Stitch Head: The Graphic Novel (Family Comic Friday)

A new animated feature film will be debuting in theaters on October 29th. Stitch Head is a heartwarming tale filled with monsters, a mad scientist and angry townsfolk, much in the vein of Mary Shelley's Frankenstein. However, in this story, Stitch Head is Doctor' Eramus' first experiment, created from when the researcher was just a lad. After creating life with a patchwork rag doll, his father sends the aspiring scientist to college in order to achieve his degree in mad science.

Forgotten Stitch Head waits patiently for his master to remember him. But as the doctor creates 300 more creatures, one things becomes clear: the mad scientist isn't all that brilliant! Good thing Stitch Head has all of the knowledge and experience to help his master perfect his experiments.

I know. You're probably thinking 'I thought that this was a book review' and it is. I didn't watch the animated movie. Instead, I found this book on the new release shelf in the young readers graphic novel section at my local library. Stitch Head: The Graphic Novel is based on the 2011 young readers novel by Guy Bass. If you were going for a faithful adaptation, I don't think you get any better than this as it was adapted by Bass and it features art by Pete Williamson, the original illustrator of the Stitch Head series of chapter books.

They say that you shouldn't judge a book by its cover. But there's nothing wrong with being enticed by it! When I first saw the book, I got definite vibes of Tim Burton. Add in the character of the traveling circus ringmaster Filbert, who captivates Stitch Head with promises of a glamorous life, defiant young Arabella who's not afraid of the terrifying legends coming out of Castle Grotteskew, and Creature, the newest creation of Stitch Head's master and the ragamuffin's only, new friend and this could be a newly discovered corner of the Tim Burton-verse!

Though this story takes place in an eerie looking fortress overlooking a spooky little village, there's nothing too frightening. It's got a creepy vibe. Perfect for Halloween. Kids should love it. Parents should approve. 

Why not take the young readers in your life to the movie (or stream it wherever possible), then after they fall in love with it, have copy of this amazing graphic novel on hand for them to read and continue the experience? Maybe pick up some of the chapter books too? Say it's a gift from the Great Pumpkin! It might just make this a Halloween to remember for them and the whole family!

Worth Consuming!

Rating: 10 out of 10 stars.

Donald Duck's Halloween Scream! Mini Comic #2

This mini comic from 2017 features a William Van Horn classic. Donald has decided to become a house painter. His first job is to spruce up a haunted house. Only Donald accepts the job without the knowledge about the home's spooky history. Nephews Huey, Dewey and Louie have heard that the place has a dubious history and they decide to play a little prank on their uncle. But as Donald chalks up the strange goings on in the house as age and disrepair, the nephews turn up the heat only to become victims of a real poltergeist!

I've read this tale somewhere before and it never fails to disappoint. I wouldn't be surprised to learn that this story eventually became a Disney animated short. So maybe that's where I remember this tale from. I've checked my entries on this blog and despite having owned this Halloween ComicFest freebie for a long time, I can't find when and how I've come across this story before. 

Carl Barks is definitely my favorite Duck creator. Don Rosa follows. I may have to give serious consideration for Van Horn being my pick for number 3. His art is clean. His word play is brilliant. And I love how his Donald is smarter like Don Rosa's version of the character. I'm just not sure if I like a mischievous Huey Dewey and Louie or not. I think I like it better when they're the experts on everything thanks to their massive time of knowledge, the Junior Woodchuck Guidebook. But the guys sure can pull off some great pranks on their Uncle Donald.

Worth Consuming!

Rating: 8 out of 10 stars.

Ghosts and Girls of Fiction House

This YOe Books/IDW Publishing collaboration seemed doomed almost from the start. 

Craig Yoe's forward that recounts how he was first introduced to Fiction House's massive anthology series Jumbo Comics was a brilliant piece. Then we get an introduction by noted comic book historian Michael H. Price. However, his look at Jumbo Comics is a rambling mess that leads the reader to believe that they'll be experiencing stories of jungle goddess Sheena, swashbuckling tales adapted from Dumas' The Count of Monte Cristo and Mickey Mouse inspired funny animal yarns written and illustrated by comic book legends such as Al Feldstein, Bob Kane and Matt Baker. Yet all you get once you slough through about 50 pages of pre-code comics commentary,, that seems more like an commercial for the authority's other scholarly works, is a collection of spectral tales called The Ghost Gallery. 

Jumbo Comics had about a dozen regular features that appeared in the publication's 15 year history. The book was known for it's voluptuous dames, thanks in very large part to Feldstein, Baker and Maurice Whitman. Yet none of these artists worked on The Ghost Gallery. Or if they did, none of their efforts are presented in this 2015 hardcover, except for a few sketches and completed pieces. Instead, one should expect to view the efforts of Alex Blum, Bob Hebberd and the famed but more anonymous staff of the Iger Shop. That's right; a lot of the work in this book was considered so beneath the staff at Fiction House, that it was sourced out to an art house and the lack of creativity and love for the source material shows.

Officially, it was titled The Ghost Gallery by Drew Murdoch. Only there was no Drew Murdoch on the Fiction House staff. He's actually the main character. You might think that he's narrating each story. But aside from the first page (and maybe the very last panel) which would have Murdoch explaining his paranormal investigations to a cynical criminologist, the author of these mortifying myths takes a more active role in the story. 

The stories seemed rushed, which is how it was in the Golden Age of comics. The more pages turned out, the more money a writer, artist or inker could make. Artistically, the art isn't bad. But it doesn't stand out amongst the crowds either. Here, it's the writing which is not all that good. The plots have more holes than Swiss cheese, and there seems to be massive edits throughout the flow of the adventures. That leads me to believe that perhaps the writer had these vast plots that due to time or page allotments had to be trimmed - alot!

Thankfully, the stories get better towards the end. Sadly, the less we see of Drew Murdoch, the better the ghost tales got. Eventually, Murdoch became a phantom in his own series, though his name remained in the title. Eventually, Fiction House too gave up the ghost when the comics scare saw an end to all but a handful of publishers by the end of the 1950s.

I just wasn't a fan of this book. I tried to enjoy it and it did get better the last third of the book. But I really could have done without all of the extraneous information about both the publisher history and all the extra details on the other features that appeared in Jumbo Comics but not in this volume. It was almost like Michael H. Price wrote an essay about the entire company's publishing history in hopes that would be used in other future Yoe publications that feature the other stars of Jumbo Comics. A clever way to save money- sure. And maybe this generalized history was Craig Yoe's idea. Regardless, it is not a great way to introduce readers to what they might find inside, especially if they bought this book expecting to find works by the omitted artists praised in the prose section of the book.

Rating: 5 out of 10 stars.

Popeye Halloween Mini-Comic: Popeye Vs. the Ghosk

This 2009 mini-comic might say Popeye on the cover. But the story that occurs in this book was originally published as part of E C. Segar's Thimble Theater before the spinach loving sailor eventually became the title character of the long-running comic strip.

