by W.F. Quarrie & Co, the volumes of 'the How and Why Library' I had had shiny modern covers. But the internal artwork hadn't been updated since the Kennedy administration. The artwork here gave the story the look of a more innocent time and yet there are no saints to be found.

A fantastic mystery with a great ending. It was awesome visiting some characters that I hadn't thought about in years. Thankfully, being a Black Label imprint work, this is not a canonical book. Yet I would not be surprised in the least to find out DC decided to make this story the official swan song of the Human Target.

Worth Consuming!

Rating: 9 out of 10 stars.

The Human Target, Vol. 1

I like Tom King. But he's got this annoying little habit of taking those more obscure, fan favorite DC characters that I grew up reading from my dad's comic book collection and deconstructing them. Even to the point of killing off the character.

This time, Tom King decides to strip bare the character Christopher Chance, the Human Target. Trained to be a master mimic with skills in various martial arts and proficient in countless weapons, Chance becomes the target of people who have a death wish against them. All you have to do for the Human Target to take a bullet for you is to pay him his asking fee of 10% of your yearly income. So when multi-billionaire Lex Luthor approaches Chance to discover who's planning to kill him at an annual technology conference, the Human Target sees nothing but dollar signs. 

Christopher not only takes the bullet for Lex Luthor, he also drinks the hemlock. It seems that more than one person wanted to kill Luthor. An seemingly innocent cup of coffee was laced with a slow acting poison. Now with 12 days left to live, the Human Target will investigate his own murder. But it's not going to be easy because the prime suspect in the case is the entire lineup of the original Justice League International!

This maxi-series is a superhero populated version of the noir classic D.O.A.. Readers go into this work knowing that the Human Target will die by story's end. We just don't know who killed him and what was the motive. That's the mystery being solved. Christopher Chance's fate is sealed.

Thankfully, this is a Black Label story. Those stories aren't canon. Still, that doesn't mean that I'm not hoping for a happy ending here. Plus, it doesn't mean that this story might not actually happen later on in the future. A bunch of Marvel What If... stories have been made into canon and DC is no different. Several of their Elseworlds tales were made into official alternate Earths populating the multiverse. What's not to say that some future crisis that occurs in the DC universe will not someday make this story along with the rest of Tom King's Black Label works from becoming real; killing off a bunch of my favorite B-list characters for realsies? That prospect scares the DC fanatic in me!

The first half of the story has been near perfect. I did think that the chapter involving the Martian Manhunter was unnecessarily chaotic. But it's been an engrossing read and a visual delight. Generally,it doesn't feel like a legitimate Tom King story without the artwork of frequent collaborator Mitch Gerad's. However Greg Smallwood has this style that looks and feels quintessential 1950s and very early 60s corporate art. I can't quite put my finger on just what Smallwood's artwork reminds me of just yet. However, if you told me that the artist used to draw the storyboards for Don Draper's ad pitches, I would believe it.

I checked this out at the library and now I am kicking myself! for some reason, I decided to only pick up volume 1! I've gotta rush to the library and hope nobody snagged up the follow up before I did!

Worth Consuming!

Rating: 9 out of 10 stars.

Otis & Peanut Find A Way (Family Comic Friday)

Peanut the naked mole rat and Otis the guinea pig are back in another volume full of fun, adventures and a little bit of sadness. As with the other books in the series, there's a trio of tales in this 2025 offering.

First, Otis wishes to travel somewhere. Anywhere! He's never traveled before and he's a little bit scared about taking the journey by himself. So Peanut offers to help her best friend to learn how to prepare for a trek. After learning what to and not to pack, Peanut turns Otis' house into a hotel complete with very bumpy mattress!

Then Otis confides in his pal that he's concerned that he's forgetting his late friend and Peanut's sister, Pearl. Otis has been healing since Pearl passed away in book 1 and is scared that his lessening grief means that he doesn't miss his late friend anymore. But thankfully, Peanut is there to show that time can possibly heal all wounds.

Finally, Otis' sister is coming to town for a super short visit. Otis makes a list in hopes of making the most of his sister's 22 minute stop before the train she's been riding on starts back up. With Peanut's, hopefully Otis can create the perfect schedule.

I really enjoyed this book. But it's a bit less funnier than volume 2. This volume is rather heartfelt. But as least it's nowhere near as heartbreaking as the previous volume was. In book 2, Peanut was having a really hard time with her sister's passing. So I was very glad to see that she was healing and able to help her friend. 