This Halloween Comic Fest freebie not only provided a classic haunt for comic book collectors but it also advertised a 4-volume collected set of the earliest adventures of Olive Oyl, her brother Castor and hamburger loving pal Wimpy to appear in newsprint. It might surprise you but Popeye didn't appear in the strip in 1929, a nearly full decade after Thimble Theater debuted! Until then, pencil thin Olive Oyl was the main character. 

With that information established and Popeye taking the lead role, this story was first published in the 1930s. As this adventure occurs during Popeye's expedition to find his long lost father, a further Google search reveals that this episode first saw print around the late summer/early autumn of 1936. 

The search for Popeye's pop is just the framing device. Set on the fearless sailor's ship, the Elsie, Popeye reveals to a crew member that legend has it that his boat is haunted. At first, everyone, including Popeye, laugh this rumor off. However, as more and more sailors report at having seen a ghost aboard, including the helmsman who is constantly ordered by the spook to drift off course, Popeye and Olive Oyl seeks to get to the bottom of things. 

Naturally, this results in Popeye getting into fisticuffs with the 'ghosk'. But what I didn't expect was for the story to involve a floating head that hops around the boat and even talks! At first I thought that character might be Popeye's father. But the sailor man doesn't recognize the head. While there's no a cliffhanger at mini comic's end, the book closes without revealing who this dude was. And now I'm obsessed with finding out his identity!

I guess this Halloween time promo comic did it's job. It just took 16 years to attract me. I entered into my reading not really caring about reading more Popeye related work. But now I'm interested in reading more. Though conventional wisdom would argue that I start with volume 1, I don't think I can wait to get to volume 3 or 4 before finding out what happens next. I've read other series out of order. What's one more on my reading resume...

Worth Consuming!

Rating: 9 out of 10 stars.

Food For Thought: Essays and Ruminations by Alton Brown

How many people can say that Alton Brown told them to go to culinary school. Well he did and I did. Mind you, I didn't just enroll as soon as he gave me advice at a Raleigh area food expose when I asked him about some of my career goals. The time just wasn't right. But what he told me was definitely something that I spent a very long time thinking upon.

Thanks to a life changing back injury which resulted in an ill-fated, but fun as heck running, hot sauce shop, I finally took Alton's advice and enrolled in culinary school. About a year later working in the school's store room, I found that I had so much fun educating the hapless students who came in looking for extra ingredients ordered by their chef instructors  that I made it my ultimate goal to become one myself.

I spent the recommended 5 years time sloughing through the culinary industry rising to the rank of sous chef when I got the chance to go back home to teach at the very same culinary school where I got my degree in Hospitality management. When the school, which was a for-profit institution, finally closed after tons of pressure from the Federal government, I found myself wanting to continue teaching. But all of the culinary schools were either shutdown or over an hour away commute. So I found myself working as a freelance restaurant consultant, which opened me up to a bunch of culinary experiences. Finally, in 2019, I found a new home as a culinary teacher... for high school students! 

Anyways, I know that this is a really long setup for a review of a book written by Alton Brown. But feel like I should mention all of this because the Food Network legend is my biggest inspiration as a culinary teacher. I use humor, games, videos, props and unusual facts to help inspire those called 'Generation Alpha' to want to become the next generation of chefs. With cell phones, the threat of Ai destroying the restaurant industry as we know it, and a general disregard for hard work, it's a very difficult task. Thankfully, growing kids love to eat and TikTok for all it's annoying little habits, has done more to inspired young people to go experiment with their food than just about any reality series hosted by Gordon Ramsay, the late Anthony Bourdain and Guy Fieri combined.

This book is comprised of essays written by Brown primarily for this volume. It's not a collection of works he's has previously published in other publications. Here, Alton reflects on how his past history both involving and separate from food inspired him to go to culinary school for his second degree in order to change the scope of the traditional cooking show with his brilliant series Good Eats. Alton also looks at food portrayed as in books, TV and movies, his thoughts on the future of the culinary industry and potential trends we might see on our dining room table - that is if communal eating is still destined to be a thing in 5-10 years. He also postulates his theory for teaching the next generation of cooks and chefs. 

This was the chapter of which I was most interested in seeing how I stacked up. I mean, I asked the guy nearly a quarter of a century ago how do I become the host of my own cooking show and while I don't have a weekly series on cable or the Internet, I am hosting my own cooking show 3 times a day, 5 days a week; barring summer break, teacher work days and those blessed school holidays!

Alton says that to be an effective teacher you must entertain, engage and empower. I try so hard to do these 3 things. I've been trying my entire career as a culinary teacher which I have been doing for just about a decade. At least my wife thinks I do these well. And I do have contact with some of my students years after they've graduated and I am not just talking about being friends with on Facebook.

I love teaching and I try to learn from my mistakes. During my first day as a high school teacher, I got all high and mighty about the term 'Chef' and told a couple swaggering teen boys who declared themselves to be chefs that they hadn't earned the title. Needless to say, I didn't connect with those 2. But I have learned that when a kid calls themselves a chef, they're not attempting to challenge my skills, knowledge and experience. They're showing a passion for an art form that one day they might want to make into a career. 

From this read, I didn't even know Alton Brown wasn't really a chef. Nor does he want to be referred to as one. He considers himself a 'food educator.' And for the sake of pretension, true chefs don't refer to themselves as that, I learned.  For the most part, I refer to myself as a culinary teacher or instructor. But just as. French teachers have their students call them Madame or Monsieur, I do have my guys call me Chef. It's my way of making our Culinary labs as real world approached as possible by maintaining Escoffier's kitchen brigade system. I've stepped away from the ego trips for the sake of making a quality impact on my students and their career goals.

I approached this book as a student coming back to his mentor after years in practice for a refresher course on whether or not the pupil had achieved a job well done. I still fight with feelings of inadequacies because I've never once ever been mentioned in the same sentence as any teaching award, much less even been nominated. But I feel like I've lived up to Sensei Brown's philosophy on the culinary world and how to teach it. Have I made mistakes? Oh, yes. But I think that my philosophy on how to make cooking and eating even more fun and exciting than it already is, was thanks in very large part to Alton Brown.

If you became interested in cooking around the turn of the 21st century, during the heyday of the Food Network before it became all about competition instead of creativity and love of the food, whether you became a culinary professional or not, you need to read this book. Use it as a reference to see how well you did over the years. Did you pick up the baton from Alton and his predecessors? (In my case, that would be Julia Child, Martin Yan, Jeff Smith of The Frugal Gourmet and Chef Masaharu Morimoto.) Or did you let the pursuit of perfection kill that spark of passion for cooking?  

We've all had meals that missed the mark. I still remember the third meal I ever tried to make after becoming a foodie. My wife and I still talk about how terrible it was. But despite injury and a lack of time, I still haven't given up trying to make my next meal my greatest work of culinary art. And I've got Alton Brown to thank for it and I think you can too when you pick up this 2025 dissertation on the state of the world of the culinary arts.

Worth Consuming!

Rating: 10 out of 10 stars.

The Simple Art of Murder by Raymond Chandler

This is my first venture into the Philip Marlowe archetype stories written by Raymond Chandler. Well, almost. If you thought George Lucas was bad with his constant retooling of the original Star Wars trilogy, you have never encountered Raymond Chandler. The celebrated crime author was never happy with the end result of his work and he struggled for years with perfection. It is listed as one of the underlying causes of his chronic alcoholism. 

The character began with the name Mallory. Ever the perfectionist, Chandler switched up his ultimate character ideal with another private investigator named Carmady, then Malvern before settling on John Dalmas, whom the author made the focus of a majority of his crime works from 1936-1939 when Philip Marlowe picked up the baton in the form of an ever smoking revolver to fight and solve crime in the Los Angeles area.

Once he was happy with Philip Marlowe, Chandler began to go back to his older pulp shorts and reworked the shamus into them. Stories that I have previously read such as 'Finger Man', 'Red Wind' and 'The Lady in the Lake' were written before Raymond Chandler was satisfied with his protagonist. Yet, the editions I read were the second final drafts. In this collection, I got to read the original published works. It was almost like coming across a DVD with the original 1977 theatrical cut of Star Wars- before it was retitled as Episode IV: A New Hope.

This anthology of Chandler short stories begins with the title essay 'The Simple Art of Murder'. Chandler wrote a lot of essays on crime and mystery writing. This one is considered the Gettysburg Address of brief dissertations on the medium. It gives insight into the thought process behind crafting a mystery story. It also lets me a little off the hook when I find myself feeling like something didn't gel right as Chandler argues that crime stories are full of inaccuracies, red herrings and are in a word, implausible. 

Along with the piece that was first published in the Atlantic Monthly, there are 8 short stories. My favorite was 'I'll Be Seeing You'. It was the shortest story in the book and is considered the most perfectly set mystery story of all time. It certainly was memorable and I didn't want it to end. 'The King in Yellow', 'Pickup on Noon Street' and 'Spanish Blood' were really good as well. That last story sees the main character spending some time in the same mountain town where The Lady in the Lake took place and I enjoyed the sense of a shared universe because of the setting.

I was excited to see 'Guns at Cyrano's' in this volume. That story was originally published in Trouble is My Business. But the edition I read omitted it. It was story that was worth the wait. 

I was on the fence about 'Nevada Gas'. I like that the protagonist was something other than a PI. Here, he's a mid-level hood who is simultaneously fighting off a romantic rival as well as gangsters trying to frame him for the aerosol murder of a businessman. But this story also has some gaps like in one scene when the main character walks in on his girl and the rival, who disappears but is never mentioned as ever having exited the scene.

The one story I could have done without was 'Smart-Aleck Kill'. It seems like an open and shut case of suicide. But the murder weapon is a hand gun that's been filed, which doesn't seem to fit the M.O. of a suicide. So the detective on the case goes to the widow of the gun's original owner and that's when things are supposed to get really good. But I was bored with this story. It just didn't resonate with me. It took me several days to finish and I couldn't wait for it to be over.

Though I wasn't a fan of every story, I love the crime noir world of Raymond Chandler. Even with some tales having flaws in them! I'm totally hooked right now and I want to read more. But as there's so many volumes of collected works that often have some of the same works. I think I am gonna need a list so I can keep straight what I have read and what's still out there to uncover.

Worth Consuming!

Rating: 7 out of 10 stars.

Are You Afraid of the Dark?, Vol. 2: The Sinister Sisters and Other Terrifying Tales (Family Comic Friday)

Growing up, we had a number of horror anthology TV series to scare the pants off of us. Tales From the Darkside. Monsters. The Twilight Zone- both the black and white original in syndication and the full color reboot. But the show that creeped my generation out the most, was a series that on paper, should have been a much more tamer of a fright. That's because it was geared at teens and aired on Nickelodeon! I'm talking about Are You Afraid of the Dark?

This anthology series originally aired from 1992-96. It was the chilling capstone to a 2-hour Saturday evening program block that saw innocuous family friendly fare such as Rugrats, All That and more. Are You Afraid of the Dark? was good to spoil my good feeling mood and as I was a latch key kid on the weekends in the 90s, the show would put me on edge to where I was creeping out at every little late night noise.

The premise in involved a group of teens that made up a club called the Midnight Society. Each week, a different member would submit a new ghost story or other tale of terror for the approval of the club. Sometimes, it would be a potential new member having to craft a haunt in hopes of becoming a member. If I remember correctly, there was a couple of episodes (probably a two-parter of a season ending cliffhanger) where a member of the Midnight Society had violated the rules of the charter and had to tell the ultimate horror story in order to save their membership status.

In this volume, a set of twin sisters are challenged by the Midnight Society to tell the scariest story. The results of the competition could keep the secret club's existence from being made public or it could mean that one of the members is kicked out of the group. With use of Ghanaian folklore from the girls' ancestry, frightening tales of monsters that eat naughty students and angry gods will be told. However, the voting ends in a tie. Now the girls must team up to craft a story so terrifying that it threatens the siblings already fragile relationship!

Written by Roseanne A. Brown, who is from Ghana, I like the use of native folklore. I took an elective on myths and legends in elementary school and it was so fun, I continue to devour such new oral histories with aplomb! It's got me wondering if the previous volume is told in the same manner as there is a different creative team associated with it. 

The artwork of the first story had some creepy elements. I was entertained by the middle story but not scared. Yet, that last one. Oh boy. It was edging on demon possession, which is one of the few types of horror stuff I shy away from. 

Since the 90s, there have been 2 revivals of the series. Both occurred in this decade. Age and probably being exclusive to a streaming platform resulted in them not making a blip on my radar. Heck, if it wasn't for my local library having this book on a Halloween display, I wouldn't have even known that Are You Afraid of the Dark? was having a prose revival with today's youth. I scour Previews and other sites for comic new releases and I do not remember seeing this one even listed!

In reality, this early 2025 release is a tie-in from the most recent series reboot. While there hasn't been a new episode drop since 2022, Harry N. Abrams has published a couple of chapter books and one previous graphic novel as a tie-in, as the show had continued to be featured on Paramount+ . However, in the spring of this year, Paramount removed the show in order to focus on other projects. So this book might be the very last in the series, which is a shame, because it captured the spirit of the original series very well and creeped me out.

If your looking for scary reads this Halloween season for third graders and up, why not make a nostalgic connection with Are You Afraid of the Dark? If it resonates, there's at least one other graphic novel and a slew of chapter books, both in and out of print, to stoke the fire of literacy with the young readers in your life. 

Worth Consuming!

Rating: 8 out of 10 stars.

Spookhouse 2018 Halloween ComicFest Mini Comic

I am super stoked that Eric Powell has returned to his hillbilly criminal macabre roots with more adventures of the Goon and Frankie. But it will be next year before I read those because I cannot stand a cliffhanger. Plus I'm still behind 2 volumes. (They've not been very easy to find.)

Until then, I have this mini comic Halloween ComicFest promo and trick-or-treat freebie from 2018 to tide me over.

I've read the first story before. It's pure Powell. A group of obnoxious teens who are haunted house aficionados, are invited by a spry little fella wearing a great skull mask and a tuxedo to visit a legendary site. It's the location of a series of gruesome killings and rumor has it that for one night only, it's open to the public as the best scary attraction in the entire tri-state area. This is something those spook snobs have got to see for themselves.