The first story was funny and the final act has some funny moments. But I felt like I enjoyed the previous book more because of the silliness factor being really ramped up. I think writer Naseem Hrab and illustrator Kelly Collier planned it to be more slapstick in nature because of how really deep the segment of Peanut missing her sister was. Comic relief in the light of tragedy. With this volume not being so emotional, I think less zaniness was put into the bookending stories.

 If there's a volume 4, and I hope there is, I hope Hrab and Collier tone down the sorrow and really focus on the laughs because Peanut and Otis really deserve a break in the gloomy clouds. And can we please get an Otis & Peanut animated series??? If we could, I nominate Andy Sandberg for Otis. But if Kate Micucci isn't Peanut, I say us fans of this series riot!!! Or at least write a sternly worded letter to whomever is producing the series.

A good read. It's just not my favorite in the series.

Worth Consuming! Rating: 8 out of 10 stars.

The Spirit Archives, Vol. 25

A couple weeks ago, I was reading a collection of Mike Hammer comic strips from the early 80s when I made a wondrous discovery. Listed in the volume were a slew of other news strip collections available from the publisher. I was beyond thrilled to learn that there was not one but three volumes devoted to a 6-day per week collection of The Spirit comic strips. 

As any established Will Eisner aficionado knows, The Spirit got it's start as an 8-page color insert in the Sunday edition of many national newspapers. But did you know that for about 2 years, readers were treated to 7-days of adventures starring the Spirit, his assistant Ebony and the Central City police force? I sure as heck didn't!

The next day I went on Amazon to try and purchase those volumes. All 3 were available. But at really expensive prices that I just wasn't willing to pay. Then I got the idea that maybe, JUST MAYBE, DC released the dailies as part of the complete Will Eisner's The Spirit Archives. Lo and behold, a volume was produced. The penultimate book in the library has the whole scoop on the Spirit dailies along with a foreword by Tom Spurgeon and a brief introduction from one of those early 80s strip collections by the master himself on the art team behind this version of The Spirit. And I just happened to have this book in my 'to-read' pile and didn't even know that I was sitting on a gold mine!

Will Eisner only got to work on about the first 6 weeks of stories as both the writer, artist and inker before being drafted by the Army. Like a few others in the industry, Eisner attempted to moonlight as the strips artist and inker. But his military responsibilities grew to be too much and he had to go on an indefinite hiatus for the remainder of World War II.

Lou Fine and Jack Cole replaced Eisner in his absence in subsequent order. Both tried extremely hard to make the transition of creators as seamless as possible. While they managed to capture the artwork fairly well (I didn't notice a definite lacking in that quality until about the last third of the book), neither talent could match the genius of Will Eisner. For one thing, their story plotting seems to go in circles. There's a definite lack of creativity. Plus neither Fine nor Cole could portray Ebony White with any sort of dignity. His faces are exaggerated to the standards of the Jim Crow minstrel. His English is severely broken. And instead of being a reluctant hero, Ebony's portrayed more as a buffoon whose fate hinges on pure dumb luck.

The Spirit dailies were a victim of World War II. While popular with readers, a lack of talent willing to take on the assignment, spelled doom for the strip. Jack Cole's Plastic Man had become a hit and he was too busy to continue with the tight deadlines for a daily. So with paper at a premium due to rationing, and other titles more than willing to take Denny Colt's place, The Spirit was cancelled; reduced to merely appearing in newsprint every Sunday.

I think what I liked the best about this collection were the two lost Christmas stories, plus a handful of holiday themed strips. As an owner and reader of The Christmas Spirit, I thought I had read all of the character's holiday offerings. But thanks to this volume, I not only got those untold Christmas tales but at least 1 Thanksgiving and a Halloween haunt to read and enjoy as well!

If there is a lesson to be learned from all of this, it's that if you plan on making a very expensive purchase for an addition to a large comic book collection, be sure to do your research and make sure that you don't own the work in another format. I'm so glad that I didn't make an impulsive purchase without checking my books because I would have spent a lot of money on something that I already had and I would have been furious about it.

Worth Consuming!

Rating:8 out of 10 stars.

Savage Tales #3

The first volume of Marvel's Savage Tales was a black and white magazine edition that was slanted more towards fantasy adventure. Characters such as Conan the Barbarian and Kazar fit it's mold perfectly. Though there were a few exceptions, like the Man-Thing who's first ever appearance in the premiere issue, was rooted deeply in science fiction horror. 

In the mid-1980s, Larry Hama sought to revive the title. The second volume was a black and white magazine just like it's predecessor. But instead of sword and sorcery type adventures, this edition was geared towards war and conflicts from the past, present and near future. It's from this comic mag that we get a pair of stories set during the Vietnam War that the amazing comic book The 'Nam would come into fruition. 