I love this story. It's got a great punchline ending that while I saw coming a mile away, there's a twist that catches you off guard. Meaning I zigged when Powell zagged and he got me good! I also love the art for this story. You can see how legends from EC Comics like Jack Davis and 'Ghastly' Graham Ingels inspired Powell to create this all-ages fright fest. The design of the little fella in the mask and tails was brilliant. If they ever make a tee-shirt of the cover image, I must have it! And the poses of the subjects and the angles selected for the action- such fluidity of movement.

The second story is only written by Eric Powell. So visually, it lacks that magical oomph. It's about a young boy who earns a F on his book report on a book on monsters written long ago by his late discredited grandfather. More funny than scary. But it's got a ghost, a troll and a school marm who's a worst villain than the two previous frights combined. 

I don't know why I haven't just pulled the trigger and consumed all 10 issues from the 2 series. I've read at least 1 other issue and I thought it was great. And the fact that I read these stories previously and I had a big thrill reading it again; I think that speaks volumes to the skills and talents of Eric Powell. And I had so much fun!

I think next Halloween is going to be a Spookhouse Halloween... 

Worth Consuming!

Rating: 9 out of 10 stars.

Grubbs Halloween Spooktacular #1

Billy Watson goes by the unwanted nickname of Grubbs. But that's not what worries him at the moment. He's got his neighborhood Halloween plans all figured out. Now he's just got to find a way to ditch the rest of his group in order to maximize his candy earning potential. But when he faces the neighborhood bullies, who want to steal his hard-earned treats, Grubbs learns that it might not be a bad idea to have a partner!

Grubbs is created by Max Weaver and is partially based on his personal childhood experiences. His older brother gave him the nickname of 'Grubbs' because of how Max reminded his sibling of a grub worm. So I'm wondering if Billy Watson's ability to get into mischief might also be based on past experiences.

Grubbs is like Dennis the Menace without the snarky back talk. He's also a diabolical genius like Bart Simpson without the PG-13 attitude. And if Grubbs reminds you of Calvin from the Bill Watterson comic strip classic, it's all because of the artwork!

Max Weaver's illustrations are what I expect Calvin to look like if he was allowed to age past his eternal 6 years appearance and mentality. Grubbs is only 8 but I would have placed him at 10 or 12, especially with how he gives his older sister's new boyfriend the run around in the second, non-holiday backup story. And yet, I really didn't feel like Grubbs was all that devious behind the hi-jinx. 

This 2021 read was a ton of fun. But since it's not a book that is readily available to the public, I hesitate to make this a Family Comic Friday offering. Amazon offers a digital copy on its Kindle system. But I'm a fan of print. I don't care how affordable it is; nothing beats the experience of holding a book: smelling it, flipping of the pages, being enclosed by the intimacy of the 90 degree angled corner made when you open it for a good read. If you have kids that love Halloween or you're just a kid at heart and you can find this book in the wild somehow, you really should get it. Both stories were great reads. So good that I wasn't even disappointed that the second tale wasn't even Halloween themed.

Worth Consuming!

Rating: 10 out of 10 stars.

Archie Showcase Digest #24- Halfway to Halloween

This book debuted in stores in May. I was very lucky to find a copy still on a Harris Teeter magazine rack just a couple of weeks ago. Boy am I glad I did because there's a ton of stuff that I have never read before!

Archie, both Little and as a teenager, Sabrina and her bewitching family and Betty and Veronica all have both Halloween themed and regular day supernatural adventures in this book. I didn't realize how many abandoned mansions that are supposedly haunted, occupy the town of Riverdale. In this gigantic digest, I lost count after 4!

The best story was a multipart tale where an Addams Family archetype clan moves into the haunted mansion behind Archie's house. I liked this story because of how creepy and kooky this family is and yet Archie treats them like normal people. He even treats their man-eating shrub like you would a beloved family dog.Once he got to know their true character, of course. It's how if I meet the Addams Family or even the Munsters, I hope I would react and interact with them.

Another thing that was really good didn't involve anyone from the Archie gang. It was the monster heavy pieces from the 1960s horror comedy anthology titled Archie's Mad House. Those pieces looked like something from EC Comics and had the humor of MAD Magazine. I thought they were great! I've never actively pursued these issues. But I've never turned down a chance to purchase one of I ever find them while searching through discount long boxes. But I might just start...

My choice for the worst story was the story from Archie's Weird Mysteries. Adapted from the monster and alien heavy 2000 cartoon series of the same name, I was excited about this one at first. I loved the animated series and I had put the 25 issues based on it on my wish list. But after reading this one, I might have to rethink that. The story, which recounts how Veronica became chosen as the Riverdale version of Buffy the Vampire Slayer as well as the betrayal of their friend Scarlet, who was a bloodsucker all along, relies too much on the TV series. The recap is too long. Inside jokes about the cartoon are referenced way too much and I had trouble relating to the mentor character of Dr. Beaumont.

I didn't know that Halloween in May was a thing. I know all about Christmas in July. But if Archie Comics wants to make this digest an annual thing, I'm all for it! This Summer time digest had more new-to-me material than this year's October published Halloween themed Archie digest, which was almost comprised entirely of Archie Halloween Spectacular material of the past decade!

Worth Consuming!

Rating: 10 out of 10 stars.

Batman/Deadpool #1

The Dark Knight meets the Merc with a Mouth. 

This should have been the event of the year. If this had occurred 30 years ago, it would have made the front cover of Wizard Magazine, Entertainment Weekly and a host of other publications that have gone the way of the dodo. Even 20 years ago, such a cross company crossover would have made the news.

But it's 2025. There's so much media out there, this epic introduction was barely a blip on the radar. Still, getting the stars of the DC and Marvel universes together again for the first time in over 20 years was a crossover that established fans have been clamoring over for a very long time!

I must admit, I forgot about this one-shot happening. Earlier this year when the announcement was made, I promptly emailed my favorite comic shop and ordered a copy. I then put a pic of Batman and Deadpool together- officially!- on my Facebook pic. Then as time elapsed, I just forgot about it until I saw on a comic book website that the time had come. And yet, despite having been really excited about the meet-up, it was another week until I picked up my copy!

While Batman meeting Deadpool is the primary selling point of this book, there are several other crossovers contained in this Marvel published giant. After Deadpool is brought over from his universe to the DC one by a mysterious benefactor who hires the mercenary to off the Bat;  Wonder Woman and Captain America reflect on their past history which sees the DC and Marvel universes cohabitating as one. Then Daredevil and Green Arrow bump into each other in a story penned by Kevin Smith, who helmed classics starring the two characters. The Dark Knight Returns Batman and the Old Man Logan Wolverine are given the same treatment by an artist/writer who knows the pair rather intimately: Frank Miller! Then we get a tease that the Amalgam Universe could be alive and well with the introduction of Logo: a hybrid of Czarnian bounty hunter Lobo and the mutant Wolverine. 

Every story but 1 was great. Woman Woman with her World War II introduction to the world was the perfect team-up pairing with Captain America. Princess Diana must have a thing for Army men named Steve. Having Kevin Smith bring the Man Without Fear and the Emerald Archer together was another brilliant idea. And could it be true that we're going to be returning to the Amalgam Universe? Please say it's so! But man, has things fallen off for Frank Miller...

The artwork was primitive. But I can't really fault that. Arthritis and age have reduced many an artistic talent in the comic book industry to far cries of their glory years. But the dialogue for this piece. It was chopped full of cliches. It was such a jumbled mess. I didn't know what was happening nor what the hell either character was trying to say. 

Oh! And how could I forget that adorable play date between Krypto and Jeff, the Land Shark! Plus I loved the cultural exchange program between the Guardians of Oa and the Guardians of the Galaxy! Having Rocket Raccoon as a Green Lantern was hilarious. That adventure was way too short.

There was only one missed opportunity. No Deadpool meets Deathstroke. No Deadpool meeting Harley Quinn. Okay. That was 2 missed opportunities 

Thankfully, the DC/Marvel fun doesn't have to end just yet. In November, Batman and Deadpool will intermingle once more in a one-shot published by DC. Grant Morrison is set to pen it. Hopefully, Wade Wilson will meet Slade Wilson and Harleen Quinzel. Regardless, it should be epic. I can't wait. And hopefully, I won't forget about it this time!

Worth Consuming!

Rating: 8 out of 10 stars.

Dracula's Brunch Club (Family Comic Friday)

I started off my Halloween reads of 2025 with a fantastic book. Dracula's Brunch Club blends humor, horror and culinary arts in a story that takes everything you know about vampires and flips it around 180 degrees.

Count Dracula has won international fame. Not because he's the king of the vampires but because he's a world renowned donut maker! His sugary delights have forged a peace between humans and the undead. He even hosts a weekly brunch club where even werewolves can't help themselves for a taste of Dracula's famous crullers.

Dracula's claim to fame are his blood orange jelly donuts. It gives all of the vampires that partake a needed boost of late night energy. However, everything the Count has built threatens to come crashing down when his supply of blood orange jelly is stolen. Unable to make his signature dish, it provides an opening for a rival vampire to become the head of the brunch club, which is now full of mysterious new members. And he's even banished all of the human members from the club!

With jams, jellies and fruits on short supply, now Dracula and his trusty French Baker Chef Jeleu (Jelly in French) must create a new gelatin filled donut. Without it, the town's children's hospital fundraiser will be ruined, the Count will lose the coveted Spirit Award for excellence in baking and worse! No longer be a member of the very brunch club Dracula created! 

Writer Brian Gonsar and artist Keenan Gaybba make their graphic novel debut in this 2025 work from Oni Press. It has a spooky vibe with liberal amounts of silliness and humor. The entire foundation of vampire folklore is in this book; from their inability to reflect in mirrors to their love of A,B and O positive and negative blood. A few townsfolk get turned into creatures of the night. But it's all done off scene. There's a little bit of fisticuffs between Dracula and his rival. But it's nothing that's too scary or violent. 

Recommended for readers aged 8-12 on Amazon, I can support that suggestion. This book fits right in that kind of sweet spot for kids of that age who like scary things as well as really silly reads.

I love the cover. It's an image of a box of donuts. The fang marks on the jelly donut is hilarious. The plastic window in the shape of a coffin is genius. And the Dunkin' looking font was so clever. It perfectly hints at everything you should expect from this book: horror and humor.

I really thought I made a great choice with this book to start off my October of Halloween reads. This book isn't set during Halloween. But unlike a Christmas read, does a read for All Hallows Eve have to be set on October 31st? I don't think so. As long as there's that supernatural vibe, whether terrifying or not, a Halloween read can be set during any time of year. 

Worth Consuming!

Rating: 9 out of 10 stars.

Simpsons Comics Get Some Fancy Book Learnin'

I was a little skeptical about whether I would like this collection of Simpsons comics or not. I'm not really a fan of the episodes that take place during a different era. But I want to own all the Simpsons Comics there are, regardless of the book being a floppie or a trade. So I gave it a shot. Thankfully, these issues were more like a Treehouse of Horror, spoofing individual works of literature than that god awful episode from 2017 that took place entirely during medieval times. 

There's 5 issues that comprise this volume. Each focuses on a single subject. Hence why I was a little hesitant that I was going to like this one. Greek Myth, Fairy Tales and stories from The Bible are among the classics spoofed. Ian Boothby wrote every issue with artwork and colors being provided by a number of talents. Boothby did a fine job making cramming in numerous references and quick jokes like a standard episode of The Simpsons. And he managed to do it without getting too irritatingly repetitive. Every once in a while a joke from earlier in the issue would reappear. But Boothby used considerable restraint not going overboard with those gags. Too bad current Simpsons writers can't learn from this!

Surprisingly, the issue that I thought was the best was the one which dives into God's holy word. I was a bit on edge thinking it would be blasphemous. But Boothby did something brilliant that lessened some of the irreverence. He had Bart tell the stories! With the Sunday School teacher out sick, Bart retells the story of Noah's ark, Abraham and Isaac and The Prodigal Son to Rod and Todd with hilarious results. Bart getting details wrong isn't so much a criticism of the Bible; it's what kids actually do! It's why I love Little Lulu and Foxtrot so much. It reminds me of the mixed-up adolescents I teach on a daily basis. 

I really was pleasantly surprised by this one. There were several laughs to be had. Some great gags and a few biting commentaries. In a word, it was CLASSIC Simpsons humor and it was very much appreciated in a day where there's getting to be less and less to laugh about.

Worth Consuming!

Rating: 9 out of 10 stars.

Frankenstein #1

This 1963 comic is a grail that I have been searching for for a very long time. It's something that I've wanted so much that apparently the price I paid surprised the heck out of my wife. I only paid $20 for it. Sure, the cover has been tattooed by some kid named 'Fred'. But it was in decent shape with vibrant colors and beautiful artwork by Tony Tallarico. Inked by Bill Fracchio. Still, being a notorious bargain hunter, giving up a portrait of Andrew Jackson was a surprise to my wife.

This issue is officially licensed by Universal Studios and it offers a quasi-faithful retelling of the 1931 classic starring Colin Clive and Boris Karloff. The first half of the book follows Dr. Frankenstein attempting to recreate life in his castle laboratory. He succeeds but the experiment is flawed because the scientist's assistant accidentally destroyed the normal brain that was to go inside the monster's cranium and instead replaced it with a criminal mind. 

Frankenstein attempts to control the beast. But when townsfolk end up dead, those who survive storm the castle. Armed with pitchforks and torches, the citizenry destroy the castle, seemingly condemning the scientist, his assistant and his creation to their dooms within the fiery confines of Castle Frankenstein. 

It's at this point that the book takes a huge shift away from the movie and goes to a place never explored by Frankenstein and his creation: New York! There had been several sequels made by Universal Studios that continued the story of Frankenstein. The monster would get a bride, fight the Wolfman and even meet comedians Abbott and Costello. But none of those adventures ever occurred in the Big Apple. So why the sudden change to the legend? For that answer, you have to blame the Comics Code.