In this issue alone, we see a episode set during the Bolshevik revolution of a forgotten police action carried out by American and Canadian troops to keep the Czar in power. A moonshiner takes revenge on a rival responsible for the death of his dog and the destruction of his impressive collection of Elvis vinyls. Desperate women seek military protection during an uprising set in 19th century colonial India. Airplane flying rebels seek to scavenge a crashed Soviet bomber in the aftermath of a nuclear Holocaust while in another different story set in a similar apocalypse, friends see medical attention for their critically injured mentor. A Nazi courier crosses enemy lines and angry live ammunition to deliver important top secret documents during the Watch on the Rhine. Lastly, The American Calvary tracks a legendary American Indian throughout the Sonoran Desert.

Unfortunately, this 1986 offering isn't one of the issues that features a The 'Nam precursor. I have that entire series run, plus a couple of Punisher tie-ins. So I would love to have those 2 issues to round out the full run. That means I'll be on the lookout for issues #1 and 4! Incidentally, a third story set in South Indochina was scheduled to appear in volume 2 of Savage Tales. Alas, the series was cancelled with issue #8. However, that story actually is not lost as it was retooled and saw print as The 'Nam #8!

Along with the editing talents of Larry Hama, there's a slew of Marvel greats including Dick Ayers, Herb Trimpe, Chuck Dixon (going by his Christian name Charles) and the fantastic John Severin. I've been a fan of his work ever since I was cutting my teeth on Cracked Magazine. Severin was the first artist I could recognize by his art style alone. He does double duty penciling the Russian Revolution and the American Calvary adventures. The cover art was by Mitch O'Connell.

An interesting read. I'm definitely wanting those The 'Nam forerunner stories but I don't think I'm in it for the entire 8 issue run.

Worth Consuming!

Rating: 7 out of 10 stars.

The Fire-Breathing Duckling (Family Comic Friday)

I was very surprised to find today's Family Comic Friday selection at my public library. It debuted in stores just a couple of days ago and with budget cuts, I wasn't expecting my library to be getting a copy of it. But I am very glad they did!

The Fire-Breathing Duckling is a retooling of the Hans Christian Andersen legend of The Ugly Duckling. Instead of a swan's egg getting mixed in with a batch of baby ducks, it's a dragon egg!

Nort is different than his duckling siblings. He's big and red instead of yellow and fluffy. He doesn't quack. He kinda snorts. Instead of swimming and floating on the water, he just kinda sinks. 

Unfortunately that last act brings about a lot of laughter at his expense from other animals on the ducklings' farm. So Nort, aided by his blue jay friend, goes around the stead hoping to find out what type of duckling he might be and Nort might just become the hero of all his barnyard friends in the process...

I love Toon Books. They're like the A24 Studios of graphic novels for young readers. They always feature artists and writers with such unique visions and voices. Frank Cammuso has both! The artwork was so adorable. There were several panels where I thought that Nort looked like Bill Watterson's timeless character Calvin; like the scene when the tiny dragon tries hay to find out if he's really a cow in disguise. 

This was a fun read recommended for readers in first and second grade. At least, that's what the suggested readers chart at the back of the book. But I think that those that are just about to enter kindergarten will love this book as well. 

I know we've still got a few more months left in the year. But I think I've already found my pick for the all-ages graphic novel of the year. It's a take on an all-time classic that I think will become an all-time great with generations to come! Hopefully this will also be the book that makes the multiple Eisner nominated Cammuso a winner! 

Worth Consuming!

Rating: 10 out of 10 stars.

The Lady in the Lake by Raymond Chandler

Believe it or not, I first read this book about 35 years ago. I was somewhere between 11 or 12 when I read it. Nobody ever said that my parents had very good parental discretion. The Lady in the Lake has got sex, violence, dirty cops and several gristly murders. 

I remember being enamored by the title that was a reference to the Arthurian legend. I'm here to tell you, this Raymond Chandler classic has absolutely nothing to do with King Arthur and Merlin. It would have been neat had the main setting, a secluded cabin in the Californian San Gabriel Mountains, had the name of Camelot. But nobody ever said that a Philip Marlowe mystery had a lot of symbolism. 

There was one point where Marlowe provided false information. That lie really confused me. The private investigator states that a murder suspect wore a certain piece of clothing when in fact, it was Philip who wore the accessory. I spent a good half hour going back through the book, thinking that I had missed something. Instead, I should of followed my own personal rule when I read a Raymond Chandler classic: just follow along for the ride.

Being a re-read, despite it being decades since I first read this book, I still had some memories of my first interaction with it. But my memory was foggy enough to still be surprised from time to time. Plus I was just really shocked by the content of this 1943 work, both for the level of loose morals for a time period otherwise considered puritanical compared to today. Plus I still can't believe my mom let me read this book when I was barely in middle school!!!

Marlowe is hired to find a missing wife. Her husband is a high level executive who's more afraid of the scandal behind his wife's history of infidelity than he is concerned about her safety. The last time she was seen was about a month earlier when she went to summer at her mountain cottage. Added to the mix was a bizarre telegram win which the woman claims she's gone to Mexico for a quickie divorce and even quicker remarriage. Only the guy she claimed was going to marry her never took the plunge and hasn't seen her in weeks.

When the shamus visits the cabin, he learns that the caretaker's wife disappeared at about the same time as the missing socialite. When Marlowe discovers a body partially submerged in the water, it's identified that the victim is the caretaker. But could the murderer have been his client's missing bride? It's up to the detective to solve two mysteries that while seemingly unaffiliated; the clues keep entangling like a fast growing vine around each other.

One thing that readers need to understand about this book is that it was written during the height of World War II. There's a lot of situations that seem very unusual to modern day readers as those moments should. There was a very great fear of sabotage especially along the West Coast. Plus with priority going towards the war effort, shortages and rationing was a very real first world problem for Americans in the 1940s. Once you understand the impact the war made on everyday life in the United States, despite our country not becoming an active war zone, it will help you better enjoy this work.

A great read. Just remember to let Raymond Chandler guide you. Things might seem out of sorts at time. But it all circles back in the end.

Worth Consuming!

Rating: 9 out of 10 stars.

All-New Collectors' Edition #C-58: Superman Vs. Shazam! (Facsimile Edition)

I'm in no way criticizing the art skills of Dick Giordano or Rich Buckler. If you are a regular reader of my blog, then you know that I am a huge fan of Giordano; having gotten to meet him at his very last con. As for Buckler, I loved his work on the earliest stories of the Marvel cyborg, Deathlok. So I believe that I have established respect for both artists. That being said, who drew the artwork for both the back half of this wraparound cover as well as many of the full sized and splash pages? They look like they were masterfully drawn by Neal Adams!

This facsimile edition is absolutely beautiful. The foil enhanced wraparound. The remastered colors of Adrienne Roy. The throwaway panel of what a brunette Supergirl would look like. This was a visual masterpiece from 1978!

An ancient wizard from a Martian civilization millennia before those of J'onn J'onzz' people, is seeking to end his singular mistake. In an attempt to become immortal, the mage got his wish. But not before first turning the rest of his kind into silent, tormenting phantoms. His hope is to place devices on two different Earths where they will vibrate in sync with the other and cause a cataclysmic explosion to should restore his people to their corporeal forms.

The two Earth's chosen are Superman's Earth-1 and Captain Marvel's home, Earth-S. To prevent the two heroes from discovering the devices, the wizard forces Black Adam and the 'Quarmmer', a duplicate of Superman made of living sand, to cloud the minds of the heroes so that they see each other as mortal enemies. Thus, fans finally get their wish: an epic battle that will definitively prove who is mightier? The Man of Steel or the Big Red Cheese?

The fight was epic. The team-up of Supergirl and Mary Marvel was awesome. The villain Karmang was pretty cool looking. But like most DC Comics of the late 1970s, the plot fell flat.

For one thing, I didn't quite understand Karmang's costume didn't really make sense. He's got these wicked looking eyeballs which adore the epaulets on his cape and apparently makes some fashionable earrings.  But he never uses them. They'd be really cool if they helped Karmang see the action occurring on the two Earths. Instead, he's got TV set-up sweeter than any wall of boob tubes at Circuit City. 

Another issue with the plot is the pacing. There are 4 acts in this issue, along with interludes and a prologue and epilogue. If writer Gerry Conway would've cut the unnecessary comic relief provided by Lois Lane and sports reporter Steve Lombard playing the role of cameraman, I think we could have gotten a much smoother ending that really hyped up the tension. Instead, we get Superman racing around the world to counter the pull of the magnetic field while Captain Marvel literally decides which color wire to clip on one of Karmang's devices. 

And as much as I enjoyed Supergirl being in this story, the ending where she and Mary Marvel fawn over each other's super hunky relative was clunky at best. At worst, it's a groaner and brother did I groan over that dumb ending...

At least we got an answer as to whether Supes or Cap are stronger than the two. At least for this clash.

Worth Consuming!

Rating: 8 out of 10 stars.