Even in the early 1960s, horror comics were still a bit of a cultural taboo. Zombies, vampires and werewolves were forbidden by the CCA. Dell Comics had survived being bound by the code, even producing an impressive catalog of works without the Comic Code stamp by following a strict self-imposed code of quality and conduct. However, the Universal monster movies of the 1930s were seeing an impressive comeback on the TV airwaves as certain copyrights had expired, introducing the likes of Bela Lugosi, Lon Chaney Jr., and Karloff to a new generation of monster fans. 

Wanting to capitalize on the sudden monster mania, Dell licensed several characters from the Universal vault. This would allow for a one-shot comic book adaptation of the original films to be produced without outcry about violating the Code, as the movies were by-and-large based on works of gothic literature and European folk lore. But how could Dell continue to tell the stories of the Universal monsters as the many, many sequels were nearly 100% Hollywood fabrication? 

The answer was to turn the monsters into superheroes. In order to do this, Dell needed to set up each character to be able to start off their crime busting careers. For Frankenstein's monster, that meant having Dr. Frankenstein and his creation surviving the destruction of his lab by escaping through an underground tunnel and fleeing to America. While in the States, Dr. Frankenstein seeks to introduce his experiment to the world at a medical convention. In typical fashion, the monster goes berserk, wreaks havoc and seemingly perishes deep in the middle of Hudson Bay.

Everything seems set up for a successful new Frankenstein series. The first issue was in such high demand, a second print was issued in 1964. Only the second issue didn't see print for 3 years after the premiere! With Dell still owning the Universal license, Frankenstein and his cohorts become superheroes, with much of what happened at the end of the first issue retconned away. Instead of being set in the Big Apple, the Monster lives in the fictional burgh of Metropole City. No longer trapped under water, the monster is instead revived by a convenient thunder bolt proving that lightning does indeed strike the same place twice.

I didn't really mind the changes to the story. Artistic license has been a part of comic book adaptations of TV and movies since it's inception. I just thought it was really odd that we go from 1880s Central Europe to more modern 1930s when Dr. Frankenstein flees to America. I know that parts of Europe are known as the Old Country. But I thought only Dr. Frank N. Furter encountered time warps...

Love this book. So glad to own it. Despite the poor reception, I really want issues #2-4 of the super-powered Frank; as well as his vampire and werewolf compatriots. They're oddities. They're kitschy. And they're still on my wish list! But so are the other more traditional Universal Studios publications, including the Mummy, who for some reason never received the heroic treatment.

Worth Consuming!

Rating: 9 out of 10 stars.

Chef Yasmina and the Potato Panic (Family Comic Friday)

Today's Family Comic Friday offering has just enough fear factor to be a perfect amuse bouch for the upcoming Halloween season. 

Aspiring chef Yasmina is on a budget. She's been utilizing fruits and veggies from her nearby community garden. But when a conglomerate buys the land and tears down the garden in lieu of an experimental crop, the young lady will have to make ends meet. And that means making secret raids on the rooftop garden of her overhead neighbor. 

Within weeks, a new product from the mega corp that bought up Yasmina's garden hits store shelves. It's an immediate success. In fact, you could call its fans rabid. That's because for some reason, anyone that eats the GMO potatoes in the new food stuff starts acting like rabid dogs; to the point of even chasing the neighborhood mail carrier. At first, Yasmina avoids the fervor, preparing healthy meals with the assistance of a pair of gardening fanatics. But when her father eats the mysterious potato product, she'll need all the help she can get to save the day. Even help from the neighbor that she pilfers produce from.

I thought Wauter Mannert's 2019 debut four-colored graphic novel was a great read. It was like a cross between Top Chef and The Walking Dead. Only there's no real zombies and there isn't any eating of brains! There was some oddball humor and some really unusual characters, which I chalk up to the creator being Belgian. Though I don't approve of anyone stealing items from another's property. I understand that Yasmina's theft helps bring the story to a successful conclusion to the story. But being the victim of multiple thefts in my time, I take umbrage with the hero making liberal use of the five-finger discount. And I am sure parents and guardians will feel the same as I do.

Despite my disappointment with that character flaw in our hero, I liked Yasmina and I hope that she might have some more unusual adventures with food. She does some amazing things with food. Her father has a culinary background as well, working at a Belgian fries restaurant. I think there was a missing opportunity by not having a couple of recipes included in the book. Though I greatly appreciated Mannert's one-page comic about the lives of children in Belgium and his director's cut commentary offers some amazing insight into the artist's creative process and inspirations for the story.

Genetically Modified Organisms have been in the news and cause for culinary debate for a good couple of decades now. As a culinary teacher and chef, I can tell you that not every scientific advancement in our food supply is as terrifying and reckless as the potatoes in this book. There have been some creations that straddle ethical practice. But there's also been some that have positively influenced our growing world. GMOs is one subject that my state wants different educational departments to cross teach and this is an excellent book that can get the discussion rolling with the young readers in your life while also entertaining. Plus, it was a great pick to whet my appetite for October fun which I just can't wait to get here!

Recommended for readers aged 8-12.

Worth Consuming!

Rating: 8 out of 10 stars.

The Unofficial Archie Hostess Snack Ads Collection

We all know that during the 1970s and 80s, the heroes of DC Comics and Marvel fought crime with the assistance of Hostess Twinkies, cupcakes and fruit pies. But did you know that the teens from Riverdale used snack treats to improve their love lives?

Archie and his pals, Sabrina the Teenage Witch and Josie and the Pussycats all manipulated the objects of their desire to fall head over the heels for them thanks to creamy vanilla frosting and delicious fruit filling. The most frequent purveyor of the delights was Josie, trying to either win over the muscular blonde roadie, Alan B. or attempting to outmaneuver her ditzy drummer who won all the hunks, Melodie. Sabrina mostly used her powers for good, conjuring tiny cakes for hungry kiddies she was babysitting. Meanwhile, Archie scored with both Betty and Veronica, thanks to Hostess, while Jughead was actually pretty chill, using an amazing withstand to not eat all the treats being advertised.

This unofficial collection was published by Trident Studios. They keep surprising me with these mini comics that pay homage to the advertisements disguised as comic books from my childhood. Included in this collection are several comic ad one-pagers that used Archie characters as four-colored pitchmen. Archie, Jughead and Betty went on a trio of three-part adventures in search of Capri Sun. Fruit snacks, make-at-home slush packs and even a universal video game controller were hawked by members of the Archies. 

I can't believe that I paid money for a bunch of old ads. I also cannot believe how much I enjoyed this trip through my childhood. The scans were vibrant and clear as crystal and the font size was big enough to enjoy without severe eye strain. I hope Trident has some more offerings up their sleeves. Though I can't imagine what else from the realm of commercial comic books is out there in need of collection and publication. I guess only time will tell.

Worth Consuming!

Rating: 8 out of 10 stars.

The Complete Crimebuster: Volume 3 (Gwandanaland Comics #1430)

About 4 years ago, Gwandanaland Comics was having a fire sale. Several titles had either not sold very well or were returned for various reasons. So I got a very good deal on this book along with several others. In my usual fashion, it took me forever to finally decide that I was ready to give it a read.

Crimebuster was a major character in independent publisher Lev Gleason's arsenal. Featured in Boy Comics, the character appear in over 100 issues. And since most issues contained 2 Crimebuster features, this term hero had around 200 adventures. 

A lad whose parents were killed during World War II, Chuck Chandler drops out of boarding school and devotes his life to battling crime in all its ugly forms. Wearing his hockey uniform and a blue cape, Crimebuster was one of the few Golden Age heroes to not have a secret identity. In fact, in one issue, he attends his high school reunion while in costume amongst his old school chums. How's that for being the alum who was the most likely to succeed?!

Battling murderous con men, deadly bank robbers and vengeful land owners, Crimebuster was assisted by his trusty monkey sidekick Squeeks and District Attorney Loover, who is constantly shown-up by the sleuthing hero who's instincts rival those of Sherlock Holmes and Hercules Poirot. 

Being a Lev Gleason publication, there were 2 potential editors of these stories; both of whom had dubious reputations in the comic book industry. Boy Comics happened to be the work of Charles Biro, an undisputed creative genius, who might have been one of the faces on the Mount Rushmore had he not succumbed to his biggest vices: booze and gambling. Biro was an oddity in comics during the 1940s and 50s. He willingly and proudly put his name on the covers he illustrated as well as stories he scripted. 

The stories were a combination of swashbuckling action, light-hearted fun and salacious crime. Biro's melodramatic introductions bordered on the rambling verbose. The series could almost be considered a crime anthology as it wasn't unexpected for readers to not encounter Crimebuster until the last act, way after the dirty deeds had been committed and the criminals turned into fugitives. But no matter what, each adventure ends with Crimebuster bringing the villains to justice, whether through active or passive means.

If the protagonist looks oddly familiar, then you must be a fan of Rage Against the Machine. Crimebuster just happens to be the cape wearing character on the cover of the band's 1996 album, Evil Empire. The hero's altered look was taken from an original painting by Mel Ramos who made the work as a birthday present for a friend who happened to be a huge fan of Crimebuster. 

Speaking of covers, there's something rather odd about every single one of them. Instead of being posed in a dynamic heroic manner facing the reader, Biro would frame his hero from the behind. Whether it's riding atop a speeding sedan driven by mobsters, pursuing an off-stage murder during a Broadway production or comforting a girl when it's discovered that her father is a serial killer, Crimebuster just doesn't face forward! I'm sure there's something psychological and subliminal about this. Unfortunately, I don't have the medical background to diagnose these very un-comic book-like covers.

Despite not being a typical comic book, I liked what I read. And what could I expect? Lev Gleason's books were notorious for going against the grain. And that defiance made for good reading. Will I keep this book? No. But I will definitely be on the lookout for other volumes in this series. There was at least two volumes published prior and I'm pretty certain that Gwandanaland published at least a couple more volumes of later adventures of Crimebuster.

A must read for fans of pre-code crime comics! A whole lot cheaper too. I suspect that the reason I got such a good deal on this book was that it got returned because one of the issues is unreadable. The scan is so blurry. I couldn't even read it with my reading glasses without getting a headache. And yes, I am counting myself has having read the whole book even though I had to give up on that poorly copied issue containing TWO Crimebuster tales. It's presence was included in order to maintain a complete run of stories. Hopefully, other volumes don't suffer from such additions. I don't think my eyes could take it. 

Worth Consuming!

Rating: 8 out of 10 stars.

Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book by Gerard Jones

While this is a general account of the origin of the comic book, the crux of the narrative involves Jerry Siegel and Joe Shuster. These 2 Cleveland kids became friends, dreamed of creating a character worthy of a newspaper strip and ended up creating the archetype of the superhero which would dominate comics for over 85 years and counting. Boy, did the creators of Superman get screwed. But so did a whole lot of comic book creators, writers and artists during the infancy of comic books. Superman's creators, especially Jerry Siegel just happened to be the most vocal about it and essentially both men were blackballed for it.

I didn't realize how much influence that organized crime had in the early days of comics. Not just the Italians; but the Jewish mob as well. Harry Donenfeld, the founder of the publisher that would become DC Comics, rubbed elbows with the likes of Meyer Lansky, Lucky Luciano and Frank Costello. With their money funneling through Donenfeld's publishing and printing companies, any sort of shaking of the apple cart meant unwanted scrutiny. So anytime someone complained about low page rates or contacts not being honored, scummy accountants like Jack Liebowitz would show doctored ledgers indicating huge losses while bemoaning a lack of financial security. Then someone like the creators of Superman would be tossed a couple hundred bucks and hopefully walk away quietly while the editors and publishers lived like kings.

But it wasn't just the executives taking advantage of their creators. This book will make you despise Bob Kane, if you didn't already. Kane would literally steal the credit from his ghost writers and artists while basking in the limelight of being Batman's dad. Poor Bill Finger would die a drunken pauper, having really done all the work to make the Dark Knight one of the most popular superheroes of all-time and getting zero credit until decades later after his death.

You get a renewed respect for Will Eisner with this book. William Gaines too. I didn't know that his father hated him so. And poor Bill Gaines. He just wanted to be a school teacher and ends up having to become the editor of E.C. Comics after his father's suspicious drowning death, in order to keep his family afloat financially. I also feel really bad for Gaines for flaking out during the Senate hearings on comic book violence led by Senator Estes Kefauver. Image how things could have gone differently had Gaines swallowed his pride and not insisted on testifying to disastrous results. We wouldn't have had MAD Magazine, that's for sure. 

2005's Men of Tomorrow was written by comic book writer turned noted comic book historian Gerard Jones. It's an interesting story that examines the ins and outs of the early comic book industry as well as the personal lives of Siegel and Shuster. Neither were very pretty. It's a good read that teaches a lot I didn't know. But it could have been about 30 pages shorter if Jones didn't keep reminding us about what had happened prior. Though, maybe the author was trying to capture the way comics would keep readers up-to-date on the accounts of the previous issue before diving into the latest chapter.

Plus with this being a scholarly work, there's about 30 pages of notes that you can skip as well. That is unless you enjoy reading citations and sources of which I gave up interest in pursuing years after I graduated as a History major at NC State.

A must for those remaining collectors who are devoted to the entire field of comic books across the ages. And if you love the pulps or thinking about becoming a collector of those aging precursors to comics (and I don't mean that because of the source material which is considered taboo and very un-PC), the first four chapters are the introduction you've been looking for.

Also, the cover is a collage of comic book panels crafted together by famed book cover artist Chip Kidd. I'd really like to know what book he used for the top panel. Was it from a religious comic about the Rapture? I'm very interested in knowing the story behind that panel.

Worth Consuming!

Rating: 8 out of 10 stars. 

Gunmaster (Gwandanaland Comics #684)

This collection of Charlton Comics Westerns comes from Gwandanaland Comics. It collects the 10 issues of the solo titled Gunmaster series. Published in stunning full color, there's also another collection of the character's adventures from the pages of the anthology series Six-Gun Heroes. I don't have that book, which is perfectly fine. Almost every story in this book is a standalone tale that doesn't require any prior knowledge about Gunmaster or his teen sidekick Bullet Boy. The only thing that seems to be missing here is any sort of an origin story about the main character and/or how he met Bullet Boy. But for all I know, there might not even be a origin story. Though that does seem unlikely.

Our hero is a talented gun smith, Clay Boone He's a man that abhors violence. To many, he's a yellow bellied coward. But secretly, he's a vigilante masked man who uses a stunning array of handmade weapons and gadgets to bring in outlaws with no fear of the men who wear the badge. 

Gunmaster's sidekick has got to have the most transparent secret identity in all of comicdom. If you thought Clark Kent just wearing glasses was see through, you haven't read anything yet. Bullet Boy's real name is Bob Tellub. That's Bullet Bob backwards! The kid is basically 1 letter away from a super villain with a mirror figuring out who these armed vigilantes really are. And if you ask me, I am pretty sure that the local authorities know that Clay and Bob are Gunmaster and his ward and the law men are just playing along because the masked heroes are the ones sticking their necks out in pursuit of justice.

This series reads like the Gary Cooper and Grace Kelly classic Western High Noon, only with hi-tech and gadgets. Gunmaster might have invented a lot of weapons. But he surely had nothing to do with Chekov's gun which is essentially a literary rule that states that if a gun appears in act one, it must be used in act 2. We witness Cooper creating a lot of gadgets to use in his war on crime at the beginning of every story that never gets used nor mentioned ever again by story's end.

One aspect that I did think that this series was rather superior at was it's villains. There's some varmints with gimmicks that rival those of Jonah Hex. There's the snake oil salesman with the hypnotic eyes. A fat guy who's the brains behind some impossible hold ups. Not to mention a Native American with supernatural connections to the predatory hawk and a tough guy who's charisma intimidates the heck out of Gunmaster. Having several of them return for a showdown against this Western pair of do-gooders was an exciting way to end the series.

That's not to say that they were all Professor Moriartys. The guy who thought he was the new king of a region of Mexico was a major wuss. And several outlaws were drawn so goofy-looking like they were the ancestors of some of the gangsters that Dick Tracy will one day face.

Various artists worked on this series that ran from 1965-67. There were varying degrees of success. But the real masterpieces were the covers dynamically illustrated off and on by Dick Giordano and Rocke Mastroserio. I never could figure out who wrote the stories with the exception of Joe Gill. For some reason, only they were given a writing credit in the last issue.

An interesting read with some strange and rather bizarre storylines. It wasn't always pretty. Far from it. .But I can see where this book might have influenced DC's Weird Western Tales.

Worth Consuming!

Rating: 7 out of 10 stars.

Rogues

It's been a long time since DC or Marvel produced a true crime heist story involving super villains. 2006's Secret Six miniseries might be the closest thing we've had and that was more about baddies acting righteous during a time when the heroes were acting criminal.

In Rogues, Leonard Snart's glory days as one of the Flash's arsh-enemies is long past. In his late 50s, balding, overweight and kept on a tight leash by a parole officer who deserves his own spot behind bars, the former Captain Cold is a broken man. 2 of the Rogues are dead. His sister, the Golden Glider has renounced her life of crime and became an inner city social worker. The Trickster has become a hack magician, performing to elderly crowds. Mirror Master lost his mind in a drug induced haze. Mick Rory, AKA Heatwave, still plays with fire. Only, he does it with an entrepreneurial flare, committing arson by torching buildings for a cut of the insurance check. 

Now is the time to bring the gang back together. For years, Smart has been planning a heist so outrageous, that it's literally a suicide mission. With Captain Cold's guidance, the Rogues are going to infiltrate Gorilla City and rob Gorilla Grodd's personal vault laden with tons and tons of gold. Good thing Smart has decided to recruit a couple of former members of the Suicide Squad to help in executing this insane plan!

Joshua Williamson penned this story which is nearly flawless. I don't even mind that there's zero appearance of any of the multitude of men to carry the moniker of the Flash in this book. My biggest issue is the addition of DEO agent Maggie Sawyer. She's a great player in Metropolis. But she really doesn't seem to have a place in Gorilla City. At least not here in this story.

Rogues was originally released as a 4-issue miniseries in 2022. The first 3 issues were by Italian artist Leomacs. Issue #4 marks the debut of artist Luca Finelli. The transition between the two was flawless. I didn't even realize about the shift change until I was reading the biographies at the end of the book. I don't know who's talent that speaks higher of. But I loved the artwork throughout this entire piece.

This is a Quentin Tarantino level story and that's not just because of the amount of violence. Tons of swears. Tons! And we're talking F-bombs. This might be a DC Comic title but it's a Black Label release. Definitely not for the kids. But a must for fans of the Scarlet Speedster and his gallery of Rogues.

Worth Consuming!

Rating: 9 out of 10 stars.

Superman: Year One

Frank Miller, the godfather of the 'Year One' storyline, gives Superman the long overdue treatment in this deluxe sized Black Label tale. In other words - this very well could be an imaginary story. But I'd be totally fine with it being turned into canon.

The childhood story of Superman doesn't really change. His Kryptonian parents, knowing that their planet is doomed, ship baby Kal-El to Earth in hopes of becoming humanity's savior. Raised as Clark Kent by Kansas farmers, Kal-El learns the difference between right and wrong while forging a friendship with Pete Ross and a budding romance with Lana Lang.

Once Clark graduates high school, the origin changes. For the first time ever, in Act Two, we see Kent joining the Navy in hopes of learning what it means to be human while finding his place in this world as a god among men. Clark's romance with the mermaid Lori Lemaris takes an unusual twist with the Kryptonian becoming the ruler of Atlantis, after defeating her father in combat.

It appears that Frank Miller is really going to challenge the established legend of Superman by having him become a super-powered Aquaman. But that's all but forgotten in the final act; just as Clark's relationship with Lana becomes nothing more than a memory by the time he finishes basic training. When Superman meets Lois Lane in a great twist on their first appearance in the crashing helicopter trope, the very young Man of Steel just gives up his life in Atlantis, enrolls in journalism at a nameless University, and becomes an intrepid investigative reporter at the Daily Planet. 

This is not a 365 day year in the life of Superman. It's more of a series of snap shots in the first 25 or so years of life of Clark Kent. This makes for some inconsistencies in the plotting, a ton of forgotten friends and family, and an ending that didn't feel like the end. I wouldn't be surprised for a Superman: Year Two to be announced sometime in the future. Though this book is from 2019, so our chances of that might be dwindling...

As for John Romita, Jr.'s artwork, it too was inconsistent. But it's actually something that works in his favor. In my late 40s, I understand that when you have a career that involves your hands, arthritis and age are your worst enemies. Jr.Jr.'s art has really suffered over the last decade. But when he shines, he really shines here. There were several pages that I spent a long, long time marveling at his dynamic drawings. Powerful renderings. Amazing angles. Kick ass action. It helped improve my rating for this book that feels in desperate need of a director's cut edition.

Worth Consuming!

Rating: 7 out of 10 stars.